Category: History

Top Post for 2014 – The Eye of the Beholder: Standards of Regency Beauty

Vanessa here,

As we anxiously await the new year, we thought we’d repost the top two posts for 2014. This is one on beauty is the runner up for most read post here at RegencyReflections.com.

The Eye of the Beholder: Standards of Regency Beauty

Kristi here. In a recent fit of nostalgia, I’ve been watching some of my favorite shows from the eighties on Netflix. Aside from the huge difference in sound and film quality and the stiltedness of some of the acting, I was struck by the vast gulf that existed between what was considered beautiful then, and what it is now.

The fashioning of hair and clothes are obviously different – high-waisted jumpsuit with enormous shoudlerpad,s anyone? – but as I put on my analytical thinking cap, I saw it went deeper. The size and shape of the bodies and even the eyebrows is different.

If standards of beauty can change that much in thirty years, imagine how they could have altered in 200 years. What was considered beautiful in the Regency era?

natural-regency-makeupPale Skin

Pale skin was considered a sign of wealth as it meant you didn’t have to work outside. In Pride and Prejudice, Elizabeth Bennet’s tan is remarked upon when she travels to Derbyshire with her aunt and uncle. Caroline attempts to use Elizabeth’s darkened skin to diminish Darcy’s attraction.

Curves 

The Regency ideal was a good deal plumper than today’s standard of beauty. Paintings and poetry from the day show an affection for plumper backsides and dimpled thighs. Again this was a sign of wealth. The plumper people didn’t have to work psychically and they had plenty to eat.

The appealing curves extended to the facial regions as well, with rounded, young looking faces reigning the day instead of the cut cheekbones of modern times.

1817 fashion plate

Delicate Clothing

Light colors, embroidery, and nearly translucent fabrics were the epitome of fashion. Yards of ruffles and ropes of jewels were the epitome of beautiful. The glittery adornments and delicate clothing were, once again, signs of wealth.

The more delicate appearance also extended to the hair, with wigs and enormous headpieces falling out of fashion, curls, feathers, and natural hair were prized. This signified that not only could your delicate hairdo withstand your lifestyle, but that you were healthy, as wigs had become popular in an attempt to disguise illness induced hair loss.

Shoes were also delicate, especially evening shoes. Men were known to still wear the occasional heel on a night out and more than one woman packed an extra set of dancing slippers in her reticule.

 

Beauty trends of the Regency era were obviously tied to what the wealthy could attain. Do you think that holds true today? Do you think the working classes of the Regency had the same opinions of beauty as the upper classes did?

 

Originally posted 2014-12-29 08:00:00.

Matchmaking Pudding ~ A short story by Laurie Alice Eakes

Merry Christmas from Regency Reflections! Our gift to you is this charming short story written by Laurie Alice Eakes. This is a revised edition of a story previously published in an American Christian Romance Writers (Now American Christian Fiction Writers) newsletter. 

(Note: To the English, “pudding” is not the custard-like substance Americans call “pudding.” English pudding is more like a cake, though it Is boiled, not baked, and plum pudding does not necessarily contain plums.)

 

The Devere family entered the kitchen once a year. From Lord Devere, to his wife ; from Rebecca, the youngest of their nine children, to Sarah, the eldest , the family gathered around the worktable on Christmas Eve morning to take turns stirring the plum pudding. According to tradition begun a century earlier when the last Stewart, Queen Anne,  sat on the throne, each person prayed as he or she stirred—prayed for prosperity and joy, prayed for strength and future spouses.

“Let us say a special prayer for the new year,” suggested Belinda, the middle daughter.

Everyone agreed—except for Sarah. Christmas might now have more meaning to her heart , but to her, what went into and came out of the pudding needed a helping human hand, not divine intervention.

She intended to control the disbursement of the charms, those tiny trinkets that made each slice of the pudding an adventure. When the family gathered with friends and neighbors to partake of the pudding, Sarah would ensure that each person received the charm that she thought befitted their needs.

Belinda would receive the thimble, reminding her to be thrifty with her pin money. Rebecca would receive the wishbone because she, being so small, needed all the blessings she could get during the next year. Their father would find the anchor in his slice of pudding, for he was such a stronghold for all of them he needed a safe harbor himself. The crown would go to fifteen-year-old Geoffrey because he would enjoy directing the festivities as “king” and wouldn’t be mean about his revels. Finally, to Lance would go the ring. Although he was only four and twenty, he was the heir and should wed sweet-natured Eliza. They’d loved one another since infancy.

Sarah frowned as she stirred the pudding with one hand and fingered the trinkets in her pocket with the other. “And, Lord, don’t bring Alexander calling again.”

Eliza’s older brother Alexander Featherstone had begun to court her, Just because I’m the only female in ten counties who hasn’t thrown her cap over the windmill for him.

Not that she was impervious to his looks, charm and intellect. She could love him. . .if he came around too often. She feared she already did love him; thus, she wanted him to stay away from her rather than add her to his quiver of fawning females.

“Tharie.” Rebecca, tugged on the skirt of Sarah’s round gown, “you’re taking all the turnth.”

Sarah released the spoon and stooped to lift her baby sister high enough to grasp the wooden spoon. Once on the floor again, Rebecca looked up with a seraphic smile. “I athked Jethuth for a huthband for Tharie.”

Sarah grimaced. “You’re better off praying for a wife for Lance. That won’t take a miracle.”

Belinda giggled. “Oh, I don’t think it’ll take a miracle—for either of you.

Blushing himself, yet smiling, too, Lance grasped the spoon from Belinda. “I pray that Eliza accepts my offer.”

“We’d like excellent matches for both of you,” their father said. “Who has the charms?”

“I do.” Sarah gave the trinkets to the cook to drop into the batter as she poured it into the bag for boiling.

Except the cook wouldn’t drop them in. Sarah had persuaded her and the butler to press the charms into the pudding slices of the right people. The cook’s nod assured Sarah she would carry on the game, and Sarah followed the family upstairs to rest before church.

At the service, Alex and Eliza joined the Deveres at the church. Somehow, Alex ended up sitting beside Sarah in the box pew.

When they stood, he slipped his large, warm hand beneath her lace-clad elbow. When they prayed, he took her hand in his, and she couldn’t pull it away without drawing attention to them. When they departed, he draped her cloak over her shoulders and allowed his fingertips to brush the side of her neck. Those were courting gestures, and she didn’t know why he teased her so.

Nor why God had ignored her prayer to keep Alexander away.

Disturbed, she tried to climb into the carriage with her parents and younger siblings, but they declared the vehicle overcrowded and insisted she go with the Featherstones. But that carriage was also full, so Sarah and Alex strolled the half mile from village to the Devere estate over ground white and hard with frost, through air that turned white with each breath, beneath a sky that resembled candle flames frozen in black glass. Cold, Sarah didn’t object when Alex tucked her hand in the crook of his elbow, then covered her fingers with his.

At least she said she didn’t object because of the cold. In truth, she felt warm all the way through, and that made her uncomfortable, unsure of herself.

Sarah hated being unsure of herself. She never was unsure of herself—except around Alex lately.

Lord, I don’t want to be another foolish female with a broken heart over him. But she feared she already was, for she’d seen him courting many girls in the decade she’d known him noticing females.

The Lord seemed to be ignoring her. Alex sat beside her at the table as the butler carried in the pudding and began to serve. Smiling, she watched everyone take their first bite of pudding, anticipating the moment when each found his charm.

But no one did.

Family member after guest savored the rich sweet until half of everyone’s slice vanished—except for Sarah’s, as she hadn’t taken so much as a nibble of hers. Everyone glanced around the table, curious,  puzzled.

“Who’th got a charm?” sleepy-eyed Rebecca asked. “I wanted the crown.”

Everyone shook their heads.

Lord Devere looked at Sarah. “You gave Cook the charms, didn’t you?”

“Yes, Father.” Sarah glanced at the butler, who gave her a twinkling glance, and her stomach knotted, her heart pounded.

Alex touched her arm. “You haven’t touched your pudding.”

Sarah read laughter in his gaze, and had to steel herself against running  from the table.

“Here, have a bite.” He seized her fork and cut off a generous mouthful of pudding, then held it up for her.

Face heating, Sarah sprang to her feet. “I don’t want pudding. I want to see everyone finding the charms I made certain they’d receive.”

Everyone looked shocked that anyone dared interfere with the discovery of plum pudding charms—everyone except for Alex and Geoffrey. They started laughing so hard the bite of pudding slid off the fork in Alex’s hand and plopped onto the white linen tablecloth. The pudding fell apart to reveal the tiny silver ring.

“Hurray!” Rebecca clapped her hands. “God anthwered my prayer. Tharie will get married this year.”

Alex turned serious. “I certainly hope so.”

“Oh, you!” Sarah spun on her heel and fled with a cacophony of laughter and exclamations running behind her.

She barely reached the nearest refuge, the winter parlor, before she heard footfalls behind her and felt a hand drop onto her shoulder, stopping her. “Wait,” Alex said.

She faced him, shaking. “Why? So you can make more of a fool of me?”

Alex met her glare with a challenging gaze. “More of a fool than what you’ve been making of me for the past three years?”

“What?”

“Sarah, everyone in the county knows I love you except for you.” He clasped her hands between his. “You treat me like I’m poison.”

“You are as dangerous as poison if anyone gets too close.” When he kept gazing at her in silence, she plunged. “You love every female so much you don’t love any of us. My Christmas prayer was for  God to keep you away tonight.”

“But God has other plans for us.” He took her hands in his. “What better time than Christmas to remember that He knows what we need more than we do?”

Sarah frowned. “And you claim God believes I need you?”

Alex grinned. “You wouldn’t care if I were here if you didn’t love me.”

“Oh—”

He kissed her before she could say more.

She still said nothing because he’d stolen her breath.

“And I went through a great deal of trouble to ensure you got the ring.” His eyes pleaded with her. “Doesn’t that count toward you believing I love you?”

“It’s cheating—”  Blushing, she began to laugh. “If I’m the only lady you’d do that for…”

“The only one. A match made in”—he kissed her again, his lips sweet from the confection he’d been eating at the table—”pudding.”

Originally posted 2014-12-25 01:48:19.

Interesting Facts about the Prince Regent

Susan here — let’s take a light look at the Prince Regent — the namesake of our beloved Regency period. Born in 1762, died 1830, King George the 4th (Prince Regent) was one of 15 children. The oldest son of King George the 3rd, he did not follow his father’s conservative ways. He was Prince Regent from 1811 to 1920, and then king for ten years.

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Age he “left home”: 18

Favorite vacation spot: Brighton

Age at ascension to the Regency: 49

Age at ascension to the throne: 57

Number of concurrent marriages: 2 (Maria Fitzherbert, Caroline of Brunswick)

hated: flat roofs

Took unjust credit for: British victory in Spain, and the overthrow of Napoleon

Was firmly convinced that: he fought in the Battle of Waterloo

Favorite authors: Jane Austen, Sir Walter Scott

Famous book dedicated to him: Emma, by Austen

Waist measurement: 50″ (1824)

Health problems: gout, arteriosclerosis, dropsy, and possibly porphyria

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Information about George the 4th (the Prince Regent) is accessible and understandable. I recommend a brief study of his life to better frame your Regency knowledge.

Who’s your favorite historical figure of the Regency?

 

 

Originally posted 2014-12-08 01:00:00.

I’ve Got a Headache… Now What? ~ A Look at Regency Pain Medicine

Kristi here, emerging from my medicine induced stupor to contemplate illness in Regency England. Last January I looked at Regency cures for coughs and colds. Today, my mind is, quite literally, more absorbed with pain.

Anyone who has ever awoken with a stabbing pain in their head has been grateful for a bottle of Tylenol.

Our Regency heroes didn’t have Tylenol.

So how did they manage pain?

For things such as headaches and body aches, there wasn’t much to do but go to bed or perhaps rely on the effects of alcohol. Home remedies such as willow bark tea were around, but not necessarily well known across the country.

Laudanum was prescribed for multiple ailments. But many households had their own version of the medicine, mixing the key ingredient – opium – with a bit of alcohol.

More dramatic medical pain such as broken bones relied on the natural remedy of fainting to save the patient from the excruciating pain. Anesthesia didn’t make an appearance on the medical front until the late 1850s.

If one were lucky enough to be in a place with an ice house, they might numb the injured area with ice, but most of the time, especially during the war, ice wasn’t an option.

While medicine was moving towards many of the medicines we know today, they weren’t available to the public at large, or even known by the majority of physicians and apothecaries.

There are days when I wish we wore beautiful gowns and danced at social gatherings, but today I’m more than happy to live in the 21st century where I can take a long, hot shower, pop a Tylenol, and get on with my day.

Originally posted 2014-12-04 01:00:00.

Gerard’s red and black scarf – done!

Gerard's scarf211

I finally finished Gerard’s scarf! This is the scarf that my hero gives to the heroine in my Regency romance, The Spinster’s Christmas, in the Mistletoe Kisses romance anthology.

I chose a knitting pattern book originally published in 1837, but the pattern was likely being used during the Regency era because many of these patterns had been handed down by word of mouth long before they were published.

FullSizeRender

The picture doesn’t do it justice because it doesn’t show how soft and squishy it is! Because of the double-knitting and drop stitch, it’s essentially two lofty layers knit back to back.

Here’s the link to my Revelry project page if you’re interested.

PreludeCoverI gave away this scarf and 10 copies of Prelude for a Lord on a contest on my blog and announced the winners today.

I so enjoyed knitting this antique pattern! I felt a bit connected to Jane Austen. And she might have been given this pattern and used it to knit her father a scarf, who knows?

I enjoyed it so much that I’m going to knit another antique pattern from the The Lady’s Assistant for Executing Useful and Fancy Designs in Knitting, Netting, and Crochet Work by Jane Gaugain, published in 1840. She is thought to be the first person to use knitting abbreviations, at least in a published book, although they are not the same abbreviations used today (our modern abbreviations were standardized by Weldon’s Practical Needlework in 1906). Mrs. Gaugain was a contemporary of Miss Watts, who wrote the knitting book where Gerard’s scarf pattern is from.

I think I’m going to knit the Pyrenees Knit Scarf in Mrs. Gaugain’s book. It is described as being knit in blue and white, which sounds lovely! I’ll keep you posted on this blog as to my progress.

Originally posted 2014-12-01 05:00:00.

The Speckled Monster in Regency Society ~ Guest Post by Shirley Raye Redmond

While enjoying Regency romances with their witty dialogue and ton parties,
one seldom considers the dark and often fatal shadow which loomed over
those that lived during that time period—small pox, often referred to as
“the speckled monster.” The disease killed hundreds of millions of
people—more than the Black Death and the wars of the 20th century put
together!
A woman who was considered a great beauty during this time period was
usually one who had not been seriously disfigured by smallpox. It was
understood by portrait artists of the day that they were not to paint in
the disfigurements and pockmarks of their subjects. Edward Jenner was the
British physician responsible for the first smallpox vaccine. His wife was
a Sunday School teacher who held classes in their home.
AP PruJane Austen’s dearest friend Martha Lloyd was scarred by smallpox for the
remainder of her life. Several members of the Lloyd household died from
the disease. A character in Austen’s novel Northanger Abbey is disfigured
and crippled by the dreaded disease.
But most writers of Regency novels do not mention small pox even though
one in four people died from the disease during this time period. I
decided to make the subject a key factor in the plot of my new
inspirational, PRUDENCE PURSUED and addressed the issue right away on the
first page.

Excerpt from Prudence Pursued: 

“You should not wear that to the pox party,” Prudence Pentyre said, indicating her younger cousin’s dress of light green Italian silk. “I recommend something with short sleeves which allows you to expose your forearm to the lancet.”

 

Margaret shuddered. Her plain face, pale and lightly freckled, appeared downcast. “Oh, Pru, I wish I didn’t have to go.” She stood, slender shoulders drooping, in front of her open wardrobe.

 

“Truly, Meg, there’s nothing to worry about,” Prudence assured her, slipping a comforting arm around her cousin’s slim waist. “Papa had all of us vaccinated with the cow pox when we were still in the school room—and the servants too. I’m quite surprised my Uncle Giles didn’t do the same,”
Prudence replied.

To find out what pretty milkmaids had to do with Edward Jenner
successfully finding a way to prevent small pox, you’ll have to read the
rest of my novel. For more information about the horrors of the disease, I
recommend The Speckled Monster by Jennifer Lee Carrell (Penguin)

Prudence Pursued
By Shirley Raye Redmond

At the advanced age of twenty-seven, Prudence Pentyre is on the shelf.
Content to occupy her time by attending meetings of Mr. Wilberforce’s
Abolition Society, Prudence is resolved to see that her younger cousin
Margaret, shy and plain, does not share her own unmarried fate.
Despite her best efforts, all of Prudence’s matchmaking attempts fail.
Margaret proves reluctant to accept Sir James Brownell’s marriage
proposal, and fears being “bovinised” if she undergoes the controversial
cowpox vaccination he recommends. And the dashing baronet—with his
sunburned skin, eye patch, and unfashionable attire—seems more concerned
about the plight of headhunters in Borneo than Margaret’s stubborn refusal
of his offer.
Prudence, on the other hand, finds herself unexpectedly smitten with the
man. Can she trust that God’s plan for her life is richer and more
rewarding than the one she had planned for herself?
Available through Amazon, Barnes & Noble, Smashwords, Kobo, and iTunes.

Originally posted 2014-11-24 01:00:00.

Life in the Big House: Doing Time in the Regency Era

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Criminals today have it easy. Cable TV. Internet access. Three square meals and free health care. Sure, they can’t leave to take a smoke break any time they’d like, but hey, things could be worse . . . and boy, were they ever in early nineteenth century England.

Nice accommodations came with a price. New prisoners were expected to pay a “garnish” when they arrived. This fee ensured they’d receive “clean” water, food, and even candles and newspapers. Unfortunately, if you didn’t have any money, it was likely the “pit” for you, where you’d maybe receive a piece of moldy, mealy bread once a day.

But no matter which cell you ended up in, there were some common punishments that prisoners often had to submit to:

Oakum Picking

Recycling isn’t new to our day. During the Regency and Victorian periods, prisoners were given old rope covered in tar, which had been used to fill the cracks in ships. The task was to untwist into many corkscrew-like strands, then unroll each strand until the mesh became loose. This was used to remake into new rope. Other than the tedious boredom, this doesn’t sound too horrific a punishment, right? Wrong. Not only were the ropes hard to break apart, the coating caused blisters on the hands, and the fibers were prickly and painful. Bad combo.

The Endless Treadmill

Personally, going to the gym and working out for a half hour on the treadmill is torture enough for me. Now imagine doing that for eight to ten hours a day, with no earbuds blasting your favorite playlist. Just trudging, trudging, trudging . . .

The Crank

No, I’m not talking about the warden on a bad day. The crank was a form of pointless punishment, which was not only physically demanding but psychologically brutal. It was a large handle, usually in a prisoner’s cell, that the incarcerated would have to turn, thousands of times a day. To make it even more cruel, the warden could tighten a screw, causing the crank to be tougher to turn. That’s where the slang term “Screw” came in to describe a guard or warden.

Brentwood's Ward Cover Peek

In my upcoming release, BRENTWOOD’S WARD, hero Nicholas Brentwood is a nineteenth century lawman who’s sent many criminals to experience such punishment . . . except for his latest offender:

There’s none better than NICHOLAS BRENTWOOD at catching the felons who ravage London’s streets, and there’s nothing he loves more than seeing justice carried out—but this time he’s met his match. Beautiful and beguiling EMILY PAYNE is more treacherous than a city full of miscreants and thugs, for she’s a thief of the highest order . . . she’s stolen his heart.

Modes of punishment have definitely changed over the past three hundred years, but human nature hasn’t.

Originally posted 2014-11-17 01:00:51.

Where did that word come from?

Kristi here. If you’ve ever hung around young children, you’ve heard the word “why”. Kids love to know why you’re doing whatever you’re doing (usually at times when you really don’t want to explain it). They want to know why they have to go to bed, why they have to eat their vegetables, and why you never give Caillou as an option to watch on TV even though the whiny little guy is right there on the screen.

Okay, maybe that last one is just me.

But I have one kid who is constantly asking about words. Why do we call that an elephant, where did the word elastic come from, who decided to call it ice cream.

It all means I’ve started looking up the eymology of words and it’s really interesting. So today I’m looking up some words frequently seen in Regency romances to see where and when those words became the words we know today.

The Titles

Dukedoms appeared in England in the mid-1300s, ousting earl as the highest rank of nobility. The word Duke traces all the way back to latin origination from dux or ducis which means leader or commander.

The ousted earl had been hanging around England for 300 years before the dukes came along. While there is an old English word, eorl, that means brave man, warrior, chief, the origination of that word is uncertain. It is possibly of Germanic descent.

Marquess or Marquis was blatantly lifted from the French, though its usage was quite spotty from the late 1300s until the 1500s. In French the word means ruler of a border area, taken from the Old French word marche meaning frontier.

Society

Social gatherings and interactions are significant in Regency novels. The word society itself traces back to the Latin word societatem. It has always meant fellowship, association, and community.

More specific meanings for the word, such as a group or club, began in the 16th century. Often in Regency books the word is used to mean “the more cultivated part of a community”. This usage was first recorded in 1823, making it a very “modern” usage of the word for our characters.

The Parties

Looking up the etymology of the word ball will send you in a lot of directions. Using the word to refer to a “dancing party” began in the early 1600s. It traces back to Old French, Latin, and Greek words that mean “to dance”.

Soiree, or “evening party” was another English word lifted directly from the French. It, too, goes back to the Latin word. Sero meant “at a late hour”.

The word party has long meant to divide or separate. Usages of the word in this way date back to the 12th century, particularly in reference to politics. It’s usage as a term meaning “a gathering for social pleasure” isn’t until the early 18th century.

Debutante

Probably the happiest discovery I made while writing this article was the origination of the word debutante. I had heard that the word debutante was not used in the Regency, but was instead a more Victorian term, making its appearance in the 1830s.

According to several sources, the word debutante was actually early 1800s. Some place it as early as 1801, though several place it in 1817.

Look up your own

Head on over to etymonline.com and look up your favorite Regency word. Describe it’s origination in the comments below.

And if anyone has any idea how they came up with the words for Latin, let me know, because all the etymology seems to stop there.

Originally posted 2014-11-10 01:00:00.

The Natural Look ~ cosmetic trends in the Regency, by Susan Karsten

If you were a young lady during the late 1960s -1970s, you put up with the domination of the bare-faced aesthetic that ruled our beauty efforts.

To this day, at the beauty shop, I am asked if I am okay with hairspray. Yes, yes, yes — I want that hairdo to last as long as possible. But I know the question is a holdover from the days when natural reigned.

What does this have to do with the Regency Period? In that day, styles moved away from the previous heavy macquillage which included white lead, pasted-on beauty marks, and powdered hair and wigs. The less contrived and more-freeing fashions of our beloved Regency Period, called for a simpler look as far as cosmetics as well.

The simpler Regency make-up’s similarities to the make-up of the 60s-70s is amazing! Think of their colored lip salves (like our lip gloss), a touch of rouge (like our blusher), eyelash tints (like our mascara), and home made beauty aids were popular in both periods as well. Innocence was the look they were going for, and in our 20th century day, we were going for natural.

The move away from heavy facial cosmetics lead to an upsurge in perfumes, lotions, creams, oils, salves, and cures. Freckle creams were big, because those little spots were a major no-no.

So, when you are reading Regency fiction and you are picturing your heroine, your imaginary face should more than likely be without any noticeable make-up — the bare minimum.

Do you remember the period of the 60s-70s? What were your favorite cosmetics? Did you usually go without?

Thanks for reading! from Susan Karsten

The best thing is to look natural, but it takes makeup to look natural.”  {Calvin Klein}

Originally posted 2014-11-06 09:04:11.

The Cravat ~ More than just a necktie

Kristi here. If you’ve ever read a Regency you’ve come across a man wearing a cravat. It’s a staple of early 19th century menswear. We know it goes around the neck. We know a man would be underdressed without one. And you’ve probably come across one described as “intricately tied” or some variation thereof.

But what did they actually look like?

Cravats were a great deal more than the precursor to the modern necktie. They were a fashion statement and one of the most changeable features of menswear at the time.

Louis XIV with his new neckwear.
Louis XIV with his new neckwear.

When the cravat first crossed the channel from France it was a simple thing, resembling a scarf knotted around the neck.

Louis XIV of France adopted the fashion after dealings with Croatia. It had the double benefit of being more comfortable than the stiff collars as well as sending all the men scrambling to change fashions.

The idea changed over the years, becoming a simple rectangle of fabric attached behind the neck at one point.

By the time Beau Brummel got ahold of it, the cravat had become much more. Some knots required a hour to tie correctly. Starch also came into play helping the collars and cravats maintain sharp creases and points as well as height. It was not uncommon for collar points to reach into the cheek area.

During the Regency, an intricately tied cravat became more of a fashion statement than an overly embellished neckcloth.

In 1818, an entire book was published on the tying of cravats and neckcloths. Another was published in 1828.

Neckclothitania (1818)

The Art of Tying the Cravat (1828) (Unfortunately some of the pictures are missing from this copy. One is below. You can see the rest here.)

neckcloths

cravatBecause of the starched nature of the Regency cravat, a man could go through several cloths in a day.

If a mistake was made in the tying, an incorrect crease would be visible, requiring him to start afresh.

If he changed clothes or the cravat became limp, he had to start again. All to obtain male fashion perfection.

Kind of makes the hassle of tying a tie today seem a little less bothersome.

The idea of a fancy knot is coming back into fashion though. Have you seen the Eldredge or Trinity knots? Or even the return of a real bowties? They could make a man long for the days of cravats and valets.

EldridgeKnot

But they sure do look cool.

 

Originally posted 2014-10-23 01:00:00.