Category: Marriage Proposals

Interview and Give-A-Way ~ Regina Scott

Interview with Regency author Regina Scott.

 

Veteran Regency writer Regency Regina Scott stopped by to tell us a little about her writing journey, as well as her love for regencies.

Regina’s first published book was The Unflappable Miss Fairchild in 1998, a regency with Zebra Regency Romance. Since then she has published continuously with 18 novels to her credit and four novellas.

In the last couple of years, she has turned to writing regencies with a Christian tone. These have found a home with Love Inspired Historicals. She has four LIH regencies to date. Her latest, The Captain’s Courtship, is out this month. Regina has graciously donated a copy for a lucky reader. For a chance to win it, please leave a comment today.

 

What drew you to write during the Regency Time Period?

I loved to read growing up, but by the time I reached college, it had been awhile since I’d found a book to truly engage me.  Then I stumbled upon Elizabeth Mansfield’s The Phantom Lover at my library.  I couldn’t put it down!  I’d always wanted to be a writer, but I knew then I wanted to write a book in this wonderful time period called the Regency.  I loved that the era had its own language, with an interplay between men and women that was so elegant and witty!  Twenty-two stories later, and I still love that period!
 

2.      Tell us what year your book is set in and why you chose that particular time.

The Captain’s Courtship is actually set before the strict definition of the Regency, in 1805.  But that time definitely has the same flavor, whether in clothes or social sensibilities.  I chose the year for the Everard Legacy series, of which this is the second book, because the series needed a time that would give rise to a true villain, someone who threatened my characters’ happiness, their faith, and their freedom.  Who better than Napoleon and his henchmen?  In 1805, England was certain “the Corsican Monster” meant to invade at any moment, and he was certainly trying to comply!
 

3.      Who is your favorite Regency Author?

I couldn’t possibly list just one!  Elizabeth Mansfield is probably my all-time favorite, as I mentioned.  Love Inspired is publishing a number of wonderful authors such as Louise M. Gouge (whom I see you had on recently!), Deborah Hale, Mary Moore, and Abby Gaines.  I’m really excited that Cheryl Bolen will have a new book out in October.  And this blog is blessed with so many talented authors!  Those of us who love Regency romances have a lot to look forward to!

 

4. What is your favorite Regency expression?

I have several:  having a nice coze for sitting down and chatting with a good friend, piffle as a sign of disappointment, and here-and-therian, a fellow who won’t commit to anything, who traveled about with no set home or preferred to chase women rather than catch them.  See what I mean about a language all its own?

 

5. What is your favorite Regency setting; e.g., London, country house, small village?

Definitely a small village.  I love developing the various characters and the relationships among them.  So far, my more recent stories keep getting set in the wildness, though—places like the Lake District and the Peak District.  I think perhaps the isolation of a single manor, far from others, allows me to focus on the hero and heroine and how they come to find love.  That was certainly the case with The Captain’s Courtship.  Though it starts and ends in London, most of the action takes place in the Lake District, when my hero Captain Richard Everard brings the heroine to meet his cousin, who she’s agreed to sponsor for a Season.

Tell us about your book.

The dashing Captain Richard Everard has faced untold dangers at sea. Steering his young cousin through a London season, however, is a truly formidable prospect. The girl needs a sponsor, like lovely widow Lady Claire Winthrop-the woman who jilted Richard years ago. Claire believed herself sensible in marrying a well-to-do viscount rather than a penniless second son. How deeply she regretted it! Now their fortunes are reversed, and Richard’s plan will help settle her debts and secure his inheritance. Yet it may yield something even more precious: a chance to be courted by the captain once more.

When did your novel release and with what publisher?

The Captain’s Courtship will be out in July from Love Inspired Historical.

Tell us about yourself:

 I always wanted to be a writer, but it took a while to convince myself that that was what I was meant to do.  I tried being a day care provider, a nanny, a technical writer, and a risk communication consultant before I heeded God’s call on my life.  Now, I feel so blessed to sit down at my computer and write!  The Captain’s Courtship marks my 22nd published story (18 novels and 4 novellas), all set in the Regency period.  The Rake’s Redemption, the next book in the Everard Legacy series, will be out in November.  You can learn more at my website at www.reginascott.com, where I also have articles about the Regency period.  You can also find me online at Goodreads (http://www.goodreads.com/reginascott), and the blog I share with author Marissa Doyle at www.nineteenteen.blogspot.com.   

For a chance to win A Captain’s Courtship by Regina Scott, leave a comment. We will draw a winner on July 31, 2012. Be sure to check back on this comment thread on that date to find out who won.

Originally posted 2012-07-25 05:00:00.

How to Hold a Regency Wedding Ceremony

Vanessa here,

My fellow bloggers just finished a great month of marriage posts, so I thought I’d share one more on the actual ceremony.

How to have a Regency Wedding Ceremony

Prelude to a Wedding

Your hero has asked the heroine to marry him. This could be from the love bubbling in his heart or the flintlock pointed at his back for compromising the lady.

Your hero and heroine (who is of age 21 or has parental consent – the flintlock will take care of that one) must wait for their ceremony:

  1. Three Sundays for the Banns to be published typically in the morning service of the parish to where the ceremony is to take place.
  2. If you hero hales from a separate parish, the banns must be read in both places otherwise the hero and heroine must wait for this to occur and be attested to by each Curate.
  3. In a pinch, they can apply for a special license, but a compromised groom is in no hurry.

The day has come. The couple breezes through the ceremony and the Groom plants a kiss upon her lips. Wrong! Wrong!

The ceremony is quite long and more importantly, there is no, “You may now kiss your bride.”

According to the Church of England Common Book of Prayers, which would have been used for all English weddings performed during the Regency, the ceremony is long and there is no exchanging of rings (only a single ring is given) and no kissing. Therefore, if your Groom kisses the Bride, it is bold and should be written like that, but I digress.

The only touching is what I call the dance of hands. At several points during the ceremony the Groom, the Bride, and the Vicar hold and exchange hands.

Back to the Wedding Ceremony

The wedding is taking place between 8 in the morning and noon in a church. The Bride’s mother won’t allow her to escape, and her father still has his flintlock trained on the Groom.  So let’s begin the ceremony.

The Vicar will open his book, The Book of Common Prayers and say:

DEARLY beloved, we are gathered together here in the sight of God, and in the face of this congregation, to join together this Man and this Woman in holy Matrimony; which is an honourable estate, instituted of God in the time of man’s innocency, signifying unto us the mystical union that is betwixt Christ and his Church; which holy estate Christ adorned and beautified with his presence, and first miracle that he wrought, in Cana of Galilee; and is commended of Saint Paul to be honourable among all men: and therefore is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or wantonly, to satisfy men’s carnal lusts and appetites, like brute beasts that have no understanding; but reverently, discreetly, advisedly, soberly, and in the fear of God; duly considering the causes for which Matrimony was ordained.

First, it was ordained for the procreation of children, to be brought up in the fear and nurture of the Lord, and to the praise of his holy Name.

Secondly, it was ordained for a remedy against sin, and to avoid fornication; that such persons as have not the gift of continency might marry, and keep themselves undefiled members of Christ’s body.

Thirdly, It was ordained for the mutual society, help, and comfort, that the one ought to have of the other, both in prosperity and adversity. Into which holy estate these two persons present come now to be joined.

Therefore, if any man can show any just cause, why they may not lawfully be joined together, let him now speak, or else hereafter for ever hold his peace.

If the bride’s true love wishes to interrupt with proof that the Groom is married in Scotland, now is the time. Or the Bride’s dead husband can now stagger into the church from his return from the Peninsula War. Ok, these don’t hold with our compromised scenario from above but if someone is going to interject and stop this Regency wedding, now is the time.

No one? Well let’s continue.

 The Vicar will now speak to the Groom and the Bride:

 I REQUIRE and charge you both, as ye will answer at the dreadful day of judgment when the secrets of all hearts shall be disclosed, that if either of you know any impediment, why ye may not be lawfully joined together in Matrimony, ye do now confess it. For be ye well assured, that so many as are coupled together otherwise than God’s Word doth allow are not joined together by God; neither is their Matrimony lawful.

 At which day of Marriage, if any man do allege and declare any impediment, why they may not be coupled together in Matrimony, by God’s Law, or the Laws of this Realm; and will be bound, and sufficient sureties with him, to the parties; or else put in a Caution (to the full value of such charges as the persons to be married do thereby sustain) to prove his allegation: then the solemnization must be deferred, until such time as the truth be tried.

So the Vicar has now given them one last chance to fess up. No one does, so he continues:

Groom’s full name WILT thou have this Woman to thy wedded Wife, to live together after God’s ordinance in the holy estate of Matrimony? Wilt thou love her, comfort her, honour, and keep her in sickness and in health; and, forsaking all other, keep thee only unto her, so long as ye both shall live?

The Groom takes a gulp then answers: I will.

Then the vicar will say to the bride:

Bride’s full name WILT thou have this Man to thy wedded Husband, to live together after God’s ordinance in the holy estate of Matrimony? Wilt thou obey him, and serve him, love, honour, and keep him in sickness and in health; and, forsaking all other, keep thee only unto him, so long as ye both shall live?

The Bride shall answer: I will.  That right ladies, this is the origin of those ‘obey’ words.  So authors don’t modernize and omit those words because you want to show your heroine doesn’t conform.

Then the vicar will ask: Who giveth this Woman to be married to this Man?

  Now starts the dance of the hands:

 The Vicar, receiving the bride at her father’s or friend’s hands, shall cause the groom with his right hand to take the Woman by her right hand, and to say after him as followeth:

I Groom’s full name take thee Bride’s full name to my wedded Wife, to have and to hold from this day forward, for better for worse, for richer for poorer, in sickness and in health, to love and to cherish, till death us do part, according to God’s holy ordinance; and thereto I plight thee my troth.

Then they loose their hands; and the Woman, with her right hand taking the Man by his right hand, shall likewise say after the Minister,

 I Bride’s full name take thee Groom’s full name to my wedded Husband, to have and to hold from this day forward, for better for worse, for richer for poorer, in sickness and in health, to love, cherish, and to obey, till death us do part, according to God’s holy ordinance; and thereto I give thee my troth.

 Then they again loose their hands; and the Groom shall give unto the Bride a Ring, laying the same upon the book with the accustomed duty to the Vicar and Clerk. And the Vicar, taking the Ring, shall deliver it unto the Groom, to put it upon the fourth finger of the Bride’s left hand. And the Groom holding the Ring there, and taught by the Vicar, shall say:

 WITH this Ring I thee wed, with my Body I thee worship, and with all my worldly Goods I thee endow: In the Name of the Father, and of the Son, and of the Holy Ghost. Amen.

Then the Groom will put the Ring upon the fourth finger of the Bride’s left hand, and they shall both kneel down.

 For all writers going into this much detail, don’t forget the kneeling or the ring. An engagement ring was not common back then, but a gift may have been given to signify the betrothal. Anything given before marriage could potential stay with the bride’s family if for some reason, the bride doesn’t live long enough to have children from this union. I’m just saying, since this is a compromised marriage. However, the bride must have a ring for the ceremony. These rings could be made from any metal, even brass.

  Then the Vicar will lead everyone in prayer. No, they are not married yet.

Let us pray. O ETERNAL God, Creator and Preserver of all mankind, Giver of all spiritual grace, the Author of everlasting life; Send thy blessing upon these thy servants, this Man and this Woman, whom we bless in thy Name; that, as Isaac and Rebecca lived faithfully together, so these persons may surely perform and keep the vow and covenant betwixt them made, (whereof this Ring given and received is a token and pledge,) and may ever remain in perfect love and peace together, and live according to thy laws; through Jesus Christ our Lord. Amen.

Then the Vicar shall join their right hands together, and say: Those whom God hath joined together let no man put asunder.

Then the vicar shall speak unto the people gathered:

 FORASMUCH as Groom’s full name. and Bride’s full name. have consented together in holy Wedlock, and have witnessed the same before God and this company, and thereto have given and pledged their troth either to other, and have declared the same by giving and receiving of a Ring, and by joining of hands; I pronounce that they be Man and Wife together, In the Name of the Father, and of the Son, and of the Holy Ghost. Amen.

Alas, the Regency Bride and Regency Groom are married.

Ok, your groom and bride persevered, but the ceremony is not over.

The Vicar shall add this Blessing:

GOD the Father, God the Son, God the Holy Ghost, bless, preserve, and keep you; the Lord mercifully with his favour look upon you; and so fill you with all spiritual benediction and grace, that ye may so live together in this life, that in the world to come ye may have life everlasting. Amen.

 Then the Vicar will move to the Lord’s Table and shall sing this Psalm 128.

BLESSED are all they that fear the Lord: and walk in his ways.

For thou shalt eat the labour of thine hands: O well is thee, and happy shalt thou be. Thy wife shall be as the fruitful vine: upon the walls of thine house; Thy children like the olive-branches: round about thy table.

Lo, thus shall the man be blessed: that feareth the Lord. The Lord from out of Sion shall so bless thee: that thou shalt see Jerusalem in prosperity all thy life long;

Yea, that thou shalt see thy children’s children: and peace upon Israel.Glory be to the Father, and to the Son: and to the Holy Ghost; As it was in the beginning, is now, and ever shall be: world without end. Amen.

 Your wedding is still not done. The Vicar will now lead everyone through Psalm 67 and additional blessings for procreation. See: http://www.christianregency.com/Research/Regency-Weddings/Marriage.pdf for more.

Amended to add the Register

This is not the couples list of goodies/presents gifted for there new marital status but an important document signed at the end of the ceremony.

My dear friend Nancy has pointed out this important step. (Thank you) The couple, the vicar, and witnesses must  sign the register in the parish after the church wedding. Without this vital step, the long drawn out process is for naught. Without signatory proof (with correct full names), the marriage ceremony may be counted invalid.

Ok, now….

The beleaguered man and wife will leave the church for the wedding breakfast held at a friend’s house. After this long ceremony, they need a good meal.

References

Church of England Common Book of Prayers

http://impulsivehearts.wordpress.com/2011/10/11/a-regency-marriage-primer/

http://www.christianregency.com/Research/Regency-Weddings/Marriage.pdf

Originally posted 2012-07-02 10:00:00.

“How to Maintain a Flourishing Husband”

When I was about to be married, the women of my church threw me a shower, at which each of them gave me a favorite recipe to put in a cookbook for our new home. And though I still use Marion’s directions for teriyaki chicken, and though Sandy’s roasted veggies are still a favorite at our house, the real treasure in that cookbook isn’t the recipes. It’s the marriage advice each woman wrote down alongside her recipe.

Since this June has been all about marriage here at Regency Reflections, I thought I’d pass on the best of that advice – the advice that’s proved the most true in this first decade of my marriage. And since it comes from a woman who’s currently in the middle of her fourth decade of marriage – my mom, Betsy Barber – you can trust that it has more wisdom than anything I could come up with out of my short experience.

So, here they are, the words I see every time I turn to my mother’s recipe for the perfect pie crust:

 For those of you who haven’t had thirty years practice interpreting my mom’s handwriting, here’s what it says:

1. Constant prayer

2. Frequent, joyful sex

3. Regular time spent together

4. Continual forgiveness, continual repentance.

5. Conscious support of his career and hobbies

6. Encourage 10X more often than any critique.

And there at the bottom, added in after the original composition, is my favorite part: “Remember – if it’s good for Adam, it is good for you.”

That’s the part that I hadn’t read anywhere else in my marriage prep, and it’s the part I still wish more people talked about when they talk to married couples: since you’re one flesh, what’s good for one of you – what builds one up, what encourages one, what heartens one – benefits the other. Anything that helps my husband helps me. If something makes him a better Christian, if anything gives him joy, if anything delights his heart, it’s to my benefit that he has it, because it means I’ll be married to a better, happier, godlier man.

And the same is true the other way around. If something encourages me, if something builds me up, it’s to Adam’s benefit to see that I get it, because then he enjoys a marriage to a happier, healthier, godlier wife.

I could go on about the other points on that list, but this blog entry is supposed to be kept at a reasonable length. Suffice it to say: all the points on that list are good . . . especially the second one. 😉

Question for You:

What’s your best piece of advice for a new bride?

Peace of Christ to you,

Jessica Snell

Originally posted 2012-06-27 10:00:00.

An Alternative Elopement

Wanting to spare the heroine from an arranged marriage to an ogre, the hero suggests that he marries her and they elope. The heroine agrees, since she has had a tendre for the hero since she was a schoolgirl. Unfortunately, the 1754 Hardwick Marriage Act has stiffened the laws of marriage. The heroine hasn’t yet reached her majority and they can’t take the time to obtain a special license in London. Waiting for the banns to be called is out of the question, as that will take three weeks and the parents and ogre suitor will catch up with them long before then, even if they can obtain parental permission for the under age—under twenty-one—heroine. Their only alternative is to elope to Gretna Green in Scotland.

Unfortunately again, Scotland is close to four hundred miles away. They must hire a post chase or go on horseback and, because the journey will likely take more than a week to accomplish, they will have to stay overnight before they are married, unacceptable to these two proper—other than eloping—young people. The situation appears hopeless.

Except it isn’t. The hero has some friends amongst the fishermen who have told him about carrying an eloping couple to an alternative marriage location.

Eloping in Style

In approximately fifteen hours of sailing,
the eloping couple can reach one of the Channel Islands, mainly the Island of Guernsey. Evidence presents us with the knowledge that boats waited at Southampton, Hampshire, to carry eloping couples across the channel. Logic says Plymouth, Falmouth, and a few other southern ports just might have provided the same service.

Guernsey is closer to France than England. Although it belongs to England, many of the laws differ from those of England. The marriage laws are one of those even today.

So many couples eloped to Guernsey that tracking the history of residents of the island has proven difficult, for distinguishing those who simply arrived in St. Peter Port to get married in haste, from those who lived on the island and married in the same parish, isn’t easy two hundred years later. Genealogists have focused on whether or not couples later baptized their children in that same parish in order to trace ancestry to Guernsey.

Nowadays, one does not need a license to marry in a Church of England ceremony on Guernsey. One does need a license for a civil ceremony on Guernsey.

So if your couple finds themselves hundreds of miles from Gretna Green, they can hop onto a fishing boat, or perhaps the hero’s yacht, and sail across the Narrow Sea to a channel island. First, however, he might wish to ensure that the heroine doesn’t get seasick on the way.

Laurie Alice Eakes

Originally posted 2012-06-25 06:00:00.

On Courtship

Authoress Amelia Opie

Whoever thinks romance and love matches didn’t exist before the 20th century ignores a lot of evidence to the contrary. If women of all strata of society from seamstresses to young ladies of the ton read novels which featured heroines pitted against alluring yet somewhat menacing men, where virtue and love triumphed in the end, this means they must have had a desire for romance. They not only took to reading but to writing novels themselves. Selina Davenport’s 1824 novel Preference, is a typical romance with a properly happy ending. She wrote 11 novels between 1814-1832. Other female authors of the period besides Jane Austen who wrote about love triumphing were Amelia Opie, Maria Edgeworth, and sisters Anna Maria and Jane Porter.

The evangelical writer Hannah More wrote, “Is a woman in low spirits? Let her console herself by writing a novel. Is she ill? Bored? Unhappily situated? Let her pour it all out into a novel.”* Do I detect a little sarcasm?

 

Almack's

Despite a young woman’s yearnings for love and romance, the regency period was governed by rules of etiquette. Numerous books were written to young men and women on the subject of how to behave in public—especially with the opposite sex. After the licentiousness of the Georgian era, the Regency period saw a rise of Evangelicalism, which stressed that women were the arbiters of morality, and it was part of their duty to make sure they didn’t tempt men, or fall victims to men’s baser instincts. Whereas in high society it was common for a man to have a mistress, an unmarried young lady must keep herself chaste and above any appearance of misbehavior. On the Marriage Mart, a woman’s purity was her highest asset.

For this reason courtship for a young lady meant being chaperoned whenever she went out (and, of course, never receiving a gentleman caller on her own). A gentleman had to ask for an introduction to meet a young lady he was interested in. After her official coming out into society, a young lady enjoyed the grown-up entertainments of balls, assemblies, concerts and other musical events, all to see and be seen. But everything was done in public. A young lady could never be alone with a young man who was not a family member or otherwise closely associated with the family.

Although parents desired a “suitable match” for their children, this did not mean strictly arranged marriages—for the most part. There is ample evidence in novels and correspondence of marriages based on love and mutual respect.

Princess and Prince at the opera National Portrait Gallery London

The most important love match of the era was that of the Prince Regent’s daughter Charlotte to a minor German prince, Leopold of Saxe-Coburg-Saalfeld. Even though her father and the British government had been negotiating her marriage to Prince William of Orange (the future king of the Netherlands), Princess Charlotte met young Leopold in the Czar’s entourage when the czar and his sister came to London during the summer of 1814. Eventually, the princess broke off her official engagement to the Dutch royal prince, causing all kinds of diplomatic furor and married her German prince on May 2, 1816, to the enthusiasm of the British people. They understood a love match. From all accounts it was a happy—though brief—marriage, since she died shortly after giving birth to their first child after only a year of marital bliss.

Matchmaking as shown in Emma also shows that romance was alive and well in the regency era. Jane Austen wrote, “Anything is to be preferred or endured, rather than marrying without Affection.”

Vauxhall Gardens

 

 

* Our Tempestuous Day by Carolly Erickson, William Morrow and Co., 1986, New York

Originally posted 2012-06-18 05:00:00.

Mr. Darcy, An Alpha Male in Love

Vanessa here, exposing some of my pert opinions.

A man losing the battle of the heart is a thing of beauty.  When the male in question is an Alpha man, the dominant, powerful man of the group and protector of those dearest, his torment and ultimate victory is sheer poetry.

I love the classics, but I must say Dicken’s Pip (Great Expectations) languished too much without any measure of success with Estelle.  Pip doesn’t scream Alpha to me. An Alpha would have moved on or found away to convince Estelle to marry him.

Side note: To truly be a successful Alpha hero, you not only have to get the girl, but you have to live to tell about it. The whole dying thing, ruined Romeo and Juliet for me. I guess, I am a sucker for a happy ending, that is a happy ending with a breathing Alpha male.

So what is a good portrait of an Alpha male?

Mr. Darcy

.  He’s Jane Austen’s careful balance of natural male pride, protector, and fear. To surrender to love is a struggle that Darcy fights until he knows the battle is lost.

In Pride and Prejudice, Elizabeth asks Darcy when he did he know he loved her. Darcy replies:

“I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.”

A collective sigh should leach from this blog screen.  Oh, if Laurence Olivier (1940) , Collin Firth (1995), or Matthew Macfadyen (2005) could have said those words, I’d have their version of Pride and Prejudice DVD on perpetual rewind.


Back to Darcy’s Struggle

Austen showed us glimpses of Darcy’s Alpha journey much more than the movies give credit.

At Netherfield during Jane’s convalescence:

Elizabeth could not help observing, as she turned over some music-books that lay on the instrument, how frequently Mr. Darcy’s eyes were fixed on her. She hardly knew how to suppose that she could be an object of admiration to so great a man; and yet that he should look at her because he disliked her, was still more strange.

 

After an exchange of teasing between Darcy and Elizabeth at Netherfield:

Darcy had never been so bewitched by any woman as he was by her. He really believed, that were it not for the inferiority of her connections, he should be in some danger.

The growth of his feelings are displayed in a private exchange with Miss Bingley at Netherfield:

Miss Bingley says: “As for your Elizabeth’s picture, you must not have it taken, for what painter could do justice to those beautiful eyes?”

Darcy replies: “It would not be easy, indeed, to catch their expression, but their colour and shape, and the eyelashes, so remarkably fine, might be copied.”

A Display of His Protective Nature for Elizabeth:

The path just admitted three. Mr. Darcy felt their (Bingley’s sisters) rudeness, and immediately said “This walk is not wide enough for our party. We had better go into the avenue.”

But Elizabeth, who had not the least inclination to remain with them, laughingly answered: “No, no; stay where you are. You are charmingly grouped, and appear to uncommon advantage. The picturesque would be spoilt by admitting a fourth. Good-bye.”

After a heated exchange with Elizabeth at Netherfield where Darcy’s messaging for sympathy before emotionally retreating:

Elizabeth said, “And your defect is to hate everybody.”

“And yours,” he replied with a smile, “is willfully to misunderstand them.”

“Do let us have a little music,” cried Miss Bingley, tired of a conversation in which she had no share. “Louisa, you will not mind my waking Mr. Hurst?”

Her sister had not the smallest objection, and the pianoforte was opened; and Darcy, after a few moments’ recollection, was not sorry for it. He began to feel the danger of paying Elizabeth too much attention.

Upon learning that Jane and Elizabeth would soon leave Netherfield, Darcy believes ignoring Elizabeth will solve his problem:

To Mr. Darcy it was welcome intelligence—Elizabeth had been at Netherfield long enough. She attracted him more than he liked—and Miss Bingley was uncivil to her, and more teasing than usual to himself. He wisely resolved to be particularly careful that no sign of admiration should now escape him, nothing that could elevate her with the hope of influencing his felicity; sensible that if such an idea had been suggested, his behaviour during the last day must have material weight in confirming or crushing it.

At the end of their famous dance at the ball of Netherfield:

“I would by no means suspend any pleasure of yours,” he coldly replied.

She said no more, and they went down the other dance and parted in silence; and on each side dissatisfied, though not to an equal degree, for in Darcy’s breast there was a tolerable powerful feeling towards her, which soon procured her pardon, and directed all his anger against another.

 

Side Note: I love when an author uses the phrasing of a man’s breast. It sounds as if the emotions have penetrated his chest armor and gotten very deep inside.

Back to Darcy

The famous first proposal, his bold admission of losing his heart is classic Alpha trying to be in control when love has sent him spinning:

He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:

“In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.”

Elizabeth’s astonishment was beyond expression. She stared, coloured, doubted, and was silent. This he considered sufficient encouragement; and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well; but there were feelings besides those of the heart to be detailed; and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority—of its being a degradation—of the family obstacles which had always opposed to inclination, were dwelt on with a warmth which seemed due to the consequence he was wounding, but was very unlikely to recommend his suit.

He concluded with representing to her the strength of that attachment which, in spite of all his endeavours, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favourable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the colour rose into her cheeks, and she said:

“…I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation.”

Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it.

To attain peace cost Darcy two sheets of paper written in close hand, days of searching London;s underbelly, 10,000 pounds of bribe money, countless hours of recalling Elizabeth’s reproof. Priceless.

What I love the most is the sheer masculinity of Darcy’s regard. In a single breath, he tries to ram through the proposal and collect his acceptance. He’s all man as he tries to keep his feelings close to his waistcoat. Even as he exposes a bit of his heart to Elizabeth, he keeps his pride of his accomplishment and stature between them, a wall too high. Only the most ardent love will climb it.

And as he passes his black moment, he asserts to prove his worthiness with compassion and strength. He overcomes all of his own objections to save Elizabeth’s family and prove himself worthy. All alpha male, all the time.

Do you share my Alpha love? If you do leave a comment. Any one leaving a comment on this post or Fridays will receive on Saturday a link for a:

Free copy of Pride & Prejudice for the Kindle, Nook, or IPad.

I’ve formatted the Guttenberg Project’s version into ePub (Nook and IPad) and Mobi (Kindle) formats. I’m looking forward to sharing with you.

References:

The Guttenberg Project

Jane Austen’s Pride & Prejudice

Pride & Prejudice, 1940 Metro-Goldwyn-Mayer Production

Pride &Prejudice the Miniseries, 1995 BBC

Pride & Prejudice, 2005 StudioCanal/Focus Features

 

 

Originally posted 2012-05-02 10:00:00.

Happy Leap Year Day!

 

Leap Year A La Regency

Thirty days hath September, 
April, June and November; 
All the rest have thirty-one, 
Excepting February alone 
Which hath but twenty-eight, in fine, 
Till leap year gives it twenty-nine. 

Just as young people desiring to bypass all the rigmarole to get married in Regency England could hightail it to Scotland, women could also thank the Scots for making it a law allowing women to propose to men one day a year, every four years on Feb. 29.

Tradition has it that this law came on the books back in 1288—and that if a man turned a woman down, he must pay a fine, anything from a kiss to a pair of gloves or even a silk dress. Another tradition has it that the spurned woman must be wearing a visible red petticoat if she wanted the fine paid. Tradition aside, there is no written evidence on the books of Scottish Parliament’s having passed such a law.

Another legend has it that it was over in fifth century Ireland that St. Brigit asked St. Patrick to allow women to propose to men, since, supposedly, men were laggards in this area. After a bit of negotiating, St. Paddy allowed it every four years on Leap Year Day.

The American Farmer, published in 1827, quotes this passage from a 1606 volume entitled Courtship, Love and Matrimonie:

Albeit, it is nowe become a parte of the Common Lawe, in regard to the social relations of life, that as often as every bissectile year doth return, the Ladyes have the sole privilege, during the time it continueth, of making love unto the men, which they may doe either by wordes or lookes, as unto them it seemeth proper; and moreover, no man will be entitled to the benefit of Clergy who dothe refuse to accept the offers of a ladye, or who dothe in any wise treate her proposal withe slight or contumely.

So, wherever or however the tradition developed, by the time of the regency, Leap Year as a year or a day of female initiative in the romantic sphere was well-known. 1812, 1816 and 1820 were all leap years. Even though the Gregorian calendar had made the bissextile year (having an extra day) official back in 1582, Britain ignored the date of Feb. 29, so legally it didn’t exist. British law conveniently “leaped over” the date, probably because of so many negative superstitions associated with it, especially concerning livestock and crops. Ignoring this day resulted in a tradition of “anything goes”—hence women proposing to men. According to the Encyclopedia Americana 2004 Edition (Volume 17), King Henry VIII’s reign had an English law passed making February 28 the official birthday of “leaplings” or “leapers,” those born on Leap Year Day .

LEAP YEAR, OR JOHN BULL’S PEACE ESTABLISHMENT

[Published March, 1816, by S. W. Fores, 50, Piccadilly]

This British political cartoon satirizes the royal marriage of Princess Charlotte of Wales (the Prince Regent’s daughter) to Prince Leopold of Saxe-Coburg on May 2, 1816.

The British Parliament settled £60,000 on the newlyweds, with £50,000 more for the prince should his bride pass away. The cartoon depicts the English nation on its hands and knees, a bit in his mouth, driven by Her Royal Highness with a horsewhip.

John Bull is the national personification of England, the way “Uncle Sam” is to the United States. He is loaded down with packages labeled with all the heavy tax burdens imposed on the populace at the time. After more than a quarter century of war with France, Britain’s people were financially exhausted. The Prince Regent’s extravagant lifestyle and building projects only filled them with disgust and caused a growing number of riots (one reason the Prince Regent preferred spending time at his seaside retreat, the Royal Pavilion at Brighton).

In the cartoon, Prince Regent George supports himself on crutches formed of dragons from his Brighton money pit. “Push on!” he shouts, “Preach economy! And when you have got your money, follow my example.” “Oh! my back,” groans John, crawling under the weight of his heavy burdens. “I never can bear it! This will finish me.”


 Sources: English Caricaturists and Graphic Humourists of the Nineteenth Century/Chapter 3, Wikisource.org; Smithsonian Magazine.com; http://www.altiusdirectory.com/Society/leap-year.html; http://www.historic-uk.com/CultureUK/Leap-Year-Superstitions/; http://urbanlegends.about.com/od/historical/a/leap_year_2.htm; http://voices.yahoo.com/leap-year-2008-history-facts-798349.html?cat=37

 

 

Originally posted 2012-02-29 05:00:00.

What? A Cover Reveal

Vanessa here,

I am so excited to announce a few things. For “The Bargain” fans, the season finale is on its way. My editor is having one more look at it to make sure it sparkles when it shows up on your Kindle. It will also be available in Paperback, too. Today, I must share with you the cover for my next serial novel that will release in January 2016.

UnveilingLove_pulled back_72

Unveiling Love:

Winning in the courts, vanquishing England’s foes on the battlefield, Bradley Norton has used these winner-take-all rules to script his life, but is London’s most distinguished mulatto barrister prepared to win the ultimate fight, restoring his wife’s love?

Amora Norton is running out of time. The shadows in her mind, which threaten her sanity and alienate Bradley’s love, have returned. How many others will die if she can’t piece together her shattered memories? Can she trust that Bradley’s new found care is about saving their marriage rather than winning the trial of the century?

It’s available on Pre-Order now at Amazon:

This story of Bradley and Amora’s is very dear. Parts of their tale made me weep. I hope it lives up to my heroes like Jo Beverly, Beverly Jenkins, and Laurie Alice Eakes who weave suspense into their sweeping romances.

 

What is a serial novel?

Unveiling Love is a serialized story or soap opera told in episodes. Each episode averages three to eight chapters, about 15,000 to 30,000 words. Each episode resolves one issue. Emotional cliffhangers may be offered, but the plot, the action of the episode, will be complete in resolving the main issue.
My promise to you is that the action will be compelling, and I will tell you in the forward the length of the episode.

 

Originally posted 2015-11-04 14:17:30.

Marriage A Glimpse Of Heaven Or Hell

Vanessa here,

Glad you can join me here, today. Well, the porch at the Regency Reflections Blog now possesses new paint, a bit of a makeover. We’ve been posting here since 2012. We love being able to showcase different glimpses of Inspirational Regencies, talking about the stories and the motivations behind them. We’ve even given tastes of the Regency romances that hooked us long before the first traditionally printed Christian Regency was released.

But our fire had grown cold.

It was time find our love again.

The reason I write Regencies is because I found my voice in the 1800’s.  It sounds of a woman, with dreams of a happy-ever-after, challenged by the circumstances, the very skin she’s born within. These stories, gifted by my first love, a passionate, merciful God must be told. It is my first love. And this blog will now share stories of authors and characters who possess the same fire.

Now some of my friend’s stories may be secular authors.  Before you throw holy water at me, I just have to say it. Not everyone is meant to entertain the pews. All types of stories are needed to edify, entertain, and to educate. All of my friends, regardless of what they write use their God-given talents to bring joy and hope into this world. This is something all should see.

 


The Fabulous Jude Knight


My first guest is the wonderful Jude Knight.  Jude traveled all the way from New Zealand to have tea with me on my Atlanta porch. Jude writes strong determined heroines, heroes who can appreciate a clever capable woman, villains you’ll love to loathe, and all with a leavening of humor.

“Jude, I know you must be tired, so have a seat. Let me fix you some tea. How would you like it?”judeknight

“Thank you, so much for your hospitality. I’d like a green tea with a slice of lemon, or black tea with a small dash of milk.

“Green it is. Here you go. It’s quite hot. While it cools, tell the good readers what a happy ever after means to you.”

“My view of ‘happy ever after’ is shaped by my life and my beliefs. Falling in love is not enough. A wedding is not enough. Good intentions are not enough. To believe that a romance has a happy ending, I need to believe that the couple’s love will last for a lifetime; that they have what they need to work out the inevitable problems that will try to tear them apart.”

“I don’t mean to get you kicked out of any ‘ABA’ bad girl societies, but tell me what love and faith means to you.”

“My beloved and I have known one another for 47 years, and been married for nearly 44. In that time, our love has been tested over and over, but each challenge we’ve surmounted has made our relationship stronger.
I joke that our marriage has survived because his parents and mine were both against it, and we were too stubborn to admit they were right. He always adds that it also survived because we lived at the end of a long country road and were very poor. Walking out on the marriage would have meant a literal walk — and it was a long way.”

“I love that. Please continue.”

“More to the point, though, we both believed that we had to work things out. Our Christian faith told us that marriage was a permanent commitment. We promised ‘as long as we both shall live’, and we meant it. And we both came from fractured marriages; we knew what disharmony did to children. We were determined to find our ‘happy ever after’, and we did.”

“Tell me how your beliefs have shaped your writing.”

“My husband is a Catholic, and I converted to Catholicism some eight or nine years after we first met. Catholic marriage theology holds that marriage is a sacrament — a visible sign of the presence of God in the world. Just as water is the sign of Baptism, and the bread and wine are the signs of the Eucharist (Holy Communion), so the man and the woman are the sign of Marriage. Water signifies (and becomes) the cleansing grace of God. Bread and wine signify (and become) the presence of Christ in the church community and each individual. The couple signify something very wonderful: Christ’s union with the Church, God’s union with His creation. A person could spend a lifetime thinking about the implications of this, and some people have.”

“Wow. That’s deep. I’m Baptist, and I get it. More so, I feel the same.”

“For today, suffice it to say that building the kind of marriage that is a true signifier of this mystery is not a magic trick taking place in front of the altar on a couple’s wedding day. It is the work of a lifetime together.”

“Ok, tell the good folks about A Baron for Becky.”

“A Baron for Becky is my Regency about marriage, which is why it is a book of two halves. In the first part of the book, my heroine — rescued from dreadful danger — becomes the mistress of a kindly libertine whose view of marriage is extremely jaundiced. Their relationship is founded on lust and convenience on his part, and gratitude on hers.”

“Did I mention to you to tell the PG version for Regency Reflection readers? Just kidding. So in a A Baron for Becky, the heroine makes wrong choices, but that didn’t disqualify her from finding true love. Now that is a message for today.”

“Yes. The second half of the book is about just that between, Becky and Hugh. The libertine arranges their marriage, which takes place at the midpoint of the book. But Becky and Hugh build that marriage. I poured my heart into showing them falling in love; showing how their past experiences almost destroyed them; showing the slow painful process of rebuilding.”

“He was sorry for hurting her, for not trusting her, for manipulating her into marriage, for being a representative of the men that had hurt her. He was sorry for it all, and he could never make it up to her. But he would live his life trying.”

“Dear hubby and I just made 19 years. An accomplishment in this age, but tell us your 44-year secret.”

“The trick of a happy marriage (and a happy life) is to go on loving one another between trials, and to consistently fall in love with the same person, over and over and over. Because love is not about being in love, pleasant though that state is. Love is an action, not a state, not a feeling. Love is making breakfast for the person you want to brain with the frypan. Love is listening to the same joke for the twentieth time and laughing yet again. Love is walking hand in hand for no better reason than that you are fond of one another. Love involves feelings: lust and affection, familiarity and friendship, mutual respect and regard. It grows on shared experiences, memories—both good and bad—of the things you’ve lived through together. But above all, love is what you do when your feelings prompt you against being loving.

How could it be otherwise when love is an echo of Love Himself, the One who loved His people even though they betrayed him, rejected him, and even killed Him? Love is far too important to depend on chemical soup. Love is an action.”

Now that is a message to kick off the new Regency Reflections. Thank you Jude. While my friend takes a swig of her green tea, I just want to thank her for traveling to Atlanta and being my guest. Below is more about Jude and links for A Baron for Becky.baronforbeck

About Jude Knight

Jude Knight is the pen name of Judy Knighton. After a career in commercial writing, editing, and publishing, Jude is returning to her first love, fiction. Her novella, Candle’s Christmas Chair, was released in December 2014, and is in the top ten on several Amazon bestseller lists in the US and UK. Her first novel Farewell to Kindness, was released on 1 April, and is first in a series: The Golden Redepennings.

Follow Jude on social media:

Visit Jude’s Website http://judeknightauthor.com/

Like Jude on Facebook https://www.facebook.com/JudeKnightAuthor

Buy links

Amazon http://amzn.to/1C3hFNl

Amazon UK http://amzn.to/1H3YmTk

Amazon Aus http://bit.ly/1HzUZ9R

Smashwords http://bit.ly/1HzUXPf

Barnes & Noble  http://bit.ly/1GRTvkR

iBooks http://apple.co/1FVFNfU

Kobo http://bit.ly/1NzI2LK

 

Originally posted 2015-10-05 06:00:00.

Barbara Cartland’s “Curse of the Clan” Set in 1822

100_8609Dame Barbara Cartland wrote over 723 books.  Known for setting her novels in the Victorian era, she was an exceptionally popular novelist, peaking in the 1970s.  (I remember my mother reading her novels.)  After recently picking up two Cartland books at a used book sale, I was pleasantly surprised to find  The Curse of the Clan (published in 1977) to be quite satisfying.

Imagine my further delight that the novel is set in 1822.  Set in the late “Regency” to be sure, the tale follows an orphan who is elevated to the title of Scottish Duchess.  Her fearsome, yet handsome husband marries her to gain revenge upon a neighboring clan who foisted an adulterous, now-dead, wife upon him.

The story boomed along with vivid action and upon reflection, would make an excellent movie, if historical films were popular. The scenes at the orphanage, a carriage accident (which affected the plot), a shooting attack, revelation of her true parentage, then the winning over of the husband…all would make for a delightful, picturesque movie.
I got a real kick out of finally trying a Cartland book, and wouldn’t hesitate to read more –especially if I can ferret out which were set in the early 1800s.

Have you read any of Barbara Cartland’s books? What do you think?

Originally posted 2015-09-05 09:00:00.