It’s that season where the nicest folks don masks and become ghouls. While I choose to celebrate my niece’s birthday instead of All Hallows Eve, ghosts and Christianity are not mutually exclusive. Look at this picture:
William Blake (British, 1757 – 1827 ), The Ghost of Samuel Appearing to Saul, c. 1800, pen and ink with watercolor over graphite, Rosenwald Collection
The Bible recounts tales of resurrections of the dead (Thank you Jesus). It also tells of ghosts, not just the Holy Ghost (Again thank you God).
In this haunting painting, William Blake (1757-1827) captures the ghost of Samuel the Prophet as he appears to King Saul, who has conjured Samuel up to get details of an impending battle against the Philistines. Instead, the spirit of Samuel tells him of Saul’s and his son’s deaths in that battle (1 Sam. 28).
This drawing is from 1800. You can see it and others at the collection of downloadable images at the National Gallery of Art. Yeah, National Gallery of Art.
Wow, there is more. Here is some of the most interesting Regency content I found today. Click the headline and you will be taken to our custom feed of delightful articles, the best from around the Regency World.
I am lurking on the Regency web, and I am so impressed. Here is some of the most interesting Regency content I found today. Click the headline and you will be taken to our custom feed of delightful articles, the best from around the Regency World.
Here they are. This is not showing well on mobile.
Here is some of the most interesting Regency content I found today. Click the headline and you will be taken to our custom feed of delightful articles, the best from around the Regency World.
The Regency Spy. He is such a popular figure in fiction that it can be difficult to know where the story ends and the truth begins.
Accounts of actual spies are vague and difficult to find. Not surprising, as they were spies. Undercover work wasn’t exactly respected at the time and was usually done by people acting as double agents: mistresses, traveling poets, scholars, diplomats, etc.
By most accounts, the French were a little better at it than the English, though it’s possible the English were simply a bit better at keeping their activities secret.
In my recent book, A Noble Masquerade, a Napoleonic spy had infiltrated England and our heroic English spy has to stop him. The spies in A Noble Masquerade are considerably more organized than the real Regency spies were, all being connected by a centralized War Office.
There was no organized spy office in England at the time, particularly not a government recognized one. Instead of having a centralized organization, if someone such as the prime minister, foreign minister, or even General Wellington needed information, they built their own slipshod network. Most spy work at the time was actually happening in France, which is where the spy in A Noble Masquerade got his start.
A Noble Masquerade is now available in eBook, paperback, and audio book formats. Find out more at Kristi’s website.
More about A Noble Masquerade by Kristi Ann Hunter:
Lady Miranda Hawthorne acts every inch the lady, but inside she longs to be bold and carefree. Entering her fourth Season and approaching spinsterhood in the eyes of society, she pours her innermost feelings out not in a diary but in letters to her brother’s old school friend, a duke–with no intention of ever sending these private thoughts to a man she’s heard stories about but never met. Meanwhile, she also finds herself intrigued by Marlow, her brother’s new valet, and although she may wish to break free of the strictures that bind her, falling in love with a servant is more of a rebellion than she planned.
When Marlow accidentally discovers and mails one of the letters to her unwitting confidant, Miranda is beyond mortified. And even more shocked when the duke returns her note with one of his own that initiates a courtship-by-mail. Insecurity about her lack of suitors shifts into confusion at her growing feelings for two men–one she’s never met but whose words deeply resonate with her heart, and one she has come to depend on but whose behavior is more and more suspicious. When it becomes apparent state secrets are at risk and Marlow is right in the thick of the conflict, one thing is certain: Miranda’s heart is far from all that’s at risk for the Hawthornes and those they love.
Hi all! Dana R. Lynn here. This is my first post on Christian Regency, so I decided to write about something that I had only recently discovered myself…the peerage in Regency England. Now I have been reading Regency romance since high school, when I discovered the works of Jane Austen, Georgette Heyer and Dame Barbara Cartland. I devoured their books as fast as I could, and then moved on to others. But I never quite understood how all those Dukes and Earls fit together. And if the wife of a Duke was a Duchess and the wife of a Marquess was a Marchioness, what was the title of the wife of a Earl? An Earless? Didn’t think so.
When I decided to write Regency romance, I also began to keep track. So…
The highest rank below the monarchy is the Duke. His wife is known as a Duchess. Dukes are followed by Marquess, or Marquis. Their spouses are Marchionesses. Earl’s are next, and their wives are known as Countesses. Which makes no sense, except that an Earl and a Count are pretty much the same thing. Next, are Viscounts and Viscountesses. The final rung on the peerage ladder is held by the Barons.
My first regency novella, An Inconvenient Courtship, was released in October of 2014. It was a Pride and Prejudice variation novella. My next variation novella will be released in late 2015. I will tell you more about that one as it gets closer to the release date.
I hope this post was helpful! Blessings and happy reading!
Dame Barbara Cartland wrote over 723 books. Known for setting her novels in the Victorian era, she was an exceptionally popular novelist, peaking in the 1970s. (I remember my mother reading her novels.) After recently picking up two Cartland books at a used book sale, I was pleasantly surprised to find The Curse of the Clan (published in 1977) to be quite satisfying.
Imagine my further delight that the novel is set in 1822. Set in the late “Regency” to be sure, the tale follows an orphan who is elevated to the title of Scottish Duchess. Her fearsome, yet handsome husband marries her to gain revenge upon a neighboring clan who foisted an adulterous, now-dead, wife upon him.
The story boomed along with vivid action and upon reflection, would make an excellent movie, if historical films were popular. The scenes at the orphanage, a carriage accident (which affected the plot), a shooting attack, revelation of her true parentage, then the winning over of the husband…all would make for a delightful, picturesque movie.
I got a real kick out of finally trying a Cartland book, and wouldn’t hesitate to read more –especially if I can ferret out which were set in the early 1800s.
Have you read any of Barbara Cartland’s books? What do you think?
Susan Karsten here. I love historic costumes, but am by no means an expert, even though I took the subject in college. If you are at all like me (Regency fiction reader/fanatic), you’ve come across the archaic and forgotten term “round gown”. Again, if you are like me, you will take a mental guess what that might be, and move on, flipping pages as fast as you can read them.
To the best of my research, the round gown appears to be a pre-Regency style that hung on, or was used for day-wear even as fashion moved to a different silhouette. Marie Antoinette is said to have inspired the round gown, then a dress and robe joined together and tied in the front Later came Josephine Bonaparte who ushered in the slim, high-waisted, gossamer thin chemise dress of the early 19th Century, that we think of first when we think of Regency dresses.
Back to the round gown, the Empire gown’s precursor. The round gown had a soft, round skirt silhouette, with full gatherings at a slightly raised waist, a train, and straight, elbow-length sleeves. The round gown’s train, which was common for a short time for day wear and lasted until 1805-06 for the evening, would be pinned up for the dance, as mentioned in Austen’s Northanger Abbey. One shudders at the impracticality of these long white muslin dresses in England, a country renowned for wet weather and muddy roads.
So, when you encounter the term “round gown” in your favorite Regency fiction, think of probably a day dress, kept for wearing at home, and more modest than their evening counterparts. An earlier silhouette, and not in the first stare of fashion.
I so hope some of you will add to this description with more yummy details about the mysterious round gown.
Hi, readers! Susan here with another blast from the past — 1987 to be exact. I expect many of you inspirational Regency-lovers are like me…you loved the older, clean Regencies that were so readily available a few decades ago, published by Signet (my faves), Zebra and the like.
In fact, my efforts toward a fiction-writing career began with a desire to try my hand at writing one of these thrilling, yet clean, romances…with a dash or more of the Christian faith included as a character developing element…sometimes even as a plot twist or a conflict-causing, stake-raising factor.
So today, I am bringing you a review of an old favorite, Mary Jo Putney’s “The Diabolical Baron.”
Book Cover
Don’t let the title throw you, the book is a charming tale of true love, the twists and turns and the happily ever after. With two attractive suitors trying to lay claim to her heart and a father insisting she marry for a fortune, she has deep waters to navigate all the while trying to protect her beloved sister.
If you can find this title, I believe it might be one of your favorites too — though it is not a true inspirational romance. My hopes are that the Regency genre will grow in popularity again, with Christian writers bringing it to the fore.
I’ve been away for a bit as I immersed myself in my latest writing projects. As you all know, I love the Regency, the mannerism, the wit, and the fashions. I am intrigued by the challenges the people of the times faced: the complexity and aftermath of war, the stark differences in the rights of women versus men, and the growing social consciousness.
But there is more, much more.
Did you know London was very diverse with large Jewish and African populations? Yet, it is very rare to see these aspects in Regency fiction. Except for my dear friend Ruth Axtell’s book, The Winter is Past, you do not typically see a racially diverse cast of characters.
I, an African American writer, am guilty of this, too. In my debut book, Madeline’s Protector, Justain’s conscience figure, Mason, was originally a free black, but I edited it out, thinking that such a close relationship between an earl and his black man-of-all-work wouldn’t pass the sniff test or even would upset some because he’s killed early in the book. I didn’t trust my audience as much as I should’ve, nor did I trust my ability to tell the tale. And if I had such worries, I can imagine how others feel when they lift pen to paper trying to write a historically accurate, compelling, and marketable tale. Those three components differ based on the eye or pocketbook of the beholder: Traditional Presses versus Indie Pubs, niche marketing versus mainstream pitches, Christian Bookseller Association versus American Bookseller Association, etc.
I applaud everyone brave enough to write their story in the way that they feel is right. I just know that for me and my pen, my laptop and smart phone, we shall tell the story and the whole story from now on, so help me God.
But London was diverse. And doesn’t love always win?
Let me show you some images. At first glance they may offend, but that is not my intent. With the sweetness of the Regency, one must also accept the bitter dregs, the things that have been swept away, because it is ugly.
Lewis Walpole Library, Yale University – Drawn by William Austin 1773
This is William Austin’s 1773 caricature: ‘The Duchess of (Queensbury) playing at Foils with her favorite lap dog Mungo’. This cartoon was meant to shame the duchess for spending 10,000 pounds (1 Million pounds in 2015 dollars) to teach one of her loyal servants, Soubise, how to fence. Soubise was treated like a son to the duchess. Think of the trust the duchess must’ve had in this black man to invest that sum in his education and to trust him to wield a sword. But was he so unusual in the Duchess’s world?
By Regency times, historians, Kirstin Olsen and Gretchen Holbrook Gerzina, estimate that Black London (the black neighborhood of London) had over 10,000 residents. While England led the world in granting rights to the enslaved and ending legal slavery thirty years before the American Civil War, it still had many citizens who were against change. Here is another image from an anti-abolitionist.
The New Union Club Being a Representation of what took place at a celebrated Dinner given by a celebrated society – includes in picture abolitionists, Billy Waters, Zachariah Macauley, William Wilberforce. – published 19 July 1819. Source: Wiki Commons
This image is from 1819, a cartoon by George Cruikshank. It is supposed to depict an abolitionist’s dinner party, but it just shows fear of the races intermingling. It serves as a reminder of how many thought of blacks and how it was ingrained in the times. Notice the half-black half-white baby, the promiscuous woman sitting on the gentleman’s lap, the black-face additions to the artwork, the violence and chaos, even the blood shed amongst the party goers.
How many laughs did it draw in the parlors and drawings rooms of polite society? Moreover, how did the enslaved and free servants or the black men who owned shops feel fetching this paper to their masters, their employers, or watching it enfolded in the hands of their patrons?
Cruikshank drew fear, and he wouldn’t have, if Regency society didn’t possess it. For Cruikshank, a rising black middle class, intermingling in society, gaining in social power and wealth, was something to dread. Is this ugliness, this truth, the reason the fictional landscape of Regency exhibits stories abscent diversity and color? Does showing black or brown or yellow historical faces mean that the ugliness must also show?
Perhaps, or perhaps not. But to pretend it did not exist is to dishonor every person who received a racial slur and turned the other cheek, the unknown man lynched for the fault of his birth, or every fallen soldier felled on the road to equality.
My goal is to show through the stories pressing upon my spirit that truth and love can coexist on a diverse canvas. When love arrives, the picture changes and even the bad can be borne and overcome.
Here’s a picture showing love winning.
Portrait of Dido Elizabeth Belle Lindsay (1761-1804) and her cousin Lady Elizabeth Murray (1760-1825) painted in 1778. Source: Wiki Commons
Look at these two cousins, Dido and Elizabeth. Their great uncle, Lord Mansfield, loved them both and had them arrayed in fashionable apparel and pearls for this portrait. Both ladies are trapped by their circumstances, Dido by her race and Elizabeth by her lack of an inheritance. Johan Zoffany paints them, particularly Dido with no grotesques features, no overt subservient positioning, no hint of promiscuity or evil, just two lovely women.
It would be great if the date of these images showed progress, the growing changes in London society. They don’t. No, they just show truth. The landscape of Regency London was diverse and enlightened hearts embraced the diversity with love.
My second full length novel, Unmasked Heart releases on June 15, 2015. Gaia Telfair is a different kind of heroine. She’s a mulatto, with both black and white blood coursing within her veins, only she didn’t know it until she reached for love.
