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God in the Regency ~ Part Two ~ Guest Post by Regan Walker

Regency Reflections is excited to welcome Regan Walker. Over the next three days we will be sharing a paper Regan wrote entitled “God in the Regency”. This three part series will give you a terrific overview of the religious environment and shifts in the Regency period. 

Part One posted yesterday. Read it here

Regency England (and the 19th Century)

Against this background, we emerge into Regency England (1811-1820, extending to 1837 if we consider the larger “Regency Era,” ending when Queen Victoria succeeded William IV). During this period, the religious landscape consisted of the Anglican Church of England, which occupied the predominant ground (though the Evangelicals continued to dominate the Church in the first half of the 19th century), and those considered “Dissenters,” a general term that included non-conformist Protestants, Presbyterians (identified with the Scots), Baptists, Jews, Roman Catholics and Quakers. The Protestants moved toward the Methodist and Evangelical perspective, and a personal conversion experience. The Roman Catholics, governed by the Pope in Rome, though discriminated against, were too strong to be suppressed and persisted, eventually regaining the ability to become Members of Parliament and hold public office with The Catholic Emancipation Act in 1829. (Ironically, the Prince Regent opposed Catholic Emancipation even though Maria Fitzherbert, a twice-widowed Roman Catholic, was arguably the love of his life.)

There were many incentives to be a part of the Church of England because it was government controlled and sponsored. Only Anglicans could attend Oxford or receive degrees from Cambridge. Except for the Jews and Quakers (the latter which received freedom of worship in 1813), all marriages and baptisms had to take place in an Anglican church. All citizens, no matter their faith, paid taxes to maintain the parish churches, and non-Anglicans were prevented from taking many government and military posts.

According to Henry Wakeman in An Introduction to the History of the Church of England, by the time George III died in 1820, despite all that occurred in the 18th century with the Evangelical and Methodist revivals, with a few exceptions (some discussed in this article), the Church of England was not materially different than it was when George III came to the throne in 1760.

The bishops were still amiable scholars who lived in dignified ease apart from their clergy, attended the king’s levee regularly, voted steadily in Parliament for the party of the minister who had appointed them, entertained the country gentry when Parliament was not sitting, wrote learned books on points of classical scholarship, and occasionally were seen driving in state through the muddy country roads on their way to the chief towns of their dioceses to hold a confirmation. Of spiritual leadership they had but little idea. (Wakeman at 457)

Jane Austen wrote about the world of the Anglican clergy. Her father was the Reverend George Austen, a pastor who encouraged his daughter in her love of reading and writing. (In addition to her novels, Jane Austen composed evening prayers for her father’s services.) She also had other relatives, including two of her brothers, who were among the Anglican clergy. It was a culture in which faith often influenced one’s livelihood. Some of Austen’s characters (i.e., Edward Ferrars and Edmund Bertram) were clergy in need of parsonages. It was an acceptable occupation for a younger son. Large landowners and peers owned many of the church appointments and could appoint the local clergyman.

Of the Anglican clergy, Wakeman said,

The bulk of the English clergy then as ever were educated, refined, generous, God-fearing men, who lived lives of simple piety and plain duty, respected by their people for the friendly help and wise counsel and open purse which were ever at the disposal of the poor.

 

A few of them hunted, shot, fished and drank or gambled during the week like their friends in the army or at the bar, and mumbled through a perfunctory service in church on Sundays unterrified by the thought of archdeacon or bishop. Some of them, where there was no residence in the parish, lived an idle and often vicious life at a neighbouring town, and only visited their parishes when they rode over on Sundays to conduct the necessary services. (Wakeman at 459)

 

[With few exceptions] the clergy held and taught a negative and cold Protestantism deadening to the imagination, studiously repressive to the emotions, and based on principles which found little sanction either in reason or in history. The laity willingly accepted it, as it made so little demand upon their conscience, so little claim upon their life. (Wakeman at 461)

Wakeman recognized the indifference of the Church of England to the “tearing away” of the followers of Whitefield and Wesley:

An earnest revival of personal religion had deeply affected some sections of English society. Yet…the Church of England reared her impassive front…sublime in her apathy, unchanged and apparently unchangeable….

 

Jane Austen
Jane Austen

Unlike some Anglicans, who may have attended church only out of duty or habit, Jane Austen was more than a nominal church member. From the prayers she wrote, she seems to have been a devout believer who accepted the Anglican faith as it was, though she disliked hypocrisy and that may be reflected in some of her clergyman characters. She also had views on the Evangelicals. In a letter to her sister Cassandra, written on January 24, 1809, she admitted, “I do not like the Evangelicals.” Like many Anglicans, she likely felt faith was to be unemotional and demonstrated in observances of certain services, prayers and moral teachings. The demonstrative preaching and strong message of the Evangelicals, particularly their enthusiasm and fervor, might not appeal to a girl raised in an Anglican minister’s home. Then, too, she had experience with certain Evangelicals, notably her cousin Edward Cooper, who she observed in a letter to her sister, wrote “cruel letters of comfort.” (It is very human, is it not, to judge a movement by the few persons we may know within it?) However, as she grew older, there is some indication of a softening in her thinking. On November 18, 1814, Austen wrote a letter to her niece, Fanny Knight, in which she said, “I am by no means convinced that we ought not all to be Evangelicals, & am at least persuaded that they who are so from Reason & Feeling, must be happiest & safest.”

Perhaps as Austen viewed the decadence of the Regency period (particularly the social life in London), the indulgences of her monarch, and the lackluster faith of some who adhered to the Church of England out of habit, she found value in the sincerity of those who espoused a more evangelical message. It was, after all, the Evangelicals led by William Wilberforce, allied with the Quakers that became the champions of the anti-slavery movement, resulting in the Act for the Abolition of the Slave Trade in 1807. Among Jane Austen’s favorite writers were those who were passionately anti-slavery, such as William Cowper, Doctor Johnson and Thomas Clarkson. One of her naval brothers, Frank, after a visit to Antigua in 1806, wrote home condemning slavery.

Prince Regent, later George IV
Prince Regent, later George IV

Austen was critical of the Prince Regent, understandably so. Unlike his parents, George III and Queen Charlotte, the Prince Regent lived a decadent life, indulging in his personal pleasure devoid of any evidence of a strong faith, or indeed any faith at all, though he was nominally the head of the Church of England. As a result of the tax burden from the wars in France and the Prince’s opulent lifestyle that was crushing the poor and working classes, the resentment for the Prince grew more strident as time went on. Jane Austen disliked him intensely, principally because of his treatment of his wife, Princess Caroline of Brunswick (as seen in her letter to Martha Lloyd of February 16, 1813). She was not pleased when it was “suggested” she dedicate her novel Emma to him in 1816, though she did so for marketing reasons.

George Whitefield preaching
George Whitefield preaching

In at least some parts of the Church of England during the Regency, spiritual change was afoot continuing from the movements in the 18th century. In such places, the Church of England looked more like the Protestant Evangelicals. For example, Charles Simeon, rector of Trinity Church, Cambridge for 54 years (1782-1836), and a member of the Clapham group, was a great Bible expositor, who taught a risen Savior and salvation through grace, sounding very much like Wesley and Whitefield decades earlier. That was no mean feat given the opposition he faced in Cambridge. The universities were bastions of the established Church of England and seedbeds of rationalism, neither of which made them sympathetic to a rector of strong religious fervor.

Anglicans distinguished between the “High Church” and the “Low Church.” The High Church or “Orthodox” church, associated with the Tories, was content with the state’s involvement in religious matters and associated itself with the court and courtiers and emphasized the rituals of the church and the Common Book of Prayer. The Low Church, associated with the Whigs and with Cambridge, and before they broke off, with the Methodists, presented a middle ground where faith was tolerant, rational and low-key. To the Low Church, the Bible was all-important and the Book of Common Prayer considered merely a human invention that could be adapted and changed. To those in the Anglican High Church, Low Church members, like Charles Simeon, were merely “Dissenters in disguise.” The Evangelicals were opposed by both the High and Low Church of the Anglicans, particularly because of their enthusiasm (their fervor raised the specter of the troubles in France). Because of their strong stance on moral issues, the Evangelicals of that day were also viewed by some as troublemakers who didn’t want anyone to have any fun. Notwithstanding such views, there were those in the aristocracy, including the William Cavendish, the 6th Duke of Devonshire, who became Evangelicals though they never left the Anglican church.

One effect of the Methodist and Evangelical influences, begun in the 18th century and continued in the Regency, was the growth in foreign missions, as Christians went to other parts of the world to spread the “good news.” There were many English men and women whose newfound faith compelled them to accept the challenge for the cause of the gospel. Missionary societies, initially viewed with disfavor by the established church, gained in prominence in the 19th century.

Charles Simeon
Charles Simeon

Charles Simeon was one of those clergymen in the Church of England who was interested in missions and spreading the Bible’s message around the world. He took a special interest in India and sent his former assistants as chaplains with the British East India Company. Henry Martyn may be the most famous of those assistants. He served in India and Persia from 1806 until his death in 1812, and during those few years, translated the New Testament into Persian, Urdu and Judaeo-Persic. He influenced young people for generations to go to the mission field and is remembered as saying, “The spirit of Christ is the spirit of missions. The nearer we get to Him, the more intensely missionary we become.” Such a faith was not one of ritual or habit but a faith that moved one to action and personal sacrifice.

God in the Regency will continue with part 3 tomorrow.

After years of practicing law in both the private sector and government, and traveling to over 40 countries, Regan has returned to her love of telling stories. She writes mainlineRegency romances, her first is Racing With The Wind, set in London and Paris in1816, and features spies and intrigue as well as a smart, independent heroine and a handsome British lord–lots of adventure as well as love! It’s the first in her Agents of the Crown trilogy. For more, see her website:  http://www.reganwalkerauthor.com.

Originally posted 2012-10-25 10:00:00.

Poets of the Regency: George Gordon, Lord Byron

We return to the library of our typical Regency gentleman in order to take one of the most scandalous volumes off of its shelf: the poetry of Lord Byron.

Byron is the archetype of an eponymous sort of Regency hero – the sort that is, in the words of his contemporary and sometimes-lover Lady Caroline Lamb: “Mad – bad – and dangerous to know”.  You want brooding? You want scandalous? You want the dark and handsome hero who just might be too depraved to be redeemed? Meet George Gordon, Lord Byron.

 

 

 

As a  boy, Byron suffered what would now be called child abuse and grew up, sadly, to repeat the pattern. He’s such a legendary figure that it’s hard, even now, to be sure exactly which stories about him are true and which aren’t, but he treated his wife badly, conducted numerous affairs – possibly with both men and women – and fathered several illegitimate children, including (persistent rumor had it) one by his own half-sister.

Yet for all this, he wrote exquisite poetry, treasured both in his own time and still treasured today.

Byron’s poetry took Regency society by storm in 1812, when he published the beginning of “Childe Harold’s Pilgrimage”, a poem inspired by his own recent European travels. He went on to write “Don Juan”, and many other verses, though the most famous today is the song that begins:

“She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that’s best of dark and bright

Meet in her aspect and her eyes” .

Byron died young, at age 36, one of the most celebrated and controversial artists of the Regency – or any – period.

-Jessica Snell 

 

Previous Poets of the Regency posts:

William Wordsworth

Samuel Taylor Coleridge 

Originally posted 2012-10-19 10:00:00.

The Art of the Silhouette

This silhouette of Jane Austen is attributed to a silhouette-maker, Mrs. Collins, who worked in Bath around 1800.

It’s hard to imagine not having photography to capture the moments of our everyday lives. Weddings, important events, vacations – these are all moments that we capture digitally or on film to enjoy for years to come.

Even though photography had not yet been invented, it was common practice during the Regency to have a likeness or portrait made of a loved one.  But oil paintings were expensive and took many sittings to complete.  Even watercolor paintings and high quality sketches took skill, time, and money.  For those who did not have the extra funds to spend on such luxuries, a silhouette was a viable alternative to capture a person’s likeness.

 

In simplest terms, a silhouette is the art of casting a shadow of one’s profile onto a sheet of paper and either cutting out or blackening the image.  Originally, this art form was known as creating a profile miniature or shade. The term “silhouette” is credited to the Frenchman Eteinne de Silhouette (1709-1797).   Silhouette, a finance minister to Louis XV, did not invent the art form, but his skill for cutting profiles earned him notoriety.  Additionally, his frugal tendencies made the term “silhouette” synonymous with this inexpensive hobby.

Many people are most familiar with silhouettes that have been cut from black paper, but there were actually several different techniques one could use to create a silhouette.  The most popular technique was to place a candle near a person’s profile and cast a shadow on paper. Then the shadow was traced and then either cut out with sharp, tiny scissors or and darkened with charcoal or lampblack.  Yet another technique was the “hollow cut silhouette”, in which the profiled image was cut from the paper and black material (silk, paper, etc.) was placed behind the empty space to reveal the image. Another more detailed technique was the painted silhouette, in which the artist would either trace or create the profile with oil paint or watercolours.

This silhouette of Robert Burns was created by John Wiers in 1787.

Because it was an inexpensive, easy, and relatively quick process, creating silhouettes became a popular party activity.   In fact, George III was fond of making silhouettes and threw elaborate “shade” parties.  Most cities – especially larger resort towns – had silhouette artists for hire.  One of the most-well known silhouette artists during the Regency was John Miers (1756-1821).  The majority of his career took place in London where, in his early years, he charged a guinea per silhouette. He was noted for his incredible speed and his infamous “three-minute sittings.” He, along with other professional silhouette artists, expanded the art form and created silhouettes on plaster, ivory, wax and glass. The most desirable silhouettes were drawn by hand (not traced) and often found their way onto jewelry and other valuable items.

If you would like to read more on this topic, be sure to check out this article by Linore Burkhard, a Regency Reflections blog contributor:  Rise of the Silhouette

Originally posted 2012-10-17 05:00:00.

A Flight of Fancy Quiz and Contest Results

We enjoyed hosting our Regency quiz last week to celebrate the release of A Flight of Fancy by Laurie Alice Eakes. I’ve got a gift basket winner picked and ready to announce, but first, lets review the answers to those five pesky quiz questions!

1. A Flight of Fancy is set in 1812. During what years did the Regency take place?

A: 1790-1820

B: 1800-1830

C: 1811-1830

D: 1811-1820

D is the correct answer. Parliament approved the Regency that year and it lasted until the Prince of Wales, the Regent, became king in 1820. Briefly, in 1811, the king rallied, but not for long enough to revoke the Regency.

Often books are labeled as Regencies any time from the French Revolution until the end of George IV’s reign in 1830. This is partly because of Napoleon’s influence over much of this time period, and partly because no one knows what else to call it. It is Georgian. The Regency is a subcategory of Georgian England, which began in 1714 with George I becoming the first Hanover on the throne.

(The Hanovers are still on the throne, but they changed their name from the German to the English Windsor during World War I.)

2. How did aeronauts steer a balloon?

A: They used sails.

B: They used paddles.

C: They used wind currents.

D: They used the balloon itself.

I was please to see how many got this right, which means you all are knowledgeable about nineteenth century ballooning. C is, of course, the answer to both. Balloonists’ only way to steer a balloon is through wind currents, raising and lowering the elevation of the balloon through more or less hot air, until the wind is going the right way. This is inefficient and not always successful.

3. Which of the following was not used to make hydrogen for the balloon.

A: Fire

B: Acid

C: Wax

D: Iron

Wax was used to coat the canvas tubing from the beaker of acid to the balloon to keep the hydrogen from leaking out.

4. In A Flight of Fancy, Cassandra Bainbridge is the oldest unmarried daughter of a baron. How should she be addressed?

A: Lady Cassandra

B: Lady Bainbridge

C: Miss Cassandra

D: Miss Bainbridge

Forms of address in England were and are some of the most complex details in writing an English-set historical. The answer is D—Miss Bainbridge.

As the daughter of a baron, she is not entitled to the “Lady” form of address. She is a lady because of her birth, but not a Lady, as her birth is not quite high enough. She would have to be the daughter of an earl, marquess, or duke to be addressed as Lady Cassandra. No single lady was addressed Lady Surname unless she held a title in her own right, which was extremely rare.

As the eldest unmarried daughter, she is Miss Bainbridge. Kudos to the reference from Jane Austen. In the third book, Miss Honore will become Miss Bainbridge.

5. Geoffrey Giles, Earl of Whittaker, is the hero in A Flight of Fancy. How should he be addressed?

A: Lord Geoffrey

B: Lord Giles

C: Lord Earl

D: Lord Whittaker

This one was easy. Yes, Lord Whittaker. Men of the peerage were addressed by their title. Believe me, though, I have read these other choices in books, along with calling an earl Sir Title or Sir firstname, as though titles were interchangeable. They were not.

And the gift basket winner is . . .

Jan Bolton!

Congratulations to Jan, who answered correctly on last Wednesday’s post about how Cassandra would have been addressed as the eldest unmarried daughter of a baron.

From the bloggers here at Regency Reflections, we want to offer everyone who participated in our A Flight of Fancy week and Regency quiz a heartfelt thank you. We hope you enjoyed the things we featured during our A Flight of Fancy week as much as we enjoyed interacting with every one of you.

Originally posted 2012-10-15 10:00:00.