Category: Recommended Reading

Write of Passage: Time to Move

There is a time and a season for everything.The real question is: Are you ready to move?

Right now, it’s a scary time to be a Black creative. Honestly, it’s a scary time for everybody in the arts. I’ve shared in a previous episode how the Canva bots came for me — they told me that the word slavery was political and banned in their system of tools.Banning books is all the rage. Banning concepts or ideas — stopping the writer or artist at the very beginning — is unfathomable.

Vanessa speaking at the Conyers Book Festival.

You might say, “Vanessa, AI and bots are just part of the times.” And yes, there are many great uses for AI in research and algorithmic approaches. But until we figure out how to train AI without stealing from artists and writers, we are going to continue to have a problem.

If you tell me that the season we’re in now involves AI writing novels and creating drawings and graphics to replace artists, I will encourage you to consider the following:Nothing can replace human creativity, authenticity, and zeal.Those impacted by theft or imitation must press boundaries, pursue legal actions when necessary, and most importantly — outlast the wave.Sometimes, winning is simply about longevity.

Outlasting your haters is definitely one way to gain victory.

For those who follow me, I’m Vanessa Riley. I write in three genres: historical fiction, historical romance, and mystery.

Lately, in the book world, I’ve seen so many friends — so many writers like myself who focus on history — getting hurt. Series are being cut short. Book options aren’t being picked up. Doors that were once wide open are now being slammed shut.

The reasons are many:They tell us the market is soft.They whisper there are “enough” Black books now.They say history—the kind that reveals hidden figures and rich, complicated lives—is suddenly being gutted, looted, or dismissed.

For someone like me, who loves history and is just now finding my footing in historical fiction, it’s dark. It’s absolutely terrifying.

The visual arts, films, and TV have also suffered. In January, I heard similar feedback from filmmakers.

Hollywood is still “recovering,” they say.Budgets are tighter. Risk tolerance is low.Historical pieces, they say, are too “hard to place”—too expensive, too niche.

And then—everyone gets dazzled by Ryan Coogler’s Sinners, a historical piece set in the 1930s that genre-bends horror and drama.The film is a hit.

Annie and Smoke from the Movie Sinners shot by Eli Joshua.

At the time of this podcast, Sinners has grossed over $161 million and is now projected to gross between $300–400 million. A diverse audience of moviegoers—Black, White, Asian, and more—people from all walks of life are coming together to experience this masterpiece of storytelling.

Ryan Coogler, I salute you. You had a daring vision, found or created the systems and opportunities to execute it, and made magic.

Now is the time of opportunity.

We have to shake off our fears and create.We must figure out new ways to tell the stories burning in our souls.To innovate. To evolve. That is pathFinding way through the wilderness is the answer.

Sinners showed us the way—not just by being excellent in storytelling, photography, cinematography, and research—but by knowing exactly who the story was for.

Ryan and his team pushed the right buttons—the necessary buttons. The heart of the film is Black-centered storytelling: Jim Crow South, inclusivity, and vampires.

Because when you know who you’re speaking to and what you want to say, you don’t have to dilute the truth to make it palatable.

As a Black creative, I’ve often been pressured to center pain and trauma in my stories—because that is what some believe (and still desire) is what sells.

Ryan Coogler’s Sinners proves that de-escalating trauma works.It sells.Even in the scariest genres.

He took care in how the story was told.Care in how every scene was shot.Care in the research, the respect.

He cast with authenticity—from hair to skin to clothes to dialogue.He didn’t slap diversity on just for clout—the script lived it.

To succeed only by limiting our stories to an audience that believes in our humanity through our suffering is inexcusable.

We must push boundaries, push different buttons.And I believe it is our mission to find new ways to share the lessons of the past—without reducing ourselves to victims or spectacles.

And if Sinners has taught us anything, it’s this:Audiences will reward care.They will reward newness.They will reward stories told with humanity, dignity, and love.

When I first started writing, my mission was simple:Educate the world about the history of Black people across the diaspora.Show our humanity through love stories.

But missions shift with the seasons.Right now? For me—and this pen or keyboard—it’s time to move, to be more daring, to try new approaches to story.

Looking back, I know there were times I softened words, edited scenes, chose tenderness over rawness—because I wanted to make sure readers were comfortable.I wanted the message to reach as many as possible.And I don’t regret the stories I told. I’m proud of every one of them.

But the filter is gone now.And here’s the hard truth:If you still need convincing of my humanity in 2025, I say this with all respect—You probably aren’t going to get it.Keep your coins.Find your own Damascus road.You need divine intervention.

I’m not St. Peter.I’m not standing at the gate any longer, waiting to explain myself—or my people—to you.If you want my knowledge, you’re going to have to do the work yourself.

This new season? This new phase?My stories will be as unapologetic and as free as they’ve ever been.

Because I am a storyteller.And with that comes a duty:To honor my people.To carry the sagas of our ancestors.To bridge the distance from “over yonder” and back to “right here.”

Of course, I want everyone to feel welcome reading my books.I understand I live in a system I didn’t build—but I’m here, and I intend to win.

But my stories?They’re for my people.

And if you’re still listening, you are my people.I write for you.I labor for you.I see you.

I’m ready to move and adjust.And I will be your guide—to happy-ever-after, happy-for-now, or to some bigger definition of freedom and faith. What say you?

What say you?

Some books to guide you in your quest for more authentic storytelling:

We Do This ‘Til We Free Us” by Mariame Kaba — Essays on abolition and hope, but also about how storytelling and imagination drive social change.

Emergent Strategy: Shaping Change, Changing Worlds” by adrienne maree brown — A guide to embracing change and creativity rooted in community and freedom.

And now some fiction titles:

The Prophets” by Robert Jones Jr. — A deeply poetic novel about Black love and resistance set during slavery but centered on love and humanity, not suffering.

Bloodchild and Other Stories” by Octavia Butler — Speculative short stories about survival, community, and power dynamics.

Ring Shout” by P. Djèlí Clark — A daring, genre-bending novel mixing horror, history, and Black resistance during the Jim Crow era (very much like Sinners).

Island Queen” by Vanessa Riley — A real-life figure’s story told with dignity, richness, and depth.

Show notes are here. This week, I’m highlighting East City Bookshop through their website and Bookshop.org

You can find my notes on history and writing on my website, VanessaRiley.com.

Enjoying the vibe? Go ahead and like this episode and subscribe to Write of Passage so you never miss a moment.

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

From Acceptance to Exile: A Reluctant Courtship and Give-Away

In writing classes, we are taught to make things as bad for our characters as we can. Honore should have been easy. In A Necessary Deception, in which she made her debut into society, and in A Flight of Fancy, where she rusticates in the country with her injured sister, Honore managed to make things terrible enough for herself.

But I wanted to make her situation even worse!

A Reluctant CourtshipLord Bainbridge, the father of the three sisters, is an autocratic man, a political animal who wants things the way he wants them. He manipulates his children to his will as much as he can, and he can do a great deal. But Honore is the baby and pretty and lively and a daddy’s girl. She got away with too much. Daddy cleaned up her messes for her.

So I had to take her daddy away from her.

And then we introduce Americus Poole (Meric to his friends) now Lord Ashmoor. Most men fall at Honore’s feet. Ashmoor looks at her like most of us view rattle snakes—the further away the better. He has his own issues, and Honore’s presence in his life will only make them worse. After all, a man under suspicion of treason cannot be involved with a young lady with a questionable reputation.

Beyond the romance and adventure that springs from Honore and Ashmoor’s stories is the theme of exile. Honore has been exiled from her family and from society because of her past mistakes. In turn, this physical exile makes her feel exiled from God. Everything that happens to her seems to indicate that God has rejected her, and this rejection of the heart and spirit drives her decisions and actions until her very life hangs on the edge.

Cliffs_Clovelly_Coast_West
Cliffs in North Devon (Wikipedia image)

As with Cassandra in A Flight of Fancy, I related to Honore’s spiritual struggle. I attended a Christian college and my friends were going off to be doctors and pastors, and the wives of doctors and pastors. I, however, had no calling that I saw. I interpreted this as God rejecting me. The decisions I made over the next several years—most of them terrible—stemmed from this sense of exile from God.

The simple response is that God doesn’t reject us; we reject him. Romans 8:38-39 assures us that nothing separates us from the love of God. Yet what I had to learn, what Honore has to learn, is that we often have to be taken out of our comfort zone of the life we think we want or should have, to circumstances we can’t control, for the Lord to shape us into the people we are intended to be to thus serve him better.

I hope you enjoy Honore’s journey back from exile.

For a chance to win a $10 Amazon gift card today, answer the question below in the comment section. Your name will also be entered into our Regency Gift Package Giveaway in honor of the release of A Reluctant Courtship. The giveaway includes another gift card, a tea cup, and chocolate.

What types of things do you like to learn from authors? For example: How they work, their non writing life, their spiritual life…

Originally posted 2013-10-17 10:00:00.

Write of Passage: A Sinner’s Prayer

Last week was a weird one. The algorithms—the bots—seemed to come for me. Canva, of all places, led the charge. It made me feel like I wasn’t just wrong in opinion, but wrong in essence. As if the characters I write—rooted in history, full of breath and heart—were somehow unworthy. Handcuff me now, because it felt like I was being told it was a crime to write them at all.

Caption: Two Scaredy-Cats watching the must see movie, Sinners.

And in this current climate? That kind of doubt sticks. There’s so much anti-DEI noise. So much effort to “protect” people from truth. Heaven forbid someone learns something. Heaven forbid someone dares to be better, more moral than their ancestors.

I thought I’d shaken it off. Thought I’d moved on. I got back work on my manuscript and typed out another 6,000 words. Then came another note from Canva, gently suggesting I find another word—something less “triggering”—than “enslaved” to describe Jacquotte of the upcoming Fire Sword and Sea, who had in fact was enslaved. So I turned to friends and asked them for other ways to phrase “enslavement.” Here’s what we came up with:

* Bond servant

* Stolen laborer

* Forced job training

* People in the condition of slavery

* Held in captivity

* Kidnapped

And y’all—I laughed to keep from crying. Because all I could think of was: Lord, have mercy.

I might have sinned right then—if not in word, then in thought. I wanted to cuss out the machine. I was disappointed in technology. That’s a hard place to be for a data girl. Yet, I was more disappointed in me for even entertaining the idea of appeasing the bot—the faceless, soulless thing that some biased, flawed, or agenda driven human had created and enabled it to think it knows what’s best.

Surrendering is not how we honor truth or the stories we’re called to tell.

Let me take a moment to invite you to something special.Write of Passage is my little corner of the internet where I share thoughts on writing, storytelling, the ups and downs of life, and how we keep going—even when the odds feel great. If that sounds like your speed, go ahead and hit the subscribe button.

Welcome to the Write of Passage family. Now, back to the podcast.

Fear is a seductive thing. It whispers: Don’t speak too loudly. Don’t shine too brightly. Don’t center stories on Black truth, Black joy, or Black progress.

And lately, I’ll admit—it’s been taking me longer to bounce back. It’s getting harder to hold on to the vision of a brighter morning just ahead when everything feels handcuffed and ready to be jailed or deported.

In the past forty-eight hours. The visuals that I allowed my eyes to see have been, stunning, heartbreaking, and even holy.

On Easter Sunday, my church goes all out for a dramatization of the Crucification: lights, drama, music, the whole thing. But this year, there stood a Black Jesus—bloodied, whipped, brutalized. It hit different, terrifyingly different. Then came Black Simon, stepping in to carry the cross, basically taking on his shoulders the oppressor’s burden given to Jesus. I’m watching it and something cracked, fracture into hundreds of pieces on the inside.

It’s been a long time since I cried in church. The first time was when I said the sinner’s prayer and I admitted that I was scared and I needed salvation.

Side note: Did you know the “Sinner’s Prayer” doesn’t actually appear anywhere in the Bible? There is no biblical record of anyone praying those exact words. It emerged around the Protestant Reformation and took shape in the early 20th century—barely 125 years ago. For context, the Civil War officially ended 160 years ago. Both of those things are not that long ago.

On Easter Monday, I saw Sinners—the Ryan Coogler film with Michael B. Jordan, Wunmi Mosaku, Hailee Steinfeld, Li Jun Li, Miles Caton, and Delroy Lindo. On a gorgeous widescreen, I watched this emotionally rich tale saturated with period details and truths. Spoilers alert: Two brothers are seen watching the sunrise, just in awe of the majesty and their freedom. Then I focused on people dancing, singing, loving.

Then comes destruction.

The movie has all types of monsters. The obvious hate-filled men of the Klan, who are hungry for blood and money. Then monsters disguised as your own kind. The evil is often invited in. He feasts of fear and death.

The violence didn’t make me jump. The gore wasn’t any worse than the makeup used at church for the crucifixion. Eventually, dread arrives. It settles in your chest. It steals all joy before the next morning can come. I found myself waiting for that other foot to fall, for when that bad was coming.

So what does this all mean? Anticipating doom or consequence can be as draining as when the threats or violence comes. We can’t surrender in advance.

It means we must guard our eyes—not to shield them from truth, but to make sure they still see beauty, even in chaos. Still see family. Still see hope.

We must guard our ears—because false praise can lull us into stillness. It can lie to us that we are safe and leave us vulnerable to brokenness. Yet we need music, sweet music, true music, ancestral rhythms. All can cut through the noise and remind us who we are, who we are striving to be.

We must remember:

This little light of mine… I’m gonna let it shine.

A light can be seen.A light reveals what’s nearest—what needs our care.A light casts shadows, warning us of what’s creeping in the distance.A light tells the truth of our circumstances. And it gives us the chance to see the true face of things lurking in the dark.

So keep your light burning. That is your protection.Keep your voice strong. That is how you inspire hope.Then revel in each new day, letting your truth-telling, joy-making, world-building self be known.

To help encourage your soul, try:

Call Us What We Carry by Amanda Gorman – Poetry that engages with history, hope, and the responsibility of bearing witness.

Sula by Toni Morrison – A meditation on Black womanhood, loyalty, and community through beautifully painful prose.

And of course, go see Sinners in the movie theater. Watch creativity and inclusiveness on the widest screen you can find. Thank me later.

The winners will be those who kept their light shining, who believed in truth. And who dared to cry out: It’s me. It’s me, oh Lord, standing in the need of prayer.

Darkness is real. We tend to invite into our life, our work, our sanctuaries.But remember dawn is also real. Dawn, I hear comes with new mercies, too. I pray we find them.

To be the first to know about Fire Sword and Sea, go to: https://bit.ly/vrfiresword

Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting The Book Cellar through their website and Bookshop.org You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.

Help fight the bots by hitting like and continuing to share this podcast. You are essential to its growth.

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Write of Passage: Welcome to Censorship

The Warning That Sparked It All

It started with a slide.

Vanessa Riley trying to find peace and missing it.

Nine months away from the release of Fire Sword and Sea, my fourth historical fiction novel, I was using Canva—an online design tool—to create character slides. Each slide was a snapshot of a journey: a woman who rose from enslavement to ship captain, a reimagined heroine defying colonial narratives and gender norms. I hit the “add speaker notes” button, eager to get tips for speaking. I dream big, thinking I’ll be having substantive discussions on my writing and research. And then—Cava flagged me.

Thanks for reading Vanessa Riley’s Write of Passage! This post is public so feel free to share it.

The Canva warning on my character’s slide.

It warned me, that is appears I’m working on a political topic which is not supported.

I paused. Political? This wasn’t a manifesto. I didn’t mention government, war, or even the man in the White House. Just a character arc. A woman doing what men historically claimed as their domain. A woman who had been enslaved, now captain of her own destiny. Was that what triggered the flag?

The slide in question. Yes, I still can’t believe it.

Was it because she was Black? Because she was free? Because she existed at all? At the time of this recording Canva has not responded.

Vanessa Riley’s Write of Passage is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

What Had Happened Was…

There’s a popular phrase in Black vernacular storytelling—“What had happened was…” It’s often said with a chuckle, a smile, a pause before unpacking truth. It’s a doorway to context, a map through what might otherwise get dismissed.

So—what had happened was—I was trying to promote a book.

I wasn’t trying to ignite a movement or start a fire. I just wanted to tell a story that mattered. And the tools I used turned on me. These so-called helpers, these digital platforms that were supposed to amplify my voice, were suddenly filtering it.

It’s easy to say the creator world is dicey right now. We’re all stressed—consumers, readers, artists alike. But we can’t pretend this isn’t something deeper. Truth is under attack. Art is under review. And some of us are being silenced before we even speak.

History Is on the Chopping Block

I’ll leave you to draw your own conclusions about why Canva flagged that slide with the magic word enslaved. To me it’s simple and diabolical: history—especially Black history—is being erased. It’s happening now, it’s in real time.

We are witnessing the rollback of truth. Not in some distant dystopia, but here and now.

Books are being banned. Curriculum gutted. The “both sides” rhetoric used to flatten facts into nothingness. Trusted institutions are quiet or complicit. The hunger for moral equivalence is starving out real accountability.

If you think you’re safe, don’t be fooled. They are coming for you, too. Just ask your Grandma or senior friend who can no longer call their social security office, and now must make inconvenient trips to get questions answered.

Art Is—and Always Has Been—Political

From the beginning of time, artists have resisted. Protest art existed long before hashtags and headlines:

* Ancient Egyptians carved critiques into pottery and tombs.

* Michelangelo’s David stood as a symbol of resistance against the de Medici family.

* Picasso’s Guernica screamed against fascism.

* Jean-Michel Basquiat painted the pain of racism and systemic decay on city walls.

Writers too have been on the front lines of protest:

* Harriet Beecher Stowe’s Uncle Tom’s Cabin rattled a nation and helped spur abolition.

* George Orwell’s 1984 warned us how language and surveillance would become weapons.

* James Baldwin, in The Fire Next Time, broke the illusion of American innocence.

* Chinua Achebe reclaimed African voices in Things Fall Apart.

* Octavia Butler’s Kindred forced readers to time-travel into the inescapable legacy of slavery.

These stories didn’t whisper. They roared.

And yet, many of these works were banned, challenged, or ignored until their creators were no longer threats—until they were dead or despaired . We call them legends now, but in their lifetimes, they faced resistance just for telling the truth.

The Risk of Telling Stories in 2025

I’m not comparing myself to these masters. But here’s the truth: you never know how far a writer might go if they weren’t forced to create under duress. What stories never get told because someone’s afraid of losing a contract, a platform, a chance?

As we hurtle toward the release of Fire Sword and Sea in January 2026, I know the stakes. This novel challenges colonial history. It questions gender roles and race. It doesn’t hold back. And yes, that means it may face backlash.

But I owe it to my characters—and the ancestors behind them—to be honest. To be bold. I wish it felt better to be a truth-teller right now. But it doesn’t. It feels risky. Lonely. Like shouting into the wind and hoping the algorithm doesn’t mute you.

Algorithms Are the New Gatekeepers

Back to that Canva flag. Back to the bots.

We like to pretend the internet is neutral. But algorithms aren’t free-thinking. They’re coded by people. People with biases. People with blind spots. People who might think that a Black woman becoming a ship captain is “too political.”

These systems decide what gets seen, what gets buried, and what gets flagged. And in this brave new world, even our tools are weapons of control.

So what do we do?

Honestly—I don’t know. I rely on these tools. I use them to work faster, reach farther. But every time I click “publish,” I wonder: am I aiding my own silencing? Feeding the same beast that’s ready to swallow me?

Still Here. Still Talking.

I have no tidy resolution to offer. But I do have a promise: I’m still here. I’m still writing. Still teaching. Still telling the truth for as long as the bots allow.

Because censorship isn’t always loud. Sometimes it comes as a quiet “warning.” A flagged slide. A ghosted post. A book pulled from shelves.

And sometimes, yes sometimes, protest are simple acts— continuing to paint, dance, and create, continuing to speak, continuing to write, continuing to tell our stories.

To be the first to know about Fire Sword and Sea: https://bit.ly/fireswordseaupdate

Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting Fountain Bookstore through their website and Bookshop.org You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.

Help fight the bots by hitting like and continuing to share this podcast. You are essential to its growth.

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Jane Austen Para-literature – Sequels, Retellings, and More by Susan Karsten

Researching this subject taught me a new term and concept: Jane Austen para-literature. Oh my. This is a huge topic. I am only able to skirt around it, since to cover this topic completely would take years. The incredible array of sequels and retellings of the Austen ouvre is astounding. I, dear reader am a veritable babe in the woods when it comes to such reading opportunities. I have read a few spin-offs, no sequels, and no retellings of Jane Austen’s novels.

Is there a name for the phenomenon of the fact that a movie is never/rarely anywhere near as good as the book? Extrapolating that thought further tells me there could never be a sequel book as good as the original Pride and Prejudice.

Creative or knowledgeable people: Please come up with a name for the above phenomenon. Mention it in the comments.

Inveterate Austen sequel/prequel readers: Have you read any great ones? If so, please leave the titles in the comments.

READ ON! Much good information coming your way in this post.

Please check out these websites for listings of sequels: http://www.pemberley.com/janeinfo/austseql.html

http://webdoc.sub.gwdg.de/edoc/ia/eese/breuer/biblio.html

{The second site lists them alphabetically, but also has a listing of them in chronological order, so you could skip down to the more recent ones.}

There’s also a list on Goodreads of the popular ones: http://www.goodreads.com/shelf/show/jane-austen-sequels

And another on Amazon: http://www.amazon.com/Guide-Jane-Austen-Sequels-Miscellany/lm/R1SHWQ7HPAS300

From the first link listed above, Ted Adams has a wonderful, comprehensive article slicing and dicing the terminology of Austen para-literature. I have used material from this article below. He said it so well.

“The adaptations, completions, sequels, pastiches and other attempts to tap into the Jane Austen industry … devolve from a most noble sentiment: We have read the six published novels and we want more. We want more and different insights into both the novels and into the type of person that Jane Austen was.

Adaptations are transformations into another medium, e.g., stage, screen and television.

Completions are the finishing off of a novel fragment. Jane Austen’s two fragments, The Watsons and Sanditon have been attempted a number of times.

Sequels are a continuation of the action. To my knowledge, nobody has written a “prequel”, which would be a description of what occurred before the action started.

Pastiches are work written in the style of Jane Austen. Jane and the Unpleasantness at Scargrave Manor is a pastiche. Its premise is that it is a notebook that Jane Austen kept concerning events during a period for which we do not have documentation.

Certainly no Jane Austen pastiche will ever be as good as the original, but that is to be expected. Mind you, when the standard is one of the best writers in the English language, to fall short of the mark is no disgrace. To write with wit, economy, great insight and develop complex and interesting characters is no mean feat. After all, we read Jane Austen with great pleasure 200 years later because she compares well not only with her contemporaries but also with ours and everybody who has come in between.

Personally, I enjoy pastiches for much the same reason that I sometimes enjoy Jane Austen criticism. Even when a pastiche fails or fall short, it can be interesting to try understand how or why it comes up short. And in the meantime, I’ve read a story that really has no requirement to be taken seriously.

The questions I would ask of a pastiche are the same that I ask of criticism: Is the work interesting/entertaining in its own right? How faithful it to spirit of Jane Austen’s novels? Does it provide insights into the work in question and/or the character of Jane Austen? ”

So, dear Austen-loving friends, I highly recommend reading the full text of the Ted Adams article — not the least for the titles of para-Austen books he considers excellent! Thanks for visiting Regency Reflections.

Remember to comment on the questions: What to call the phenomenon when the movie or sequel is never as good as the original AND Give the titles of any Austen para-literature books you’ve read that you think were pretty good.

Susan Karsten

The love of Regency romance lives on today. Comment on any post this week for a chance to win a book by one of Regency Reflections’ amazing published authors. The winner will be emailed the list of available books to choose from. The winner will be announced Monday, August 26th. Winner’s mailing address must be within the United States to win. 

Originally posted 2013-08-23 10:00:00.

Georgette Heyer, an Austen Successor, and Another Chance to Win

Congratulations, Susan Heim, on winning the beautiful hardback copy of Pride and Prejudice. Check your email for details on claiming your prize. See the end of this post by Laurie Alice Eakes for another chance to win a fabulous prize. 

Although I have been devoted to the Regency era since the age of fourteen, I never read a book by Jane Austen, nor did I see one of the movie adaptations, for another twenty years. I haven’t even read all of Miss Austen’s books. Instead of this celebrated lady of letters, my attraction to the Regency came through an intermediate step—Georgette Heyer.

Georgette Heyer
Georgette Heyer

For years, I tried to get a copy of A Private Life, a biography of Miss Heyer written by another one of my favorite Regency authors, Jane Aiken Hodge. That tome was never available, so I was thrilled when a new biography by Jennifer Kloester was published. Since I’ve been reading it off and on for the past few weeks (it’s a lengthy book), I thought reviewing it in the month we are celebrating Jane Austen wholly appropriate. My Regency sisters have indulged me, since I am far more fond of Heyer than Austen, as blasphemous as that may be.

Kloester executed a tremendous amount of research for this biography. She must have read a few thousand letters and delved into numerous dusty storage rooms for original documents. The details included are more intriguing—and more edifying—than five minutes of TMZ. This is the book’s greatest strength and greatest weakness. The details about her publishing life, her personality, her friendships and animosities are like juicy gossip, especially to a writer or lover of her books. On the other hand, after a while, as many details as we receive go a little too far. I don’t need endless pages—fortunately scattered—regarding the Rougier (her married name) financial difficulties and mismanagement. Nor do I need the author’s speculation about the couple’s sex life.

KloesterBook_HeyerMore important are the details about her ups and downs as a published author. More ups than downs from most writer’s perspective. She sold her first book when she was nineteen. One of her detective novels was banned by the Irish government as being obscene (it’s not) until the 1960s. And although it rather makes me sad, I like the details about her personal habits such as how she smoked two packs of cigarettes a day for most of her life. It just doesn’t fit my image of this educated and talented Englishwoman born right after the turn of the 19th century. The ways in which she stayed awake when on deadline make me cringe as much as did some of her business decisions.

A business woman she was not unless one counts that she wrote romances, most set in the Regency, for the money, when her heart lay in long historical novels. She did manage to write these, but other than An Infamous Army, these were not the most successful of her books. Readers ate up her Regency and Georgian romances. They also loved her detective novels. To learn that two of her favorite authors were Jane Austen and Raymond Chandler did not at all surprise me.

That others ripped her off didn’t surprise me either. She exchanged letters with publishers and attorneys regarding how closely Barbara Cartland’s books followed Heyer’s, and wasn’t afraid to say the woman needed to do her own research. Cartland wasn’t the only writer who decided to use Miss Heyer’s original research instead of seeking it out for themselves.

Often I have heard that Miss Heyer made up slang terms and even that she inserted false facts to throw off these pretenders to know the time period and write in the same genre Heyer rather developed herself. After reading the biography, I no longer believe these claims to be true. She possessed too much professional integrity to do so.

HeyerBooks

Although Miss Austen wrote during the Regency era that has become a subgenre of romance fiction, the subgenre itself, for which we and dozens of other authors keep blogs,  owes its popularity and stronghold to Georgette Heyer.

The love of Regency romance lives on today. Comment on any post this week for a chance to win a book by one of Regency Reflections’ amazing published authors. The winner will be emailed the list of available books to choose from. The winner will be announced Monday, August 26th. Winner’s mailing address must be within the United States to win. 

Originally posted 2013-08-19 10:00:00.

How Louise M. Gouge Came To Write Regencies and a Giveaway!

Guest post by Louise M. Gouge

It all began with Jane

Jane Austen
Jane Austen

I have always loved stories set in the Regency period. One of my earliest movie memories is of watching Greer Garson and Laurence Olivier in the old black and white Pride and Prejudice. What a romantic story! I never even noticed that the costumes were definitely not from Jane Austen’s era. Later, I took a graduate class in Austen and loved reading all of her books. When the 1994 A & E version of Pride and Prejudice came on television, I was enthralled by the spectacular production. But I never considered writing a Regency romance because I wasn’t sure I could capture all the nuances of the era. There were just too many details I didn’t know about it.

Who, me?

But then I got tricked into it. I had just completed a Revolutionary War series and was wondering what to offer my editor in my next proposal. She solved my dilemma by asking me to write a Regency novella to be paired one by Deborah Hale, an experienced Regency author. I don’t know about you, but when my editor asks me to write a book, I say yes. The opportunity to share a book with Deb was icing on the cake.

So now I faced a challenge. As a reader, I don’t care much for careless or nonexistent research. As a writer, I endeavor to create interesting stories that take place in realistic settings. You may say, “Well, duh! Doesn’t every author want that?” But haven’t we all been pulled out of a story by some nagging little plot device we know could not have happened in that particular time period? Devoted Regency readers are particularly sensitive to such errors. I didn’t want that to happen with my story.

A LAdy of Quality Cover
Louise’s latest Regency offering ~ proof that she mastered the genre.

Help arrives

Fortunately, I had the help of our good friend, Laurie Alice Eakes, an amazing author who knows the era well. She answered my pesky questions and insisted that I join the Beau Monde chapter of RWA. There I could ask the research mavens for help. And believe me, I did!

Well, I finished my novella, and by then I was hooked and ready to propose a full Regency series. After reading in another author’s lovely book that included a rather pathetic minor character who was a lady’s companion, I knew that had to be my subject. I came up with three different aristocratic young women who were forced by circumstances to go to work as companions. As you readers and writers of this era well know, it was shameful for aristocrats to work at any job, so my heroines were all bound to suffer Society’s disdain. Yet paired with the right hero, each lady found her true calling: marriage to the man of her dreams and a happily-ever-after life. So far, only a few tiny errors have crept into my books, but I welcome any corrections so I can get it right the next time.

Success!

By the way, that novella, The Gentleman Takes a Bride, earned second place in the Inspirational Readers Choice Awards, so I was more than pleased with that.

My brand new release, A Lady of Quality, is the third in my “Ladies in Waiting” series. Catherine Du Coeur is determined to uncover the truth about wealthy Lord Winston, who falsely accused her father of treason. But the closer she gets to the handsome young nobleman, the more she wonders how such a benevolent gentleman could have conspired to commit such evil. Baron Lord Winston has had little success in finding an accomplished aristocratic bride who is suited to his diplomatic aspirations. But when he meets Miss Du Coeur, a countess’s lowly companion, he finds that family connections are far less important than matters of the heart.

Louise M. GougeAward-winning Florida author Louise M. Gouge writes historical fiction for Harlequin’s Love Inspired imprint. In addition to numerous other awards, Louise is the recipient of the prestigious Inspirational Readers’ Choice Award for her 2005 novel, Hannah Rose. With her great love of history and research, Louise has traveled to several of her locations to ensure the accuracy of her stories’ settings. When she isn’t writing, she and her husband love to visit historical sites and museums. Her 2011 Regency novella, The Gentleman Takes a Bride, earned second place in the prestigious Inspirational Readers Choice Award.

One lucky commenter will win their choice of one of the Ladies In Waiting books. Leave a comment telling us why you started reading regencies to be entered to win!

Contest is now over. Look for Louise’s latest novel wherever you buy books. 

Originally posted 2013-07-26 10:00:00.

Write of Passage: The Losing Season

There comes a moment when the noise fades, the dust settles, and you look around and realize: this is a losing season. The signs are everywhere—opportunities dried up, allies silent or absent, and the very ground that once felt firm beneath your feet feels like it’s shifting. You blink and think, how did I get here?

Vanessa – Out of Coffee

I move through the world on a mission. It’s loud and clear in my heart: I’m here to tell stories that center encouragement and empowerment—especially for Black women. It’s personal. I am a Black woman. And being one raised at the crossroads of cultures—Caribbean roots, the Southern Baptist South, Irish threads in my lineage—I bring a perspective that’s richly textured. I’m a history and STEM girly, someone who gets giddy over tech and deeply moved by stories of women surviving and thriving from the 1300s to WWII. I love the research, the smells, the taste of a scene, the sound of a woman’s laughter echoing through centuries. And yet, in the middle of building, writing, pitching, and praying, I look up and realize I’m in a losing season.

The world right now is showing its cards. Political chaos runs rampant. Corporate agendas have eaten integrity for breakfast. The pressure to tell “acceptable history” rather than true history is real—and exhausting. The DEI moment has slipped into quotas and checkboxes, and alleged allies are revealing their true motivations. Let me be real: some folks were only in the room for the optics.

When someone shows you who they are, believe them.When a door closes, let it remain closed.If the house is on fire, get out and let it burn.

That’s not bitterness. That’s wisdom earned through fiery flames.

As a woman of faith, I know that even the losing seasons have purpose. There are times I ignored the signs and lost, getting smacked with fallout. And there are times I listened—and for a moment blessings flowed like a river. Then the river ran dry.

It’s not always going to be a winning season. Sometimes, you lose. Sometimes, life kicks you in the teeth. And when it does, you have to ask yourself: now what?

What Do You Do When You’re in a Losing Season?

You grieve. You breathe. You pray.

You let the rain come.

Ecclesiastes 3:4 reminds us: There’s a time to weep and a time to laugh, a time to mourn and a time to dance.Nobody wants the weeping season. No one welcomes the mourning. But the rain is necessary—it releases what’s buried, nourishes what’s growing, and reminds us, we are alive.

Find Ways to Retain Joy – Vanessa with her 26th book taking Car Selfies.

Losing hurts. It hurts to see people you trusted only stand beside you when it’s trendy. It hurts to watch monuments scrub away Black contributions from the record, as if the Underground Railroad, War heroes erased from Arlington National Cemetery because of their sex or color or skin, and the countless other dark hands that built this country are inconveniences to a prettier story.

Let me be clear: this is all American history—Italian migrations, Haitians battling English troops for our freedom. All the Black, Brown, and White stories woven together belongs to all of us. Yet the only narratives being preserved are the ones that make people comfortable. The rest? We’re told to erase, edit, or hide them. And if you’re someone like me, someone who insists on telling the truth with love and power, you can find yourself cast out, put into a rough season where nothing sticks.

But even here—especially here—there’s still something to do. You regroup.

Hope and Regrouping

Losing doesn’t mean you stop. Losing is a pause. A reroute. A holy moment to reset.

Stop chasing folks who never believed in you.Stop shrinking your truth to make others feel taller.You remember your mission.

Yes, it’s a lonely road when only 6% of the room looks like you. Yes, like-minded folks are rare, and genuine support can feel even rarer. But they are out there. I know that because I have readers and listeners who hear me—who see me. That means the world.

And so, we regroup with intention.

We protect our joy.We sharpen our gifts.We build anyway.

We prepare for the next season by shedding the expectations that no longer serve us. We speak truth—the whole truth—because the stories we tell now will shape the world we’re leaving behind.

I don’t pretend to have it all figured out. I just know the losing season doesn’t get the final word. The bumps and the lows on my path are birthing clarity. Resilience is being shaped, and I fall back on my faith and it brings me out of darkness to the sunshine.

Vanessa Riley’s Write of Passage is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

And when the rain stops, and the mourning shifts, we will dance again.

Books to help you through your season are:

Rest Is Resistance by Tricia Hersey

A radical, spiritual, and deeply empowering book about reclaiming rest as a tool of liberation.

Black Liturgies: Prayers, Poems, and Meditations for Staying Human by Cole Arthur Riley

A spiritual balm. Riley weaves faith and justice into meditations that feel like breathing in a storm.

Healing the Soul of a Woman by Joyce Meyer

Meyer speaks candidly about trauma, emotional wounds, and how God works healing in the places we hide.

Island Queen by Vanessa Riley

A Caribbean woman’s rise to power in a world that tried to crush her. It’s history, empowerment, and a well researched novel.

The Love Songs of W.E.B. Du Bois by Honorée Fanonne Jeffers

A multigenerational epic that explores identity, belonging, and the burden and beauty of legacy.

Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting Baldwin and Company through Bookshop.org. You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Write of Passage: Skin Qualified, Style Approved

“Her skin was very brown, but, from its transparency, her complexion was uncommonly brilliant; her features were all good; her smile was sweet and attractive; and in her eyes, which were very dark, there was a life, a spirit, an eagerness which could hardly be seen without delight.” — That’s Jane Austen purply prose describing Marianne Dashwood in Sense and Sensibility. It’s a passage I repeat in A Wager at Midnight, where our Austen-loving hero sends these words to the woman he loves.

Vanessa on the set of Hallmark’s Sense and Sensibility in a period reconstructed gown.

This sentimental adoration of skin is an example of how, even in the olden days—the 1800s—it’s used to interpret Marianne’s style and good character, and another reason she’s considered qualified to be a good wife.

Where have we gone so wrong that the mere mention of skin makes everyone nervous? Why, when used in literature skin was once a symbol of beauty, in the present it seems linked to division? Why does its celebration feel shameful or wrong? Even those who claim to see no color are blind to the beauty that skin creates.

Did you know that your skin—the dermis—is the largest organ in your body? According to the National Institutes of Health, the average adult’s skin spans 16-22 square feet. That’s a quarter of an average bedroom. For me, that’s half the room on my floor filled with reference books—the ones I’m pouring through as I write. Skin serves as a shield. From freckles, scars, and pigmentation to wrinkles—it’s a storyteller, an archive of our rich history.

More Than Skin Deep

Skin is important. It’s one of the first things anyone notices when you walk into a room. It’s the reason people smile when it’s glowing and radiant. It’s also the reason I was followed around a store when I was young, Black, and in a place where those in power assumed the worst. I wasn’t given the benefit of my character. I was condemned in a glance.

And when people of like minds and shared ancestry congregate and uplift one another, some of those same forces rear their heads again. Now, they are uncomfortable. It makes me wonder—what is it they fear? It’s not 1865. It’s not 1617. Our skin is here to stay, adorned as we please, and present in all public spaces.

Yet, I’m not just talking about external forces. I’m talking about the harm we inflict upon ourselves—the moments we buy into the false narrative that our skin makes us not enough.

Skin as a Reflection of Trauma

Skin records our personal experiences and the imprints of ancestral resilience. It is more than just a covering; it is deeply connected to our emotions and environment. Studies show that trauma leaves a physical signature, not only in our nervous system but in our skin. Ever noticed your skin flaring up after extreme stress—whether it manifests as dryness, scarring, acne, or rosacea? You’ve experienced this connection firsthand.

According to the National Rosacea Society, emotional stress is one of the most common triggers for rosacea. Research in dermatology and psychiatry links post-traumatic stress disorder (PTSD) to various skin conditions, including psoriasis, eczema, and stress-induced inflammation. Scientists have found that those who experience chronic psychological stress have elevated inflammation levels, which can make skin conditions persistent and resistant to treatment.

A Poster for Healthy Skin – Source: Canva and Vanessa Riley

Our bodies hold trauma in tangible ways. People with alexithymia, a condition where emotions are difficult to identify or express, often experience physiological symptoms, including hyperactivated nerves, increased heart rate, and reduced oxygen flow to tissues. The skin itself becomes more electrically sensitive, reacting intensely to stress. These biological responses serve as reminders that our reactions to the world around us don’t simply disappear.

Trauma and the Legacy of Our Ancestors

Recent genetic research reveals that trauma is not just a singular present experience but one that echoes across generations. The concept of intergenerational trauma suggests that stressful events—war, famine, oppression, and internment—can shape gene expression and affect descendants. Studies of Holocaust survivors and Dutch famine victims show that their children exhibited altered stress responses and health patterns.

Throwing on my science minded writer’s hat for a moment, I must make it clear, trauma doesn’t change our DNA sequence, but it does influence which genes are activated or deactivated—like an editor making notes in the margins of a manuscript. These epigenetic markers can be passed down, creating a biological legacy of resilience or vulnerability. However, just as these changes can be inherited, they can also be rewritten, properly edited out of existence. Healing, self-care, and community can reprogram these genetic expressions, offering paths of restoration.

The Power of Ancestral Survival

Every cell in your body is a testament to survival. Your ancestors endured hardships—some enslavement or forced migration, all subject to colonization. This legacy affects both the oppressed and the oppressor. Both absorb the hate and lies, whether through feelings of false superiority or the fallacy of expecting to be exploited.

Back to Our Skin

Research from Yale and the Mayo Clinic reveals that every human carries an ancestral roadmap at the cellular level. This means that the struggles and triumphs of those who came before us are not just stories—we carry them in our blood, our bones, and our skin.

In the year of our Lord 2025, it’s time to step back and see that we are wonderfully made. Even if our history or ancestry has endured the worst, and even if our ancestors have perpetrated the worst. Knowing true history isn’t about guilt; it’s about recognition—returning honor to those who were hung from the arc of injustice.

Legendary civil rights organizer Ella Baker often asked, “Who are your people?” It wasn’t just a rhetorical question; it was an invitation to recognize the power of lineage. It wasn’t a call for atonement but a call to do better by those upholding supremacy and to do right by our neighbors, all of our neighbors–the ones who don’t worship, love, socialize or believe like you. And especially those who don’t look like you, possessing your skin—the one thing on the list that’s impossible to change.

More Than Skin Deep: The Significance of Firsts

We live in a world where women, Black people, and people of color are still achieving “firsts”—the first to graduate from certain institutions, the first to hold specific leadership positions. I was one of the first, if not the first, Black woman to graduate from Stanford University with a Ph.D. in mechanical engineering. In 2001, only four Black women graduated with a doctorate in physics. I have the honor of knowing one of them.

Yet, despite how hard we work—how much harder we labored to gain our placements—someone will look at our brown skin and assume: affirmative action, lax standards, different (easier) tests. And, of course, we are counted as ‘Didn’t Earn It’ hires. Some believe DEI initiatives are keeping them from breaking into traditional publishing—without considering the possibility that their writing simply isn’t good enough. They don’t realize that calls for historically disenfranchised groups don’t mean the majority is ignored. When people realize that there are enough seats at the table, maybe they won’t be so insecure. Maybe then, they can relax.

For Becky or Karen, I can tell you two things can be true at the same time. When I started out, I remember being told by an agent—one with, let’s just say, racist tendencies—that I wasn’t good enough, and my only hope of publishing was as a co-author. She was wrong. But that manuscript she reviewed? While it had a unique style filled purply prose and uncontrolled flourishes, it was trash. A wise person learns, adapts, and tries not to make the same mistakes. That too is baked into my skin.

Don’t Hide Your Beauty

Maya Angelou once said, “The variety of our skin tones can confuse, bemuse, delight, brown and pink and beige and purple, tan and blue and white. I’ve sailed upon the seven seas and stopped in every land. I’ve seen the wonders of the world, not yet one common man.”

Our skin tells the story of survival, of fire refining gold, of bronzed DNA etched with both power and pain.

Ignore the noise. Your achievements are not anomalies; they are milestones on a journey paved by generations of sacrifice and resilience.

Psalm 139:14 reminds us, “I am fearfully and wonderfully made; your works are wonderful, I know that full well.” We are the work of His hand. Our skin—our very being—is a living archive of triumph. We are made not merely to survive, but to thrive in our circumstances, our skin. The legacy endowed in us qualifies us to dream and build and rest—with passion, compassion, and undeniable style.

If you wish to dive deeper into the wonders of skin and pride and human nature, I recommend the following:

I’m Still Here: Black Dignity in a World Made for Whiteness by Austin Channing Brown – A personal and insightful memoir on navigating race and faith.

All About Love: New Visions by bell hooks – A discussion on love, self-worth, and community in the face of societal pressures.

Skin: A Natural History by Nina G. Jablonski – A fascinating look at the evolution and cultural significance of human skin.

My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Resmaa Menakem – A deep dive into how trauma is held in the body, particularly in the context of racial identity.

And If you want to learn more about the powerhouse behind the scene activist Ella Baker, try Ella Baker and the Black Freedom Movement by Barbara Ransby about Baker’s pivotal role in the civil rights movement and her enduring legacy of grassroots leadership.

Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting M. Judson Booksellers through Bookshop.org. You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.

Vanessa Riley’s Write of Passage is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Write of Passage: Celebrate Without a “Round To It”

My mother was the first female entrepreneur I ever met. She started selling baked goods during tax season while my father prepared income taxes for clients in our home. I distinctly remember her brownies—one of my favorite treats—being sold right on our porch to delighted customers. But my mother wasn’t just an entrepreneur; she was a serial entrepreneur. She took that experience and built a bookstore—Goldenrod Christian Bookstore—in the booming metropolis of Aiken, South Carolina. And for those familiar with Aiken, you’ll catch the joke in that description.

Midnight Release Party of A Wager at Midnight at The Book Worm Bookstore

A love of books has always been deeply ingrained in my family, which made it all the more distressing when larger businesses noticed the niche my mother had carved out. Since there wasn’t another Christian bookstore for miles, these businesses began selling Bibles and offering similar services, cutting into her business. I suppose at any stage of success, there will always be competition, challenges, and obstacles that try to stop you. You just never know what each day will bring.

One of my fondest memories of Goldenrod was an item my mother kept by the register—a small, round coin. Some were blue, others red, and each had the words “To It” stamped on the top. It didn’t make sense to me at first. When I asked her about it, she gave me that knowing smile and said, “This is for everyone who delays their dreams, thinking they’ll get around to it.” Then she placed the coin in my hand and said, “See? Now you have a round to it. So go after what you want.”

The idea of “a round to it” is a powerful concept. It represents the ultimate form of procrastination—the assumption that we will always have another moment, another chance. But nothing in life is promised. We shouldn’t make plans assuming X, Y, or Z will happen down the line, nor should we sit still waiting for the perfect moment.

By the time you hear this podcast, I will have released my 26th book into the world, A Wager at Midnight. I will also, in all likelihood, be very tired because we celebrated with a midnight release party. (Side note: I probably should’ve named it A Wager at 10 PM—then I could have gotten a full night’s sleep! But I digress.)

The event was an incredible opportunity to celebrate this book, an indie bookstore that I love, and the readers who believe in my voice and mission—supporting women, female entrepreneurs, and female authors. Because despite what anyone may tell you, being an author is a business. Our product is our words, codified in a book. We have to market, advertise, reach new customers, and most importantly, appreciate every reader—whether they pick up a book from a library, buy it from a bookstore, or listen to it through headphones. Every reader is a valued customer.

At the midnight party, we celebrated in style. The menu featured chimichurri sauce with a range of crudité vegetables, Megan Sussex’s lemon honey olive oil cake with cream cheese frosting, baked donuts with chocolate ganache and floral sprinkles, holiday meatballs, and an array of cheeses—including a particularly tipsy drunk goat cheese. There was plenty of food, and even greater joy in watching people savor what had been created with love and care. Perhaps I’m a serial pleaser because I want people to enjoy my words, but if I throw a party, I want them to enjoy the food, too.

So consider this message your round to it. Wear that outfit you’ve been saving for a special day. Take the trip you’ve been thinking about. Start the business that’s been living in your head, even if the present situation feels uncertain. Celebrate everything—whether it’s a major victory or simply the fact that you’re still in the game.

More about A Wager at Midnight

And as we celebrate book number 26, A Wager at Midnight—Stephen and Scarlett’s story—we honor a narrative that intertwines a fight against the blood disease sickle cell anemia with a love story between a Duke and a Viscountess, who place a wager that will be settled at the end of A Wager at Midnight. At its heart, this book is about two people devoted to medicine and helping others, yet unsure if they can have both love and their dreams. But luckily, Stephen and Scarlett get a round to it.

Books that can help bolster the celebration now mindset:

Don’t Settle for Safe by Sarah Jakes Roberts – Encourages stepping out of fear and into purpose.

The Light We Carry by Michelle Obama – Encourages resilience, taking action, and finding joy even in difficult times.

The 5 Second Rule by Mel Robbins – Teaches a simple technique to stop procrastination and take immediate action.

So celebrate today. Party today. Because nothing is promised, and you deserve your flowers—or your holiday meatballs—even if it isn’t an official holiday. You deserve a celebration.

Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting “The Book Worm Bookstore” through Bookshop.org. You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe