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Gone Too Soon, Jane Austen

Vanessa here,

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”

Jane Austen
Jane Austen

So begins the words to the novel, Pride and Prejudice, and with it the love affair we have for 1800’s England. Now many of us may have been introduced to Jane Austen because of a high school literature assignment or catching a BBC or a Hollywood version of one of her books. I have come to know and appreciate her talents for unlike me, she was a contemporary author writing of her times, of the societal norms and taboos. Austen excelled at capturing the mood of the classes and the roles of women. Her words allow us to visit that time and space we lovingly call the Regency.

So today, I’d like to spend a few moments highlighting the amazing woman, Jane Austen.

Her Birth

Born December 16th, 1775, Jane Austen was the second daughter, the seventh child of eight for Reverend George Austen and Cassandra Austen. They lived in Steventon, Hampshire. They weren’t a rich family at £ 600 per annum. So Jane would find herself very much like her character, Elizabeth Bennett, with nothing more than her charms to recommend her.

Jane's Father's Church, Her Home
Jane’s Father’s Church, Her Home

Her Education

She learned as most girls did at home, to draw, play the piano, and the running of a household. From 1785 to 1786, she and her sister, Cassandra were sent to an aunt in Oxford for more studies. They were later sent to the Abby Boarding School in Reading.

Her Love of a Good Book

By 1801, Jane’s father possessed a large book collection of over 500 books. She is described by family members as a great reader. Her favorites included Fanny Burney’s Cecilia and Camillia and Samuel Richardon’s Sir Charles Grandison, and Maria Edeworth’s Belinda.

In Jane’s Northanger Abby, she puts up a defense of the reading and novels:

“There seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them… In short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.”

Her Love Life

From her letters, one can see a few men came a courtin’ but she found most wanting: Heartley, Powlett, Lefroy.

In one of her correspondences, she writes:

“Tell Mary that I make over Mr. Heartley and all his estate to her for her sole use and benefit in future, and not only him, but all my other admirers into the bargain wherever she can find them, even the kiss which C. Powlett wanted to give me, as I mean to confine myself in future to Mr. Tom Lefroy, for whom I do not care sixpence. Assure her also, as a last and indisputable proof of Warren’s indifference to me, that he actually drew that gentleman’s picture for me, and delivered it to me without a sigh.”

Then later we find this:
“At length the day is come on which I am to flirt my last with Tom Lefroy, and when you receive this it will be over. My tears flow at the melancholy idea.”

And with the end of things with Mr. Lefroy, Jane’s friend (Mrs. Anne Lefroy, cousin to Tom Lefroy) even tried to play match maker. Mrs. Lefroy tried to fix Jane Austen up with the Rev. Samuel Blackall, a Fellow of Emmanuel College. It didn’t work out (See our take on Blackall). Perhaps her joy of writing claimed all her love. Or was she too poor to make a man fall violently in love with her.

Her Writing

Jane started her writing “career” with short stories. These pieces varied from witty to satirical. Many of these short stories were collected together and called the Juvenilia. Over 20 different shorts fill this collection with the most famous being: The Beautiful Cassandra, Love and Friendship, and The History of England.

Her published works (the ones published during her lifetime or posthumously by family members are included below: (S=Synopsis, W=Link to the Whole Work. Go ahead and download a copy provided for free.)

  • Sense and Sensibility  (1811) S W
  • Pride and Prejudice  (1813) S W
  • Mansfield Park  (1814) S W
  • Emma (1815) S W
  • Northanger Abbey (1817) S W
  • Persuasion by Jane Austen (1817) S W
Pride and Prejudice
Pride and Prejudice

Her Death

Jane Austen died in 1817 at the age of 41. She began to get ill in 1816 and the yearlong decline, tapped her energy and made her in the end bed-ridden. The cause of her death is disputed. Some venture it was lymphoma. Others Addison’s disease. Another view is she died from bovine tuberculosis contracted by drinking unpasteurized milk. As I check the label, on the milk cartoon for my coffee, I’ll add a final potential cause, typhus, a recurrent form of the disease developed from a childhood illness. Her death left two more manuscripts unfinished, Sanditon (1817) and The Watsons (1804). She is buried at Winchester Cathedral in Winchester, Hampshire.

 

Winchster Cathedral
Winchester Cathedral

Well, I think we should all agree, her life was too short. Nonetheless, judging by the longevity of her work, she may just have accomplished what she was born to do. Share with us a favorite Jane Austen line or scene and why it sticks with you.

References:

  • Images are from Wikipedia/Wiki commons.
  • Wikipedia
  • Project Gutenberg
  • Pemberly.com

This week we’re giving away a lovely set of Jane Austen note cards.

notecards
Win This Prize.

For a chance to win, please leave a comment on any of the posts this week. winner will be drawn Monday, August 12. Winner must have a mailing address within the United States.

Originally posted 2013-08-05 10:00:00.

Write of Passage: Revenge, Regret, and a Lick

Revenge isn’t justice—it’s a dopamine hit with consequences.

We love the fantasy of the lick back: the receipts, the public shaming, the Waiting to Exhale moment.

But what happens after the fire dies out and you’re the one standing in the smoke? This essay asks an uncomfortable question: Is revenge power, or is it professional and spiritual suicide?

Revenge, Regret, and a Lick Back

I saw a viral clip from Oprah’s podcast about the science of revenge, and it mesmerized me. It’s a thought or a topic that I deal with when I write. Pro-tip: Real deep emotions that your characters embody resonate with readers.

But back to Oprah.

A woman in the podcast audience recounts a moment when she lost control. Consumed by suspicion, she triangulated her lover’s whereabouts using technology: combing through his laptop, pulling Uber receipts, matching dates to her calendar, and Googling addresses. The trail led straight to his ex-girlfriend. Proof in hand, she didn’t confront him quietly. She burned his clothes—Waiting to Exhale–style—posted flyers in the neighborhood with his photo stamped CHEATER, and I caught the vibe that maybe there was more she wouldn’t say on television.

The anger was palatable. Right, in the United States, anger is rampant. We have more acts of government-sanctioned brutality and murder. Officials are lying. Some folks seeme outraged. Others are looking away, hoping for a reasonable explanation of murder. While the ones once told to be silent are questioning whether all lives really do matter.

Back to Oprah again.

Oprah responded with compassion and hard-earned wisdom. She admitted she’d had a similar moment in her twenties—and learned that instead of tracking someone down, sometimes the bravest act is to stop, to cool down, to get help, and to reclaim yourself before you do something that costs you far more than it costs them.

Have you ever been there?So angry at how someone wronged you that you feel yourself tipping into something unrecognizable?

I’ve written that moment. In Fire Sword and Sea, Jacquotte experiences a rage so pure and sharp it feels righteous. The pirate crew she serves is a meritocracy: everyone is equal as long as they do their job. But one pirate, eaten alive by jealousy, sabotages battle instructions and leaves the entire crew in mortal danger. I won’t spoil what happens—but terrible things follow.

Jacquotte wants to kill him. Not metaphorically. She wants to drive her rapier through his heart, drag it up to his gullet and down into his gut. Based on what happens, her anger is justified. It’s righteous anger.

And yet—she does nothing.

She has to consider the crew. Her leadership. The sacrifices, she’s already made. The futures she fought for can be destroyed with one wrong move. In choosing restraint, something else breaks inside her. She almost loses her sanity.

Revenge might have felt freeing, but it wouldn’t have solved the problem or undone the harm caused by one ignorant, jealous fool.

James Kimmel Jr., author of The Science of Revenge, tells Oprah that revenge is a core emotion—an addictive one—that drives wars and conflicts. Or, as we say in the neighborhood: you can’t help but want to get your lick back.

But revenge is often also professional suicide.

Even when everything and a court of law is on your side, the world gets very small very fast. When word spreads about your clever act of vengeance, who will really trust you? You’re now the person who “crashed out.” Your stability and dependability are questioned. Team chemistry evaporates like smoke.

I’ve had friends who didn’t care. For ten glorious minutes—right up until security escorted them out—they had their revenge.

Before restraining orders are needed, I think we owe ourselves one hard question:Is it worth burning down your world just to set fire to theirs?

The best villains say yes. But is that you? No? So, I’m advocating to turn the other cheek. Forgive. But I don’t know about that forgetting part. We’re not angels. We’re definitely not Christ. Forgetting that someone harmed you can put you right back in danger. They already stole your trust and your time—things you can’t get back.

Yes, second-chance romances exist. But infidelity is a hard one to forgive, but so is belittling your dreams or gaslighting your pain. Refusing to admit wrongdoing while demanding your faith is wrong. When someone cannot acknowledge harm but insists they have your best interests at heart—that’s not a lesson to learn twice. That’s a situation to run from.

So what is the ultimate revenge?

Physical harm is wrong. Social harm is fleeting. The endorphin rush fades. The pain remains. And now you might also have a criminal record for trespassing. No thank you.

At this stage of my life, I don’t actually want revenge.I want regret.

I want a soul-stirring, chest-tightening, sleepless regret. I want them to know—deeply—that if they had only lived up to the values they preached, things could have been different. I want them to awake at night thinking about what could have been. I want my name to give them pause when it appears in lights.

I wish them regret.

I want people who believed themselves “the good guys”—the ones with liberal minds and Black friends—to reckon with how they’ve become tools of the state, how they uphold castes, patriarchy, and misogyny. I want them to rue how their misguided beliefs failed real people. I want them to remember every little lie, every weak excuse. I want them to sweat under the weight of their regrets.

That is a better revenge than anything my small, angry mind could invent.

No one torments the soul better than one’s own conscience.

So no—I don’t want revenge.

I wish my enemies regret.

What about you? Do you need to get that lick back, or could you be satisfied with your own stellar success?

As for me, in this house, that’s my choice. I’m pounding the pavement. I’m keeping my holy fire alive on the inside. I’m building a life so full—career, family, purpose—that those who discounted us, who cast us aside, who counted us out are stunned into silence. Maybe even repentance.

To get there, I don’t have to destroy anyone. I have to succeed.

I’m not wishing sickness or death or ruin on anybody. I’m wishing for my success to be so brilliant it can’t be ignored—and for the quiet, devastating realization that my hopes and dreams were the ones that got away.

This week’s book list is about revenge:

The Science of Revenge — James Kimmel Jr.A psychological and sociological examination of revenge as an addictive force that fuels conflict, cycles of violence, and self-destruction.

Beloved — Toni MorrisonExplores how unresolved trauma and righteous anger haunt both the wronged and the wrongdoer long after the act itself.

The Count of Monte Cristo — Alexandre DumasA masterclass in revenge as obsession, showing how total victory can still hollow out the soul.

Their Eyes Were Watching God — Zora Neale HurstonA story of choosing self-fulfillment over vengeance, and how living well becomes its own quiet reckoning.

Fire Sword and Sea — Vanessa RileyA meditation on righteous anger and restraint, where leadership demands sacrifice—and revenge costs more than blood. And it’s got pirates.

This week I’m highlighting Mahogany Books.

Consider purchasing Fire Sword and Sea from Mahogany Books or from one of my partners in the fight, bookstores large and small, who are hanging with me.

Come on, my readers, my beautiful listeners. Let’s keep everyone excited about Fire Sword and Sea.

You can find my notes on Substack or on my website, VanessaRiley.com, under the podcast link in the About tab.

Enjoying the essay? Go ahead and like this episode, share, and subscribe to Write of Passage so you never miss a moment.”

Thank you for listening. I want you to come again. This is Vanessa Riley.

Special Event:

On February 5 at 7:00 PM, I’ll be appearing virtually with libraries across the country as part of the Library Speakers Consortium, discussing Fire Sword and Sea.

Check with your local library for access—and please join me. I’d love to see you there.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

What is the Underground Railroad

This is from the National Park Service:

HarrietTubman
Harriet Tubman, photographed by Harvey Lindsley. LIBRARY OF CONGRESS

I was the conductor of the Underground Railroad for eight years, and I can say what most conductors can’t say — I never ran my train off the track and I never lost a passenger.

-Harriet Tubman, 1896



The Underground Railroad—the resistance to enslavement through escape and flight, through the end of the Civil War—refers to the efforts of enslaved African Americans to gain their freedom by escaping bondage. Wherever slavery existed, there were efforts to escape. At first to maroon communities in remote or rugged terrain on the edge of settled areas and eventually across state and international borders. These acts of self-emancipation labeled slaves as “fugitives,” “escapees,” or “runaways,” but in retrospect “freedom seeker” is a more accurate description. Many freedom seekers began their journey unaided and many completed their self-emancipation without assistance, but each subsequent decade in which slavery was legal in the United States, there was an increase in active efforts to assist escape.

The decision to assist a freedom seeker may have been spontaneous. However, in some places, especially after the Fugitive Slave Act of 1850, the Underground Railroad was deliberate and organized. Despite the illegality of their actions, people of all races, class and genders participated in this widespread form of civil disobedience. Freedom seekers went in many directions – Canada, Mexico, Spanish Florida, Indian territory, the West, Caribbean islands and Europe.


Set of cards showing enslaved individuals
A set of cards created by H.L. (Henry Louis) Stephens of working in the field to reaching freedom. LIBRARY OF CONGRESS/H.L. STEPHENS
Underground Railroad Route Maps
A United States map showing the differing routes that freedom seekers would take to reach freedom. NPS

Wherever there were enslaved African Americans, there were people eager to escape. There was slavery in all original thirteen colonies, in Spanish California, Louisiana, and Florida; Central and South America; and on all of the Caribbean islands until the Haitian Revolution (1791-1804) and British abolition of slavery (1834).

The Underground Railroad started at the place of enslavement. The routes followed natural and man-made modes of transportation – rivers, canals, bays, the Atlantic Coast, ferries and river crossings, road and trails. Locations close to ports, free territories and international boundaries prompted many escapes. As research continues, new routes are discovered and will be represented on the map.

Using ingenuity, freedom seekers drew on courage and intelligence to concoct disguises, forgeries and other strategies. Slave catchers and enslavers watched for runaways on the expected routes of escape and used the stimulus of advertised rewards to encourage public complicity in apprehension. Help came from diverse groups: enslaved and free blacks, American Indians, and people of different religious and ethnic groups.

Maritime industry was an important source for spreading information, in addition to offering employment and transportation. The Pacific West Coast and possibly Alaska became destinations because of ties to the whaling industry. Military service was an additional option; thousands of African Americans joined from the Colonial Era to the Civil War to gain their freedom. During the Civil War, many freedom seekers sought protection and liberty by escaping to the lines of the Union army.

54th Massachusetts Regiment
A mural of the 54th Massachusetts regiment photographed by Carol M. Highsmith. LIBRARY OF CONGRESS/ CAROL M. HIGHSMITH

Originally posted 2025-04-09 19:29:46.

I went to the Regency Ball and all I got…

Vanessa here,

I’m still in high cotton (Southern Phrase for High Ropes) and very tired after last week’s conference bonanza. I was privileged to attend the national conference for Romance Writers of America (RWA) and the conference of one its specialty chapters, the Beau Monde.

Beau Monde Pin
Beau Monde Pin

The Beau Monde chapter focuses on all things Regency.  It was started in 1993 and attracts members worldwide. This year in lovely sweltering Atlanta the conference kicked off on Tuesday, July 16  (bag stuffing with tons of swag goodies) and then held a series of workshops on Wednesday, July 17.

I am always impressed by the caliber of the knowledge of the classes and these were no exception. From the Grand Tour with Regina Scott, Military History with Susanna Fraser, The Underworld with Erica Monroe, Playing Whist, and Regency Dancing, and so much more, I well pleased.

 

Amy Pfaff, Candace Hern, Vanessa Riley enjoying a session.
Amy Pfaff, Candace Hern, Vanessa Riley enjoying a session.

I bought the conference recordings. This much knowledge has to be replayed over and over again.

Now, I made a promise and a competition with my readers to choose the pattern and style of the Regency ball gown I would make for this conference. Begrudgingly, I stuck with it. I was able to finish it with a few hours to spare.  Thank you for not choosing the harder pattern.

Before you ask: I used a sewing machine, I’m a Regency Chick not a masochist. While I did not use a zipper, a twentieth century tool may have been involved in closing the gown (Velcro – think lots of tiny hooks).

Vanessa's Finished Ball Gown of Grey Silk Taffeta
Vanessa’s Finished Ball Gown of Grey Silk Taffeta

I have a lot of images and video of Regency dancing at the Soiree that I’m still sorting through but I thought I’d leave you with some images of the conference:

Laurie Alice Eakes in a burgundy and floral ball gown. We went to our book signings in these dresses.
Laurie Alice Eakes in a burgundy and floral ball gown. We went to our book signings in these dresses.

Kristi Hunter and I enjoying the music.
Kristi Hunter and I enjoying the music. Thanks for making me dance.

The professional Regency Dancers getting ready to teach the steps to the dances.
The professional Regency Dancers getting ready to teach the steps to the dances. Do they know what they are in for?

More Beau Monde Beauties
More Beau Monde Beauties

photo3

Ella Quin, one of the fabulous conference organizers.
Ella Quin, one of the fabulous conference organizers.

Erica Monroe and I took a turn about the hotel. Onlookers called us princesses.
Erica Monroe and I took a turn about the hotel. Onlookers called us princesses. Didn’t have the heart to correct the titles. 🙂

The dancing was quite strenuous and moved quickly. How did they have time to talk? How were they not winded?
The dancing was quite strenuous and moved quickly. How did they have time to talk? How were they not winded?

I went to the Beau Monde and left with sore limbs and a bunch of new friends. Oh, and my dignity. The dress looked perfect and held together.

Be blessed.

Vanessa Riley is the author of Madeline’s Protector.

If all young men leapt off a cliff, Madeline St. James wouldn’t care. Yet a chance meeting and a bullet wound change everything. She must trust that the Good Shepherd has led her to marry a dashing stranger, Lord Devonshire. Can they forge a true bond before the next disaster strikes?
See the trailer: https://www.youtube.com/watch?v=N2OnXfFNwps – See more at: http://www.christianregency.com

 

Originally posted 2013-07-24 10:00:00.

Write of Passage: The Losing Season

There comes a moment when the noise fades, the dust settles, and you look around and realize: this is a losing season. The signs are everywhere—opportunities dried up, allies silent or absent, and the very ground that once felt firm beneath your feet feels like it’s shifting. You blink and think, how did I get here?

Vanessa – Out of Coffee

I move through the world on a mission. It’s loud and clear in my heart: I’m here to tell stories that center encouragement and empowerment—especially for Black women. It’s personal. I am a Black woman. And being one raised at the crossroads of cultures—Caribbean roots, the Southern Baptist South, Irish threads in my lineage—I bring a perspective that’s richly textured. I’m a history and STEM girly, someone who gets giddy over tech and deeply moved by stories of women surviving and thriving from the 1300s to WWII. I love the research, the smells, the taste of a scene, the sound of a woman’s laughter echoing through centuries. And yet, in the middle of building, writing, pitching, and praying, I look up and realize I’m in a losing season.

The world right now is showing its cards. Political chaos runs rampant. Corporate agendas have eaten integrity for breakfast. The pressure to tell “acceptable history” rather than true history is real—and exhausting. The DEI moment has slipped into quotas and checkboxes, and alleged allies are revealing their true motivations. Let me be real: some folks were only in the room for the optics.

When someone shows you who they are, believe them.When a door closes, let it remain closed.If the house is on fire, get out and let it burn.

That’s not bitterness. That’s wisdom earned through fiery flames.

As a woman of faith, I know that even the losing seasons have purpose. There are times I ignored the signs and lost, getting smacked with fallout. And there are times I listened—and for a moment blessings flowed like a river. Then the river ran dry.

It’s not always going to be a winning season. Sometimes, you lose. Sometimes, life kicks you in the teeth. And when it does, you have to ask yourself: now what?

What Do You Do When You’re in a Losing Season?

You grieve. You breathe. You pray.

You let the rain come.

Ecclesiastes 3:4 reminds us: There’s a time to weep and a time to laugh, a time to mourn and a time to dance.Nobody wants the weeping season. No one welcomes the mourning. But the rain is necessary—it releases what’s buried, nourishes what’s growing, and reminds us, we are alive.

Find Ways to Retain Joy – Vanessa with her 26th book taking Car Selfies.

Losing hurts. It hurts to see people you trusted only stand beside you when it’s trendy. It hurts to watch monuments scrub away Black contributions from the record, as if the Underground Railroad, War heroes erased from Arlington National Cemetery because of their sex or color or skin, and the countless other dark hands that built this country are inconveniences to a prettier story.

Let me be clear: this is all American history—Italian migrations, Haitians battling English troops for our freedom. All the Black, Brown, and White stories woven together belongs to all of us. Yet the only narratives being preserved are the ones that make people comfortable. The rest? We’re told to erase, edit, or hide them. And if you’re someone like me, someone who insists on telling the truth with love and power, you can find yourself cast out, put into a rough season where nothing sticks.

But even here—especially here—there’s still something to do. You regroup.

Hope and Regrouping

Losing doesn’t mean you stop. Losing is a pause. A reroute. A holy moment to reset.

Stop chasing folks who never believed in you.Stop shrinking your truth to make others feel taller.You remember your mission.

Yes, it’s a lonely road when only 6% of the room looks like you. Yes, like-minded folks are rare, and genuine support can feel even rarer. But they are out there. I know that because I have readers and listeners who hear me—who see me. That means the world.

And so, we regroup with intention.

We protect our joy.We sharpen our gifts.We build anyway.

We prepare for the next season by shedding the expectations that no longer serve us. We speak truth—the whole truth—because the stories we tell now will shape the world we’re leaving behind.

I don’t pretend to have it all figured out. I just know the losing season doesn’t get the final word. The bumps and the lows on my path are birthing clarity. Resilience is being shaped, and I fall back on my faith and it brings me out of darkness to the sunshine.

Vanessa Riley’s Write of Passage is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

And when the rain stops, and the mourning shifts, we will dance again.

Books to help you through your season are:

Rest Is Resistance by Tricia Hersey

A radical, spiritual, and deeply empowering book about reclaiming rest as a tool of liberation.

Black Liturgies: Prayers, Poems, and Meditations for Staying Human by Cole Arthur Riley

A spiritual balm. Riley weaves faith and justice into meditations that feel like breathing in a storm.

Healing the Soul of a Woman by Joyce Meyer

Meyer speaks candidly about trauma, emotional wounds, and how God works healing in the places we hide.

Island Queen by Vanessa Riley

A Caribbean woman’s rise to power in a world that tried to crush her. It’s history, empowerment, and a well researched novel.

The Love Songs of W.E.B. Du Bois by Honorée Fanonne Jeffers

A multigenerational epic that explores identity, belonging, and the burden and beauty of legacy.

Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting Baldwin and Company through Bookshop.org. You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Originally posted 2025-04-08 13:10:00.

Write of Passage: The Scars We Carry

Betrayal leaves no visible wound, only a hardened place in the heart—scanned, protected, and difficult to penetrate. The question becomes, do we want to heal, or can we linger in hate and fire?

Betrayal is one of the most disorienting experiences a person can endure. It does not arrive all at once; it sweeps through you in stages, much like grief. First comes shock, then self-doubt. Was I naïve? Was I fooled? Were there signs I ignored because I wanted to believe? You replay conversations, gestures, moments of connection, wondering which parts were real and which were carefully constructed illusions. There is a particular cruelty in realizing you were allowed—invited—into a false sense of security.

What makes betrayal hurt the most is not just the deception, but the bond you believed you shared. Often, trust is built. Often values are mirrored: bonding on marginalization, feminism, activism, or other deeply held beliefs. You thought we saw the world the same way.

And with this bond, one can say, I’m not alone, not alone in the mission, not alone in the place and time. Basically, I’m not alone or lonely anymore.

Finding a like-minded person can feel like hope in an isolating world. And when that bond proves false, it shakes more than the relationship—it shakes your foundation, your sense of reality. You begin to question everything. What was authentic? What was performative? And inevitably, the most haunting question surfaces: If I can be misled, how do I trust again?

This question lives at the heart of Fire Sword and Sea. Jacquotte Delahaye wrestles with trust at every stage of her life. As a cook in a tavern, she must decide who entering the building is safe, and who is not.

When Jacquotte becomes a pirate, she’s surrounded by a crew whose survival depends on loyalty; that question becomes life-or-death. In love, it becomes even more perilous: who deserves her heart, and who should she flee from? We all recognize the trope of the “bad boy, bad girl”—and even then, there’s an understanding of risk.

Hoping to expand our happiness, and unfortunately, to our detriment, we try. Then we fail, and every reason that seemed right masked all those wrong reasons.

In Jacquotte’s story, betrayal cuts sharply when it comes from a friend, someone she would die for. The wound left behind is unforgettable. Her heart leans to be more guarded. As readers follow her journey, I wish for them to reflect on their own lives: and asking the tough questions:

Where are they most vulnerable?

Where does trust feel most fragile?

How do they respond when someone they love or admire proves to be painfully human—or worse, willfully harmful?

Recovery from betrayal is difficult, especially when it comes from someone you love. It hurts down deep when your admiration was for naught.

Yet living with a grudge is harder. Holding on to ill will and being unable to forgive is terrible. These conditions are like living behind armor so heavy it prevents connection altogether. No one wants to become the person who’s constantly looking over their shoulder, questioning every kindness, every soft word. And yet, as a member of a marginalized community, I can say that this struggle is familiar. Betrayal is not theoretical; it is lived.

President Reagan famously said, “Trust, but verify,” when referencing his mortal enemies. The word enemy implies intention, while mortal suggests an endgame. Jacquotte survives betrayal.

Mostly.

She carries with her a scar—a hardened scab over part of her heart.

The scab is protective. It’s tender. Difficult to penetrate.

One of the most personal and honest aspects of Jacquotte Delahaye’s character is how she navigates betrayal while balancing mercy, forgiveness, awareness, and pain. She is not idolized. She is real. A crew member betrays her profoundly, and yet she must decide how to move forward, because leadership demands clarity. If you are on her crew, she must be prepared to sacrifice everything for you.

I’m not suggesting anyone make unwise sacrifices for those who’ve harmed them. Some acts are unforgivable.

But we live in a moment that demands deeper conversations about accountability, justice, and grace. There’s a growing urge to harden our hearts—to refuse forgiveness entirely—especially when apologies arrive only after consequences. And yet, we must weigh these decisions carefully, as captains of our own ships.

I do not claim to have the right answers. The Jacquotte I wrote doesn’t. She is flawed. She walks a delicate balance between forgiveness and holy anger.

So I think about Jacquotte. As I went on a release week tour, she was on my heart. She lived an experience that left marks, taught her caution, and forced us to decide who she’d become in the aftermath.

In life, the question is not whether we will be wounded, but when to choose healing—and what parts of ourselves we are willing to risk again.

This week’s booklist:

A book on recovering from betrayal:

Waking the Tiger: Healing Trauma by Peter A. Levine & Ann Frederick

This focuses on the body’s response to healing from psychological trauma and painful memories.

Books centering betrayal in fiction:

Gone Girl by Gillian Flynn

A psychological thriller about marriage gone terribly wrong.

A Little Life by Hanya Yanagihara

Explores betrayal among friends and how certain ruptures change lives forever.

Fire Sword and Sea by Vanessa Riley. This is a fast paced saga that illustrates betrayal and community.

These are fictional accounts. We need good fiction to help us escape disappointments to learn to master forgiveness and fire.

This week, I highlight Black Pearl Books. You guys are amazing. Thank you for the hospitality in Austin.

Consider purchasing Fire Sword and Sea from Black Pearl Books or from

one of my partners in the fight, bookstores large and small, who are in hanging with me.

Come on, my readers, my beautiful listeners. Let’s keep everyone excited about Fire Sword and Sea.

You can find my notes on Substack or on my website, VanessaRiley.com, under the podcast link in the About tab.

Enjoying the essay? Go ahead and like this episode, share, and subscribe to Write of Passage so you never miss a moment.”

Thank you for listening. I want you to come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Ironbridge

Vanessa here,

While I love the ballrooms of London or the estates found in the countryside, I also have a fondness for unusual architecture. I started my debut novel, Madeline’s Protector near one of the greatest engineering feats for England, Shropshire’s Ironbridge. The bridge was built in 1779 and was one of the first bridges made of cast iron.

Source: Wiki Commons
Source: Wiki Commons

Ironbridge has come to symbolize the start of the Industrial Revolution in England. It is over 100 feet wide and spans the River Severn. During the Regency, the area was heavily mined and filled with iron working operations such as foundries.

The Design

Abraham Darby I mastered the use of sand moulds to pour and set cast iron into strong shapes, which could be used for buildings. His great grandson, Abraham Darby, III continued working with iron and perfected this technique.

Source: Wiki Commons
Source: Wiki Commons

At twenty-nine years of age, Darby III took the design of the bridge from architect Thomas Farnolls Pritchard and started construction. It took three months to build the bridge. Constructed from over 1736 casting made in a foundry 500 yards away, the bridge weighs over 378 tons.

The Mystery of the Build

No firsthand accounts existed such as diaries or work notes, so it was a mystery, how the bridge was actually constructed.  Most assumed the bridge was started on one side, and then built piece by piece to the other side.  In 1997, a sketch was discovered showing the bridge under construction, the only drawing of its kind.  The sketch showed the bridge being raised from a barge floating in the river and the casts being winched into place.

Source: Wiki Commons
Source: Wiki Commons

Also, by examining the bridge in detail, they discovered each part was cast to order. They put pieces in place. Measured the gap to the next piece and then adjusted the moulds / casts to fit the sections.

While it was being built, the Ironbridge area was filled with foundries. The smoke of the smelting of the iron made the area dark, like a smoke-spewing setting. Today it’s one of the prettiest and is heavily toured with lots of greenery surrounding the bridge.

One Final Tidbit.

No pictures of the Darbys exist like the other iron-masters of the day because they were Quakers and thought, that such renderings would be vane.

Sources: BBC.co.uk, Ironbridge Gorge Museum, and VisitIronBridge.co.uk

 

Originally posted 2013-07-01 10:00:00.

Write of Passage: Skin Qualified, Style Approved

“Her skin was very brown, but, from its transparency, her complexion was uncommonly brilliant; her features were all good; her smile was sweet and attractive; and in her eyes, which were very dark, there was a life, a spirit, an eagerness which could hardly be seen without delight.” — That’s Jane Austen purply prose describing Marianne Dashwood in Sense and Sensibility. It’s a passage I repeat in A Wager at Midnight, where our Austen-loving hero sends these words to the woman he loves.

Vanessa on the set of Hallmark’s Sense and Sensibility in a period reconstructed gown.

This sentimental adoration of skin is an example of how, even in the olden days—the 1800s—it’s used to interpret Marianne’s style and good character, and another reason she’s considered qualified to be a good wife.

Where have we gone so wrong that the mere mention of skin makes everyone nervous? Why, when used in literature skin was once a symbol of beauty, in the present it seems linked to division? Why does its celebration feel shameful or wrong? Even those who claim to see no color are blind to the beauty that skin creates.

Did you know that your skin—the dermis—is the largest organ in your body? According to the National Institutes of Health, the average adult’s skin spans 16-22 square feet. That’s a quarter of an average bedroom. For me, that’s half the room on my floor filled with reference books—the ones I’m pouring through as I write. Skin serves as a shield. From freckles, scars, and pigmentation to wrinkles—it’s a storyteller, an archive of our rich history.

More Than Skin Deep

Skin is important. It’s one of the first things anyone notices when you walk into a room. It’s the reason people smile when it’s glowing and radiant. It’s also the reason I was followed around a store when I was young, Black, and in a place where those in power assumed the worst. I wasn’t given the benefit of my character. I was condemned in a glance.

And when people of like minds and shared ancestry congregate and uplift one another, some of those same forces rear their heads again. Now, they are uncomfortable. It makes me wonder—what is it they fear? It’s not 1865. It’s not 1617. Our skin is here to stay, adorned as we please, and present in all public spaces.

Yet, I’m not just talking about external forces. I’m talking about the harm we inflict upon ourselves—the moments we buy into the false narrative that our skin makes us not enough.

Skin as a Reflection of Trauma

Skin records our personal experiences and the imprints of ancestral resilience. It is more than just a covering; it is deeply connected to our emotions and environment. Studies show that trauma leaves a physical signature, not only in our nervous system but in our skin. Ever noticed your skin flaring up after extreme stress—whether it manifests as dryness, scarring, acne, or rosacea? You’ve experienced this connection firsthand.

According to the National Rosacea Society, emotional stress is one of the most common triggers for rosacea. Research in dermatology and psychiatry links post-traumatic stress disorder (PTSD) to various skin conditions, including psoriasis, eczema, and stress-induced inflammation. Scientists have found that those who experience chronic psychological stress have elevated inflammation levels, which can make skin conditions persistent and resistant to treatment.

A Poster for Healthy Skin – Source: Canva and Vanessa Riley

Our bodies hold trauma in tangible ways. People with alexithymia, a condition where emotions are difficult to identify or express, often experience physiological symptoms, including hyperactivated nerves, increased heart rate, and reduced oxygen flow to tissues. The skin itself becomes more electrically sensitive, reacting intensely to stress. These biological responses serve as reminders that our reactions to the world around us don’t simply disappear.

Trauma and the Legacy of Our Ancestors

Recent genetic research reveals that trauma is not just a singular present experience but one that echoes across generations. The concept of intergenerational trauma suggests that stressful events—war, famine, oppression, and internment—can shape gene expression and affect descendants. Studies of Holocaust survivors and Dutch famine victims show that their children exhibited altered stress responses and health patterns.

Throwing on my science minded writer’s hat for a moment, I must make it clear, trauma doesn’t change our DNA sequence, but it does influence which genes are activated or deactivated—like an editor making notes in the margins of a manuscript. These epigenetic markers can be passed down, creating a biological legacy of resilience or vulnerability. However, just as these changes can be inherited, they can also be rewritten, properly edited out of existence. Healing, self-care, and community can reprogram these genetic expressions, offering paths of restoration.

The Power of Ancestral Survival

Every cell in your body is a testament to survival. Your ancestors endured hardships—some enslavement or forced migration, all subject to colonization. This legacy affects both the oppressed and the oppressor. Both absorb the hate and lies, whether through feelings of false superiority or the fallacy of expecting to be exploited.

Back to Our Skin

Research from Yale and the Mayo Clinic reveals that every human carries an ancestral roadmap at the cellular level. This means that the struggles and triumphs of those who came before us are not just stories—we carry them in our blood, our bones, and our skin.

In the year of our Lord 2025, it’s time to step back and see that we are wonderfully made. Even if our history or ancestry has endured the worst, and even if our ancestors have perpetrated the worst. Knowing true history isn’t about guilt; it’s about recognition—returning honor to those who were hung from the arc of injustice.

Legendary civil rights organizer Ella Baker often asked, “Who are your people?” It wasn’t just a rhetorical question; it was an invitation to recognize the power of lineage. It wasn’t a call for atonement but a call to do better by those upholding supremacy and to do right by our neighbors, all of our neighbors–the ones who don’t worship, love, socialize or believe like you. And especially those who don’t look like you, possessing your skin—the one thing on the list that’s impossible to change.

More Than Skin Deep: The Significance of Firsts

We live in a world where women, Black people, and people of color are still achieving “firsts”—the first to graduate from certain institutions, the first to hold specific leadership positions. I was one of the first, if not the first, Black woman to graduate from Stanford University with a Ph.D. in mechanical engineering. In 2001, only four Black women graduated with a doctorate in physics. I have the honor of knowing one of them.

Yet, despite how hard we work—how much harder we labored to gain our placements—someone will look at our brown skin and assume: affirmative action, lax standards, different (easier) tests. And, of course, we are counted as ‘Didn’t Earn It’ hires. Some believe DEI initiatives are keeping them from breaking into traditional publishing—without considering the possibility that their writing simply isn’t good enough. They don’t realize that calls for historically disenfranchised groups don’t mean the majority is ignored. When people realize that there are enough seats at the table, maybe they won’t be so insecure. Maybe then, they can relax.

For Becky or Karen, I can tell you two things can be true at the same time. When I started out, I remember being told by an agent—one with, let’s just say, racist tendencies—that I wasn’t good enough, and my only hope of publishing was as a co-author. She was wrong. But that manuscript she reviewed? While it had a unique style filled purply prose and uncontrolled flourishes, it was trash. A wise person learns, adapts, and tries not to make the same mistakes. That too is baked into my skin.

Don’t Hide Your Beauty

Maya Angelou once said, “The variety of our skin tones can confuse, bemuse, delight, brown and pink and beige and purple, tan and blue and white. I’ve sailed upon the seven seas and stopped in every land. I’ve seen the wonders of the world, not yet one common man.”

Our skin tells the story of survival, of fire refining gold, of bronzed DNA etched with both power and pain.

Ignore the noise. Your achievements are not anomalies; they are milestones on a journey paved by generations of sacrifice and resilience.

Psalm 139:14 reminds us, “I am fearfully and wonderfully made; your works are wonderful, I know that full well.” We are the work of His hand. Our skin—our very being—is a living archive of triumph. We are made not merely to survive, but to thrive in our circumstances, our skin. The legacy endowed in us qualifies us to dream and build and rest—with passion, compassion, and undeniable style.

If you wish to dive deeper into the wonders of skin and pride and human nature, I recommend the following:

I’m Still Here: Black Dignity in a World Made for Whiteness by Austin Channing Brown – A personal and insightful memoir on navigating race and faith.

All About Love: New Visions by bell hooks – A discussion on love, self-worth, and community in the face of societal pressures.

Skin: A Natural History by Nina G. Jablonski – A fascinating look at the evolution and cultural significance of human skin.

My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Resmaa Menakem – A deep dive into how trauma is held in the body, particularly in the context of racial identity.

And If you want to learn more about the powerhouse behind the scene activist Ella Baker, try Ella Baker and the Black Freedom Movement by Barbara Ransby about Baker’s pivotal role in the civil rights movement and her enduring legacy of grassroots leadership.

Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting M. Judson Booksellers through Bookshop.org. You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.

Vanessa Riley’s Write of Passage is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Originally posted 2025-04-01 13:10:00.

Write of Passage: Fire Sword and the Crime of Womanhood

By the time you hear this, my twenty-ninth book will no longer be hidden, filtered, or quietly passed around behind publishing gates.

It took two and a half years, a global history we were never taught, censorship, delays, stolen copies—yes, pirates—to bring this book into the world.

Fire Sword and Sea is about women who refused to disappear, in a time when choosing your own life could get you exiled—or killed.

And now, their story is yours.

By the time you hear this, my twenty-ninth book will be live—released into the world, no longer hidden behind NetGalley or Edelweis or advanced reader copy structures.

It took two and a half years of research, writing, revising, questioning myself, starting over, and fine-tuning every voice until each character could stand on their own feet and speak without apology. Fire Sword and Sea is now available everywhere books are sold—and, I hope, in your libraries. And if it’s not there yet, ask for it. Librarians listen.

This book represents not just years of labor, but the weight of them—the questions I’ve been circling, the history I’ve been chasing, the fire I’ve been quietly tending while drumming up attention and conversations, wondering how the world would react when they finally got to see the finished product.

And now, you can too.

In Fire Sword and Sea, you’ll meet Jacquotte Delahaye—a Black woman of mixed heritage, French and African, who refuses to bend to authority that demands obedience. She wants freedom: the freedom to earn money and spend it as she chooses, the freedom to love whom she wants, not the man her father selects, or the love society deems “appropriate.” Jacquotte resists not because she is reckless, but because she understands that such rigid constructs for women have always been a cage.

You’ll meet Bahati, a Black pirate of African descent, who resists every force that tries to dictate how she should labor, whom she should serve, and what she should endure. She chooses piracy not for glory, but for survival—for legacy. She wants a world where her nieces will never know poverty, never know enslavement, never have their lives narrowed by someone else’s greed.

You’ll come to know Lizzôa, a spy in Petit-Goâve. If you have ever dreamed against the odds—if you’ve ever needed a guide who knows how to move quietly, how to gather information, how to turn whispers into strategy—Lizzôa is the person who will help you build what you were thought was impossible, what you were even told could never happen. Lizzôa doesn’t follow the orders of men or kings. No Lizzôa bends and reshapes everything with fire. Dreaming is living fire.

And you’ll meet Sarah Sayon, a woman willing to do anything to escape a brutal relationship. Her resistance is not gentle. She uses fire to destroy evil and to cleanse the world that tried to break her.

There are so many more on the crew in Fire Sword and Sea. You will find yourself and your role.

This novel takes you back to a time to the 1600s, when women were given only two roles: wife or wench. Or as a friend said, a heaux or a housewife. This is the original respectability politics, where you fit in or were exiled or killed. Choice was a luxury that women were not meant to have.

You may be thinking how can this be? My history books… Le Sigh. This was a time when the world had two true global powers—and they are not who you’ve been taught to expect. The gold belonged to Spain and to the Muslim Mughal Empire. That is why piracy was legal. Every European nation wanted what those empires possessed, and piracy became a sanctioned tool—a way to steal wealth while keeping hands clean and the crimes off your shores.

Fire Sword and Sea is a muscular read.It’s a diverse read.It’s a powerful read.

These stories and histories have been buried for far too long. With all that’s going one, reading about women who resisted, women who chose, women who refused to disappear quietly, is the book we need.

And I’m taking this book on the road.

I’ll be heading to Washington, D.C., Petersburg, Virginia, Severna Park, Maryland, St. Louis, Missouri, Austin, Texas, and several stops in Georgia, at Woodstock and Perimeter.

Come out and join the tour. I would love to see you. I would love to talk with you about this book.

We just kicked things off at the Gwinnett Library—and you readers and podcast listeners, you showed up. Registration sold out. The energy in that room was electric. My moderator, Jasmine Sinkfield, was amazing.

And when you work this hard on a book—when you’ve shared many of the battles publicly, as I have—these moments matter.

Fire Sword and Sea’s journey hasn’t been easy.

There was censorship.Delays in shipping.Publishing slowdowns.Pirates stealing ARCs—yes, really. That happened.And a million other battles that drove me to my knees, again and again, in prayer.

But we are here.

I’m so excited for you to meet these women. To sit with their choices. To imagine what it meant, centuries ago, for women to resist when survival demanded it—when a better life required courage instead of permission.

These women are phenomenal.And they chose their paths.

Readers, podcast audience. The ability to choose shouldn’t belong only to pirates.

May Fire Sword and Sea lead the way.

This is release week for Fire Sword and Sea. She’s here, as of January 13th, 2026. Available where all books are sold. Get a copy and learn about Caribbean women pirates—That’s Black pirates, integrated crews, and tons of secrets. Read their truth. Get folks talking about this book.

Consider purchasing Fire Sword and Sea from one of my partners in the fight, bookstores large and small, who are in this with me.

Come on, my readers, my beautiful listeners. Let’s get everyone excited to read Fire Sword and Sea. And I hope that you will join me on the tour. I’d love to meet you.

You can find my notes on Substack or on my website, VanessaRiley.com, under the podcast link in the About tab.

Enjoying the vibe? Go ahead and like this episode, share, and subscribe to Write of Passage so you never miss a moment.”

Thank you for listening. I want you to come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Outdoor Sports for Lovers, The Picnic

Vanessa here,

As we focus on outdoor activities here at Regency Reflections, I would like to spend sometime highlighting one meant for lovers, lovers of scenic views and food, the picnic (picnick).  By the time of the Regency, communing with nature and enjoying natural activities became the rage. What better way to indulge both passions, outdoors and food, than by dining al fresco.

Photo from http://myaustendreamworld.com
Photo from http://myaustendreamworld.com

The ingredients of a fine picnic are the weather, the guests, the place, and the food.

The Weather

The weather should be warm and sunny. Most picnics provide a linen cover on the ground for the participants to sit and eat their meals. Thus, if it has rained for several days, the saturated ground will wet the coverings and bring mud and damp clothes to the event. We wouldn’t want to spread consumption.  Moreover, if one tried to have a picnic in 1816, the year without a summer, the temperature would be too cold or worse too snowy to have had an enjoyable picnic.

The Guests

Selection of the guest needed to be done with the same care as choosing ones for an indoor dinner party. Participants will be sitting very close together, even leaning near the next person. Thus, social people with excellent conversation would be preferred. Unmarried people still required chaperones, so the hero won’t be sneaking away with his single heroine… unless he’s sure not to be caught.

The Place

The place to hold the picnic must be selected wisely. Because of the need for the eyes to experience nature, the environment for the picnic should be as inviting as the food. Yet, choosing a picturesque place might mean settling on an out of the way flat plain on the moors, or a hill like Box Hill, the famed picnic spot in Emma. Box Hill, the summit of the North Downs in Surrey, is set up high and framed in boxwood trees, oaks, tall grasses, and wild flowers. Perfect for a picnic.

Source: Wikicommons. Panoramic View of Box Hill
Source: Wikicommons. Panoramic View of Box Hill

Photo from the Movie Emma (1996 British TV)
Photo from the Movie Emma (1996 British TV)

The provisions for the picnic can consists of tables to hold the food, the food, plates, cloths, servants to dish the food, servants to do the setup and the clean up, the linens, etc. These goods and servers can require wagons or carriages for transportation to and from the location. If the scenic spot was too out of the way, servants had to walk and carry picnic fare from the closets point of access (the road, etc.) to the picnic spot.

The Food

Food for the picnic can be arranged one of two ways. (1.) The picnic organizers can assign foods for each of the participants to bring. This ensures that no foods are duplicated. Each participant must bring enough food for all of the picnickers. (2.) The other way is for the organizer to supply it. This option was mainly chosen by the wealthy as an extension of showing off their good fair just as if the picnic were an indoor dinner at a ball.

The common foods supplied were pre-sliced cold roast and cow tongue (also sliced). Deviled eggs were popular. Once the egg is boiled, it’s sliced in half and the yolk is removed. The yolks are mixed with pepper, Worcester sauce, salt, and mustard and then returned to the inside of the boiled egg half. No addition of mayonnaise (1756 Charles de Lorraine, duke of Mayenne) to worry about spoilage.

I found a reference to walnut sandwiches and fruit sandwiches.  Walnut sandwiches were made from chopped walnuts mixed with cheese and spices and served on thinly sliced bread. Fruit sandwiches were made with stiff stale bread topped with thin slices of bananas and pineapples sprinkled with sugar. After it sets up with the fruit juices penetrating the bread, it is cut into little cakes and served with whipped cream (or clotted cream).

The drink offered would be a popular beverage that can be served at ambient temperatures (not too cold and not hot): lemonade, white wine claret, or a sweet madeira wine.

All foods should be easy to port and serve the picnic-goers to show the host as a considerate and generous person as well as match the beauty and ease of the natural surroundings.

So, if your weekend permits, have your servant or dear hubby fetch a sandwich and blanket and dine al fresco Regency-style.

References:

“Cookery”, by Amy Richards, published in 1895

Andrew Hubbell, How Wordsworth Invented Picnicking and Saved British Culture. Romanticism, Volume 12, Number 1, 2006, pp. 44-51

MyAustenDreamworld.com

Janeaustensworld.wordpress.com

Timothy Morton, Radical Food: The Culture and Politics of Eating and Drinking, 1790–1820, vol. 1 (New York: Routledge, 2000), pp. 3–8.

Originally posted 2013-05-17 10:00:00.