Yesterday was National Tea Day, and it of course got me looking at period tea resources. One of the things I found was a small pamphlet from 1785 called The Tea Purchaser’s Guide; or the Lady and Gentleman’s Tea Table … Continue reading →
Jane Austen was born on a bitterly cold night on December 16, 1775. Little is known about birthday celebrations on one’s natal day during the Regency era. Jane makes no mention of them, as far as I know, in her letters and novels. Please correct me if I am wrong. Common sense tells us that […]
Imagine a clear day on the Aegean Sea, the sea an indigo blue, the sky azure. You are a twenty-three year old French officer aboard the naval schooner Estafette. The vessel drops anchor at Melos one of the Greek isles littering the sea.
This young ensign, Olivier Voutier, who knows a bit about antiquities, as a well-educated gentleman of the regency era would, takes a pick and shovel and hikes up a hillside with a couple of sailors toward the remains of an ancient theater, hoping to find antique statuary near the ruin. Already, Thomas Bruce, seventh Earl of Elgin had brought back sculpted friezes and statues from the Parthenon, known as the “Elgin Marbles” to display at the British Museum.
Napoleon, another lover of antiquity, had purchased many Roman sculptures when he conquered Italy and brought them to the Louvre in Paris.
All things Greek, Roman and Egyptian were highly valued in Europe at the time of the regency.
On this 8th of April, 1820, young Voutier noticed a peasant farmer in a nearby field. He was digging around an ancient wall to use its stones in a structure he was building. Voutier noticed he stopped and was staring at something in a niche in the wall. Voutier drew near and saw the partially buried statue of a female torso.
Despite her broken arms, chipped nose and other imperfections, Voutier was enthralled by the statue of the nude. Along with the farmer, he was the first person to gaze upon the Venus de Milo since it had graced an ancient Greek wall.
The farmer, who had no use for such statuary, was ready to shovel earth back over it, when Voutier recognized the beauty of this classical sculpture and persuaded him to dig it out.
Eventually Voutier was able to bring other French officials to see the statue. Another naval officer, Jules Dumont d’Urvilles, went to Constantinople, the head of the Ottoman Empire, which controlled Greece and the Greek Isles at that time, and persuaded the French Ambassador to purchase the statue for France.
It was brought to France in 1821 and presented to King Louis XVIII, who donated it to the Louvre. The statue was not found in one piece and was broken in parts. The torso was carved from one block of marble, the draped legs from another, smaller blocks for each arm and the left foot. Fragments of the right arm were unearthed as well as the left hand holding an apple, but they were later discarded as not being part of the original statue because the carving was rougher.
The original plinth or pedestal it rested on was also found nearby but because the inscription carved in it with the artist’s name dated it to the Hellenistic period, rather than the earlier Greek Classical, it devalued the statue in the eyes of scholars at the time, so they discarded the plinth and continued to claim it as a statue from the Classical Greek period.
Today, millions of people visit the Louvre to view the Venus de Milo, along with the Mona Lisa and the Winged Victory of Samothrace, another Greek statue.
I’d like to share my thoughts on two Jane Austen movies before the end of the year: Pride and Prejudice, 2005 and Clueless, 1995. Pride and Prejudice 2005 premiered in November ten years ago in the U.S.. I recall watching the film with two members of our Jane Austen book club. The three of us […]
“Some will love you, some will hate you. It’s the yin and yang of life. In a way, it makes it a beautiful journey of discovering and loving who you are. Haters, well, the worst they can do is hate. So I’m consciously ‘living life like it’s platinum.’ And when the haters come around, I’ll be like Teflon.”—MJW
That’s a quote signed Mally Mal, who most knew as Malcolm-Jamal Warner—the beloved actor and director who was taken from us on July 20th. At 54, Malcolm-Jamal was still a young man with more to give.
I was on that hot mess platform, sneaking around looking for my British feeds and Love Island Edits. Why can’t I seem to quit that platform? Then news hit of the tragedy. For once, for a solid hour, my feed had nothing but quotes from Jamal’s peers—celebrating his life, championing his work and work ethic. Others expressed shock and sent love to his family.
It was an amazing, eerie thing to see this hot trash social feed be human. I think that’s Malcom-Jamal’s final miracle. People from all perspectives, from different political backgrounds, all ages—those who first saw Malcom-Jamal as Theo on their TVs growing up or caught him in streaming reruns—it was a love fest, a verbal and pictorial purge.
And before that moment is lost on us, I just want to take another second to think of his other gifts.Did you know Malcolm-Jamal was also a poet?
In January 2024, a video of his TED Talk was posted to YouTube of him performing one of his poems:“Vulnerability is My Superpower.”
The man we knew as Theo—the actor, the director who did everything from the New Edition video for Heart Break to TV episodes like Season 8 of the Cosby Show, Episode 147 “Vanessa’s Big Fun” (if YKYK)—yes that Malcom-Jamal gave a TED Talk that, in this superhero-seeking world, stands out:Vulnerability is my superpower.
He stepped up on the stage and quoted:
“Vulnerability.Can be a scary thing even when we’re on the mend.Black boys boast bravado, not to seem broken, and often so do Black men.I see you. Looking for clues. Listening for cues.Longing to know what I’m not telling you. As if I’m hiding in plain view.My most intimate thoughts belong to me. Like a woman’s body when she says no.So I reserve the right to go as far as I like.Because though I live in the public eye,I don’t subscribe to the dog and pony show.For I have learned to discern who cannot accept all of me.”—MJW
That was the quality I saw in Malcolm-Jamal’s acting. His presence defied toxic masculinity. It surged with quiet pride and gave us something raw—the boy next door, the smile that sits with ease.
For those of us who write romance, that is the magic we want on the page for our heroes—someone who’s fighting the fight on the outside, but when he is with the one he loves, we see respect and vulnerability.
Malcolm-Jamal was a musician, too. One with range.
On his last album, in his song “Selfless,” he writes:
“It’s a piece about finding my voice, being comfortable in my own skin, and not being ruled by other people’s opinion of me. It’s a tricky place to be because, as an artist, what people think about you and your art is an important part of connecting to your audience and therefore, your success. However, living your life trying to please everyone else is not living.”
That is a difficult ballad—to think about the definitions of success. Especially as a writer, or any type of creator, you need someone to like your work. When you’re a Black creator, you need somebody to champion and sing your praises because doors often close, heat comes from nowhere, and everyone is looking for a scandal to make some part of their mind say it was deserved, it was right for some negative attribution.
It gets very difficult to walk in the light—to be light—when everyone seeks to dim it.
Malcolm-Jamal knew this tension.His praises are being sung because he found his way.
On that TED stage, he concluded:
“Vulnerability is cool.It is strength. It still allows you to be a man,and vulnerability offers the greatest gift.It allows you to open up to yourself and love yourself.Because the most important thing, the most important thing,is the simple belief that you are enough.And as I stand here in the power of my own vulnerability,I am telling you—you are enough.Imagine. Just imagine what you could give to the world and what the world would see in you if you were no longer hiding in plain view.”
Poetry works out those demons—the things that torture the soul.Dear readers, writers, creators—I need you to be poets.I need you to work out everything in your soul so that when it is your time, people can remember that the life you lived was about your gifts, not your flaws.
That you spoke truth with joy and yes, vulnerability.And that every time you stepped up on stage, people could see the bright light in you.
For you have light.We just need to be brave enough to let it shine.
Thank you, Mally Mal, for your legacy of words and images.
My prayers and love go out to Malcolm-Jamal Warner’s family, friends, and fans.
Books to get us through these moments:
Milk and Honeyby Rupi KaurWhile not specifically grief‑focused, its emotional themes of loss and self‑love will resonate and help readers processing pain and survival.
Highly Suspicious and Unfairly Cuteby Talia Hibbert – This is a young adult rivals forced together, slowly letting guards down, and discovering depth and compassion.
The Hookup Plan by Farrah Rochon – A playful, steamy enemies-to-lovers romance that evolves into something tender and emotionally grounded. Think Theo grown up following in his doctor dad’s shoes but messy.
The Love Lyricby Kristina Forest is a tender, slow-burn romance between a widowed single mother and an emotionally available R&B singer that beautifully explores grief, healing, and second chance love.
Help me build momentum for Fire Sword and Sea—spread the word and preorder this disruptive narrative about female pirates in the 1600s. This sweeping saga releases January 13, 2026. The link on my website shows retailers large and small who have set up preorders for this title.
Show notes include a list of the books mentioned in this broadcast.
You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.
Enjoying the vibe? Go ahead and like this episode and subscribe to Write of Passage so you never miss a moment.
Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.
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Welcome to this 5th stop on the Wassailing Tour. If you’ve missed some of the others, please don’t hesitate visiting. Here are links to all of the Belles’ holiday wassailing stops, with different Regency era Christmas carols, dinner selections, beverages including wassail recipes at every blog hop.
16 Dec: Caroline Warfield: The Sixth Course, Jerusalem Artichoke a la Crème
18 Dec: Sherry Ewing: The Seventh Course, Mince Pies
21 Dec: Mariana Gabrielle: The Eighth Course, Christmas Pudding
Bonus Question for Belles’ Give Away: Which member of Lady Pendleton’s family suggested they sing “I Saw Three Ships.”
The Belles’ Holiday Wassailing Tour: Course #5
Dec 14
Welcome to the 5th stop of the
Belles’ Holiday Wassailing Tour!
14th of December, 1819 Port Elizabeth Colony, South Africa
Precious Jewell swatted her brow as she stirred the huge pot of wassail swinging upon the hearth. It smelled better than it looked with the flecks of cinnamon swimming in the murky brown liquid. Anything had to be better than the ginger beer Gareth brewed at the blacksmith’s. The two were going to lug it here for tonight’s dinner which would be serve to all of the Margeaux’s crew.
Christmas in Charleston or London was cold, double shawl, stiff britches cold. This was so different. Most of the men Gareth captained were as new to this place as she. Would they like the spending the Yuletide here?
Stirring again, she shook her head. Men and beer. The crew would enjoy themselves.
Pour the water boiling on the ingredients, then add two spoonfuls of good yeast; when cold bottle it in stone bottles, tie down the corks. It is fit to drink in 48 hours– a little more sugar is an improvement; glass bottles would not do.
Recipe from: Martha Lloyd’s Household Book With thanks to the Jane Austen Society.
Combine all ingredients in a large pan. Bring to simmer over medium-low heat. Reduce heat and continue simmering for 45 minutes. Ladle into cups or mugs and enjoy!
With a final stir, Precious wiped her damp hands with her apron. Her gaze went to the window. The bright green grass and distant palm trees and no snow didn’t quite look like Yuletide either. Well, this is what Gareth wanted and truthfully, she do anything to help him. How could love be so much, so overwhelming, so covering and smoothing all the scarred places.
“Precious, how are things in here?”
Speak of the devil. Gareth, and that deep voice of his, dared to enter her kitchen again. The second time in twenty minutes. Weren’t there some Xhosa to go chase, or something?
She turned to him, waving her big wooden spoon. “Things are as good as the last time you dragged in here. You’re probably ready to spout some more nonsense about English vittles.”
Folding his arms against his brilliant white shirt, he leaned against the door frame. “You sound a little perturbed, my dear. Are you sure nothing is amiss?”
“Nothing. Now go on.” She waved her hand to shoe him like chickens, but that dumb old rooster came forward.
Close to her side, he flashed that pompous, wonderful heart-in-her throat grin. “You seem a little on edge.”
Lowering her spoon, she released a sigh and turned back to her pot. “I know how to cook, you know. You’ve been eating well haven’t you? Don’t have to keep checking up on me.”
He stood directly behind her now, and lightly fingered her neck and gave a rub to her sore shoulders. “You do many things well, my jewel. But this is an English meal, and my men are looking forward to it. It’s a touch of home for them.”
“Do you miss London, Gareth?” Her pulse stopped moving. She could hear every creak of floorboards of the sailors gathering in their parlor. If he missed London, maybe he didn’t like it here, or maybe he had regrets. She stiffened and edged away. Tossing the spoon into her apron pocket, she picked up her oven paddle and went to the fiery brick oven. Sticking it into the hot box, she stabbed at her loaf pan and removed it. “Is that why you keep checking, so you can tell me you want to return?”
He followed and took the paddle and set the steaming loaf on to the table. “You’ve done well with the English Bread. The men will enjoy it, and the rest of meal. Collards and whatever else you’ve created. You’re food is always delicious.”
English Bread
Recipe from The New London Family Cook; Or, Town and Country Housekeeper’s Guide, by Duncan MacDonald
Put a bushel of good flour into one end of your trough, and make a hole in the middle. Take nine quarts of warm water by the bakers called liquor, and mix it with a quart of good yeast; put it to the flour, and stir it well with your hands till it is tough. Let it lie till it rises as high as it will, which will be in about an hour and twenty minutes. Watch it when it comes to its height, and do not let it fall. Then make up your dough with eight quarts more of warm liquor, and one pound of salt: work it up with your hands, and rover it with a course cloth or sack. Put your fire into the oven, and by the time it is heated, the dough will be ready. Make your loaves about five pounds each, sweep your oven clean out, put in your loaves, shut it up close, and two hours and a half will bake them. In summer time your liquor must be lukewarm; in winter, a little warmer, and in hard frosty weather as hot as you can bear your hand in it, but not hot enough to scald the yeast, for should that be the case, the whole batch will be spoiled. A larger or smaller quantity may be made in proportion to these rules.
Precious laid a thin cloth over the bread allowing it to cool, but not dry out. “You didn’t answer my question.”
A smile kissed his lips, and he hummed a tune. What was it?
While Shepherds Watched Their Flocks
https://www.youtube.com/watch?v=6b_hpOl086Y
Precious plodded back to hearth and started stirring again. The clove and cinnamon smell of the wassail wafted. It stung a little bit upon her weak eyes. And that poor her heart of hers had lodged right against a rib. It was probably the the only thing keeping it from falling out onto her freshly swept floor.
Gareth’s big hand clasped hers, and he spun her to him. “I have Christmas everyday with you and Jonas, but my men don’t. I just want to give them a special day.”
It was Christmas everyday, being loved by the good captain in Port Elizabeth.
Don’t miss the next stop.
Mistletoe, Marriage, and Mayhem: A Bluestocking Belles Collection
In this collection of novellas, the Bluestocking Belles bring you seven runaway Regency brides resisting and romancing their holiday heroes under the mistletoe. Whether scampering away or dashing toward their destinies, avoiding a rogue or chasing after a scoundrel, these ladies and their gentlemen leave miles of mayhem behind them on the slippery road to a happy-ever-after.
I really enjoyed Laurie Alice’s post on flowers in regency England in springtime. It dovetails well with the post I’ve been thinking about, which is on the meanings and legends of common flowers during both the regency and Victorian eras in Britain.
Forget-me-nots and white lilacs in spring
The forget-me-not, a common flower in regency gardens was called by Coleridge “blue and bright-eyed flower of the brook.” It’s official name “myosotis” actually means the not-so-romantic “mouse ear,” so named because of the shape of its leaves.
A German legend has it that a knight fell into a swift stream while picking the forget-me-not for his lady. He had only time to toss it to her and cry, “Forget-me-not!” before he was swept away. British king Henry IV chose it as one of his emblems, and it was often embroidered on the king’s robes.
It was not until the regency that it became a garden flower.
Foxglove in a Maine garden
Ever wonder why foxgloves are called by that name? Digitalis, the official name, is not nearly as descriptive. The old English name of foxes-glofa means foxes’ gloves. The fable is that foxes were hunted for their tails, which were considered amulets against the snares of the devil. In order to hang onto their furry brushes, they appealed to the gods for help, who gave them bells to hide in the fields. The bells would sound a warning when hunters were about and become silent when the coast was clear.
All that ducking and dodging the hunters had given the foxes rough paws, so that when they went hunting in the chicken coops, the chickens would squawk when seized by them. This time the fairies gave the foxes gloves to cover their paws with, and these became known as fox gloves.
Digitalis, which the leaves yield, is a recognized heart stimulant, which was used by American Indians before it became known in Europe. It is also a poison, so it was only used externally by Europeans until the 18th century. It then began to be used in the treatment of fevers, insanity and heart disease.
Red roses in a park in Brooklyn in June
Roses cultivated in Europe before 1800 are usually referred to as “old roses.” Not until 1792 when a rose from China was introduced into Europe did any of them bloom more than once a year. (The only occasional exception was the Damascus). Rose water was used for cooking. Vanilla supplanted it as a flavoring extract in the 17th century. Rose oil, rose water and rose petals continued in British pharmacopoeias but more and more for use in cosmetics. Attar of roses, the essential oil, took 60,000 roses to make one ounce!
One of the earlier spring flowers, the pansy, goes by many names including “Kiss-Me-Quick” and “Johnny-Jump-Up.” The word pansy is derived from the French penser, to think, which is why Ophelia said “Pansies, that’s for thoughts.” Legend had it that to pick one with the dew upon it would cause the death of a loved one. If picked on a fair day, it would rain before night. Pansy juice squeezed on the lids of a sleeper would cause her to fall in love with the first person she saw on awaking, as Titania discovered in “A Midsummer Night’s Dream.”
A Heart’s Rebellion, London Encounters #2
The hero of my upcoming regency, A Heart’s Rebellion, is an amateur botanist, so he will usually refer to a flower by its official name. The system of classifying plants into genus and species was still a new science in the regency era. The heroine’s name, Jessamine, is a form of jasmine, which the hero is fond of calling by its official name, Gelsemium sempervirens.
Bibliography: Flower Fables by Geraldine E. Nicholson, Mid-America Publishing Corp., Kansas City, Missouri
Long time visitors to the Riskies know I have a complicated relationship with Christmas. I detest the whole commercial aspect and I also despise the idea that the season magically fixes things. However, I embrace the season in my own … Continue reading →
Long time visitors to the Riskies know I have a complicated relationship with Christmas. I detest the whole commercial aspect and I also despise the idea that the season magically fixes things. However, I embrace the season in my own … Continue reading →
Thanks to everyone for stopping by our release celebration for A Heart’s Rebellion by Ruth Axtell. We have winners! And answers! And more information about the next book we’re promoting during our Spring Release Extravaganza!
The two winners of A Heart’s Rebellion are Collette C. and Kay M! Congratulations to both of you ladies.
If you’re wondering about the answers to our questions the answer to our first week’s question is:
1. In regency times, being the firstborn male was everything in terms of inheritance. What career avenues were open for younger sons?
Answer: Church and Military
2. What is a famous botanical garden in London, which existed in regency times (which is where Lancelot takes Jessamine)?
Answer: Kew Gardens
Thanks to everyone who stopped by so far during our Spring Release Extravaganza, and remember to stop by tomorrow, when you’ll learn about The Soldier’s Secrets by Naomi Rawlings plus have a chance to win more prizes.
An author’s greatest joy (besides coming up with a strong idea for a story) is finishing the book. It may take only weeks or it may take months (or years!) but there is nothing so satisfying as coming to the conclusion of that first draft of a manuscript.
I have just finished a manuscript for a regency novel which will be published sometime in 2014. It’s a sequel to the first regency I’ve written in a while, Moonlight Masquerade, which will be published by Revell Books in March.
My Baby with all its rough edges
This story, tentatively titled Duke by Default, took me to late spring and early summer 1815, right before the final battle of the Napoleonic Wars—Waterloo. The battle looms at the edges of my story. But mainly my story concerns the season in London, a bit of botanical gardens, and lost love and new found love.
Every writing journey begins with Chapter One…
After the initial euphoria of THE STORY IDEA the hard work of getting it written begins. Then comes the next phase, which I will shortly be undertaking: reading through that rough, ill-shapen, wordy thing called a first draft and making it into a diamond of the first water, to borrow some Regency parlance. This stage involves rewriting and reworking, checking up on all kinds of facts that I just skipped over in the first draft, deciding on names for a lot of the secondary characters which I left as blanks in the first stage.
And ends with The End.
In a month’s time, hopefully this first draft will have transformed into a wonderful love story which will keep my reader on the edge of her seat, emotionally connected to my hero and heroine, and giving a deep sigh of satisfaction when reaching The End at the last page.
