It’s summer. Maybe not officially for another couple of weeks, but you wouldn’t know that from where I’m sitting – sweltering in the deep south of the US.
So I asked the Regency Reflections authors what they did to beat the heat.
Ruth Axtell: Heat? What heat? I live in downeast Maine. We’re lucky if it ever hits 80 in the summer.
Before you grumble, just think about how much snow she has to dig through in the winter…
via Wikimedia Commons
Camy Tang: Iced tea! I make Muscat or Momo tea (extra strong) from Lupiciausa.com and then chill in the fridge or pour over ice, and I make a sugar syrup rather than just using dry sugar, because it seems to make it taste better. Then a squirt of a lime wedge and I’m set!
Laurie Alice Eakes: I stay inside as much as possible and drink lots of lemon water. Standard water with lots of ice and a wedge of lemon or lime.
Susan Karsten: I enjoy jumping off our boat (clad in swimsuit) — we usually boat on the deepest, coldest lake in our state, and the water is super-refreshing.
Kristi Ann Hunter:
Air conditioning. If the kids want to play outside, they’d better do it before 11AM because I’m not stepping outside without a darn good reason after that. Ironically my desk sits against an AC vent so I’m usually working with a blanket over my legs, but I’m not about to turn it off.
What about you? Is it hot where you are? What do you do to stay comfy and cool in the summer?
Kristi here. With school out for the summer, my house is once again full of kids all day. Some of the games they come up with are interesting to say the least. Its the nature of children to find ways to entertain themselves and it was no different during the Regency.
Like all kids, children during the Regency had loads of energy. Games involving jumping across, over, and on things were popular, particularly with boys. Although they went by different names, children played many of the games we enjoy today such as tug o’ war (called English and French), tag (known as Touch during the 19th century), and good old foot-racing (often reffered to as a Steeplechase since the steeple or church was frequently the finish line).
Girl with a Hoop via wikimedia commons
Other games have retained their names over the years. Leap-frog, Follow the Leader, and Hop-skotch haven’t changed much over the years, and were played in pretty much the same way they are today.
While not quite as prevalent as they used to be, kids still play with marbles, tops, kites, and balls, toys that have been around for centuries and relived the boredom of many youngsters of the regency era.
If you’ve ever seen a group of kids playing with a hula hoop, you eventually saw one of them rolling the hoop across the ground. Rolling hoops was a prevalent game during the early 19th century as well. Many travelers documented seeing children using sticks to keep a metal or wooden hoop rolling across the ground.
Golf has been around for centuries, but did you know that an early version of lawn hockey also existed? It was played with a ball and cudgels or bats, so the curved hockey stick we now know wasn’t part of it.
Other games bore a startling resemblance to games we know today. A game called Bounders was played very much like baseball except there were five bases and one could get runners out by hitting them with the ball. I think parents everywhere will agree that we’re glad those rules changed. A combination of baseball and dodgeball is a scary prospect.
Despite the advancement in technology and the changes in culture, kids are still kids and there’s something comforting in that. The similarities in people’s nature is one of the things that makes reading historical novels interesting. Seeing those natures in a different era can sometimes help us understand ourselves even more.
What are other areas that you see a similarity in human natures across eras?
When reading Regencies, I love getting into the environment, learning about the land, flowers, etc. I even love being immersed in the weather.
Weather Vanessa? Really?
Now some might look at weather as just a scenery element, purring at the way the moonlight beams in the hero’s eyes or the soft bounce of sun reflecting in the heroine’s hair. Yet, weather can be a force to reckon, a third character changing the course of events.
Haven’t you read about the snows of the yuletide keeping the family in the country as opposed to rushing back to London or the occasional rainstorm trapping the hero and heroine. You may have even read about 1816, the year with no summer.
Yet, England like most places, experienced much more. For an upcoming novella project, I began looking for windstorms that savaged my Regency World.
After much research, I came across two events: March 4, 1818 and April 26, 1818. The gale of March 4 raged all over England but it also knocked over several buildings in London. The tornado of April 26 focused on the southern coast.
The Gale of March 4
The gale raged on the 4th, 7th and the 8th. The gale was more likely an offshoot of a coastal hurricane, but its reach was massive. Moreover, the respite in between the 4th and the 7th fooled people into thinking the worst was over.
Here are some quotes on the event:
“Storm across southern Britain caused considerable damage around Nottingham, uprooting trees, blowing slates off roofs etc. At Leicester and Mansfield … the storm was very violent, and attended with similar effects to those experienced in this town”.
A Douglas paper of March 5th, that year, says : — “We have not for many years witnessed so tremendous a storm as last night struck terror into every bosom and, carried havoc and devastation in its train.”
“It had been thundering ; and lightning and blowing strong for several days previously, and consequently the harbour at Douglas was crowded with shipping of all sizes. On Wednesday, the 4th, the wind stood at sou’-west, but at night it suddenly veered to sou’-east, and then blew a hurricane. Scarcely a vessel in the port escaped.”
“Neither cable nor post resisted the storm the very posts in the quay were dragged cut.”
“A brig, Samuel, of Whitehaven, entered the harbour, and, driven by the gale, crashed into the other vessels. Then ensued crashing and smashing and fearful confusion — masts and bowsprits snapped, bows and sterns stove in, bulwarks smashed. Two boats were actually sunk; no lives lost, but many persons were injured. The quays were crowded with people, and everyone who had a lantern brought it to the quayside.”
Hurricane of 1824
The Devon and Dorset coasts endured a savaging hurricane November 22 through the 23rd. Floodwaters were over 2 meters (6.5 feet).
http://www.southampton.ac.uk/~imw/chestorm.htm
In Hertfordshire, a tornado (offshoot from the hurricane) was described as “a white whirling cone uprooted many trees and unroofed houses.”
A naval officer at Sidmouth at the time said, “The wind was stronger than the West Indian hurricanes. The noise of the wind was like incessant Thunder, but there was something in it still more aweful and supernatural. It seemed to rage so perfectly without control – so wild and free that nothing I ever heard before could be at all compared to it.”
Others reported, “The noise of the wind was remarkable and that it howled or roared in the great gusts. Chimneys were blown down and stone church buildings were damaged. Roofs of shops were carried away. The unusual force of the rain and hail broke a huge number of windows.”
http://www.southampton.ac.uk/~imw/chestorm.htm
“At 6 am on Tuesday 23rd, the time of the overwash at Chiswell, a heavy stack of chimneys was blown down, killing the Reverend H.J. Richman and his wife.”
Some other accounts of damage are:
19 boats destroyed
200,000 tons of stone moved by the storm
Ships washed onto farmland
Over 80 houses smashed
Coastal town after town flooded
Over 50 people died
After this research, I think 1818 should be nicknamed, “The Year With Wind.”
n 2020, America and the world were spiraling. COVID. COVID shutdowns, high COVID deaths, and the divisive uproar over wearing masks frayed nerves and divided communities. Then, in the middle of the chaos, we witnessed the killing of a man.
George Floyd, a man who’d run afoul of the law in the past, was approached by police under the false suspicion of using a counterfeit $20 bill.
At 8:20 p.m. on May 25, 2020, outside Cup Foods in Minneapolis, Officers Tou Thao, J. Alexander Kueng, and Thomas Lane encountered George. Kueng and Lane approached first, with blue lights twirling—maybe even a siren. George was visibly distressed and repeatedly said, “Please don’t shoot me,” referencing past traumatic experiences with the police.
At 8:21, officers attempted to place him in a squad car. George, unwisely, resisted, expressing intense anxiety and claustrophobia. “I’m not a bad guy… I’m scared, man,” he said.
By 8:25, Officer Derek Chauvin arrived. George was dragged out of the squad car and forced to the ground. Chauvin then placed his knee on George’s neck.
George was already handcuffed. Already on the ground. Already submissive. But Chauvin kept his knee there, applying his full weight to George’s neck.
Kneeling is supposed to be an act of humility—of reverence, of supplication, a gesture one might use to beg God for mercy.
But Chauvin wasn’t begging God. No, it was George who begged for his life. He cried out in search of humanity—for his humanity. He said more than 20 times: “I can’t breathe.”
Still, Chauvin didn’t move. George then cried out for his mother: “Mama, I’m about to die.”
A grown man, pleading for a breath, for his mother. Yet Chauvin kept kneeling, confident that no one would care about this Black man. To some, a man with a record deserves no second chance. So Chauvin kept kneeling, submitting not to justice but to cruelty—for 9 minutes and 29 seconds—until George Floyd died.
This moment shattered the stillness of a world already shaken. For a brief period, it seemed like nearly everyone agreed: This was wrong. This was murder.
I vividly remember the black squares on Instagram. The companies racing to fire employees who lied on peaceful protestors or weaponized stereotypes to suggest somehow George deserved this.
Companies finally acknowledged what many of us had known for years: that they had a diversity and inclusion problem. They made promises.
Penguin Random House pledged to increase diverse representation in its workforce and publish more books by Black authors and authors of color.
HarperCollins promised to amplify underrepresented voices in acquisitions, create fellowships, and increase donations to racial justice causes.
Simon & Schuster announced a new imprint for social justice and pledged to acquire more BIPOC authors. They donated to We Need Diverse Books and Black Lives Matter.
Macmillan acknowledged the lack of representation in its publishing and staff. They committed to more inclusive hiring, employee training, and outreach to BIPOC writers.
Hachette created a Diversity & Inclusion Council and mentorship programs for BIPOC employees. They donated to civil rights organizations and promised to publish more Black and Brown voices.
It wasn’t just publishing jumping to be counted in the righteous number. Target, Microsoft, Apple—major corporations pledged millions to diversity initiatives and underserved communities.
But here we are, just five years later.
Reports from The Washington Post, Reuters, and business analysts show a corporate backslide. Hachette has made notable progress in BIPOC hiring and acquisitions. But others—Penguin Random House, HarperCollins, Simon & Schuster, and Macmillan—have not provided updated public reports on their commitments. There’s a lack of transparency.
And when BIPOC authors speak up about their experiences with these opaque publishers—about the lack of marketing, the minimal support at launch, the inadequate investments in advertisements—it becomes clear that many of those 2020 commitments were performative. Empty, breathless gestures.
The biggest offender? We all know—Target. After loudly promoting their DEI programs, they rolled them back—loudly and publicly. And sales have significantly declined. I doubt they’ll ever fully regain the trust of the loyal customers they betrayed.
There’s been talk that Target’s retreat has caused some Black authors to miss major bestseller lists. That’s not the full story. The truth is: momentum makes the difference. Local bookstore buys matter count just as much—often more.
Don’t get me wrong—I love walking into a big store and seeing my book face-out on the shelf. I’m deeply grateful to every bookseller, clerk, and sales rep who’s done that for any of my titles.
But let’s be honest: many Black and BIPOC authors lack consistent support from publishers. A publisher can create magic. They can generate momentum—or they can smother it. And I’ve wondered, more than once, if some of these acquisitions with no follow-through are just another version of the black Instagram squares. A performance. “Look, Mama—we did something.” But then the cover’s bad, the e-book or audio launch is botched, and the book disappears, drowning in wrong or limited search results.
So I ask: Did some publishers in 2020 merely shift their knee slightly off the necks of Black writers—just enough to say they weren’t actively killing careers?
George Floyd didn’t deserve to die. He was a man. A father. A person with a past—but one who had a future, until it was stolen.
I use George’s first name throughout this essay because this is personal. I want you to remember how it felt. You saw the video. As a Black woman, that could have been my husband. One of my brothers, my uncles, or my beloved nephews.
I’m not going to lie—my heart still races when I see flashing blue lights. I don’t want to be Sandra Bland. Or Breonna Taylor. I have books to write, stories to tell, a family that I need to be here for. Yet, unless you sit beside me, you’ll never hear the sound I make—the soft, involuntary gasp of relief—when a patrol car passes and doesn’t pull me over.
That breath I’ve been holding finally escapes. And in that moment, I relearn how to breathe.
Books to help us process what happened and where we find ourselves:
His Name Is George Floyd by Robert Samuels & Toluse Olorunnipa is the Pulitzer Prize-winning biography that details Floyd’s life and the systemic racism that shaped it.
Well-Read Black Girl edited by Glory Edim – Celebrates Black women writers and the importance of being seen in literature.
Help me build momentum for Fire Sword and Sea—spread the word and preorder this disruptive narrative about female pirates in the 1600s. This sweeping saga releases January 13, 2026.
Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting The Dock Bookshop through their website and Bookshop.org
You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.
If you believe like me that stories matter—tap like, share with a friend, and hit subscribe to Write of Passage.
Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.
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My mom taught me basic knitting when I was young, but then I forgot it all as an adult. I wanted to knit again, so I learned from online videos (so awesome! I can hit repeat over and over).
One thing that has fascinated me since I started knitting has been historical knitting patterns. One book I love is Victorian Lace Today by Jane Sowerby. There are tons of lacy shawl patterns to knit and they’re all gorgeous. They range from easy to difficult.
I love knitting these patterns because they make me feel like a woman in those times, knitting delicate shawls for an evening by the fire or for a day out in London.
This shawl is called “Large Rectangle with Center Diamond Pattern” in the book. It’s actually a combination of two knitting patterns:
I’ve included links above to the digitized versions of these books, which you can download for free! The books themselves are fascinating, because the patterns and the items women could make represented the industrious needlework of women in the early 1800s. In addition to shawls, women could make mittens, caps, purses, stockings, ruffs, counterpanes, even garters!
For you crocheters, Jane Gaugin’s book also includes crochet patterns, although they’re not very detailed. The book also includes netting patterns.
The shawl I made looks like a complicated pattern, but it’s actually very easy. The center portion repeats the same diamond motif over and over again, and the edging is knitted on, also in a repeating pattern that’s easy to memorize.
I used a lace weight yarn, which is a wool yarn that is very thin, almost like crochet cotton, but it’s very light and lofty. I also used a pretty large needle size for the yarn, so the holes are larger and the lace pattern shows up better.
After knitting, I blocked it, which is basically just dampening it and then pinning it out on my bed to dry, stretching it a little so the lace pattern opens up. Once dry, it stays opened up.
Can you imagine a young Victorian lady throwing this shawl about her shoulders as she heads out for a carriage ride at the park? Or perhaps tucking it about her bodice for modesty as she receives morning callers?
In Victorian Lace Today, Sowerby writes: “Not only did a shawl provide warmth, it was a modest cover-up for décolleté dresses. Mrs. Gaugain (the author of the first knitting pattern I linked to above) suggested that a shawl should be ‘for throwing over the shoulders indoors, or for very young ladies wearing out-of-doors.’”
If any of you are knitters and you haven’t tried lace knitting yet, I encourage you to try it! The first several patterns in this book are super easy, and you can feel you’re a Victorian lady knitting a shawl for an evening out. 🙂 If you’re on Ravelry, here’s the link to my knitting notes.
To celebrate the release of my first Regency romance in August, I’m busy knitting away so that I can offer some Victorian lace shawls in a few giveaways I’ve planned! I’ll be giving away several gift baskets with shawls, a violin ornament, and some Jane Austen tea. 🙂 I hope you all will preorder Prelude for a Lord!
My husband and I were in a bookstore one day, where he was looking for a devotional. We were eyeing the shelves full of them in the Christian section when he spied a gem, A Jane Austen Devotional. “That’s the one,” he said. That’s why I love him, he’s an Austen devotee like me!
This devotional compiled and written by Steffany Woolsey and published by Thomas Nelson is not divided by days but by subject matter. A listing includes: Being Generous, Christ’s Unconditional Love, Vanity’s Folly, Faithfulness, Unhealthy Friendships, etc..
Under each section, an excerpt from one of Jane Austen’s novels is included and then a commentary on the spiritual theme gleaned from her writing, since Jane Austen lived in a time when the Bible was the standard of moral authority in Great Britain. Any educated person such as Jane would be well-versed in Scripture, especially as the daughter of a rector in the Anglican church. Her writing reflects her Christian beliefs, even when she pokes fun at certain clergy (remember Mr. Collins?)
In A Jane Austen Devotional under the heading “Being Generous” for example, a segment from Sense and Sensibility is used in which Mr. Dashwood discusses with his wife how much he should give to his bereaved stepmother in order to fulfill his deathbed promise to his father to take care of her. Throughout their conversation he allows his wife to talk him out of giving her anything he originally had decided upon. The author uses this illustration of mean-spiritedness to contrast with Biblical teaching, citing Matthew 15:18 where Jesus talks about the things that defile a person—those that proceed from the heart. The teaching of Jesus regarding generosity is then shown using Mark 12:42-44 in which Jesus compares the poor widow who leaves two small copper coins in the offering box in the temple to a richer person who gives out of his abundance.
Jesus calls us to imitate the widow, who gave so generously out of her poverty. As Woolsey sums up in this segment, “When we choose this route, He [Christ] can begin to develop in us qualities such as generosity, kindness, and compassion.”
For anyone who appreciates Jane Austen’s irony and wit, this devotional is full of snippets of her scenes with a parallel from Scripture on each facing page. My husband and I have enjoyed every entry we’ve read.
* * *
Ruth Axtell has written several Regency romances. Her latest series is called London Encounters. Book 2, A Heart’s Rebellion, came out in March. The Rogue’s Redemption, set in both Regency London and frontier Maine, came out in December. She also writes novels set in Victorian England and late 19th century Maine.
In the days before mobile phones, text messaging, and emails, people had to rely on face to face encounters and letters for communication. A pivotal part of this communication was the calling card. In many books, calling cards are presented to identify themselves when they go visiting, but calling cards were so much more than that.
Woman’s calling card case.
Change of Address
Many aristocracy lived in multiple places. When they arrived in town, particularly returning to London or another large city, they would go around and leave calling cards to let friends and acquaintances know they had arrived.
Cards were also dispersed when one was leaving town, with a handwritten indication of their departure.
Sign of Popularity
Sometimes these calling cards would be left out in the hall or drawing room, on display so other people could see what influential and important friends someone had. A large pile of calling cards could be akin to a large friend list on Facebook or an enormous Twitter following
The Polite Snub
Once a calling card had been delivered, it was customary to return to the favor, assuming you wished to further the acquaintance of course. If the person were a friend or someone you wanted a close connection with, a visit was in order. A mere returning of your own card meant you acknowledged the relationship. On the other hand, no reciprocation was a quiet indicator of where you stood on the social ladder.
Leaving a Message
Calling cards contained very little information, many bearing only a name while some included the address of the person. This left plenty of room to write a personal message if appropriate. Just as texting has common abbreviations today, calling cards had a similar shorthand. Turning down particular corners would let the card recipient know certain things, for instance letting them know the card had been delivered in person, indicating a more intimate contact.
Corner turning came to mean more and more as time passed. By the mid-19th century some cards were even being printed with words in the corners indicating common messages (such as visit, felicitations, or adieu). That way the message being left could not be misinterpreted.
Caller ID
The most well-known use of calling cards was in requesting admittance to the house. When visiting someone, a calling card would be presented to the servant at the door. The card would then be delivered to the desired recipient who could then decide if they were at home or not. If the person were not inclined or able to accept visitors at the time, but wanted to maintain the relationship, the denial could be accompanied by one of the mistresses own calling cards. The visit would then be returned within a week.
Image from social calls article on JaneAusten.co.uk. Click to see article.
The practice of calling cards could be very complicated. As in many matters of etiquette it seems like it would be easy to cause an unintended slight to someone. It isn’t all that surprising that many of the aspects of the calling card are glossed over in historical novels.
What do you think? Should the calling card play a more prominent part in novels or would it be horribly distracting?
If you’ve done a significant amount of reading of regency fiction, you’ve come across a female character taking calf’s foot jelly to an invalid, usually someone poor. It was thought to be exceeding nutritious, but that is not necessarily true, according to my research. It was a thrifty, economizing concoction, made from a leftover part of a beef.
Calf’s foot jelly has two forms: sweet, common in 19th-century Britain and America, and savoury–called petcha, a standard of Ashkenazi Jewish cooking. Both dishes start with a long braise of split cow’s feet. The latter (for a sickroom concoction) adds garlic, onion, salt and pepper, and usually retains the meat that falls from the feet; the former (for a dessert) adds sugar, Madeira wine, brandy, cinnamon and citrus, and discards the meat. In both cases the stock is chilled until it sets, and the fat that rises to the top is skimmed.
The key component of both is collagen–a protein found mainly in connective tissue, in which feet abound. Collagen makes meat tough, but it also makes the same cut, after stewing, silky and rich. Smart cooks have long begged chicken feet from the butcher: they give chicken soup extra body. Hot, collagen imparts richness; chilled, it turns to gelatin.
To boil it down/summarize: Stock made by boiling a calf’s foot in water; which sets to a stiff jelly on cooling. It consists largely of water and gelatin, so is of little nutritional value.
Note: The New Female Instructor strongly advises against the addition of wine when the jelly is to be used for an ill person. Lemonade was often given to an ill-person along with barley water and tea.
To the readers, have you come across this, and wondered? To the fellow-Regency writers, have you ever included a character delivering this to a poor sick person?
Hey guys, Camy here! I absolutely love Goodreads.com. It’s a website for readers and I could literally spend hours surfing the site, looking up books and authors, reading reviews. I belong to several reading groups including Christian Fiction Devourers, and I joined an A-Z Reading Challenge for 2014. Basically, you read authors or titles from A-Z.
I chose authors. This isn’t a requirement of the challenge, but I set myself a personal goal to read Regency romance and historical romance authors for the challenge!
So far, I’ve read:
Miss Mouse by Mira Stables
The Torpid Duke by Pauline York
North and South by Elizabeth Gaskell
A Debt of Honour by Diana Brown
I’m a bit stuck for an author with a last name that starts with X. I just found a historical author with a last name that starts with Z, so I’m glad about that! I just ordered the book through Paperbackswap.com. It’s set in Medieval times, which isn’t my favorite time period, but the storyline and heroine sounds interesting!
So if any of you have recommendations for a Regency or historical author with a last name that starts with X, I’m all ears!
What reading challenges have you entered for this year? I’d love to hear about them and your progress! I know I need to step it up if I’m going to make my challenge this year …
On the writing front, I got my ARCs for my upcoming Regency romance, Prelude for a Lord! Here’s a copy with my reluctant Vanna White:
Insufferable man. Already planning her future. All of Mama’s wonderful training about reserve fled Sara Hargrove and a groan welled inside. “I’d don’t think I’ll be able to finish this painting. I’m too flustered.”
He took the paintbrush from her tight fingers and slipped it onto the easel’s ledge. “Miss Hargrove, your prospects are endless. Both of the earl’s sons are smitten.”
“The obsessive heir or the humorous flirt, for me?” She shook her head. Maybe Jeremiah Wilton didn’t know her soul. How could the man suggest such poor matches? Providence surely misled her. Her heart sunk even lower.
“I see how they’ve taken notice of you.” His sea blue eyes swept over her as if he hunted for agreement. “My dull nature will stifle you. You must concur.”
Dull? She counted upon his steadfast manner, so like, Papa. For a brilliant man, Jeremiah could be dense. “This must be a courtroom, barrister. You’ve declared your judgment. My feelings are not material.”
He hovered so close she could feel his soft breath on her crown. Pushing away from him, she knocked her easel. Jeremiah thrust his arms about her catching the canvas, but imprisoned her within his embrace. The warm smell of his sandalwood surrounded her, shrouding her in hopeless dreams.
Unwanted tears pregnant in her lashes fell. “Have you come to torture me?”
He eased the canvas back upon the easel, but kept his arms about her. “I didn’t know the strength of your feelings, not until this moment. You do love me?”
“You came to gloat?” She balled her fist and punched at his gut. Her knuckles stung against the iron muscles of his stomach as if she’d hit a metal washbasin. Undaunted, she struck him again.
He grunted and released her.
“Good day.” She picked up her paints and headed toward the house.
“Miss Hargrove. Please don’t go.” The hitch in his voice stopped her.
She wiped her face, then glanced over her shoulder.
Jeremiah, so tall and handsome in his crimson tailcoat and cream breeches, wrenched his arms behind his back. “Miss Hargrove, lovely Sara, I love you. With all my heart, but I cannot hold you to a long engagement. I don’t know how long the war will burn.”
She closed her eyes and took a deep breath of the fresh air. The sweet scent of apple wood met her. His confession didn’t salve her heart. Maybe, if she ran to thickest part of the orchards, her composure would return among the hearty trees, her safe haven.
Something yanked on her hem.
Jeremiah’s head covered in thick ebony hair hung near her hip. On bended knee, he gripped the muslin fabric of her paint smock. The proud giant humbled himself at her feet.
“I’m desperate for you. This is against my reason. I shouldn’t propose, but I can’t find a way not to. Accept me?”
“Get up, Mr. Wilton.” With another quick tug on her skirts, she’d be free.
Jeremiah held fast. “I’ll give you the power to dictate our course, but for your sake say no to my proposal.”
“This is a proposal?”
“It is Miss Hargrove, but it’s not rational. It’s inappropriate to obligate you. Say no.”
Did he think mere words could free them from this bond? She licked her lips. “No.”
He swallowed hard then stood to his full height. Head drooping, he kicked a rock with his boot. “Tell…. Tell your father and mother I called.”
Her heart beat hard at his stutter. He’d gotten his way, but maybe his spirit, his proud spirit, was breaking too.
He soldiered away, his shoulders hunched as he marched to his dapple-grey mount.
Could she let him go, forget him? No, he was for her. Since the day she climbed Papa’s tree and witnessed Jeremiah besting the town beaus to save his friend, Jeremiah Wilton owned her heart. “Is this how you wish to leave things, sir?”
“No.” He scooped up his gloves, but hadn’t turned.
“What type of husband will you make, if you can’t admit to be being wrong? And what would it say about me, if I waited for such a man?”
“Perhaps, you’re just as foolish as I?” He trudged back to her, took her hand, and placed it over his heart. “I need to trust that our thoughts are the same, shared of one spirit. I’ll not doubt us again. But, if you find you can’t withstand a long engagement—”
Putting a shaking palm to his mouth, she stopped the voicing of his misgivings. Her gaze lowered from his searching eyes to the gold braiding of his epaulet. Only time would prove her commitment.
Yet, how could he be so uncertain of her character? Perhaps each passing day would lessen the sting.
He moved her fingers, bent his head, and slowly covered her lips. His arms tightened about her as she let his affection deepen. In spite of his words, Jeremiah’s actions seemed clear. He had to love her as much as she loved him.
Tossing her paints, she wrapped her arms about his neck and reveled in his possessive grip of her waist, the heavy coursing of his pulse.
He tugged her closer, snuggling her against the smooth floss of his waist sash. “Come, we must go convince Mr. Hargrove. I know Mrs. Hargrove won’t be happy. They may not give their permission.”
“Mama, may be more difficult to persuade, but who can withstand my Mr. Wilton.” The clouds in Sara’s spirit receded as she slipped her palm into his. They soon trudged the path to the great portico of the main house. “If the war can end by spring, we should take our wedding breakfast on the lawn or even set a table on the entry.”
Jeremiah looked off into the distance. An unreadable expression set upon his thinned lips. “If we can convince your parent, then I’ll make this war as short as possible, even capture Napoleon to return to you.”
written several Regency romances. Her latest series is called London Encounters. Book 2, A Heart’s Rebellion, came out in March. The Rogue’s Redemption, set in both Regency London and frontier Maine, came out in December. She also writes novels set in Victorian England and late 19th century Maine.
