Category: Female authors Regency period

13
Apr
2025

The Men of Pride & Prejudice and A Chance to Win

categories: Book Reviews, Courtship, Female authors Regency period, Jane Austen, Love and Romance, Pride & Prejudice, Regency Hero, Regency Romance

In my ruminations on the male characters in Pride & Prejudice, I first decided I might discuss them from the least important (in my eyes) to the most important, Mr. Darcy, of course. Or perhaps, I would discuss them from Mr. Darcy to each lesser character. A third option might compare the men from Lizzy’s sphere with the men associated with…Mr. Darcy.

Do you begin to see my dilemma? Jane Austen wrote a book about Elizabeth Bennet and Mr. Darcy and amazingly ties each male character to the leading man in an intricate way while creating, at the same time, very individualized, stand-alone men in their own right.

So it seems I must discuss each character’s wonderful foibles and personalities (in no particular order) and how they re-make Mr. Darcy into who he becomes, the hero in one of the greatest love stories ever written (opinion mine).

Mr. Bennet

Let us first examine Mr. Bennet. Considered a gentleman, he allows his children, especially Elizabeth, to be who they want to be not who they should be. Lizzy, with her love of books and wonderful sense of the ridiculous, becomes his obvious favorite as the one most like him. And he plays a significant part in Darcy’s preference for Elizabeth.

In describing the really “accomplished” women of the day, Darcy adds, “…and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading.” Darcy is already interested in that quality in Elizabeth, one fostered by Mr. Bennett.

She and her father also have their share of fun at Mr. Darcy’s expense until Mr. Bennett discovers what he believed about Darcy to be untrue. Darcy’s intervention in the case of Lydia and Wickham was the eye-opener and he was finally pleased to say to Elizabeth, “I could not have parted with you, my Lizzy, to any one less worthy.” Mr. Darcy began the process of putting himself out for others out of his love for Elizabeth.

Mr. Bingley

Next is the sweet, loveable Mr. Bingley.

I wished to start out with him because he establishes the connection with the Bennetts that allow us to be introduced to Mr. Darcy’s harsher side. We cannot learn of it any other way because the evil of Mr. Wickham cannot begin this early in the story.

But it is through this amiable relationship that we also see a wonderful change in Mr. Darcy. He convinces Mr. Bingley that Jane Bennett does not care for him, but we know it is her low birth that Darcy disdains. He will stick to his story even in the writing of his letter to Elizabeth at Rosings, “…I shall not scruple to assert that the serenity of your sister’s countenance . . . gave me the conviction that . . . her heart was not likely to be easily touched.”

He becomes forced to rethink his actions and in the end must apologize to his adoring friend. The character development of Mr. Darcy through Mr. Bingley is wonderful, compliments of Jane Austen!

Mr. Collins

Shall we move on to Mr. Collins? Who but Ms. Austen could create such a character?

He is a buffoon, a name dropper, a sniveling little man (no matter which actor of choice portrayed him) with a self-righteous piety that lasts only until his benefactress is conjured up by himself or another.

We start out believing Jane created him solely for our enjoy enjoyment, comic relief if you will. But his connection to Darcy is ingeniously interwoven through Lizzy’s best friend, married to Mr. Collins, at Rosings where Darcy has easy access. Elizabeth needed the connection of Mr. Collins at Rosings to allow us to see Darcy in a different light. Well done, Jane!

Mr. Wickham

Ah! The infamous Mr. Wickham… When he appears, we are pulled into his ruse and we can now abhor Mr. Darcy as Elizabeth does. And Ms. Austen adds the twist that Lizzy may have found her match and we sit on the edge of our seats to see.

But Wickham is nothing without his connection to Mr. Darcy. We had to see Darcy’s egotism and snobbery before we could believe the terrible accusations. And it is Wickham’s character development into total degradation with Lydia that allows us to begin to see Darcy in a new light.

New characteristics he declares are only for Elizabeth’s sake, but allow us to begin a love affair with him after chapters and chapters of disliking him heartily.

I’ll declare that Jane Austen never got a note from her editor that her manuscript needed more conflict! She is the queen of conflict in P & P.

Mr. Darcy

We shall end with our hero, Mr. Darcy. I sometimes think technology has ruined literature more than enhanced it. I have opinions on each of the actors who have portrayed this hero but I must be sure to base my thoughts on Jane Austen’s Mr. Darcy and not an actor.

So when I sit down with the book, all faces disappear and I read and re-read the story always culminating with the picture perfect hero (my own imagination inspires the way he looks) in an amazing love story.

The changes that occur through the pages are all linked to the other male characters enough that we see Mr. Darcy become a new man, not only for the love of Elizabeth, but because he has seen his own shortcomings through the men with whom he interacts.

I look forward to hearing other readers’ perspectives on their favorite characters. I fancy there are as many opinions out there as there are readers!
pandPbook This week we’re giving away a lovely copy of Pride and Prejudice. The book is hard cover with a ribbon book mark. The pages are rough cut to simulate the cut edges an original print would have had after binding. All comments on this week’s posts will be entered in the drawing. Must have a United States mailing address in order to win. Winner will be announced August 19, 2013.

Originally posted 2013-08-14 10:00:00.

12
Apr
2025

The Publishing of Pride and Prejudice and a Chance to Win

categories: Contests, Female authors Regency period, History, Jane Austen, Pride & Prejudice, Writing

The below article contains information and excerpts pulled from Kathryn Kane’s article on the 200th anniversary of Pride and Prejudice from her blog, The Regency Redingote.

Wendnesday, Laurie Alice shared about Jane’s long and laborious road to publishing and her subsequent career. Today we look at the publishing of Pride and Prejudice.

Originally titled First Impressions, the story of Elizabeth, Darcy, and their families and friends was originally written as a collection of letters. This epistolary style of novel was familiar to Jane as she had already written one as a teenager and one of her favorite authors wrote in that style as well. Obviously, she adjusted the format as well as the title prior to publication.

Pride and Prejudice was Austen’s second novel and it was instantly popular. The first print run of 1500 copies sold out even before the first run of Sense and Sensibility, which was half the size. Demand was so high that in October of 1813, her publisher, Thomas Egerton, released a second print run of Pride and Prejudice. A third printing was done shortly after her death.

Despite the popularity of the novel, Jane made only £110. Far less than the more than £450 her publisher made. Due to the slow sales of Sense and Sensibility at the time, she sold the rights to Pride and Prejudice for a lump sum.

Even though Pride and Prejudice was well loved by the public, Jane felt a little differently. Shortly after Pride and Prejudice was published, Jane wrote to her sister, Cassandra:

Upon the whole … I am well satisfied enough. The work is rather too light, and bright, and sparkling; it wants shade; it wants to be stretched out here and there with a long chapter of sense, if it could be had; if not, of solemn specious nonsense, about something unconnected with the story: an essay on writing, a critique on Walter Scott, or the history of Buonaparté, or anything that would form a contrast and bring the reader with increased delight to the playfulness and general epigrammatism of the general style.

It may very well be the fact that it was ” … light, and bright, and sparkling … ” which made it so popular.

In 1813, England was involved in wars on two fronts, for both the Peninsular War and the War of 1812 were ongoing. People were weary of war and the privations which it brought. Pride and Prejudice gave them an amusing respite in the peaceful and traditional English countryside, which many valued highly as the epitome of the English way of life. A countryside and way of life which many realized was already under threat from the relentless progress of the Industrial Revolution.

Jane’s fictional village of Meryton was populated by a host of amusing characters involved in the activities of everyday life and her witty tale included a pair of love stories that ended happily ever after.

To read more about the writing and publication of Pride and Prejudice, see Kathryn Kane’s original article.

This week we’re giving away a lovely set of Jane Austen notecards. For a chance to win, please leave a comment on any of the posts this week. winner will be drawn Monday, August 12. Winner must have a mailing address within the United States.

Originally posted 2013-08-09 10:00:00.

11
Apr
2025

Jane Austen’s Road to Publishing and A Chance to Win

categories: Female authors Regency period, History, Jane Austen, Pride & Prejudice, Writing

When one mentions Jane Austen, the majority of people think Pride and Prejudice and the movies, not necessarily the book, who’s bicentennial of it’s publication we are celebrating this month. Miss Austen, however, wrote several other works, including an epistolary novel in the 1790s. Like the majority of authors nowadays, Austen faced rejection and publishers who did not fulfill their promises.

One of Austen’s biographers, Claire Tomalin, writes of Lady Susan, “in letters, it is as neatly plotted as a play, and as cynical in tone as any of the most outrageous of the Restoration dramatists who may have provided some of her inspiration … It stands alone in Austen’s work as a study of an adult woman whose intelligence and force of character are greater than those of anyone she encounters.” This is impressive when one considers she was less than twenty years old.

In 1811, Sense and Sensibility was published, though she probably began it much earlier. We don’t know if the original story known as Elinor and Marianne, which she read to her family in the 1790s, survived in this novel.

Still in the 1790s, Austen attempted a third novel, which was a satire of the popular Gothic novel. That manuscript, which we know as Northanger Abbey, ended up the first one for which she received any money.

One of Austen's early works, The History of England. Photo by wikimedia commons — One of Austen’s early works, The History of England. Photo by wikimedia commons

Her father attempted to get her published, but that manuscript, First Impressions, later published as Pride and Prejudice, was rejected. But in 1803, a London publisher paid Austen ten pounds for the copyright on Northanger Abbey. It was not published until Austen bought back the copyright more than ten years later.

After the family moved to Bath, she may have suffered from a depression that kept her from writing, or she may have revised her already created works. We aren’t certain. We do know she worked on The Watsons, but never finished it after her father died. Her own situation as an unmarried woman without independent means, closely reflected the ladies in the story.

Finally, in 1811, Sense and Sensibility was published and well-received, nearly twenty years after we believe she began work on her first novel. Pride and Prejudice was published in 1813, which we are celebrating this month as it is her most famous work today.

Mansfield Park was her best selling novel and published in 1814. Reviewers ignored it, but the public did not.

Although the books were published anonymously, and I’ve always been told that no one knew who wrote the books, I scarcely think this is true, at least for those able to worm information from perhaps the publisher, as the Prince Regent’s librarian invited her to visit and she was given the suggestion that she dedicate Emma to him in 1815. She didn’t like him, but she couldn’t refuse. This was her last book published during her lifetime.

After her death, Persuasion and Northanger Abbey were published as a set in 1817. Sanditon was published, though unfinished, in 1825. Her books remained out of print until a set of her works were published in 1833. They have been in print ever since.

Originally posted 2013-08-07 10:00:00.