Hi everyone! My name is Camy Tang and I’m so excited to join this Regency Reflections blog! I have been reading Regency romances since I was a Freshman in high school–my first one was Regency Miss by Alix Melbourne, and I absolutely loved it. I recently re-read it a few months ago and it’s still as exciting as when I first read it.
My first Regency romance comes out next year from Zondervan/Thomas Nelson. I don’t have a title yet, but I’ll be writing under a pseudonym, Camille Elliot. I’m very excited and a little nervous about my first Regency romance. Although I’ve been reading them for years and I even bought Regency research books to read just for fun, I never attempted to write one until this year.
It’s about Alethea Sutherton, an earl’s daughter who has been neglected by her father, betrayed by her brother, and evicted from her home by her cousin, and so she doesn’t trust men in general. However, while living with her aunt in Bath, she suddenly finds that there is someone trying to steal her violin, which was a bequest from a neighboring widow who was like a mother to her.
Alethea is very gifted on the violin, which was considered unladylike and unfeminine to play for women in the early 19th century, and so for an Englishwomen to play it was considered almost scandalous. However, to discover who is after her violin and why, she must enlist the help of a nobleman considered an expert on the violin, Lord Dommick, who is in Bath to repair his reputation for the sake of his sister and mother. For him to associate with a violin-playing scandal on two legs is not his idea of how to go about doing that.
I always knew I wanted to write about a musician heroine and hero, but didn’t choose the violin until my research revealed how Regency society considered it so distasteful for women to play it, whereas men were not so constrained. There were a handful of professional violin playing women on the continent, but they were the exception to the rule, and there were no Englishwomen who played the violin.
Things changed in the late 19th century with the rise of the middle class. At that point, despite the fact Victorians in general were a slightly more prudish bunch, the objections to women playing the violin had been dropped and so more women learned the violin in England.
My heroine, of course, is bucking the system like any good heroine would do. 🙂 The hero is not quite sure what to make of her, but by the end he will be properly schooled in the art of love and music.
I’m looking forward to blogging about my favorite subjects, Regency romances and Regency readers!
Do we. as regency readers, fully understand how, and from where, the wealth of the average wealthy nobleman arose? Mostly, from farming. Yes, there were those who had ships, investments, mines, you name it, but farming the family land was the most common way to wealth that I am aware of. Some lords were good managers of their estates, but even the good managers needed stewards, especially when they owned multiple agricultural estates and spent much time in London.
Picture an estate of as large as 11,000 acres. For the owners to have any leisure-time, they needed to employ a ‘right-hand man’ to look after the management of the estate. The man in question was the agent or land steward.
Duties: The estate had a number of heads of departments, such as the head gardener, head gamekeeper, etc. The agent was responsible for all of these departments, paying the wages of the workmen and keeping regular logs and accounts of work done. He kept a detailed set of books recording repairs to buildings, fences or roads, as well as information regarding game, livestock and crops. He was also in charge of collecting the rent from the estate’s tenants, and for this reason he could be an unpopular figure.
The agent spent a lot of his time touring the estate on horseback, dealing with tenants and estate workers face to face. He was required to keep a terrier, a book recording the boundaries and tenancies of the land, which included the rent roll. A good agent needed a head for figures, meticulous record-keeping skills, an all-round knowledge of farm work and land maintenance, and an aptitude for dealing with people. That the job could be dangerous is clear from records of assaults on agents by tenants, and at least one steward murdered on an estate.
A steward’s house near the main gate of an estate.
The most important position on an estate was the steward, who was the chief administrator and, in earlier times, the lord of the manor’s deputy. The steward wielded considerable executive authority. He transacted all the legal and other business of the manor estate, kept the court rolls, etc.
The steward was usually resident on the Estate. The steward was responsible for finding tenants for farms, negotiating leases, recommending and supervising improvements, and collecting and disbursing estate revenues. His influence certainly also extended into the domestic realm of the estate.
Those of us who write, or read regencies, can easily see how the dishonest steward often crops up as a plot element in our fiction. They can be made into a convenient villain.
For the most part, however, they were honest men, working for a living, surely taking pride in the nurturing of the property.
Have you ever read a regency with a lordly hero disguised as a steward? Any regencies with wicked stewards? Please respond in the comments. Thanks, Susan
Congratulations, Merry! You won last week’s prize. Check your email this week for details on selecting your book.
Today and Wednesday we’re talking about film editions of Pride and Prejudice. I suppose having a film (or motion picture) edition comes with being recognized as a classic book. Nearly every classic I can think of has a film adaptation somewhere. My favorite film version of Pride and Prejudice is hands down the 2005 adaptation starring Keira Knightley and Matthew Macfayden.
So why is the 2005 adaptation my favorite?
The artistic elements of the film put this one over the top for me. The beautiful music. The scene in the rain where Darcy first proposes to Elizabeth. The scene with Elizabeth swinging all by herself and that beautiful piano music in the background. The gorgeous scenery of Lizzie walking through a field reading a book while the sun shines behind her. Those are all things that give this film an extra layer of life. Is the Hollywood adaptation the same as what I’d imagined in my own mind when first reading Pride and Prejudice? Probably not, but it created a rich and complex images and emotions that related easily to my senses.
Then there’s the music. Oh the music! It’s my favorite movie soundtrack EVER. I own the CD. I own the advanced piano book. I played one of the pieces for my cousin’s wedding three years ago. And even while writing this blog post, I had to go dig out the book and spend a half hour replaying some of my favorite pieces (like “Dawn” and “Georgianna”). I’ve sat through weddings where the prelude and postlude music was all P&P 2005. If you’re interested in some of the facts about the soundtrack, it was written by the Italian composer Dario Marianelli in a classical style modeled after Beethoven’s early piano sonatas. The movie soundtrack is preformed by the pianist Jean-Yves Thibaudet and the English Chamber Orchestra.
What’s different about the 2005 version compared to other adaptations?
In 1995, BBC produced a television version of P&P (one which many enthusiasts love and adore). The BBC version has a longer run time and follows the plot of the book more strictly. The 2005 motion picture focuses mainly on Elizabeth and Darcy, taking out a lot of the scenes revolving around other characters (like some of Elizabeth’s travels with minor characters and Lydia’s elopement). The 2005 version runs just over two hours, while the longer BBC 1995 version follows the subplots of the book more carefully and runs significantly longer.
Another large difference between the novel and the 2005 film is the setting. The script writer and the director shifted the movie forward by about 20 years, setting it during the 1790s. The director wanted the 2005 version to differ visually from the 1995 version (and apparently he also had a rather large distaste for empire waist gowns). In moving the setting earlier, he was also able to create a bigger distinction between the wealthy and the poor with clothing and the appearance of Longbourn as a working farm.
The more romantic 2005 portrayal of Elizabeth and Darcy’s story still remains bit controversial among Austen enthusiasts. Many Austen lovers prefer the 1995 BBC adaptation because it is indeed more true to the original novel. The 2005 version received rather harsh criticism for the final scene, which portrays Elizabeth and Darcy at Pemberly after they are married, but has little to do with Jane Austen’s original novel. The ending was removed in the UK version of the film for a few months before being put back in.
I much prefer the 2005 version over the 1995. I feel that the 2005 version has a lot of romantic and emotional appeal (which I love both in novels and films). I feel that it does a good job of capturing the attention of a more modern audience while still portraying all the important themes of Pride and Prejudice that have made it such a distinguished and time honored novel.
And just in case you were wondering, my favorite scene is the first time Darcy proposes to Elizabeth, with all that rain coming down and the near tears in Elizabeth’s eyes. My favorite musical score is the theme “Dawn,” but I prefer it with just the piano rather than the full orchestra.
So what about you? Which film adaptation of Pride and Prejudice do you prefer? Do you have a favorite musical score or scene from either of the adaptations? Please share it in the comments below.
Photo credits: The 2005 motion picture version of Pride and Prejudice was produced by Working Title Films. It is believed low resolution screenshots used for the purpose of discussing a film and its contents fall under the fair use provision of the U.S. copyright law.
Comment on any post this week for your chance to win a DVD copy of the 1995 Pride and Prejudice miniseries. Winner will be announced Monday, September 2 and must have a US posting address.
Researching this subject taught me a new term and concept: Jane Austen para-literature. Oh my. This is a huge topic. I am only able to skirt around it, since to cover this topic completely would take years. The incredible array of sequels and retellings of the Austen ouvre is astounding. I, dear reader am a veritable babe in the woods when it comes to such reading opportunities. I have read a few spin-offs, no sequels, and no retellings of Jane Austen’s novels.
Is there a name for the phenomenon of the fact that a movie is never/rarely anywhere near as good as the book? Extrapolating that thought further tells me there could never be a sequel book as good as the original Pride and Prejudice.
Creative or knowledgeable people: Please come up with a name for the above phenomenon. Mention it in the comments.
Inveterate Austen sequel/prequel readers: Have you read any great ones? If so, please leave the titles in the comments.
READ ON! Much good information coming your way in this post.
From the first link listed above, Ted Adams has a wonderful, comprehensive article slicing and dicing the terminology of Austen para-literature. I have used material from this article below. He said it so well.
“The adaptations, completions, sequels, pastiches and other attempts to tap into the Jane Austen industry … devolve from a most noble sentiment: We have read the six published novels and we want more. We want more and different insights into both the novels and into the type of person that Jane Austen was.
Adaptations are transformations into another medium, e.g., stage, screen and television.
Completions are the finishing off of a novel fragment. Jane Austen’s two fragments, The Watsons and Sanditon have been attempted a number of times.
Sequels are a continuation of the action. To my knowledge, nobody has written a “prequel”, which would be a description of what occurred before the action started.
Pastiches are work written in the style of Jane Austen. Jane and the Unpleasantness at Scargrave Manor is a pastiche. Its premise is that it is a notebook that Jane Austen kept concerning events during a period for which we do not have documentation.
Certainly no Jane Austen pastiche will ever be as good as the original, but that is to be expected. Mind you, when the standard is one of the best writers in the English language, to fall short of the mark is no disgrace. To write with wit, economy, great insight and develop complex and interesting characters is no mean feat. After all, we read Jane Austen with great pleasure 200 years later because she compares well not only with her contemporaries but also with ours and everybody who has come in between.
Personally, I enjoy pastiches for much the same reason that I sometimes enjoy Jane Austen criticism. Even when a pastiche fails or fall short, it can be interesting to try understand how or why it comes up short. And in the meantime, I’ve read a story that really has no requirement to be taken seriously.
The questions I would ask of a pastiche are the same that I ask of criticism: Is the work interesting/entertaining in its own right? How faithful it to spirit of Jane Austen’s novels? Does it provide insights into the work in question and/or the character of Jane Austen? ”
So, dear Austen-loving friends, I highly recommend reading the full text of the Ted Adams article — not the least for the titles of para-Austen books he considers excellent! Thanks for visiting Regency Reflections.
Remember to comment on the questions: What to call the phenomenon when the movie or sequel is never as good as the original AND Give the titles of any Austen para-literature books you’ve read that you think were pretty good.
Susan Karsten
The love of Regency romance lives on today. Comment on any post this week for a chance to win a book by one of Regency Reflections’ amazing published authors. The winner will be emailed the list of available books to choose from. The winner will be announced Monday, August 26th. Winner’s mailing address must be within the United States to win.
Congratulations, Susan Heim, on winning the beautiful hardback copy of Pride and Prejudice. Check your email for details on claiming your prize. See the end of this post by Laurie Alice Eakes for another chance to win a fabulous prize.
Although I have been devoted to the Regency era since the age of fourteen, I never read a book by Jane Austen, nor did I see one of the movie adaptations, for another twenty years. I haven’t even read all of Miss Austen’s books. Instead of this celebrated lady of letters, my attraction to the Regency came through an intermediate step—Georgette Heyer.
Georgette Heyer
For years, I tried to get a copy of A Private Life, a biography of Miss Heyer written by another one of my favorite Regency authors, Jane Aiken Hodge. That tome was never available, so I was thrilled when a new biography by Jennifer Kloester was published. Since I’ve been reading it off and on for the past few weeks (it’s a lengthy book), I thought reviewing it in the month we are celebrating Jane Austen wholly appropriate. My Regency sisters have indulged me, since I am far more fond of Heyer than Austen, as blasphemous as that may be.
Kloester executed a tremendous amount of research for this biography. She must have read a few thousand letters and delved into numerous dusty storage rooms for original documents. The details included are more intriguing—and more edifying—than five minutes of TMZ. This is the book’s greatest strength and greatest weakness. The details about her publishing life, her personality, her friendships and animosities are like juicy gossip, especially to a writer or lover of her books. On the other hand, after a while, as many details as we receive go a little too far. I don’t need endless pages—fortunately scattered—regarding the Rougier (her married name) financial difficulties and mismanagement. Nor do I need the author’s speculation about the couple’s sex life.
More important are the details about her ups and downs as a published author. More ups than downs from most writer’s perspective. She sold her first book when she was nineteen. One of her detective novels was banned by the Irish government as being obscene (it’s not) until the 1960s. And although it rather makes me sad, I like the details about her personal habits such as how she smoked two packs of cigarettes a day for most of her life. It just doesn’t fit my image of this educated and talented Englishwoman born right after the turn of the 19th century. The ways in which she stayed awake when on deadline make me cringe as much as did some of her business decisions.
A business woman she was not unless one counts that she wrote romances, most set in the Regency, for the money, when her heart lay in long historical novels. She did manage to write these, but other than An Infamous Army, these were not the most successful of her books. Readers ate up her Regency and Georgian romances. They also loved her detective novels. To learn that two of her favorite authors were Jane Austen and Raymond Chandler did not at all surprise me.
That others ripped her off didn’t surprise me either. She exchanged letters with publishers and attorneys regarding how closely Barbara Cartland’s books followed Heyer’s, and wasn’t afraid to say the woman needed to do her own research. Cartland wasn’t the only writer who decided to use Miss Heyer’s original research instead of seeking it out for themselves.
Often I have heard that Miss Heyer made up slang terms and even that she inserted false facts to throw off these pretenders to know the time period and write in the same genre Heyer rather developed herself. After reading the biography, I no longer believe these claims to be true. She possessed too much professional integrity to do so.
Although Miss Austen wrote during the Regency era that has become a subgenre of romance fiction, the subgenre itself, for which we and dozens of other authors keep blogs, owes its popularity and stronghold to Georgette Heyer.
The love of Regency romance lives on today. Comment on any post this week for a chance to win a book by one of Regency Reflections’ amazing published authors. The winner will be emailed the list of available books to choose from. The winner will be announced Monday, August 26th. Winner’s mailing address must be within the United States to win.
In my ruminations on the male characters in Pride & Prejudice, I first decided I might discuss them from the least important (in my eyes) to the most important, Mr. Darcy, of course. Or perhaps, I would discuss them from Mr. Darcy to each lesser character. A third option might compare the men from Lizzy’s sphere with the men associated with…Mr. Darcy.
Do you begin to see my dilemma? Jane Austen wrote a book about Elizabeth Bennet and Mr. Darcy and amazingly ties each male character to the leading man in an intricate way while creating, at the same time, very individualized, stand-alone men in their own right.
So it seems I must discuss each character’s wonderful foibles and personalities (in no particular order) and how they re-make Mr. Darcy into who he becomes, the hero in one of the greatest love stories ever written (opinion mine).
Mr. Bennet
Let us first examine Mr. Bennet. Considered a gentleman, he allows his children, especially Elizabeth, to be who they want to be not who they should be. Lizzy, with her love of books and wonderful sense of the ridiculous, becomes his obvious favorite as the one most like him. And he plays a significant part in Darcy’s preference for Elizabeth.
In describing the really “accomplished” women of the day, Darcy adds, “…and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading.” Darcy is already interested in that quality in Elizabeth, one fostered by Mr. Bennett.
She and her father also have their share of fun at Mr. Darcy’s expense until Mr. Bennett discovers what he believed about Darcy to be untrue. Darcy’s intervention in the case of Lydia and Wickham was the eye-opener and he was finally pleased to say to Elizabeth, “I could not have parted with you, my Lizzy, to any one less worthy.” Mr. Darcy began the process of putting himself out for others out of his love for Elizabeth.
Mr. Bingley
Next is the sweet, loveable Mr. Bingley.
I wished to start out with him because he establishes the connection with the Bennetts that allow us to be introduced to Mr. Darcy’s harsher side. We cannot learn of it any other way because the evil of Mr. Wickham cannot begin this early in the story.
But it is through this amiable relationship that we also see a wonderful change in Mr. Darcy. He convinces Mr. Bingley that Jane Bennett does not care for him, but we know it is her low birth that Darcy disdains. He will stick to his story even in the writing of his letter to Elizabeth at Rosings, “…I shall not scruple to assert that the serenity of your sister’s countenance . . . gave me the conviction that . . . her heart was not likely to be easily touched.”
He becomes forced to rethink his actions and in the end must apologize to his adoring friend. The character development of Mr. Darcy through Mr. Bingley is wonderful, compliments of Jane Austen!
Mr. Collins
Shall we move on to Mr. Collins? Who but Ms. Austen could create such a character?
He is a buffoon, a name dropper, a sniveling little man (no matter which actor of choice portrayed him) with a self-righteous piety that lasts only until his benefactress is conjured up by himself or another.
We start out believing Jane created him solely for our enjoy enjoyment, comic relief if you will. But his connection to Darcy is ingeniously interwoven through Lizzy’s best friend, married to Mr. Collins, at Rosings where Darcy has easy access. Elizabeth needed the connection of Mr. Collins at Rosings to allow us to see Darcy in a different light. Well done, Jane!
Mr. Wickham
Ah! The infamous Mr. Wickham… When he appears, we are pulled into his ruse and we can now abhor Mr. Darcy as Elizabeth does. And Ms. Austen adds the twist that Lizzy may have found her match and we sit on the edge of our seats to see.
But Wickham is nothing without his connection to Mr. Darcy. We had to see Darcy’s egotism and snobbery before we could believe the terrible accusations. And it is Wickham’s character development into total degradation with Lydia that allows us to begin to see Darcy in a new light.
New characteristics he declares are only for Elizabeth’s sake, but allow us to begin a love affair with him after chapters and chapters of disliking him heartily.
I’ll declare that Jane Austen never got a note from her editor that her manuscript needed more conflict! She is the queen of conflict in P & P.
Mr. Darcy
We shall end with our hero, Mr. Darcy. I sometimes think technology has ruined literature more than enhanced it. I have opinions on each of the actors who have portrayed this hero but I must be sure to base my thoughts on Jane Austen’s Mr. Darcy and not an actor.
Picture courtesy of Jane Austen World Magazine
So when I sit down with the book, all faces disappear and I read and re-read the story always culminating with the picture perfect hero (my own imagination inspires the way he looks) in an amazing love story.
The changes that occur through the pages are all linked to the other male characters enough that we see Mr. Darcy become a new man, not only for the love of Elizabeth, but because he has seen his own shortcomings through the men with whom he interacts.
I look forward to hearing other readers’ perspectives on their favorite characters. I fancy there are as many opinions out there as there are readers! This week we’re giving away a lovely copy of Pride and Prejudice. The book is hard cover with a ribbon book mark. The pages are rough cut to simulate the cut edges an original print would have had after binding. All comments on this week’s posts will be entered in the drawing. Must have a United States mailing address in order to win. Winner will be announced August 19, 2013.
When Highlander’s Hope heroine, Yvette Stapleton finds herself married to the hero, Laird Ewan McTavish, without benefit of a marriage ceremony, she’s more than a bit put out. In fact, it nearly destroys her trust in him.
A series of pictures depicting a couple’s hasty flight to Gretna Green and subsequent marriage. Via Wikimedia Commons
My quandary was how to get Yvette married to Ewan without her knowing it. Was it possible to simply say you were married in 1817 Scotland and, poof, you were indeed legally married? Would the marriage be recognized by the Church of Scotland?
Those are the thoughts that sprang into my mind one day while contemplating the dilemma. I wasn’t considering handfasting either, which by the 18th century, was no longer recognized by the Kirk (Church) of Scotland.
No, I needed something recognized by the Scot’s Church. I starting digging into Scot’s marriage laws of the 1800s and was pleased-as-punch to come across Scot’s Canon Code and irregular marriages. In essence, anyone could perform a marriage ceremony as long as the parties involved expressed consent to the union, either in person or in writing. Most romance readers are familiar with Gretna Green, and the romantic notion of couples trotting off to Scotland to get married—quite literally over a blacksmith’s anvil. Well, that was part of the Canon Code.
Irregular and clandestine marriages—those not performed by a cleric of the church—included simply agreeing to take one another as husband and wife before two witnesses (Gretna Green), cohabitating in Scotland under the ruse of being wed, and finally, by merely declaring you were married—even if no ceremony had taken place. You could also agree to marriage in writing with express consent. There was no particular form, either verbally or written, required for the marriage to be valid and binding.
A Blacksmith Shop in Gretna Green – not required for Scottish marriages. via Wikimedia Commons
I arranged for Yvette and Ewan to claim they were married in the midst of a very dangerous situation in order to prevent Yvette from being ravished. I reinforced it by having Ewan declare to several kin and clans members that he and Yvette were married, and then I had them cohabitate at Craiglocky Keep under the guise of marriage. Yvette was unconscious for the first four days she was at Craiglocky, so she wasn’t in a position to protest the implied marriage.
I did take a bit of liberty with the code, but then, isn’t that what we authors do? I’ve got another story fermenting in my mind, and I do believe I’m going to use the written agreement as an segue to an irregular marriage.
Just an aside, Gretna Green is still a wildly popular marriage venue in Scotland. I have an unmarried daughter. She wants to get married in Scotland. . .
Excerpt from the Great Hall scene when Yvette discovers she’s legally married to Ewan.
Escape.
Yvette stood on unsteady legs, grasping the table’s edge for balance. She strove for poised composure, despite feeling like a powerless pawn in a despicable game of human chess, played for the amusement of those who enjoyed tragic endings at the expense of someone else’s happiness-no-their very existence.
The Great Hall radiated silent tension. All eyes were on her. She looked at the strangers staring at her, their eyes reflecting a myriad of emotions. Embarrassment, horror, dismay, pity, outrage, compassion, and yes—even a few smugly satisfied.
“You knew?” She looked to Hugh and Duncan, before swinging her gaze to Alasdair and Gregor. They bowed their heads in chagrin. Her turbid gaze swept the rest of Ewan’s family.
“You all knew?” Yvette searched Giselle’s sorrowful eyes, then Adaira’s tear-filled ones. “You must think me such a fool.” Her agonized whisper exposed her vulnerability. Her shame. Her absolute humiliation.
Ewan touched her arm. “Evvy—”
She whirled around. “Don’t you touch me,” she hissed between stiff lips.
Yvette knew her gaze was a mirror of desolation when she finally met his eyes. “How could you?” she whispered. “I trusted you.” She’d never make that mistake again.
He reached for her again. “Please . . .”
She slapped away his hand. “Don’t.”
She clenched her teeth to still her quivering mouth and chin. Closing her eyes against the torrent of tears cascading down her face, she drew in a bracing breath.
Lord, give me the strength to walk from this room with my head held high.
On wooden legs, she stepped away from her chair.
Ewan grasped her elbow, restraining her. “Evvy, I don’t know what she told you, but . . .”
Collette Cameron, a Pacific Northwest native, was born and raised in a small town along the northern Oregon coast, which to this day, continues to remain one of her favorite retreats. An enthusiast of times gone by, Collette currently writes Regency historical romance.
You can find out more about Collette by visiting her author page, www.collettecameron.com. If you found this article and excerpt interesting, you might also want to learn more about her most recent book, Highlander’s Hope.
As many of you know, we’ve spent the past week celebrating the debut release of Madeline’s Protector by Regency Reflections’s own Vanessa Riley. To help celebrate this new novel, we’ve included giveaways with every post over the past week and held one giant, week-long contest for a Nook ereader. Well, we have winners! And I’m very excited to share them with everyone.
The winner of a brand new Nook is . . .
Michelle Griep!
Michelle visited our Regency Reflections on the very first day of the contest and answered the question of what suitor you would pick for your daughter if you were a Regency mother. Congratulations, Michelle! We wish you lots of enjoyable hours of reading time on your new Nook!
Our other daily winners are as follows:
$10 Starbuck’s gift card – Nancy iTune card – Teela $10 Amazon gift certificate – Piper Paperback copy of Madeline’s Protector – Jackie Layton
Congratulations to all our winners, and a special thanks to everyone who stopped by to help us celebrate the release of Madeline’s Protector!
And now, in case you’re wondering about the thought-provoking questions we asked at the end of each post. Here’s a list of the questions and the most popular answers.
Friday, April 26: If you were a Regency Mama, which suitor would you pick for your marriageable daughter and why:The son of a family friend, a titled reformed rake, a wealthy gentleman looking for a 2nd wife?
The most popular answer was: The son of a family friend. Most of the commentors liked being familiar with the suitors family and background before giving their daughters over in marriage to our imaginary man.
*****
Monday, April 29: If you lived during the Regency and found yourself in a dire circumstance would you:
A. Do everything possible to save yourself, not caring of any possible ramifications.
B. Do everything possible, but you would worry about potential scandals or compromise.
C. Risk everything to a point. Your family name and position could not be threatened.
The most popular answer was B. Most commentors would do everything possible, but still be conscientious about scandals.
*****
Wednesday, May 1: What got you interested in the Regency time period?
The most popular answer was: Pride and Prejudice, either one of the movies or the book or a combination of the two.
*****
Friday, May 3: Have you ever had your purse snatched? And if so, did you give chase?
The most popular answer was: No, most people have not had their purses taken (though a few have). And no, most people did not think they would give chase, even if their purses were stolen.
*****
Thanks again for stopping by and enjoying our week-long celebration of Madeline’s Protector. We hope to see each and every one of you back again sometime over the coming weeks!
Fri, April 26—$10 starbuck’s gift card – Nancy Mon, April 29–iTune card – Teela Wed, May 1–$10 Amazon Gift certificate – Piper Fri, May 3—A paperback of Madeline’s Protector. – Maybe you?
Add a comment and you will be entered into the daily contest as well as the Grand Prize: Color Nook ereader. You can also enter here for an extra chance: http://wp.me/p2854H-Jj
———–
When searching for spiritual themes in Vanessa Riley’s new book, Madeline’s Protector, one doesn’t search long before coming upon several worthwhile strands of Christian truth.
Book Cover
Riley weaves a tale wherein our beloved faith emerges deeply embedded within her rollicking, action-packed tale of love’s trials. What begins as a deceptively simple conflict, spirals into a web of difficulty for the young aristocrats.
Madeline St. James and Justain Delveux meet under highly stressful circumstances. Robbery, murder, peril, and compromised reputation mesh in a riveting tale dappled with otherwordly beauty.
Madeline’s confidence in Providence wars against Justain’s uncertainties, as all the while Justain battles to protect her from forces just beyond sight.
Misunderstandings, violence, subterfuge, and distrust forge a gauntlet which must be braved for their love to triumph.
Our heroine trusts the Lord to deliver her from those who would spitefully use her, and He uses a weak mortal man, Justain to protect her virtue. As the plot unfolds, Justain’s need for a savior becomes evident to him and he joins his bride in the fold.
Author Vanessa Riley
A thoroughly satisfying read, in which Riley has a deft touch with spiritual matters.
Question: Have you ever had your purse snatched, and if yes, did you give chase? (Yes, this reveals a plot twist 🙂