Category: Regency Romance

Interview with Regina Scott, Author of “The Rake’s Redemption”

Veteran Regency author Regency Regina Scott joins us again to tell us a little more about her writing, as well as her love for Regencies. Regina’s first published book was The Unflappable Miss Fairchild in 1998, with Zebra Regency Romance. Since then she has published continuously, with 19 novels and four novellas to her credit. In the last couple of years, she has turned to writing Regencies with a Christian tone. These have found a home with Love Inspired Historicals. Her fifth Christian Regency, The Rake’s Redemption, is out this month.

1. Last time you were here, you told us about how you fell in love with the Regency time period. What can you tell us about the setting of this new book?

This story is set entirely in London during the Season, but my hero is on the fringes of Society by his own choice, so there’s only a couple balls and most of the action takes place out of doors—driving in the forgotten corners of Hyde Park, meeting in secret at Vauxhall Gardens, dueling on Primrose Hill.

2. Was there any fun fact about the Regency period that you stumbled across in your research for this book that really fired up your imagination? Any little tidbit that prompted a plot point or a cool character moment?

I stumbled across an article written just after the Regency that laid out the specific rules for duels, contrasting them to those of the French. Because my hero, Vaughn Everard, has a reputation as a duelist, knowing some of the rules he could choose to keep or break really helped me write the main dueling scene in the book and keep it in his character. I learned to fence when I was in college, so I really wanted to get that scene right!

3. Does your new book, “The Rake’s Redemption”, continue the story of any of the characters from your last book, “The Captain’s Courtship”? What did you enjoy about writing a linked story? Was there anything about that connection that made writing “The Rake’s Redemption” more difficult?

The Rake’s Redemption is the third book in the Everard Legacy miniseries, starting up shortly after The Captain’s Courtship left off. This book tells the story of how Vaughn Everard finally finds the man responsible for killing his beloved uncle, and his cousin Samantha’s continued attempts to fulfill the requirements of her father’s will.

I love writing linked stories because they give you a bigger canvas on which to lay out an adventure. But they’re also hard, because if you decide later that it would have been better for the hero of book 1 to have done something to set you up for book 3, it’s too late!

4. Tell me a little bit about your hero, Vaughn Everard.

Vaughn is the quintessential warrior poet—literally! He grew up before the Regency began, so he tends to have more of the swashbuckling attitude of the previous era—lace at his cuffs, sword at his side. That puts him in direct contrast with his more elegant, refined peers. And he writes moving, romantic poetry that sets all the ladies’ hearts a-flutter. Can you tell he’s my personal favorite of the three Everard gentlemen?

5. Tell me a little bit about your heroine, Lady Imogene Devary.

Lady Imogene grew up sheltered, the apple of her father’s eye. But she’s noticed her father behaving oddly lately, and she cannot figure out why. The problems seemed to start when a certain poet began calling, demanding a moment with her father. So Lady Imogene sets out to discover what’s going on. Between her own natural charm and her father’s position as the Marquess of Widmore, she’d never had anyone refuse her least request. But then, she’s never met anyone like Vaughn before.

6. What can we look forward to next from you?

Next March, the final book in the Everard Legacy comes out: The Heiress’s Homecoming. That’s Samantha’s story, set 8 years after the other three books, where we how the legacy plays out in her life. She’s only sixteen in the books out this year, so I wanted to give a little time to come into her own.

7. Where else on the web can our readers find you?

Readers can find me at my webpage at www.reginascott.com, the blog I share with young adult author Marissa Doyle at NineteenTeen, Goodreads at http://www.goodreads.com/reginascott or the Love Inspired Historical Group at http://www.goodreads.com/group/show/24770-love-inspired-historicals.

Thanks for visiting us today, Regina! 

Jessica Snell

 

 

 

 

 

 

 

Originally posted 2012-11-28 10:00:00.

With this Ring… in Gretna Green?

When my husband and I were married some twelve years ago, there were few impediments for us to reach the altar as soon as we wished to. He knelt down on one knee to ask me, I gave an enthusiastic “Yes!” and almost immediately afterwards, we began making our joyful plans.

Besides the all important wedding gown, the perfect candlelit venue and the explosion of decisions that had to be made, we focused little on what the government required for our union and more on how we would put our personal mark on the day we’d pledge our future lives to each other. In fact, we lived in a location that had minimal government restrictions – we were citizens of the country and were of legal age so we had but to file with the county official’s office and in turn, would have been required to wait only 24 hours before making our walk down the aisle.

In researching Regency Era marriage for a recent book project, it was fascinating to learn how different our options would have been had we lived in England some 200 years ago.

Of course the differences in how an eligible young lady would have made her social debut, how a young man and woman would meet and how courting would commence is in stark contrast to what we know today. But as for government, it’s interesting to find that there is just as much government restriction on the act of marriage (and just as much dodging of said restrictions) as there would have been in force during the Regency Era.

Country road in Gretna Green, Scotland (Photo: Wiki Commons)

The first of these restrictions involved the literal “Las Vegas” of the day – or Gretna Green, Scotland. It was to this elopement location that many couples embarked upon a journey along the Great North Road from London in order to quickly exchange their vows. Similar to the little wedding chapels that one might find along Nevada’s famous neon strip, the tiny village of Gretna Green became the virtual Vegas of its day.

It lies just over the border to Scotland and at the time, became a famous spot for couples escaping the 1754 Lord Hardwicke Marriage Act that was still in effect in the Regency years. The British government dictated that a couple must have parental consent to marry if under twenty-one years of age. In contrast, Scotland’s age for eligible marriage was just sixteen. This led to many couples fleeing up the road on a days-long journey to traverse the border and become a Mr. and Mrs. both quickly and legally.

With this ring… (Photo: Wiki Commons)

Another stark contrast in Hardwicke’s Act dictated the waiting period required to be married in satisfaction to the church. In the Regency Era, Hardwicke’s Act would have compelled couples to be married in a parish building by an ordained minister.  By Scottish law, a man and woman could be married with virtually no notice and required only to make a commitment before two witnesses in order to make their marriage contract binding. This spurred the act of marriages performed by “anvil priests”, or blacksmiths that acted as marriage officiates in the village for runaway marriages. [Click here for more information on anvil priests.]

Another practice for a couple wishing to be married in the Church of England was the reading of the banns of marriage (also known as “banns”). This proclamation of marriage was announced publicly within the church for three weeks in succession prior to a marriage taking place (mainly so that anyone citing a credible reason that the marriage should not take place would have adequate notice to make such a stand against the union). Today, a couple may be required to participate in marriage counseling or take classes to satisfy the requirements of a particular church or denomination, but the requirement would be independent of government decree. In addition, couples may declare their intent to marry by proclaiming their engagement in a public announcement, newspaper article or engagement party, though these practices are social in nature and are not dictated as a requirement by the government. For those traveling to Gretna Green, no such proclamation was expected or required.

It is interesting to note that now more than 200 years after the time of these original runaway marriages, Gretna Green remains an extremely popular wedding venue. In fact, it is estimated that one in six Scottish marriages occur in the small village made famous for its take on marriage minus the control of government.

Today, a wedding ring is a must. The making of a marriage promise is still a lifelong commitment. And whether or not we travel to Gretna Green to exchange the all important vows or whether we follow the requirements of the government in the locale where we live, we still say “with this ring…” with as much heart as those couples would have all those years ago.

May we find joy in the union just as they did.

In His Love,

~ Kristy

 

Originally posted 2012-11-14 10:00:00.

Interview with Cheryl Bolen

Laurie Allice Eakes (LA) invites you into an Interview with Cheryl Bolen (CB), author of Marriage of Inconvenience from Love Inspired Historical.

Cheryl Bolen, author of Marriage of Inconvenience

LA: What drew you to write about the Regency Time Period?

CB: My World War II book—the fourth complete book I’d written but not found a publishing home for—won a lot of contests, but publishers kept saying it didn’t fit into a genre. The final editor judge in one contest told me if I wrote a historical romance that took place before 1900 she would like to look at it. The only period I liked was the Regency England Georgette Heyer had introduced me to. I hadn’t read many of the contemporary writers of Regency because I found some of them not understanding the era as well as I thought I did. That’s when I had a light bulb moment. I can write that! I began A DUKE DECEIVED, and months later that senior editor at Harlequin Historical bought it.

LA: Tell us what year your book is set in and why you chose that particular time.

CB: My newest release is set sometime after Waterloo but before 1820. I actually picked that time because it was a continuation of a series that began earlier and which locked me into a particular time. (The first books in the series, however, were written for a secular publisher, but readers had been clamoring for me to tell this proper miss’s tale.)

LA: What’s your favorite, unique Regency aspect of the novel, something you wouldn’t be able to include in a novel set in another place or time?

CB: Definitely the clothes—both men’s and women’s. Love the elegant, feminine lines of women’s but especially love that the men wore knee breeches, neckcloths—and unlike men later in the century, they were clean shaven!

LA: What are the biggest challenges to writing in the Regency Period?

CB: Some vocabulary is peculiar to the Regency, and you want to use it in a context that won’t confuse readers.

LA: Why did you choose to write Regencies for Love Inspired?

CB: I was honored that the senior editor of Love Inspired Historical came to me and asked me to write for her. I was thrilled because I’d developed a love of inspirational romances. Deeanne Gist is a friend of mine, and I love her award-winning books.
LA: What is your favorite Regency Food, aspect of dress, and/or expression?

CB: I don’t get into food a lot in my books because I don’t think modern readers would like to read about the excessive gluttony of the period! I love the wonderful formality and manners of the upper classes in their speech of the period. I really don’t like it when I read a book where an earl says, “Call me John.” This simply wasn’t done. Ladies were always Miss Lastname even to their closest friends.
LA: What is your favorite Regency setting; e.g., London, country house, small village?

CB: For my own books, I like a mix of the two. I’ve been to London many times and like to describe it as I believe it looked in the Regency, but there’s nothing like those grand country estates, and I like my readers to get a taste for that, too.
LA: What makes your hero and heroine uniquely Regency?

CB: In my newest book, the hero is in Parliament, and it plays a particular role in my book. They both favored reforms to benefit the lower classes.

LA: Tell us about your book.

CB: It’s actually sort of funny that in the same month I’ve got two new releases, and both of them are G-rated. As an ebook only, I’ve got CHRISTMAS BRIDES: 3 REGENCY NOVELLAS.

Marriage of Inconvenience, Love Inspired Historical: Proposing to the Earl of Aynsley seems a sensible—if unconventional—solution to Miss Rebecca Peabody’s predicament. As a married woman, she will be free to keep writing her essays on civil reform. Meanwhile, the distinguished widower will gain a stepmother for his seven children and a caretaker for his vast estate.

But the earl wants more than a convenient bride. He craves a true partner, a woman he can cherish. To his surprise, the bookish Miss Peabody appears to have every quality he desires…except the willingness to trust her new husband. Yet despite his family’s interference, and her steadfast independence, time and faith could make theirs a true marriage of hearts.

Cheryl Bolen’s Bio: A former journalist who admits to a fascination with dead Englishwomen, Cheryl is a regular contributor to The Regency Plume, The Regency Reader, and The Quizzing Glass. Many of her articles can found on her website, www.CherylBolen.com, and more recent ones on her blog, www.CherylsRegencyRamblings.wordpress.com. Readers are welcomed at both places.

Cheryl holds a dual degree in English and journalism from the University of Texas, and she earned a master’s degree from the University of Houston. She and her professor husband are the parents of two sons, one who is an attorney, and the other a journalist. Her favorite things to do are watching the Longhorns, reading letters and diaries of Georgian Englishmen, and traveling to England.

Originally posted 2012-11-07 06:00:00.

Spiritual Themes from A Flight of Fancy

Hi Everyone!

Naomi here, and it’s our last day talking about A Flight of Fancy, by Regency Reflections blog contributor, Laurie Alice Eakes. If you’re stopping by the blog for the first time this week, you’ll want to check out our previous three posts. We’ve had an Introduction to A Flight of Fancy, then Taking to the Sky (a post on Ballooning during the Regency Era), and an Interview with Laurie Alice Eakes. At the end of each post, there’s a Regency quiz question. For every question you answer correctly in the comment section, your name will be entered in a chance to win a Regency gift basket, complete with tea, biscuits, a mug, and an Amazon gift card. The contest ends this Saturday, October 13, at midnight.

Over the past week, we’ve introduced several different aspects about A Flight of Fancy and Laurie Alice Eakes. Today, as we conclude our discussion, I’m going to touch on the spiritual themes in the novel.

Both Cassandra and Whittaker have a rather physical past relationship. As two Christians accountable to God, and as two individuals living in the Regency Era, any physical relations before marriage are clearly wrong. However, Cassandra and Whittaker push limits in this area time and time again.

In the first chapter of the story, Cassandra and Whittaker test their physical relationship yet again (this aspect of the story is presented in a tactful manner). As a result, Cassandra ends up severely injured, so much so that she nearly dies. Once she recovers physically, she’s still left with permanent, visible scars, and she doesn’t feel fit to ever marry.

Cassandra thus calls off their engagement. Though she and Whittaker still have deep feelings for one another, they both suffer a terrible amount of guilt throughout the course of the novel. The guilt haunts them and clings to them, almost like a sticky tar neither can wash from their skin.

Both Cassandra and Whittaker need to turn to God, confess their sin, and accept His forgiveness. But they struggle. After all, it’s very hard to accept forgiveness from God (or even another person) when one refuses to forgive himself or herself.

I personally found this story a refreshing reminder of how strong God’s forgiveness is. Psalm 103:11-12 says, “For as the heaven is high above the earth, so great is his mercy toward them that fear him. As far as the east is from the west, so far hath he removed our transgressions from us.”

Sometimes in our desire to serve and please God, it’s easy to become stuck on our past mistakes and sins rather than to leave them at the feet of Christ. As we dwell on those sins, we become discouraged and even distracted from serving God.

The solution? Don’t wallow in past sin. Accept God’s forgiveness and focus on making future choices that honor God.

How are you coping with past sin in your personal life? Are you confessing it to God and leaving it with Him, or are you carrying it around like an unseen burden on your back?

Today’s Question (remember one correct answer will enter your name into the gift basket drawing):

Geoffrey Giles, Earl of Whittaker, is the hero in A Flight of Fancy. How should he be addressed?

A: Lord Geoffrey

B: Lord Giles

C: Lord Earl

D: Lord Whittaker

Thank you to everyone who participated in our Regency Quiz over the past week. We’ll be announcing the winner, as well as discussing the answers to the question, on Monday, October 15th.

This contest is now closed. Please see the final post for answers to the trivia questions. 

Originally posted 2012-10-12 10:00:00.

Taking to the Sky

To celebrate A Flight of Fancy, we’re running a special week-long contest. Starting October 5, 2012, through next Friday, October 12, we’ll feature Regency quiz questions at the end of each post. To enter the contest, you’ll need to correctly answer the questions in the comment section below. For every correct answer, your name will be added into the drawing for a Regency Food and Frolic gift basket. There will be five questions in all, which means your name can be entered up to five times (if you get all five questions right). The deadline to answer ALL CONTEST QUESTIONS will be Saturday, October 13 at midnight.

Photo on Scenic Reflections

A Flight of Fancy has a heroine who would be considered a nerd nowadays. For fun, she reads Greek and Hebrew, translates ancient documents into English, and executes mathematics. She regrets not being able to go to university, but since she cannot, she determines to make her mark on the world through creating a balloon one can steer.

Balloons could not be steered except per the caprices of the wind currents. These change at various heights of the atmosphere, so a balloonist had to raise and lower the gas—hydrogen—level in the balloon to affect their direction. Sometimes it worked and sometimes it did not. Usually it did not. Sails and paddles were employed in an attempt to create steerage to greater or lesser success—mostly lesser.

Considering one had to go aloft with live fire to create the hydrogen, and the car or basket was not all that large, limiting the quantity of fuel, long journeys in a balloon without touching down were simply not possible. Decades later, Jules Verne’s book, Around the World in 80 Days, was considered fantasy. It was the science fiction of its day. (He is, of course, the founder of steam punk, a steam punk author told me.) But I digress.

How grand getting from London to Lisbon, sailing over the heads of the French enemy, sailing high enough to be out of range of their guns, would be! Much safer from the enemy than taking a ship.

Unfortunately, steering was the first problem with long-range travel, and having enough fuel to keep gas in the balloon was another problem.

It doesn’t mean people did not attempt, and come close, to sailing long distances. Sophie Blanchard, a famous French balloonist, sailed across the Alps. No problem. Balloons could go extremely high; therefore, getting over the mountains was not a problem for her. She was also not sailing over enemy territory, being French.

During the Regency, Mr. Sattler decided to fly from Ireland, across the Irish Sea, and to England. He did so with great success. Several times, he had to raise and lower his level to catch favorable currents, but the coast of Cumberland drew into his sites.

So he decided to go down to Liverpool, and that’s when he ran into trouble. He caught a strong current. The waxed canvas tubing that carried the hydrogen from the beaker of acid and iron shavings, to the balloon, began to tear away from the balloon, causing him to lose altitude at an alarming rate.

Mind you, he reports that he was around three miles in the sky. Plunging from that height would have been rather frightening, not to say deadly.

With great risk to life and limb, he managed to affect repairs while poised above a live fire and that beaker of acid and iron shavings to make the hydrogen. I won’t say how because I use this incident for the basis of an important scene in A Flight of Fancy.

Mr. Sattler ended up in the sea near Liverpool. A flock of sea birds attacked him for the food he had carried with him, and several ships sailed past him. Eventually, as night fell, a naval vessel stopped and picked him up.

That Lord Whittaker is against Cassandra going aloft in a balloon makes a great deal of sense. Men and women, including Sophie Blanchard, died because of their fascination with taking to the sky in a balloon. Cassandra, however, is like thousands of men and women throughout history, who risked their fortunes and their lives to bring us new inventions and scientific discoveries—she will not let the danger stop her from trying to improve balloon flight and make it a practical form of transportation.

For more details on how balloonists made hydrogen and why they went aloft with a live fire, read my article at: http://englishhistoryauthors.blogspot.com/

Today’s questions:

1: How did aeronauts steer a balloon?

A: They used sails.

B: They used paddles.

C: They used wind currents.

D: They used the balloon itself.

 2: Which of the following was not used to make hydrogen for the balloon.

A: Fire

B: Acid

C: Wax

D: Iron

This contest is now closed. Please see the final post for answers to the trivia questions. 

Originally posted 2012-10-08 06:00:00.

Interview with Regency Romance Author Abby Gaines

Naomi Rawlings here today, and I’ve got a special guest to introduce: Abby Gaines, author of the newly released novel The Governess and Mr. Granville. I’m especially excited to host Abby here today, because she writes for the same publisher that I write for, Love Inspired Historical.

Abby has graciously agreed to giveaway one copy of her novel to someone who reads the interview and then leaves a comment below. The contest will end Saturday at midnight and is open only to U.S. residents. Here’s a bit about Abby:

I handwrote my first romance novel at age 17. Disillusioned by my first rejection, I gave it up for about 20 years! Obviously I developed a thicker skin over that time, because when I started again, I weathered numerous rejections before selling my first book to Harlequin Superromance in 2006. Since then, I’ve written 20 books across Harlequin’s Superromance, NASCAR and Love Inspired Historical lines.

1.    What drew you to write during the Regency Time Period?
Like many others, I fell in love with the Regency through the works of Georgette Heyer and Jane Austen. Although men and women had very different, clearly defined roles, when it came to clever, witty dialogue, they could be equals, and each could use the strengths of their gender to befuddle the other!

2.    Tell us what year your book is set in and why you chose that particular time.  
It’s set in 1816. Not for any particularly good reason – when I wrote my first Regency, I found a picture of a young woman who looked just how I imagined my heroine, and it was dated 1816. Since then, that time period has turned out be quite interesting. It was after the wars with Napoleon, and in a time where some well-known artists and writers, like Turner and Keats, were coming into their own. Not to mention new inventions coming out. Those things provide interesting background and sometimes drive the story in a new direction.

3.    What’s your favorite, unique Regency aspect of the novel, something you wouldn’t be able to include in a novel set in another place or time?
My heroine has a secret engagement in her past. When I first started writing the book, I knew that was a scandalous thing, but I didn’t understand why. In my research, I discovered how financially risky that would have been for her if the match had gone ahead, and how it would have damaged public perception of her beloved father. Her guilt over that past event isn’t just about breaking a convention – she could have lost everything.

4.    What are the biggest challenges to writing in the Regency Period?
No challenges with the period itself, but the need to check just about every word’s date of origin and early meaning in the Oxford English Dictionary is time-consuming!

5.    Who is your favorite Regency Author?
Georgette Heyer. And right now, Sylvester is my favorite book of hers.

6.    What is your favorite Regency Food, aspect of dress, and/or expression?
Those muslin dresses are hard to beat! So flattering to both the bust and the waist – bring back the empire-line dress!

7.    What is your favorite Regency setting; e.g., London, country house, small village?
I prefer London settings as a reader and a writer. Partly because I know London well, having lived there for several years, and it’s such a buzz seeing familiar streets and landmarks transported back in time. But also the dynamism of the city appeals. I do like Bath settings, too.

8. What makes your hero and heroine uniquely Regency?
She’s a governess and a parson’s daughter – impoverished but of noble lineage. That puts her in a difficult situation with regard to finding a husband. He’s a traditional dad, trying to do his best for his family, convinced he can marry without love and have it all work out fine. Naturally, he learns otherwise!

9. Tell us more about your novel.Dominic Granville needs a wife—whether he wants one or not! And governess Serena Somerton intends to find one for him. A marriage of convenience would provide the wealthy widower’s five children with a mother’s tender care. And yet none of Dominic’s prospective brides can meet Serena’s increasingly high standards.

Dominic can’t imagine why his sister hired such an unconventional, outspoken governess. Yet Miss Somerton’s quirks can’t curb his growing interest in this spirited young woman. His imperfect governess could be his ideal wife…

*****

Thanks so much for interviewing with us today, Abby. It’s always fun to see what draws various authors to the Regency Period. And can I admit that any and every European set governess story always reminds me of the Sound of Music? For those of you interested in the giveaway, please remember to leave a comment below. And if you’re interested in learning more about Abby and her other novels, please visit www.abbygaines.com.

 

Originally posted 2012-09-26 01:00:00.

Interview and a Give-A-Way with Author Jamie Carie

Regency Reflections Welcomes Author Jamie Carie

We are so thrilled to welcome author Jamie Carie to Regency Reflections! Jamie, the author of the Forgotten Castles series, has stopped by to tell us a little bit about her upcoming release, A Duke’s Promise, which will be available September 1st.

Jamie is kindly offering a free book (Paperback or Kindle download) to one lucky visitor!  For your chance to win a book from the Forgotten Castles series, leave a comment on this post.

1. Tell us a bit about the inspiration behind your Forgotten Castles series.

It started with the idea of doing something similar to my second book, The Duchess and the Dragon, but with a Regency spin. I love writing about royalty from that time period! I also knew I wanted something adventurous with a mystery to solve. Then the characters took over, which is the best part.

2. Setting plays a very important role in this series.  Can you tell us what drew you to using castles in your setting, and more specifically, how you tied the setting to the time period?

I had the idea of three I’s – Ireland, Iceland and Italy as the settings. Each book takes place in one of those countries and features tucked away, crumpling and forgotten or fairy-tale like castles. I had a moments panic when I discovered that Iceland doesn’t have any actual castles but then I discovered the Dimmuborgir, black lava formations that look enough like a castle that they are called the Black Castles of Iceland. It was perfect for a creepy scene!

How I tied the setting to the time period? Having Alexandria grow up on a very secluded island in an old, crumpling castle gave me more leeway with her behavior in Regency England. She couldn’t be expected to be quite so strict in her role as a woman of that time because she was never taught the rules of society and hadn’t lived among the elite until she meets her guardian, the duke, and lives for a time in London. It was fun to see how she changed and grew over the course of the three books.

3. The book covers in the Forgotten Castle series are stunning.  Can you tell us about the design process?

Thank you!! I have to give all the credit for the gorgeous covers to Diana Lawrence, Art Director at B&H Publishing. Diana always gets the “feel” of my books and carries it so well to the cover designs. I only consult and there were very few changes that I recommended. Here’s the link to the making of the first cover – The Guardian Duke.

4. Tell us a bit about your upcoming release, A Duke’s Promise.

I am so excited to have A Duke’s Promise come out in September! God gave me an ending that took my breath away, tying up all the details and answering all the questions that are raised in the first two books. I can’t give anything away, so here is the back of the book blurb:

From the Land of Fire and Ice back to England’s shores, Alexandria Featherstone finds herself the new Duchess of St. Easton. Her husband has promised a wedding trip to take them to the place where her imperiled parents were last seen — Italy and the marble caves of Carrara — but a powerful Italian duke plots against Alex and her treasure-hunting parents.
Hoping to save them, Alex and Gabriel travel to Italy by balloon. Fraught with danger on all sides and pressured by Gabriel’s affliction to the breaking point, they must learn to work and fight together. The mysterious key is within their grasp, but they have yet to recognize it. This journey will require steadfast faith in God and each other — a risk that will win them everything they want or lose them everything they have.

5. You have an amazing ability to weave the details of everyday Regency life into your novels.  If you had to pick, what would you say is your favorite aspect of Regency life?

I love the gallantry of the men of that day and age. Men (the good ones at least!) were very protecting toward their mothers, sisters, wives and daughters. Gabriel, the duke who is Alexandria’s guardian, takes very good care of his family (even though some members drive him bonkers). He treats Alexandria like a princess. I love how he loves her – tender, sweet, hot, completely besotted but not a dolt – sigh! I think he is my favorite hero to date!

6. What do you think is the biggest challenge of writing a Regency?

Probably getting the “feel” (the cadence of the language and dialog, the perspectives of the characters, etc.) of the time period. I suggest reading lots of Regencies and absorb the tone before trying to write one.

7. Do you have a favorite Regency author?

I grew up reading Georgette Heyer which probably started my love of romance novels. Also Amanda Quick, Julia Quinn, Judith McNaught and LOVE Laura Kinsale!

8. Tell us a bit more about you.  

I’m a preacher’s daughter. I grew up in Vincennes, Indiana and my entire childhood was immersed in the Charismatic movement with Bible teachers like Derek Prince, Kenneth Copeland and many others sounding by cassette tape in the background. This upbringing was both wildly crazy when it came to some of the error of that movement but also deeply theological and Bible based. I’ve had a lot to sort out as an adult, I can tell you! I think God has used all this in my writing and I’ve learned to be thankful for it and proceed with the faith that He can make beauty from ashes. Here’s my short bio:

Born and raised in Vincennes, Indiana, Jamie is the daughter of a preacher man. Road trips with her dad—to and from Bible studies across Indiana—were filled with talks of things beyond earth’s bounds – creation and the fall, God and Jesus and the rapture, the earthly walk compared to the spiritual walk, and how we are born for more than what we can see or touch.

The highlight of those nights was stopping at a truck stop in the middle of the night where her dad would spend a little of the offering basket on two slices of pie and a couple of Cokes. Nothing ever felt so special as a middle of the night slice of pie with her dad. And nothing could stop the writing pouring out of her.

Piles of poems, short stories, skits and song lyrics later, Jamie grew up and married. When her eldest son turned five she decided to try her hand at novels. Snow Angel was published and won the USA Book News “Best Books 2007” Awards winner, and 2008 RITA Awards® Best First Book finalist. Her third book, Wind Dancer, won Best Books of Indiana in 2010.

Jamie and Tony have been married for twenty-four years and live in Indianapolis with their three sons, a giant of a dog named Leo, and their new addition – a half Siamese/half Snow Shoe kitten named Luna.

If she could only say one thing to her readers it would be, “Live the dreams God has destined you for!”

9. How can readers connect with you to learn more about your other projects or get in touch with you?

Website: www.jamiecarie.com
Blog: http://jamiecarie.com/blog
Facebook: http:www.facebook.com/jamie.carie?ref=profile
The Forgotten Castles series FB Pagefacebook.com/ForgottenCastles
Twitterhttps://twitter.com/#!/jamiecarie
Email: jamie@jamiecarie.com

10. One last question:   Pride & Prejudice or Sense & Sensibility?

Pride and Prejudice! I’ve seen the movie at least a dozen times. I love Sense and Sensibility and Emma too though. Now, you’ve done it!! I’m going to be craving some Jane Austen and have to squeeze that into my schedule!

Thanks again to Jamie Carie for stopping by and sharing her story. Be sure to leave a comment to be entered it the giveaway for the winner’s choice of a book in the Forgotten Castles series!

Originally posted 2012-08-15 10:00:00.

Interview and Give-A-Way ~ Regina Scott

Interview with Regency author Regina Scott.

 

Veteran Regency writer Regency Regina Scott stopped by to tell us a little about her writing journey, as well as her love for regencies.

Regina’s first published book was The Unflappable Miss Fairchild in 1998, a regency with Zebra Regency Romance. Since then she has published continuously with 18 novels to her credit and four novellas.

In the last couple of years, she has turned to writing regencies with a Christian tone. These have found a home with Love Inspired Historicals. She has four LIH regencies to date. Her latest, The Captain’s Courtship, is out this month. Regina has graciously donated a copy for a lucky reader. For a chance to win it, please leave a comment today.

 

What drew you to write during the Regency Time Period?

I loved to read growing up, but by the time I reached college, it had been awhile since I’d found a book to truly engage me.  Then I stumbled upon Elizabeth Mansfield’s The Phantom Lover at my library.  I couldn’t put it down!  I’d always wanted to be a writer, but I knew then I wanted to write a book in this wonderful time period called the Regency.  I loved that the era had its own language, with an interplay between men and women that was so elegant and witty!  Twenty-two stories later, and I still love that period!
 

2.      Tell us what year your book is set in and why you chose that particular time.

The Captain’s Courtship is actually set before the strict definition of the Regency, in 1805.  But that time definitely has the same flavor, whether in clothes or social sensibilities.  I chose the year for the Everard Legacy series, of which this is the second book, because the series needed a time that would give rise to a true villain, someone who threatened my characters’ happiness, their faith, and their freedom.  Who better than Napoleon and his henchmen?  In 1805, England was certain “the Corsican Monster” meant to invade at any moment, and he was certainly trying to comply!
 

3.      Who is your favorite Regency Author?

I couldn’t possibly list just one!  Elizabeth Mansfield is probably my all-time favorite, as I mentioned.  Love Inspired is publishing a number of wonderful authors such as Louise M. Gouge (whom I see you had on recently!), Deborah Hale, Mary Moore, and Abby Gaines.  I’m really excited that Cheryl Bolen will have a new book out in October.  And this blog is blessed with so many talented authors!  Those of us who love Regency romances have a lot to look forward to!

 

4. What is your favorite Regency expression?

I have several:  having a nice coze for sitting down and chatting with a good friend, piffle as a sign of disappointment, and here-and-therian, a fellow who won’t commit to anything, who traveled about with no set home or preferred to chase women rather than catch them.  See what I mean about a language all its own?

 

5. What is your favorite Regency setting; e.g., London, country house, small village?

Definitely a small village.  I love developing the various characters and the relationships among them.  So far, my more recent stories keep getting set in the wildness, though—places like the Lake District and the Peak District.  I think perhaps the isolation of a single manor, far from others, allows me to focus on the hero and heroine and how they come to find love.  That was certainly the case with The Captain’s Courtship.  Though it starts and ends in London, most of the action takes place in the Lake District, when my hero Captain Richard Everard brings the heroine to meet his cousin, who she’s agreed to sponsor for a Season.

Tell us about your book.

The dashing Captain Richard Everard has faced untold dangers at sea. Steering his young cousin through a London season, however, is a truly formidable prospect. The girl needs a sponsor, like lovely widow Lady Claire Winthrop-the woman who jilted Richard years ago. Claire believed herself sensible in marrying a well-to-do viscount rather than a penniless second son. How deeply she regretted it! Now their fortunes are reversed, and Richard’s plan will help settle her debts and secure his inheritance. Yet it may yield something even more precious: a chance to be courted by the captain once more.

When did your novel release and with what publisher?

The Captain’s Courtship will be out in July from Love Inspired Historical.

Tell us about yourself:

 I always wanted to be a writer, but it took a while to convince myself that that was what I was meant to do.  I tried being a day care provider, a nanny, a technical writer, and a risk communication consultant before I heeded God’s call on my life.  Now, I feel so blessed to sit down at my computer and write!  The Captain’s Courtship marks my 22nd published story (18 novels and 4 novellas), all set in the Regency period.  The Rake’s Redemption, the next book in the Everard Legacy series, will be out in November.  You can learn more at my website at www.reginascott.com, where I also have articles about the Regency period.  You can also find me online at Goodreads (http://www.goodreads.com/reginascott), and the blog I share with author Marissa Doyle at www.nineteenteen.blogspot.com.   

For a chance to win A Captain’s Courtship by Regina Scott, leave a comment. We will draw a winner on July 31, 2012. Be sure to check back on this comment thread on that date to find out who won.

Originally posted 2012-07-25 05:00:00.

How to Hold a Regency Wedding Ceremony

Vanessa here,

My fellow bloggers just finished a great month of marriage posts, so I thought I’d share one more on the actual ceremony.

How to have a Regency Wedding Ceremony

Prelude to a Wedding

Your hero has asked the heroine to marry him. This could be from the love bubbling in his heart or the flintlock pointed at his back for compromising the lady.

Your hero and heroine (who is of age 21 or has parental consent – the flintlock will take care of that one) must wait for their ceremony:

  1. Three Sundays for the Banns to be published typically in the morning service of the parish to where the ceremony is to take place.
  2. If you hero hales from a separate parish, the banns must be read in both places otherwise the hero and heroine must wait for this to occur and be attested to by each Curate.
  3. In a pinch, they can apply for a special license, but a compromised groom is in no hurry.

The day has come. The couple breezes through the ceremony and the Groom plants a kiss upon her lips. Wrong! Wrong!

The ceremony is quite long and more importantly, there is no, “You may now kiss your bride.”

According to the Church of England Common Book of Prayers, which would have been used for all English weddings performed during the Regency, the ceremony is long and there is no exchanging of rings (only a single ring is given) and no kissing. Therefore, if your Groom kisses the Bride, it is bold and should be written like that, but I digress.

The only touching is what I call the dance of hands. At several points during the ceremony the Groom, the Bride, and the Vicar hold and exchange hands.

Back to the Wedding Ceremony

The wedding is taking place between 8 in the morning and noon in a church. The Bride’s mother won’t allow her to escape, and her father still has his flintlock trained on the Groom.  So let’s begin the ceremony.

The Vicar will open his book, The Book of Common Prayers and say:

DEARLY beloved, we are gathered together here in the sight of God, and in the face of this congregation, to join together this Man and this Woman in holy Matrimony; which is an honourable estate, instituted of God in the time of man’s innocency, signifying unto us the mystical union that is betwixt Christ and his Church; which holy estate Christ adorned and beautified with his presence, and first miracle that he wrought, in Cana of Galilee; and is commended of Saint Paul to be honourable among all men: and therefore is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or wantonly, to satisfy men’s carnal lusts and appetites, like brute beasts that have no understanding; but reverently, discreetly, advisedly, soberly, and in the fear of God; duly considering the causes for which Matrimony was ordained.

First, it was ordained for the procreation of children, to be brought up in the fear and nurture of the Lord, and to the praise of his holy Name.

Secondly, it was ordained for a remedy against sin, and to avoid fornication; that such persons as have not the gift of continency might marry, and keep themselves undefiled members of Christ’s body.

Thirdly, It was ordained for the mutual society, help, and comfort, that the one ought to have of the other, both in prosperity and adversity. Into which holy estate these two persons present come now to be joined.

Therefore, if any man can show any just cause, why they may not lawfully be joined together, let him now speak, or else hereafter for ever hold his peace.

If the bride’s true love wishes to interrupt with proof that the Groom is married in Scotland, now is the time. Or the Bride’s dead husband can now stagger into the church from his return from the Peninsula War. Ok, these don’t hold with our compromised scenario from above but if someone is going to interject and stop this Regency wedding, now is the time.

No one? Well let’s continue.

 The Vicar will now speak to the Groom and the Bride:

 I REQUIRE and charge you both, as ye will answer at the dreadful day of judgment when the secrets of all hearts shall be disclosed, that if either of you know any impediment, why ye may not be lawfully joined together in Matrimony, ye do now confess it. For be ye well assured, that so many as are coupled together otherwise than God’s Word doth allow are not joined together by God; neither is their Matrimony lawful.

 At which day of Marriage, if any man do allege and declare any impediment, why they may not be coupled together in Matrimony, by God’s Law, or the Laws of this Realm; and will be bound, and sufficient sureties with him, to the parties; or else put in a Caution (to the full value of such charges as the persons to be married do thereby sustain) to prove his allegation: then the solemnization must be deferred, until such time as the truth be tried.

So the Vicar has now given them one last chance to fess up. No one does, so he continues:

Groom’s full name WILT thou have this Woman to thy wedded Wife, to live together after God’s ordinance in the holy estate of Matrimony? Wilt thou love her, comfort her, honour, and keep her in sickness and in health; and, forsaking all other, keep thee only unto her, so long as ye both shall live?

The Groom takes a gulp then answers: I will.

Then the vicar will say to the bride:

Bride’s full name WILT thou have this Man to thy wedded Husband, to live together after God’s ordinance in the holy estate of Matrimony? Wilt thou obey him, and serve him, love, honour, and keep him in sickness and in health; and, forsaking all other, keep thee only unto him, so long as ye both shall live?

The Bride shall answer: I will.  That right ladies, this is the origin of those ‘obey’ words.  So authors don’t modernize and omit those words because you want to show your heroine doesn’t conform.

Then the vicar will ask: Who giveth this Woman to be married to this Man?

  Now starts the dance of the hands:

 The Vicar, receiving the bride at her father’s or friend’s hands, shall cause the groom with his right hand to take the Woman by her right hand, and to say after him as followeth:

I Groom’s full name take thee Bride’s full name to my wedded Wife, to have and to hold from this day forward, for better for worse, for richer for poorer, in sickness and in health, to love and to cherish, till death us do part, according to God’s holy ordinance; and thereto I plight thee my troth.

Then they loose their hands; and the Woman, with her right hand taking the Man by his right hand, shall likewise say after the Minister,

 I Bride’s full name take thee Groom’s full name to my wedded Husband, to have and to hold from this day forward, for better for worse, for richer for poorer, in sickness and in health, to love, cherish, and to obey, till death us do part, according to God’s holy ordinance; and thereto I give thee my troth.

 Then they again loose their hands; and the Groom shall give unto the Bride a Ring, laying the same upon the book with the accustomed duty to the Vicar and Clerk. And the Vicar, taking the Ring, shall deliver it unto the Groom, to put it upon the fourth finger of the Bride’s left hand. And the Groom holding the Ring there, and taught by the Vicar, shall say:

 WITH this Ring I thee wed, with my Body I thee worship, and with all my worldly Goods I thee endow: In the Name of the Father, and of the Son, and of the Holy Ghost. Amen.

Then the Groom will put the Ring upon the fourth finger of the Bride’s left hand, and they shall both kneel down.

 For all writers going into this much detail, don’t forget the kneeling or the ring. An engagement ring was not common back then, but a gift may have been given to signify the betrothal. Anything given before marriage could potential stay with the bride’s family if for some reason, the bride doesn’t live long enough to have children from this union. I’m just saying, since this is a compromised marriage. However, the bride must have a ring for the ceremony. These rings could be made from any metal, even brass.

  Then the Vicar will lead everyone in prayer. No, they are not married yet.

Let us pray. O ETERNAL God, Creator and Preserver of all mankind, Giver of all spiritual grace, the Author of everlasting life; Send thy blessing upon these thy servants, this Man and this Woman, whom we bless in thy Name; that, as Isaac and Rebecca lived faithfully together, so these persons may surely perform and keep the vow and covenant betwixt them made, (whereof this Ring given and received is a token and pledge,) and may ever remain in perfect love and peace together, and live according to thy laws; through Jesus Christ our Lord. Amen.

Then the Vicar shall join their right hands together, and say: Those whom God hath joined together let no man put asunder.

Then the vicar shall speak unto the people gathered:

 FORASMUCH as Groom’s full name. and Bride’s full name. have consented together in holy Wedlock, and have witnessed the same before God and this company, and thereto have given and pledged their troth either to other, and have declared the same by giving and receiving of a Ring, and by joining of hands; I pronounce that they be Man and Wife together, In the Name of the Father, and of the Son, and of the Holy Ghost. Amen.

Alas, the Regency Bride and Regency Groom are married.

Ok, your groom and bride persevered, but the ceremony is not over.

The Vicar shall add this Blessing:

GOD the Father, God the Son, God the Holy Ghost, bless, preserve, and keep you; the Lord mercifully with his favour look upon you; and so fill you with all spiritual benediction and grace, that ye may so live together in this life, that in the world to come ye may have life everlasting. Amen.

 Then the Vicar will move to the Lord’s Table and shall sing this Psalm 128.

BLESSED are all they that fear the Lord: and walk in his ways.

For thou shalt eat the labour of thine hands: O well is thee, and happy shalt thou be. Thy wife shall be as the fruitful vine: upon the walls of thine house; Thy children like the olive-branches: round about thy table.

Lo, thus shall the man be blessed: that feareth the Lord. The Lord from out of Sion shall so bless thee: that thou shalt see Jerusalem in prosperity all thy life long;

Yea, that thou shalt see thy children’s children: and peace upon Israel.Glory be to the Father, and to the Son: and to the Holy Ghost; As it was in the beginning, is now, and ever shall be: world without end. Amen.

 Your wedding is still not done. The Vicar will now lead everyone through Psalm 67 and additional blessings for procreation. See: http://www.christianregency.com/Research/Regency-Weddings/Marriage.pdf for more.

Amended to add the Register

This is not the couples list of goodies/presents gifted for there new marital status but an important document signed at the end of the ceremony.

My dear friend Nancy has pointed out this important step. (Thank you) The couple, the vicar, and witnesses must  sign the register in the parish after the church wedding. Without this vital step, the long drawn out process is for naught. Without signatory proof (with correct full names), the marriage ceremony may be counted invalid.

Ok, now….

The beleaguered man and wife will leave the church for the wedding breakfast held at a friend’s house. After this long ceremony, they need a good meal.

References

Church of England Common Book of Prayers

http://impulsivehearts.wordpress.com/2011/10/11/a-regency-marriage-primer/

http://www.christianregency.com/Research/Regency-Weddings/Marriage.pdf

Originally posted 2012-07-02 10:00:00.

May I Have This Dance?

Gentle Readers, I’d like to take a moment to introduce you to the newest member of the Regency Reflections family! You can learn more about Kristy L. Cambron on the Blog Editor bio page. We’re so excited to have her with us. Welcome, Kristy!

__________________________________________________

The ball at Netherfield, Pride and Prejudice (2005)

I love the power of dance to drop a layer of enchantment over a room.

I can recall one of the first things I said to my husband on our wedding reception dance floor. The lights had been dimmed and as the notes of our special song played, I whispered: “And my dance card will always be full...”

I meant it. For all the years my husband and I would share after that moment, I knew my future dances would always have a special partner.

Stunning dresses. Dapper gentlemen. Ladies hidden behind their fans. Lively music and sophisticated steps… Today that all-important first dance may be synonymous with the wedding celebration, but the Regency ballroom was just as alive with color and spirit as our reception dance floors are today.

Or dare I say, more so?

Though weddings were primarily private family affairs in the Regency (as opposed to the social events we see today), ballrooms and wedding parties alike were brought to life by vivid dance reels and lively music. After all, the ball was the social event by which all others were judged. Moreover, to grasp a partner’s hand in dance was often the only socially acceptable touch between an unmarried man and woman.

Affection was born and engagements followed, all over the steps of the most popular dances of the day…

 

 

 

 

 

 

 

 

 

~ The Cotillion

Distinguishing characteristics: Originated in France during the 18th century. Includes four couples dancing in square formations with elaborate steps and changing partners. French for petticoat, the term cotillion was said to have been coined after the flash of petticoats that could be seen as partners swiftly changed on the dance floor.

Interesting Fact: Georgette Heyer’s historical romance, Cotillion (1953), is one of her much loved Regency novels. Though a generally cheery novel, the title is mirrored in a story that centers around the overlapping love lives of four couples (much like the steps of the cotillion dance itself).

 

~ The Quadrille

Distinguishing characteristics: Another dance import from France. Similar to the cotillion, it includes four couples dancing in square sets but omits the repeating “chorus” dance. Was later combined with the popular waltz to form a hybrid of the two dances, the Waltz Cotillion (as seen in this video – click HERE).

Interesting fact: Introduced early in the Regency and immensely popular by 1815, the quadrille was a very lively dance that often adapted music from stage plays and was thought to be quite flirtatious at the time.  A form of the quadrille can still be seen today in modern day square dancing.

~ La Boulanger

Distinguishing characteristics: A simpler dance for three couples. Often used as the last dance of the evening at a ball or party.

Interesting fact: As many dances could include quite intricate steps, dance masters were often hired by wealthier families to educate their children on the art of the popular dances. (A very popular dance master of the day was Thomas Wilson, who published many influential books on the art of dancing and etiquette.) For you Jane Austen fans, la Boulanger was a favorite of the authoress and was a dance declared by name in her novels.

 

~ The Waltz

Distinguishing characteristics: First popular in Vienna (1780s) but introduced to the English ballroom during the Regency. New sensation but slow to catch on because of the “closeness” enjoyed by two dancing partners.

Interesting fact: The waltz caused a bit of a scandal when it first popped onto the English ballroom scene around 1810. Because of the close proximity shared by two dancing partners, the embrace was thought improper and in fact, was often ridiculed by early opponents. In 1825, the Oxford English Dictionary actually defined the waltz as “riotous and indecent”. (Boyd Hilton, A Mad, Bad, and Dangerous People? England 1783–1846 (Oxford U P 2006).

 

Feet tapping for more references? Here are some good ones:

Click [HERE] to see an example of a stunning Regency Era ball gown.

Click [HERE] to hear samples of Regency Era dance music.

Click [HERE] to learn more about Regency dances from the Jane Austen Centre at Bath.

 

Whether it was one of the English country dances with the fun names (such as the “Teasing Made Easy”) or the classic Minuet, our Regency friends certainly knew how to fill up their dance cards.

May we always find ours full as well.

~ Kristy

 

Originally posted 2012-06-15 10:00:00.