Category: Recommended Reading

Interview with Regency Romance Author Abby Gaines

Naomi Rawlings here today, and I’ve got a special guest to introduce: Abby Gaines, author of the newly released novel The Governess and Mr. Granville. I’m especially excited to host Abby here today, because she writes for the same publisher that I write for, Love Inspired Historical.

Abby has graciously agreed to giveaway one copy of her novel to someone who reads the interview and then leaves a comment below. The contest will end Saturday at midnight and is open only to U.S. residents. Here’s a bit about Abby:

I handwrote my first romance novel at age 17. Disillusioned by my first rejection, I gave it up for about 20 years! Obviously I developed a thicker skin over that time, because when I started again, I weathered numerous rejections before selling my first book to Harlequin Superromance in 2006. Since then, I’ve written 20 books across Harlequin’s Superromance, NASCAR and Love Inspired Historical lines.

1.    What drew you to write during the Regency Time Period?
Like many others, I fell in love with the Regency through the works of Georgette Heyer and Jane Austen. Although men and women had very different, clearly defined roles, when it came to clever, witty dialogue, they could be equals, and each could use the strengths of their gender to befuddle the other!

2.    Tell us what year your book is set in and why you chose that particular time.  
It’s set in 1816. Not for any particularly good reason – when I wrote my first Regency, I found a picture of a young woman who looked just how I imagined my heroine, and it was dated 1816. Since then, that time period has turned out be quite interesting. It was after the wars with Napoleon, and in a time where some well-known artists and writers, like Turner and Keats, were coming into their own. Not to mention new inventions coming out. Those things provide interesting background and sometimes drive the story in a new direction.

3.    What’s your favorite, unique Regency aspect of the novel, something you wouldn’t be able to include in a novel set in another place or time?
My heroine has a secret engagement in her past. When I first started writing the book, I knew that was a scandalous thing, but I didn’t understand why. In my research, I discovered how financially risky that would have been for her if the match had gone ahead, and how it would have damaged public perception of her beloved father. Her guilt over that past event isn’t just about breaking a convention – she could have lost everything.

4.    What are the biggest challenges to writing in the Regency Period?
No challenges with the period itself, but the need to check just about every word’s date of origin and early meaning in the Oxford English Dictionary is time-consuming!

5.    Who is your favorite Regency Author?
Georgette Heyer. And right now, Sylvester is my favorite book of hers.

6.    What is your favorite Regency Food, aspect of dress, and/or expression?
Those muslin dresses are hard to beat! So flattering to both the bust and the waist – bring back the empire-line dress!

7.    What is your favorite Regency setting; e.g., London, country house, small village?
I prefer London settings as a reader and a writer. Partly because I know London well, having lived there for several years, and it’s such a buzz seeing familiar streets and landmarks transported back in time. But also the dynamism of the city appeals. I do like Bath settings, too.

8. What makes your hero and heroine uniquely Regency?
She’s a governess and a parson’s daughter – impoverished but of noble lineage. That puts her in a difficult situation with regard to finding a husband. He’s a traditional dad, trying to do his best for his family, convinced he can marry without love and have it all work out fine. Naturally, he learns otherwise!

9. Tell us more about your novel.Dominic Granville needs a wife—whether he wants one or not! And governess Serena Somerton intends to find one for him. A marriage of convenience would provide the wealthy widower’s five children with a mother’s tender care. And yet none of Dominic’s prospective brides can meet Serena’s increasingly high standards.

Dominic can’t imagine why his sister hired such an unconventional, outspoken governess. Yet Miss Somerton’s quirks can’t curb his growing interest in this spirited young woman. His imperfect governess could be his ideal wife…

*****

Thanks so much for interviewing with us today, Abby. It’s always fun to see what draws various authors to the Regency Period. And can I admit that any and every European set governess story always reminds me of the Sound of Music? For those of you interested in the giveaway, please remember to leave a comment below. And if you’re interested in learning more about Abby and her other novels, please visit www.abbygaines.com.

 

Originally posted 2012-09-26 01:00:00.

Write of Passage: Grab Some Gumbo, Your Best Girl, and Go

Hey fearless listeners. We’ve made it to another week. That accomplishment isn’t something I take lightly. Times feel perilous. Worries are rampant. I’ve had more conversations where I’ve been talked off the ledge—or where I’ve held up safety nets for others.

But let’s congratulate ourselves. We’ve made it through the fire. California has literally done that, with most of the wildfires now 100% contained. Let me repeat this: We will get through hard times. My faith is strong, my friendships are firm. I believe in doing life with us, helping each other along the way.

Subscribe for free. Get Vanessa’s take on current events, publishing drawing from her journey as an indie author turned traditionally published powerhouse: 25 novels and counting.

As your historically inclined friend, I thought deeply about writers and writing friendships this week. As a writer, I love studying other writers. I look for habits to incorporate or styles to dissect and admire. There is so much that can be learned from reading and studying the craft of other. While there’s nothing new under the sun, some writers have found ways to capture its light and change the world by focusing its heat and power back on to the earth—our neighborhoods, communities, countries—even for just a mere moment.

I draw a lot on images. In my own writing, I want you to feel like you’re in the room where it happens. In Sister Mother Warrior, I make you the warrior Gran Toya, sitting at the table where the boy she raised, Jean Jacques Dessalines converses with the commander of the armed forces, Toussaint L’Overture. They speak about strategies to prosecute the war, and I spend time on the tastes of the foods on the table from broth and its caramelized bits to the roasted pheasant with mushrooms. If this scene were painted or dared to be shown on screen, you should catch the meticulous details and comforts of where they’re sitting, the posturing, even the fumbling of fingers along the buttons of a waistcoat that has crowns or birds or women painted upon them.

Images tell us so much. They are testament to what has been and what could be. Remembering photos of writer friendships like Ralph Ellison (Invisible Man) & Albert Murray (The Omni-Americans) and noting the dapper and different styles of dress. Or photos of James Baldwin & Langston Hughes taking in jazz or supporting a civil rights march—all our precious moments. So for this week’s essay, I went down a rabbit hole searching for images of female writer friendships.

Ralph Ellison, Langston Huges, and James Baldwin

Source: Instagram: @neicyreedus

I started with the Brontë Sisters—Charlotte (1816–1855), Emily (1818–1848), and Anne (1820–1849). These literary powerhouses from Yorkshire, England, originally published under male pseudonyms, but their female forward works—Charlotte’s Jane Eyre, Emily’s Wuthering Heights, and Anne’s The Tenant of Wildfell Hall became classics of English literature. I found myself looking at a painting of the sisters created in 1843 by their brother, Branwell Brontë. He originally painted himself into the portrait but seeing the sunshine, their luminous faces, he painted out his own image, leaving behind a ghostly outline.

Brontë Sisters—Charlotte (1816–1855), Emily (1818–1848), and Anne (1820–1849). Source: Wiki Commons.

Can you imagine Branwell’s humility and protective nature of his sisters and their genius. The portrait now hangs in the National Portrait Gallery in London for all to see.

From there, I dove into Sylvia Plath (1932–1963) and Anne Sexton (1928–1974). The two revolutionized confessional poetry, tackling themes of mental illness, feminism, and personal suffering. They often attended poetry workshops and lectures together, but I couldn’t find any pictures of them side by side. They may exist, but what if they don’t. What does that mean to have a friendship so secretive and private? To not celebrate the unity publicly—what does that say about feminine unity?

In contrast, I did find images of Anne Sexton and poet Maxine Kumin.

Anne Sexton and Maxine Kumin. SOURCE: karenmoline.com

After meeting Sylvia Plath for drinks, Anne still craved company, so she joined a local writers’ group. This where she first heard Maxine Kumin—a quiet but powerful voice sharing a work in progress. They couldn’t have been more different: Maxine, prim and frumpy; Anne, wild and bold. But together, they were yin and yang. They edited each other’s work, co-wrote poems, and built a bond so deep that it became a true creative partnership. You know how rare it is to fully trust another writer with your words? That’s the kind of magic the two had.

One of my favorite modern writer friendships is the trio of Beatriz Williams, Lauren Willig, and Karen White. Their collaboration has produced, several books including The Lost Summers of Newport—one of my favorites. They’re often seen together at book events wearing pearls, sipping signature cocktails, and laughing with the kind of joy that only comes from shared secrets, success and sisterly love.

The Lost Summers of Newport: Beatriz Williams, Lauren Willig, Karen White

Another legendary literary sisterhood? Toni Morrison (1931–2019) & Maya Angelou (1928–2014). These two are iconic, two of the most important voices of the 20th century. I’ve seen photos of them young and free, standing tall in their brilliance. I’ve seen pictures of them in their later years, side by side in wheelchairs, dressed to the nines, radiating wisdom and grace. Their friendship was built on admiration, public support, and deep mutual respect.

Toni Morrison and Maya Angelou. Source: Virginia Tech News.

These images are so encouraging to me. As writers, we often work in solitude, wrestling with words and deadlines. But community matters. These friendships remind me of that.

There’s one more image I found in 2023. —It appeared in the LA Times article, touting a new book, The Sisterhood. The photo, which serves as the book’s cover, captures eight young, beautiful Black women gathered together, smiling for the camera. Let me set the scene…

The hostess, let’s call her June, was waiting for her collection of poems to be published in two months. Every author knows that feeling, the anxiety of waiting for pub day, the stomach-churning dread of the book’s reception, the early reviews. I can imagine June wanting her girls around her for support. She calls her writer friend Alice. Alice is a girl’s girl. She’s written a big exposé for Ms. Magazine and is so close to locating a literary treasure she can taste it. Tasting reminds of her spices. She picks up the rotary dial phone and calls the best cook she knows, Vertamae. Vertamae is a Brooklyn celebrity and a cultural anthropologist, but she brings a pot of gumbo with large shrimp, smoked sausage and proper Geechee rice.

More calls are made, and these writers and activists come to June’s apartment. One friend, I think Toni, who had a couple of books published and a little money in her pockets of her fine leather jacket brings the best champagne she can afford. Maybe one bottle of expensive Veuve Clicquot Brut with the Yellow Label to toast something real special. And then she purchases a few bottles of Moët & Chandon or maybe something sparkling and American like André or California Korbel.

Are you getting the picture? Glasses in hand, toasting each other. A 12-inch long-play album sings in the background Stevie Wonder’s “I Wish” or Rose Royce’s “Car Wash.” If June’s love for Bessie Smith wins out, she will make sure the Empress of the Blues’s “Downhearted Blues plays.” After the dishes were cleared, I can imagine them reciting poems, like Anne and Maxine. They might work on plot points or tweak a line or two, passing it amongst themselves, much like Beatriz, Lauren, and Karen.

And just as they ready to leave and tug on their jackets back to brave the February cold, someone suggests a picture. The ladies group together in the living room under June’s hanging picture of singer Bessie Smith. Click. Someone catches the moment. Much like Branwell Brontë, someone has gotten out of the way to commemorate this moment where the sun shined through and touched legends.

Let me formally introduce you to these women:

· June Jordan – A trailblazing poet, essayist, and activist whose work championed social justice, Black empowerment, and the experiences of marginalized communities. In the picture, she was two months away from publishing Things That I Do in the Dark (1977), a poetry collection reflecting on race, gender, and personal identity.

· Alice Walker – A Pulitzer Prize-winning author and activist, best known for her novel The Color Purple and her tireless efforts in preserving Zora Neale Hurston’s legacy, Alice was an established writer, having published Meridian (1976), a novel exploring the civil rights movement.

· Vertamae Smart-Grosvenor – A culinary anthropologist, writer, and Gullah culture advocate is known for her work blending storytelling with food traditions, including her groundbreaking book Vibration Cooking: Or, the Travel Notes of a Geechee Girl (1970).

· Toni Morrison – A Nobel Prize-winning author and Random House editor celebrated for her powerful novels like Beloved that illuminate the complexities of Black life, memory, and history stands, all cool, in her leather coat. At the time of this gathering, Toni had already gained literary acclaim with The Bluest Eye (1970) and Sula (1973). By February 1977, she was months away from publishing Song of Solomon, which would earn her the National Book Critics Circle Award.

· Nana Maynard – A newbie who would go on to become a scholar and cultural advocate for highlighting the contributions of Black artists and writers is there in the front row.

· Ntozake Shange (Toe-zaka chan-gay) – A poet, playwright, and novelist renowned for her choreopoem For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, which helped redefined the portrayal of Black womanhood in art. She was a household name in the 70s and advanced Black feminist theater.

· Audreen Ballard – A gifted writer and thinker who worked for activism and celebrated Black culture, she became an active voice in literary feminist communities.

· Lori Sharpe – Lori was at the beginning of her career, but she went on to become an accomplished poet and writer whose works explore themes of identity, community, and Black womanhood.

Front Row (L to R): Audreen Ballard, Ntozake Shange, Nana Maynard

Back Row (L to R): Vertamae Smith- Grovenor, Alice Walker, Lori Sharpe, Toni Morrison, and June Jordan – Source LA Times.

This photo means the world to me–legends standing on business, celebrating and communing together. It shouts several things at once:

1. Because writing can be an isolated place, seek out friends.

2. Enjoy the best—whatever that may be—when you gather. Eat gumbo, drink the wine.

3. Differences in levels of talent, stages and stature in careers shouldn’t keep anyone from getting a bowl.

4. Toast every one and every accomplishment with good champagne

5. Record the moment. We need good memories.

When I go places, I’m often that one friend taking a hundred pictures. I try to be quick, and I’ve learned to snap photos in live mode. It’s the best way adjust things to make sure everyone looks their best—eyes open, expressions just right, etc. And sometimes static shots can be turned into video so I can relive the moment. It helps to feel not so isolated.

Lastly, it never hurts to be Branwell or the unknown one who snaps the picture. Don’t worry about hogging the light. Today more than ever, someone will catch you and your moment.

So, dear listeners, writers in the house, do something for me: Get with your friends—those soldiering in the same fields and include a few who are doing something different. Celebrate life. Stay hopeful about the things you’re expecting. You deserve delicious gumbo, champagne, and your best girls pouring life into you, just as you do the same for them.

More about information about sisterhoods and writing friendships can be found in the show notes, along with the reading list.

This week buy select books at Mahogany Books at Bookshop.Org.

Show Notes:

Literary Friendships:

Ellison, Ralph. Invisible Man. Random House, 1952.

Murray, Albert. The Omni-Americans: Some Alternatives to the Folklore of White Supremacy. Outerbridge & Dienstfrey, 1970.

Thorsson, Courtney. The Sisterhood: How a Network of Black Women Writers Changed American Culture. Columbia University Press, 2019.

Hamann, Jamie Lee. “Friendships: Maxine Kumin and Anne Sexton.” HubPages, updated December 2, 2017.

Smart-Grosvenor, Vertamae. Vibration Cooking: Or, the Travel Notes of a Geechee Girl. Doubleday, 1970.

Morrison, Toni. The Bluest Eye. Holt, Rinehart and Winston, 1970.

Morrison, Toni. Song of Solomon. Alfred A. Knopf, 1977.

Walker, Alice. The Color Purple. Harcourt Brace Jovanovich, 1982.

Jordan, June. Things That I Do in the Dark. Doubleday, 1977.

Walker, Alice. Meridian. Harcourt Brace Jovanovich, 1976.

Williams, Beatriz, Lauren Willig, and Karen White. The Lost Summers of Newport. William Morrow, 2022.

Riley, Vanessa. Sister Mother Warrior, William Morrow 2022.

Thank you for listening. Hopefully you’ll come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Write of Passage: Ride or Die or Get Out The Way

To the writers, the creatives: if you’re like me, you possess a deep curiosity about humanity and a desire to do good through your work. But creatives—are you struggling? Are deadlines slipping through your fingers? Is the blank page staring back at you, stubborn and bare?

Do you feel alone, like no will ride out to save you?

The truth is no one is coming, because we are all anxious and distracted. It’s hard not to be. Since our last episode, it feels like a million and one things have happened all at once.

I’ve seen creatives grappling with the still-high price of eggs, building skits about boycotts—or debates about debating boycotts—and the resurrection of TikTok sparking discussions about zombie-like timelines.

Time burns.

Writers wrestle with their roles. We try to create worlds, worlds that feel diverse and welcoming while rage-watching unqualified individuals ascend to power due to the privilege of their bank accounts or honestly whiteness or white associations. I’ve seen a spectacle of posts from people with crosses in their bios making rage filled takes on what Jesus would or would not do.

How do we create, keep creating when everything around us is in flux and chaos? I usually have my act together. I plan and execute. This week I’ve let time get away from me. I’ve written and rewritten this very essay a multitude of times. I want to give you fresh mana every time I step to the microphone.

Then unexpectedly, clarity came during a celebration of life for a dear friend’s grandmother.

Watching a montage of Mrs. Dorothy’s life in photos, hearing testimonies of love, and, most poignantly, listening to the words of her longtime best friend moved me deeply. Her bestie described their years of shared laughter, prayer, and adventures—as missions of foolery at bars, late-night Thelma-and-Louise-style escapades, and their unshakable bond.

When the bestie shared a piece of wall art Mrs. Dorothy had made for her, I choked up. Hung in a gilded frame, the red and orange colors radiated joy. I felt the sisterly love and support. The bestie said that everything wasn’t always perfect between them, but they knew that either would ride to hell and back for the other.

At that moment, I knew what I had to write. The question that cut into my soul—are you someone’s ride or die? Are you someone’s safe harbor, their distraction from life’s destructive winds? Or are you a danger in disguise, someone who, by intent or accident, dims their light?

“Vanessa, why so serious?” We are living in serious times. Everything must be purposeful. We need to think before we speak. James 1:19-20, says something like, brothers and sisters, everyone should be quick to listen, slow to speak and slow to become angry, because anger does not produce righteousness.”

Why should we do this slow think? It doesn’t feel good. If I just post on social…

No. These social media streets are meaner than ever. And the consequences of a good jab, a quick retort, can have monstrous FAFO reactions. Let me tell you a few short stories to illustrate this.

There was once a phenomenal female painter whose work celebrated women and cultural pride with breathtaking power. At the height of her talent, she was mostly ignored. Society lauded her famous husband as the true genius. She was told to be quiet, to support him, to be lesser. I imagine, she often looked up at the sky and wondered why there wasn’t enough light for two.

There was a humble poet who burned to tell the stories of ordinary people. When she poured her heart into her writing, critics dismissed her. They wanted stories about the elite, not the impoverished. The fire in her soul left no room for compromise, but her enemies sought to bury her work. They succeeded. No one rode to save her. She died impoverished and in obscurity. She closed her eyes knowing her peers had deliberately dimmed her light.

There was once a collector who nurtured others’ prose. She gave so much of herself that her own work was overlooked. After publishing several novels with little acclaim, she gazed at the starry sky and wished there was enough light for her mentees and her too.

Imagine women dying spent of their energy and grace, dismissed, barely acknowledged. Unfortunately for a female creator, these are not anomalies.

Women Who Didn’t Live to See Their Due

Artemisia Gentileschi (1593–1656): An Italian Baroque painter whose powerful depictions of women, such as Judith Slaying Holofernes, were overshadowed by her male contemporaries. Today, she is celebrated as one of the Baroque period’s greatest artists.

Sor Juana Inés de la Cruz (1651–1695): A Mexican nun and writer whose literary works were suppressed by church authorities. Forced to sell her library of collected books, she soon died. Her best known work Reply to Sister Filotea of the Cross is a defense of women’s education. Today, she’s a feminist icon.

Emily Dickinson (1830–1886): The American poet published fewer than a dozen of her nearly 1,800 poems during her lifetime. Today, she’s a legend.

Zora Neale Hurston (1891–1960): A giant of the Harlem Renaissance, Hurston’s work was erased from mainstream consciousness for decades. She died in poverty and was buried in an unmarked grave.

Frida Kahlo (1907–1954): Often overshadowed by her husband, Diego Rivera, Kahlo’s work is now recognized worldwide as a celebration of womanhood and Mexican culture.

There are more—always countless more women who are dismissed and their greatness only acknowledged posthumously. Death and decades of time shouldn’t be prerequisites for a creative to get their due.

Back to my earlier stories, I have some posthumous updates.

The Ignored Artist: Frida KahloAlways in the shadow of her husband, the famed 1920s painter Diego Rivera, Frida’s talents were noted and championed by art-world luminaries like socialite Lupe Marín (Diego’s first wife) and photographer Tina Modotti. Lupe introduced Frida to influential figures in the art world, while Tina captured stunning photographs that catapulted Frida’s reputation. These two women helped elevate Frida’s distinctive style and works, including her 1926 piece, Self-Portrait in a Velvet Dress. Their support was instrumental in promoting her art in Mexico and beyond, eventually earning Frida the global acclaim she deserved.

The Hobbled Writer: Zora Neale HurstonStory two was about the gifted Zora. During her lifetime, Zora was celebrated as a writer of the Harlem Renaissance. However, after the 1940s, her work fell out of favor. She was criticized by contemporaries for not explicitly addressing racism or aligning with the civil rights movement. Her focus was on everyday folk and folklore. This divergence caused the literary elites to push her into obscurity. Shunned and misunderstood, Zora died in poverty in 1960, and yes, buried in an unmarked grave.

Enter burgeoning writer Alice Walker (The Color Purple), who encountered Zora’s Their Eyes Were Watching God in graduate school around the 1970s, a decade after Zora’s death. Profoundly changed by the novel, Alice was shocked that Zora’s legacy had been erased. Determined to restore it, she feverishly researched Zora’s life, eventually writing an essay for Ms. Magazine titled “Looking for Zora.” Alice located Zora’s unmarked grave and purchased a headstone, inscribed with: “Zora Neale Hurston: A Genius of the South.”

The Dismissed Editor: Jessie Redmon FausetJessie (1882–1961) was a vital figure of the Harlem Renaissance, yet her work was undervalued in her lifetime and largely forgotten until the feminist and civil rights movements of the 70s. I recently read an advanced copy of Harlem Rhapsody by Victoria Christopher Murray, which chronicles Jessie’s life. Victoria beautifully highlights how the editor’s dreams were often sacrificed to nurture younger Harlem Renaissance writers like Langston Hughes. Her contributions to literature and her own novels deserve the same spotlight:

* There is Confusion (1924): Examines issues of race and ambition among Black professionals.

* Plum Bun (1928): Explores passing and the complexities of identity, a theme that may have influenced her friend Nella Larsen’s Passing.

* The Chinaberry Tree (1931): Focuses on family dynamics and societal expectations within Black communities.

* Comedy: American Style (1933): A biting critique of internalized racism and the pursuit of whiteness.

Thank you, Victoria, for returning Jessie to our lexicon.

That’s what I love about research and writing. Pen to paper, words forming sentences—we get to take readers back in time and restore women. In Sister Mother Warrior, I rediscovered Marie-Claire Bonheur, the first Empress of Haiti, and Gran Toya, a counselor and African military leader to Emperor Jacques I (Jean-Jacques Dessalines). These two women, connected to the man who liberated Haiti, were crucial to shaping the Haitian Revolution. Within the prose, I built the respect and friendship that developed between these two polar opposites. That’s right opposite can respect and ride for each other.

With fiction based loosely on historical events and people, I ride for the forgotten and amplify sisterly ideals. In A Gamble at Sunset and the forthcoming A Wager at Midnight, I deliberately showcase the Wilcox sisters’ relationship. These Black women are far from perfect. They won’t be painted or captured in a pristine sonnet. They’re messy and passionate. Their ability to listen and not judge is constantly tested, but they will ride at dawn for their sister.

We need that energy now. Listen closely: I’m not interested in performative protests. I don’t want my exhausted sisters lifting a finger for something that’s not well thought out. I refuse to witness the front of a firing line, because the loudest folk dropped away and hid.

Moreover I don’t want to see sisters picking apart another sister or their art for clicks or because they disagree. We’re blessed that Lupe and Tina weren’t judgmental in their love for Frida. Alice didn’t care that Zora wrote differently from her. She didn’t question Zora’s identity or love for her people. Alice stood in the gap and worked to elevate Zora. She returned her to us and bought a headstone to honor a woman, she’d only met in reading the dismissed words of Their Eyes Were Watching God.

What I’m saying is: In these times of turmoil and distress, leave petty differences behind. Ride or die for the freedom, freedom to produce art. Don’t let your sisters die in poverty. Don’t let them leave this earth without tasting the fruit of the seeds they planted. In a world of chaos, be Lupe, Tina, or Alice—or any other writer who restore our ancestors to us.

My dear creatives, ride or die or get out the way.

If you want a deeper dive into some of the books mentioned here’s the list:

The Answer / La Respuesta (Expanded Edition): Including Sor Filotea’s Letter and New Selected Poems. Sor Juana Inez de la Cruz. The Feminist Press at CUNY, 2009. 2nd ed.

The Chinaberry Tree. Jessie Redmon Fauset. Dover Publications, 2013.

The Color Purple. Alice Walker. Harcourt Brace Jovanovich, 1982.

Comedy: American Style. Jessie Redmon Fauset. Rutgers University Press, 1933.

A Gamble at Sunset. Vanessa Riley. Kensington, 2024.

Harlem Rhapsody. Victoria Christopher Murray. Berkeley, 2025.

Plum Bun. Jessie Redmon Fauset. Beacon Press, 1928.

Sister Mother Warrior. Vanessa Riley. William Morrow, 2022.

There Is Confusion. Jessie Redmon Fauset. Dover Publications, 1920.

Their Eyes Were Watching God. Zora Neale Hurston. J. B. Lippincott & Co., 1937.

A Wager at Midnight. Vanessa Riley. Kensington, 2025.

One additional resource, the additional essay Alice wrote, “Looking for Zora” is in this collection: Walker, Alice. In Search of Our Mothers’ Gardens: Womanist Prose. San Diego: Harcourt Brace Jovanovich, 1983.

Thanks for reading Vanessa Riley’s Write of Passage! Subscribe for free. Get Vanessa’s take on publishing and the world, drawing from her journey as an indie author turned traditionally published powerhouse: 25 novels and counting..

Thank you for listening. Hopefully you’ll come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Interview and Give-A-Way ~ Regina Scott

Interview with Regency author Regina Scott.

 

Veteran Regency writer Regency Regina Scott stopped by to tell us a little about her writing journey, as well as her love for regencies.

Regina’s first published book was The Unflappable Miss Fairchild in 1998, a regency with Zebra Regency Romance. Since then she has published continuously with 18 novels to her credit and four novellas.

In the last couple of years, she has turned to writing regencies with a Christian tone. These have found a home with Love Inspired Historicals. She has four LIH regencies to date. Her latest, The Captain’s Courtship, is out this month. Regina has graciously donated a copy for a lucky reader. For a chance to win it, please leave a comment today.

 

What drew you to write during the Regency Time Period?

I loved to read growing up, but by the time I reached college, it had been awhile since I’d found a book to truly engage me.  Then I stumbled upon Elizabeth Mansfield’s The Phantom Lover at my library.  I couldn’t put it down!  I’d always wanted to be a writer, but I knew then I wanted to write a book in this wonderful time period called the Regency.  I loved that the era had its own language, with an interplay between men and women that was so elegant and witty!  Twenty-two stories later, and I still love that period!
 

2.      Tell us what year your book is set in and why you chose that particular time.

The Captain’s Courtship is actually set before the strict definition of the Regency, in 1805.  But that time definitely has the same flavor, whether in clothes or social sensibilities.  I chose the year for the Everard Legacy series, of which this is the second book, because the series needed a time that would give rise to a true villain, someone who threatened my characters’ happiness, their faith, and their freedom.  Who better than Napoleon and his henchmen?  In 1805, England was certain “the Corsican Monster” meant to invade at any moment, and he was certainly trying to comply!
 

3.      Who is your favorite Regency Author?

I couldn’t possibly list just one!  Elizabeth Mansfield is probably my all-time favorite, as I mentioned.  Love Inspired is publishing a number of wonderful authors such as Louise M. Gouge (whom I see you had on recently!), Deborah Hale, Mary Moore, and Abby Gaines.  I’m really excited that Cheryl Bolen will have a new book out in October.  And this blog is blessed with so many talented authors!  Those of us who love Regency romances have a lot to look forward to!

 

4. What is your favorite Regency expression?

I have several:  having a nice coze for sitting down and chatting with a good friend, piffle as a sign of disappointment, and here-and-therian, a fellow who won’t commit to anything, who traveled about with no set home or preferred to chase women rather than catch them.  See what I mean about a language all its own?

 

5. What is your favorite Regency setting; e.g., London, country house, small village?

Definitely a small village.  I love developing the various characters and the relationships among them.  So far, my more recent stories keep getting set in the wildness, though—places like the Lake District and the Peak District.  I think perhaps the isolation of a single manor, far from others, allows me to focus on the hero and heroine and how they come to find love.  That was certainly the case with The Captain’s Courtship.  Though it starts and ends in London, most of the action takes place in the Lake District, when my hero Captain Richard Everard brings the heroine to meet his cousin, who she’s agreed to sponsor for a Season.

Tell us about your book.

The dashing Captain Richard Everard has faced untold dangers at sea. Steering his young cousin through a London season, however, is a truly formidable prospect. The girl needs a sponsor, like lovely widow Lady Claire Winthrop-the woman who jilted Richard years ago. Claire believed herself sensible in marrying a well-to-do viscount rather than a penniless second son. How deeply she regretted it! Now their fortunes are reversed, and Richard’s plan will help settle her debts and secure his inheritance. Yet it may yield something even more precious: a chance to be courted by the captain once more.

When did your novel release and with what publisher?

The Captain’s Courtship will be out in July from Love Inspired Historical.

Tell us about yourself:

 I always wanted to be a writer, but it took a while to convince myself that that was what I was meant to do.  I tried being a day care provider, a nanny, a technical writer, and a risk communication consultant before I heeded God’s call on my life.  Now, I feel so blessed to sit down at my computer and write!  The Captain’s Courtship marks my 22nd published story (18 novels and 4 novellas), all set in the Regency period.  The Rake’s Redemption, the next book in the Everard Legacy series, will be out in November.  You can learn more at my website at www.reginascott.com, where I also have articles about the Regency period.  You can also find me online at Goodreads (http://www.goodreads.com/reginascott), and the blog I share with author Marissa Doyle at www.nineteenteen.blogspot.com.   

For a chance to win A Captain’s Courtship by Regina Scott, leave a comment. We will draw a winner on July 31, 2012. Be sure to check back on this comment thread on that date to find out who won.

Originally posted 2012-07-25 05:00:00.

Write of Passage: Consent in the Time When a Black Woman Can Say No

As a writer, I love giving readers something they didn’t expect. When plotting a murder mystery, I meticulously plant clues, red herrings, and unexpected connections, ensuring readers will turn the pages, eager for what’s next. The writer’s mind is a playground. It’s the world as we know it—the familiar, the structured, and the understood. Readers are conditioned for the norm. But when a writer disrupts the mundane, offering a twist, it intrigues and refreshes.

We’re curious beings. We crave learning and understanding. We seek order. Flipping gender roles or challenging leadership expectations is a surefire way to shake things up and offer a new perspective.

Last year, I wrote a scene I initially thought was humorous: an 1800s heroine, desperate to become a physician, disguises herself as a man to attend medical lectures. At the time, women were barred from pursuing careers as scientists or physicians, often resorting to extraordinary measures to follow their passions. In the scene, Scarlett, the determined heroine, is on the verge of being discovered. Her nemesis, an immigrant physician named Steven, steps in to save her by pretending she’s his male cousin. This clever ruse spares Scarlett from scandal but forces her to blend in with the men—including accompanying them to a brothel. Turning the tables, Scarlett ends up saving Steven. While he’s incapacitated during a narcoleptic episode, she kisses him, adding what I thought was a layer of comedic drama to the brothel scene.

Here’s the rub: that kiss happened without his consent. He was barely conscious. It doesn’t matter if it was funny, if readers were in on the joke, or if it showcased her autonomy. By giving her this power, I stripped his from him.

That moment had to change. I deleted the kiss. The scene in A Wager at Midnight is still funny, still scandalous, but it’s respectful. Some may say, “Vanessa, lighten up—it’s humor! And don’t we need more joy in the world?” All true. But here’s a greater truth: consent is not a double standard. It’s a rule. It’s a right. Everyone’s “no” should carry the same weight we modern women demand for ourselves.

A Wager at Midnight releases March 25.

The ability to say no is sacred. To paraphrase Matthew 5:37, “All you need to say is Yes or No; anything beyond this comes from the devil.”

Many of you might be nodding in agreement. Yet this week reminds us that some people still struggle with a woman’s no—especially when that woman is Black.

This week, a spokesman for the office of Barack and Michelle Obama announced that Mrs. Obama would not attend the 2025 inauguration. Unlike her absence from President Carter’s funeral, which was attributed to a scheduling conflict, this was a clear, definitive, unexplained no.

Reactions have been predictable. Some applaud her for setting boundaries, acknowledging the toll of public life and the personal risks she and her family have endured. Others clutch their pearls, lamenting political norms—those quaint phrases that, bless their hearts, weren’t universally applied when it mattered most.

Meanwhile, my people—oh, you know who you are—created a delicious meme that summed it all up: If I send you Michelle’s picture, I’m not coming.

From: @jennmjacksonphd

These memes reminded me of the ones sparked by Anita Baker when her concert, scheduled to start at 7 p.m. on May 11, 2024, at State Farm Arena in Atlanta, was canceled at 6:54 p.m. due to “unforeseen circumstances.”

@sweet.alpha.lady from TikTok

I’ll admit, these memes are funny. But looking at the popularity of these memes reveals something sobering: Are women the only ones who cancel? Why aren’t there memes like these for men who say no? Do they not have the agency to do so?

Of course, that’s sarcasm—because men cancel all the time. They just aren’t mocked as much.

Chris Rock, for instance, canceled hosting the 2022 Governor’s Award after his infamous Oscar slap. If humor is fair game, where’s the meme with his picture saying, “Naw. Sorry I can’t be there. Still recovering from saying the wrong thing.”

Or take James Franco, who “mentally didn’t show up” to co-host the 2011 Oscars. Sure, he was physically present, but he failed to fulfill his duties. Anne Hathaway, the other co-host, had to carry the night. A woman having to pick up the slack? That sounds familiar—and is definitely meme-worthy.

Nonetheless, people have a right to cancel, just as they have a right to say no. That includes celebrities. Saying no should be a human right. But for that to hold true, society must first recognize the humanity and autonomy of every person who withdraws their consent.

Historically, women have struggled with autonomy and consent. For much of US history, women were required to live under the authority of a father, husband, or male guardian. It wasn’t until 1974 that women were allowed to obtain credit cards in their own name. Equal pay legislation dates back only to the 1960s. The societal acknowledgment of a woman’s right to make her way in the world is lacking. It’s hard to understand that a woman’s ability to work for fair wages and to decide her own path is merely sixty-five years old. That’s not that old. It’s barely able to get social security.

Alas, the history is bleaker for Black women. For us, the ability to say no to the most egregious violations was often denied. Our consent was stolen by laws, society, and systems meant to promote and protect others.

A Timeline of Black Women and the Right to Say No

1662: Virginia Hereditary Slave LawChildren’s status (enslaved or free) followed their mother, stripping Black women of autonomy over their offspring. Sidenote: This came about because Elizabeth Key, born to an enslaved woman and a white Englishman, Thomas Key, legally gained her freedom in 1655 by arguing that she was baptized and freed by her father. The 1662 law was enacted to ensure such cases could never happen again.

1705: Virginia Slave CodesThese codes reduced enslaved people to property. This codifies sexual violence against all enslaved but particularly Black women.

1786: Tignon Laws (Louisiana)Black women were forced to cover their hair in public, erasing their self-expression and identity.

1857: Dred Scott v. SandfordThis decision denied Black people citizenship. This reaffirms that Black men and women are without legal rights to refuse exploitation or violence, nationwide.

1865–1866: Black CodesRestrictive laws curtailed freedwomen’s mobility and punished those who refused exploitative labor with vagrancy charges.

1927: Buck v. BellThis Supreme Court decision upheld forced sterilization laws targeting Black women under eugenics programs.

1944: The Rape Case of Recy TaylorRecy Taylor identified her six white attackers, but they were never brought to justice. Alabama apologized only in 2011.

1980s: Workplace Dress CodesBans on natural hairstyles like braids and afros forced Black women to conform to Eurocentric beauty standards.

1994: Violence Against Women Act (VAWA)While a step forward, this legislation didn’t fully address the unique barriers Black women face in seeking protection such as underreporting, racial profiling, mistrust in authority, and Access to Culturally Competent Services.

Of course there are some wins.

1967: Loving v. VirginiaThis landmark case struck down laws eliminating restrictions on who women could marry.

1973: Relf v. WeinbergerThis case exposed federally funded forced sterilizations of Black women, helping to end the practice.

2019–Present: The CROWN ActThis legislation prohibits discrimination based on natural hairstyles, affirming Black women’s autonomy over their appearance.

So, parity with others—being legally able to say yes to bodily autonomy and hairstyles—is less than a decade old for Black women. That should horrify you.

As a Black woman and a lover of history, I’m often told to forgive and forget—and there’s a heavy emphasis on forgiveness and a whole lot of forgetting. That notion is anathema to my soul. My lungs struggle to seize air under the weight of ongoing restrictions. There are new laws stripping away hard-fought rights. Fear and foolishness is trying to make hard-won victories DEI casualties. It’s book bans, whitewashed textbooks, tone policing, and countless microaggressions designed to smother.

Breathe.

Hear my heart: autonomy for me doesn’t mean taking from you. Equality for one group doesn’t mean making any other lesser. Checking on my sista doesn’t mean I wish ill on others—or the misters. We all gain when everyone’s yes and no are respected.

Writers, readers, citizens, hear me. Let us be wise with our words, speaking peace into existence. Let us remember and listen. Let us accept that no is a complete sentence, without the need for adjectives or explanations.

In times such as these when injustice still reigns, people have the right to step back, breathe, and find their peace.

Writers, I encourage you to take a more critical eye to your work. Let’s not ignore the forces trying to strip away consent—through laws, norms, even memes disguised as humor. We wield power with our words, and we should all consent to building up and renewing everyone who reads them.

If you want a deeper dive into the intersectionality of it all, as a book girly I have some recommendations for you:

Women, Race & Class by Angela Y. Davis explores the historical struggles of women, especially Black women, to claim autonomy and say no to oppression.

They Were Her Property by Stephanie E. Jones-Rogers, examines the role of white women in the American slave economy and highlights the systemic oppression of Black women.

Take My Hand by Dolen Perkins-Valdez, provides important connections between her novel and the case of Relf v. Weinberger and forced sterilizations.

Sister Citizen by Melissa V. Harris-Perry, analyzes how stereotypes affect Black women’s lives and their ability to assert agency.

Ain’t I a Woman? by bell hooks explores the intersections of race and gender and the marginalization of Black women.

Hood Feminism: Notes from the Women That a Movement Forgot by Mikki Kendall, highlights the importance of boundaries and self-advocacy, especially for marginalized communities.

Subscribe for free. Get Vanessa’s take on publishing, challenges, and opportunities, drawing from her journey as an indie author turned traditionally published powerhouse: 25 novels and counting.

Thank you for listening. Hopefully you’ll come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Write of Passage: Is Empathy Dead? Writers Don’t Answer All at Once.

As a writer, the greatest gift I can offer a reader is the ability to feel. Love, anger, or the powerful sense of being seen—my books come with an implicit promise. I intend to transport you, enlighten you, and to invite you to inhabit someone else’s shoes. You will tread in their footsteps, see through their eyes, and be consumed by their emotions. This is my gift, my bond with my readers.

I truly believe all writers are empaths at heart. That’s why last week was especially hard—a whirlwind of emotions and memories, crashing upon me at the same time.

In Atlanta, a rare snowstorm—an event last seen a decade ago—brought the city to a standstill. At the same time, the world paused to honor President Jimmy Carter, a man synonymous with empathy and kindness. He was my first president, well the first I can actually remember. The plain spoken, proud son of Georgia, gave the world a lifetime of service. His passing like his presidency, brought together people across political divides, reminding us of the compassion that once defined leadership.

On the other coast, in California, a cruel trifecta of fire, wind, and drought ignited devastating wildfires. Over 20,000 acres have burned in the Palisades Fire. You know the names—Malibu, Mandeville Canyon, Brentwood, and the hills of Encino and Tarzana. The Fires in Eaton which includes devasted generational communities of Pasadena and Altadena–have been hit with significant property damage. The Hurst, Kenneth, Archer and Lidia Fires still rage at the time of this recording.

We’ve Seen This All Before

Throughout history, natural disasters have tested human resilience:

* 1556: The Shaanxi Earthquake in China claimed 830,000 lives, the deadliest recorded.

* 1692: The Port Royal Earthquake and tsunami destroyed two-thirds of the “Wickedest City on Earth,” killing over 2,000. Neighboring islands sent organized looters.

* 1815: Mount Tambora erupted in modern-day Indonesia, leading to the “Year Without a Summer” and a global death toll of 80,000–100,000.

* 1900: The Great Galveston Hurricane killed as many as 12,000.

* 1931: The China Flood led to approximately 4 million deaths from drowning, starvation, and disease.

* 1970: Cyclone Bhola in Bangladesh caused over 300,000 deaths.

* 2004: The Indian Ocean Tsunami killed over 230,000 people across 14 countries.

* 2005: Hurricane Katrina left 1,800 dead and caused $161 billion in damages, with long-term displacement of residents.

* 2010: The Haiti Earthquake caused over 222,000 deaths and displaced over 1.3 million people.

* 2011: The Tōhoku Earthquake and Tsunami in Japan triggers the Fukushima nuclear disaster and kills over 19,000 people.

* 2017: Hurricane Maria in Puerto Rico caused 2975 deaths and massive infrastructure failures. Puerto Rico was left without power, water, or basic services for months.

* 2017: Hurricane Harvey in Texas wreaked havoc, leaving thousands dead and causing $125 billions in damages.

2024 Hurricane Helene

Hurricane Helene devastated six Southern states from September 24–29, 2024, claiming at least 236 lives. Entire towns in the far inland mountains of North Carolina—Chimney Rock Village, Marshall, and Hot Springs—were essentially washed away by floods.

Helene’s damage was personal. It struck my hometown of Aiken, South Carolina—a small town known for horse racing and Refrigerator Perry of the Chicago Bears. My aunt and cousins were without power for almost a week. The massive oak outside the 5-and-dime store where I had my first job was ripped from the concrete sidewalk by the storm’s ferocious winds. When I visited Aiken in December, two months after the hurricane, the town still bore the scars. Fallen trees littered the landscape, and many roads and houses remained in disrepair.

Miss me with the idea that this is what we deserved. Miss me with the craven spirit that left people frightened and hopeless, thinking no help was coming because this disaster unfolded during a contentious political season.

No place or community is immune to catastrophe. Each disaster brings grief, rebuilding, and, most importantly, a need for solidarity. But are we up to the task? Increasingly, a spirit of division and disdain seems to overshadow the empathy we once showed in times of tragedy. Have we lost our humanity?

Going Back to Cally

Over 180,000 people have been evacuated, and at least 10 lives have been lost in the fires ravaging California. Sadly, that number will likely rise once the flames are contained. But how do we contain the blaze consuming our humanity? Instead of unity, many are quick to condemn, point fingers, or dismiss the devastation as a plight of wealthy Malibu residents or Hollywood elites.

When disaster strikes the rich and famous, cynics are eager to believe they deserved it. But what about places like Chimney Rock or Aiken or other less affluent communities devastated by storms? Did they deserve it? Are you saying the God you believe in has condemned them as well? Tragedy doesn’t discriminate based on wealth, geography, or political allegiance.

Empathy isn’t about whether someone “deserves” to suffer. It’s about recognizing our shared humanity in the face of catastrophe.

Consider this: the Federal Emergency Management Agency (FEMA) is funded by taxes from both blue and red states. Blue states, often with liberal politics, contribute the most to federal aid, including FEMA dollars. Meanwhile, red states, more prone to natural disasters, tend to receive more federal funding relative to what they contribute. Could it be that we need each other?

If we let division overshadow compassion, we risk eroding the foundation that binds us as a nation. We are called to love our neighbors as ourselves. But here’s the question: when was the last time you chose to love someone as much as you love yourself?

Subscribe for free. Get Vanessa’s take on publishing, challenges, and opportunities, drawing from her journey as an indie author turned traditionally published powerhouse: 25 novels and counting.

Atlanta’s and Texas’s Snowmageddon

Ten years ago, on January 28, 2014, Atlanta experienced a rare snowstorm—just two-and-a-half inches of snow turned interstates into parking lots. People were stranded for hours, some overnight. Weather advisories had warned of impending danger, but when the morning came with no snow on the ground and no sleet in the air, most assumed the storm had passed.

I remember leaving my house around 9 a.m. for a dental appointment. By 10 a.m., I had clean teeth but could barely drive home. Tragically, 13 people lost their lives. Life can change quickly, as that day reminded us. Eventually, we thawed out and survived being the butt of jokes for months.

Fast forward to 2022, during Winter Storm Uri in Texas. Extreme cold, snow, and power outages swept across the state, taking over 210 lives. While government officials argued and finger-pointed, neighbors stepped up. Families opened their homes, sharing warmth and shelter. I used Instacart to send water to friends who had no running supply.

In both of these “snowmageddons,” a profound truth emerged: empathy surged. People helped people. Compassion triumphed over adversity. These moments remind us of our capacity to care, even in the harshest conditions.

Back to Finger Pointing

The news has already shifted its focus in Los Angeles to looters, sidestepping the stories of everyday people who lost their homes or whose retirement facilities were reduced to ashes. Instead, we see blame placed on budget cuts and political decisions. Meanwhile, the unregulated cesspools of Facebook groups are busy mocking “Hollyweird” and spinning the tragedy into another divisive narrative.

I hope in my heart that for every negative story circulated, there are countless acts of kindness—neighbors helping neighbors, communities checking on the most vulnerable, and strangers opening their homes to those in need.

We still have power in these moments. We can step away from toxic conversations. We can amplify stories of love and solidarity instead of hatred and blame.

The goal isn’t to deepen division but to remind ourselves of what’s at stake. We need to care for one another, not because of where we live but because we all share this human experience.

It is possible—to mourn together, to heal together, and to rebuild together. If we can’t, can we at least choose silence—do the quiet “thoughts and prayers” thing we do when there’s a mass shooting?

What Should We Do?

If we choose to mourn and heal together, we must:

* Speak with empathy.

* Listen actively.

* Offer comfort to those in need.

As Proverbs 16:24 reminds us, “Gracious words are like a honeycomb, sweetness to the soul and health to the body.” Listening is helping. Platitudes are cheap. Empathy heals.

What Books Can We Read

As a book girly, I’ll make some recommendations:

* A Grief Observed by C.S. Lewis: A deeply personal account of loss and healing.

* God Will Carry You Through by Max Lucado: Reflections on God’s sustaining grace.

* Sing, Unburied, Sing by Jesmyn Ward: A haunting exploration of grief and resilience.

* Breathe: A Letter to My Sons by IMANI PERRY: A lyrical exploration of life, love, resilience and grief and systematic loss.

* See You on the Other Side by Rachel Montez Minor: A children’s book that provides comfort to the little ones grieving or coming to terms with loss.

Places We Can Donate

Money is action. Every little bit helps.

For LA, choose:

* World Central Kitchen

* United Way of Greater Los Angeles: Wildfire Response

* American Red Cross-Wildfire Relief

For Hurricane Helene, choose:

* United Way

* The Salvation Army

* All Hands and Hearts

Back To The Man from Plains

On January 9, 2025, President Carter’s casket was welcomed at the snow-capped National Cathedral, a grand limestone church with arches, ribbed vaults, flying buttresses, and over 200 stained-glass windows, including one containing a moon rock from Apollo 11.

The Rt. Rev. Mariann Budde presided as Carter’s casket was ushered into the cathedral, observed by dignitaries and all living presidents. Her words echoed: “Let us also pray for all who mourn, that they may cast their care on God and know the consolation of his love.”

Later that day, the same casket would find its way into the humble pine wood church, Maranatha Baptist, in Plains, Georgia. There, a simpler service with familiar faces—friends and neighbors Carter had known all his life—would gather to say goodbye.

In both services, one grand and the other modest, there will likely be a shared refrain: Jimmy Carter’s faith mirrored American ideals, particularly the belief that “we are all created equal in the image of God.”

We are all created equally. We face suffering equally. Whether the wind howls, the rain menaces, the earth quakes, or fires rage, destruction and loneliness do not discriminate. To move closer to a more perfect union, we must embrace empathy. It is my hope that in places as different as rich limestone cathedrals and honest pinewood chapels, empathy and humanity can coexist.

I challenge all writers to help restore empathy in the world.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Interview and Giveaway with Author Jillian Kent

Hello all you Regency fans,

Naomi Rawlings here today, and I’ve got a special guest to introduce: Jillian Kent, author of the newly released novel Chameleon. Jillian has graciously agreed to giveaway one copy of her novel to someone who reads the interview and then leaves a comment below. The contest will end Saturday at midnight and is open only to U.S. residents. Here’s a bit about Jillian:

Jillian is employed full-time as a counselor for nursing students in a hospital based college. She and her husband are both social workers and met in West Virginia and they’ve been married for 31 years.

Jillian can’t believe Book Two of the Ravensmoore Chronicles, Chameleon, is on the shelves and in the cyberspace bookstores! It was just this time last year that her first book, Secrets of the Heart, The Ravensmoore Chronicles, Book One hit the shelves. Jillian says, “It’s been a year of growth and change in the publishing world and the constant personal challenge of seeking balance while writing a new book, working as a counselor, and enjoying my family. This has taken the development of new time management skills.”

So without further ado, here’s a few Regency questions I asked of Jillian:

1.    What drew you to write during the Regency Time Period?

That’s the time period I like to read.

2. Tell us what year your book is set in and why you chose that particular time.

Chameleon, The Ravensmoore Chronicles, Book Two is set in 1819.

3.    What’s your favorite, unique Regency aspect of the novel, something you wouldn’t have been able to include in a novel set in another time or place?

I had many favorite aspects of this novel. This is just one of those novels that will be difficult for me to top as a personal best. I really believe that. I don’t know how others will judge it, but it’s everything I wanted it to be. Here’s a brief scene that includes Carlton House that I think adds that Regency-ish aspect you’re talking about.

Witt, with Ravensmoore at his side, walked through the Carlton House main entrance, which was graced with six Corinthian columns. Inside they were greeted by a grand staircase, chandeliers, marble floors, and ceilings painted with scenes of myths and legends. Though he’d seen the place many times, he was again struck by the grandeur, the paintings by Gainsborough and Reynolds, and portraits by Van Dyck and Rembrandt.

Grand indeed.

When he’d last entered only a few hours earlier, it had been through the rear entrance of the palace with Stone dripping blood onto the polished marble. This time, his attention was on Ravensmoore and the argument that had ensued in the carriage prior to their arrival.

4. What are the biggest challenges to writing in the Regency Period?

As much as I read about and study this era, I feel like there is so much yet to learn. I’m always terrified of making an error. I want to make the time period come alive and want readers to feel like they are there in London, in Parliament, seeing what was to be seen in those days and smelling the smells, some of which were not so lovely in town.

5. What initially drew you to be interested in writing  books set during the Regency Era?

I discovered England when I spent a semester living in Oxford for part of my senior year of college in 1976.

6. Who is your favorite Regency Author?

Oh, that’s hard. I’m not going to pick a CBA author because I love all of them. In the ABA I’d have to say Julia Quinn.

7. What is your favorite Regency Food?

Any kind of dessert but no fruit cake. I love custards. Here’s a nice page of desserts. http://www.janeausten.co.uk/online-magazine/regency-recipes/desserts/

8. What is your favorite Regency setting?

London and Yorkshire. I love the moors and the mist.

******

Jillian, thanks so much for being with us today, and what a lovely interview you gave. How lucky you were to spend a semester in England. You must have loved it. I’m afraid I’m not very well traveled, but I’m jealous of those who are! I’d have to agree with you that Julia Quinn is one of my favorite secular Regency authors. She can make the simplest situations so hilarious, and I love that about her. And I’m so not a fruitcake fan. So I agree with you about the desserts. Thanks for sharing the recipe website.

Here’s some more information about Jillian Kent, and Chameleon:

How much can you really know about someone?

Lady Victoria Grayson has always considered herself a keen observer of human behavior. After battling a chronic childhood illness that kept her homebound for years, she journeys to London determined to have the adventure of a lifetime.

Jaded by his wartime profession as a spy, Lord Witt understands, more than most, that everyone is not always who they pretend to be. He meets Victoria after the Regent requests an investigation into the activities of her physician brother, Lord Ravensmoore.

Witt and Victoria become increasingly entangled in a plot targeting the lords of Parliament. Victoria is forced to question how well she knows those close to her while challenging Witt’s cynical nature and doubts about God. Together they must confront their pasts in order to solve a mystery that could devastate their future.

Chameleon released May 15th  from Charisma Media/Realms

A final message from Jillian:

If you read book one you know I’m fascinated with human behavior and how our minds work. This will be even more clear to you if you read Chameleon.:) And if you do read this book PLEASE don’t give away the ending so that others can enjoy the journey the whole way through to its conclusion. Once again you will find yourself in Regency England. You will return to Bedlam. You will meet Devlin’s sister, Victoria, aka, Snoop. It won’t take long to find out why the family calls her Snoop. I hope you will escape into the past with me and you, just like some of my characters may find faith for the future. If you are a sleuth at heart you will love this story. If you want to read the first chapter of this novel to see if it’s your kind of read please visit my website at http://jilliankent.com/books.html You can also join in the conversation on my blog anytime.

Other than my personal blog I also blog with the other Realms writers at Just the Write Charisma. http://justthewritecharisma.blogspot.com/

I’m very proud of the Well Writer column that I organized with the encouragement of Bonnie Calhoun. You can find it here: http://www.christianfictiononlinemagazine.com/brilliant_well.html

If you’re interested in being entered in the giveaway for Chameleon, please leave a comment below, and thank you so very much for stopping by to meet Author Jillian Kent today.

Originally posted 2012-05-30 10:00:00.

Write of Passage: Be Bold, I Double Dog Dare You

For the past five years, I’ve embraced the practice of choosing a word to frame my year. The selection serves as a calling card, a guiding principle to reflect upon and shape my actions and mindset.

My husband suggested tuna. Yes, you heard me—tuna. Lord bless him. He’s cute and a keeper, but tuna? Wanting to be gutted and stuffed in a metal tin is not what I want on 2025’s bingo card.

My previous words have included:

* Bold: A year of stepping out of my comfort zone.

* Happiness: A focus on joy and gratitude.

* Peace: Seeking tranquility and balance.

* Yes: Inspired by Shonda Rhimes’ Year of Yes: How to Dance It Out, Stand in the Sun, and Be Your Own Person, I committed to saying yes to new opportunities and challenges.

Shonda says, “The most important thing you can do is to keep saying yes. Saying yes opened up my life in ways I could never have predicted. It was a powerful force.”

The “yes” opportunities, even those that feel outside our comfort zones, can lead to transformation and success beyond our wildest dreams. I’m a writer. I love wild, unimaginable dreams.

My Year of Yes was 2019. Despite my skepticism and hesitation, I said yes to some things that ended up changing the trajectory of my career. I began dabbling in and studying mystery and suspense, saying yes to writing new genres and new POVs.

I wrote the big book, Island Queen, that I never thought would be contracted or published. The power of yes and being open is unmatched. Could 2025 be a repeat Year of Yes?

Well, yes and no. I’m in a different place—mentally, physically, even spiritually. My faith is strong, but I feel loss so deeply. I can’t put my finger on it, nor is it just one thing—but it’s gone.

Part of that feeling comes from what I witnessed. Last year unveiled sides of humanity I didn’t want to see. People who should be natural allies were torn apart by self-interest or self-hate. The reality of progress, which I once believed to be within reach, now feels like an illusion. We are not our brothers’ or sisters’ keepers—not when eggs are $9.00. Or when I wrongfully believe that helping another living, breathing soul somehow takes from me.

2025, you had me screaming into the void, only for it to suck away the sound. My tears can’t be heard. I need a word that will pull me away from the void—the endless hole called cynicism. I need it to help me rebuild.

I know I’m not alone in this. My closest friends and I still gather to discuss, pray, and believe for something better. Yet, the weariness persists, and I can see myself calling out, “Prayers, prayers, sorrows,” for everything outside my circle.

I need a new word. I take comfort in knowing that finding a word for inspiration is an exercise as old as time.

Historical Timeline of Setting Yearly Intentions

* Babylonian Origins (~2000 BCE): The Babylonians made promises to their gods to do good deeds, seeking favor for the coming year.

* Roman Influence (46 BCE): With the Julian calendar, Romans made resolutions on January 1, with promises of improvement and good moral conduct.

* Peacock Vows (6th–15th Century): In the medieval period, knights participated in the “peacock vow,” an annual pledge to maintain their chivalric code.

* Religious Resolutions (~15th Century): Early Christians were encouraged to reflect on past mistakes and resolve to improve in the new year.

* Modern Secularization (18th Century): Under Protestant influence, resolutions began emphasizing personal accountability and self-improvement.

* The Akan People and Adinkra Symbols (~19th Century–1818): The Akan people of West Africa chose Adinkra symbols to guide them for the year, such as:

* Nkyinkyim (initiative/dynamism)

* Eban (protection/security)

* Victorian Era (19th Century): Making New Year’s resolutions became a widespread practice in Western culture.

* Germany’s Word of the Year (1971): The Gesellschaft für deutsche Sprache (Society for the German Language) selects a “Word of the Year” to reflect social and cultural trends. For 2024, they chose “Ampel-Aus” or “traffic light shutdown,” referencing Germany’s coalition collapse.

* Self-Help Movement (1980s–1990s): Choosing a word at the beginning of the year gained popularity, encouraging focus on a single concept to guide actions.

* Modern Popularity (2000s+): Mindfulness and productivity proponents like Gretchen Rubin (author of The Happiness Project) spread the idea of guiding words over traditional resolutions.

* One Word Movement (2010): The book, One Word That Will Change Your Life by Jon Gordon, Dan Britton, and Jimmy Page, brought global attention to the concept.

So, from a historical perspective—whether inspired by faith, adventure, the need to organize, or focus—we’ve all been searching for a word to help us get our acts together.

It’s still hard. Disappointment and fear make us want to stand still and watch the world burn. In Isaiah 40:31, the text speaks to a desire for the Lord to renew our hope. I want hope. I want to feel it and again soar on wings like eagles. I want to run and not grow weary. I want to laugh and not fear what comes next.

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Meghan Markle, the Duchess of Sussex, says, “The most important thing we can all do for ourselves is leave room for magic.” Like Shonda, Meghan encourages us to remain open to the unexpected, the unknown, and make space for magic. Magic leads to hope, and hope leads to the greatest possibilities.

But hope isn’t my word, 2024 took care of that. Hope is a state of being. To me, it’s not an action. It feels passive and implies waiting. Nobody has time for that.

My Word for 2025

This year, my word is Dare. According to Webster’s dictionary, “dare” means to have the courage to do something or to challenge oneself. I chose this word because it encapsulates my desire to:

* Double-dare myself to face fears and doubts.

* Stretch beyond the boundaries I’ve grown comfortable within.

* Embrace risks that could lead to transformative growth.

Daring Myself to DoAs I step into 2025, I dare myself to flee apathy. I dare myself to let my deeds shine brighter, to be bigger and bolder than ever before. This year, I will embrace more risks, more words, more watching, more praying—all while holding onto hope. At times, I will rest, so I can rise with renewed strength. The fire within me hasn’t been extinguished. It still smolders. It burns for you and for me—for what we could become.

In these uncertain times, with bombings, terrorism, and tariffs on the horizon, I’ve chosen to take control of my personal narrative. Writing about strong women who overcome extraordinary challenges reminds me that I, too, can dare to be bold, dare to be resilient, and dare to be fully myself.

I encourage you to choose your word. Let it be a balm for your soul. Make it your battle cry to achieve something greater—even in moments of disillusionment. I dare you. I double dog dare you to win—for yourself and those you hold dear.

Books Mentioned in this Podcast:

Year of Yes: How to Dance It Out, Stand in the Sun, and Be Your Own Person by Shonda Rhimes

The Happiness Project by Gretchen Rubin

That Will Change Your Life by Jon Gordon, Dan Britton, and Jimmy Page

Island Queen by Vanessa Riley

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Hear Ye, Hear Ye, Shameless Plugs

Vanessa here,

The ladies of Regency Reflections have a lot to celebrate. Below are Awards, Upcoming Books, Current Releases, Contracted, Contest Wins, and Anything Else.

Awards

At The Romantic Time Conference, Reviewers Choice 2011 we celebrate these Inspirational Regency wins:

Category Series: Love Inspired Historical Reviewers Choice:

THE ARISTOCRAT'S LADY

Genre: Series, Steeple Hill Love Inspired Historical, Current Series Imprints

2011 Steeple Hill Love Inspired Historical Award Winner

RT Rating

THE ARISTOCRAT’S LADY (4.5) by Mary Moore: Regency England: Nicole Beaumont has a secret she protects with every fiber of her being. She catches the eye of Lord Devlin, who thinks she’s incredible — witty and charming, with a good head on her shoulders. But he also suspects that she’s holding something back. When he discovers Nicole’s secret, he is hurt she did not trust him with it. Can Nicole regain his trust, or did her last chance at love slip through her fingers? This story is so good and the heroine so compelling that even readers who don’t normally like Regency-set stories will find it well worth their time.

Category: Inspirational Romance

THE GIRL IN THE GATEHOUSE

THE GIRL IN THE GATEHOUSE
by Julie Klassen

2011 Inspirational Romance Award Winner

RT Rating

This book has scandal, mystery, secrets and a budding romance. The characters are written in such detail the reader will forget they are fictional! Klassen has outdone herself with this latest novel. Her writing is comparable to Jane Austen’s. She writes with passion and readers will not be able to put this book down.

In 1813, Mariah Aubrey has been banished to a distant relative’s estate after stirring up a scandal her family wanted to quietly bury. She is assigned to live in the gatehouse, which is on the very tip of the grounds, away from everyone and everything. She supports herself and her servant the only way she knows how: she writes novels in secret, under a false name.

Captain Matthew Bryant has leased the estate to show the woman he loves that he is worthy of her, despite the fact that her father believes Matthew is not high society enough for his daughter. When Matthew meets Mariah, he is intrigued by her but at the same time, he realizes he must keep his distance in order for his plans to come to fruition. When a mystery comes to light, Mariah and Matthew work together to discover the truth, and they start to have feelings for each other. Will the mystery be solved before the heir to the estate can put his evil plan into motion?

Reviewed By: Patsy Glans

Cheers Mary & Julie

Upcoming Books

A Flight of Fancy by Laurie Alice Eakes

(October 2012)

Cassandra Bainbridge has twice set aside her scholarly pursuits–once for the London Season and once for her wedding preparations. Love seems a wonderful alternative to study, until disaster strikes. When an accident brings an end to her betrothal, she heads for the country to recover from both her injuries and her broken heart. There she pursues her love for ballooning and envisions a future for herself as a daring aeronaut. But when her former fiancé slips back into her life, what course will she choose?

This book is currently available for pre-order.

Current Releases

Heart’s Safe Passage by Laurie Alice Eakes

(February 2012)

It’s 1813 and all Phoebe Lee wants out of life is to practice midwifery in Loudon County, Virginia. When Belinda, her pregnant sister-in-law, presses Phoebe to accompany her onto a British privateer in order to cross the Atlantic and save her husband from an English prison, Phoebe tries to refuse, then finds herself kidnapped.

Captain Rafe Docherty is a man in search of revenge. His ship is no place for women, but he needs Belinda in order to obtain information about the man who destroyed his family and his life. Between Belinda’s whining and Phoebe’s hostility, Rafe can’t help but wonder if he made the right choice.
When it becomes apparent there is an enemy among them on the ship, the stakes are raised. Will they reach the English shore in time? Can love and forgiveness overcome vengeance?

Hometown Cinderella  by Ruth Axtell

(February 2012)

It’s not Regency but it’s by Ruth Axtell so it’s got to be good.

After years traveling in Europe with her musician husband, all that widow Mara Keller wants is security for her son. A half-share in her father’s Maine farmhouse is the only refuge she has left, even if her resentful stepmother treats Mara as little more than a servant. But there is one bright spot: the unexpected kindness of neighbor Gideon Jakeman.

A widowed farmer with a teenage daughter, Gideon hardly pictures himself as anyone’s Prince Charming. Especially a woman of Mara’s refinement. Yet his quiet, rugged strength makes her feel as though she’s found her rightful place by his side, if they can find faith enough to forge their own happy ending.

Sanctuary for a Lady – by Naomi Rawlings

(April 2012)

It’s almost Regency, and it’s a great Debut Novel. Buy It. 🙂

Running to freedom, she found love . . .

The injured young woman that Michel Belanger finds in the woods is certainly an aristocrat, and in the midst of France’s bloody revolution, sheltering nobility merits a trip to the guillotine. Yet despite the risk, Michel knows he must bring the wounded girl to his cottage to heal.

Attacked by soldiers and left for dead, Isabelle de La Rouchecauld has lost everything. A duke’s daughter cannot hope for mercy in France, so escaping to England is her best chance of survival. The only thing more dangerous than staying would be falling in love with this gruff yet tender man of the land. Even if she sees, for the first time, how truly noble a heart can be . . .

Don’t forget to enter the contest to win Naomi’s book! Name will be drawn on Friday!

Contracted

Sarah Ladd signed a 3 book deal with Thomas Nelson for her debut series, Whispers on the Moors.  The first book, Heiress of Winterwood, will release next spring.  You go girl!!!!!!!!!

Vanessa Riley (moi) contracted Madeline’s Protector with White Rose Publishing/ Pelican Books. It will release this next spring. Here’s the blurb:

If all the young men of the world leapt off a cliff, Madeline St. James wouldn’t care because the nightmares would end, and she’d cozy up to a Psalm in her aunt’s sculpture garden. Yet, a chance meeting and a bullet wound changes everything, and Madeline must trust that the Good Shepherd has led her to the altar to marry a dashing stranger, Lord Devonshire. Can she forge a bond with the stubborn earl before the next disaster strikes?

Justain Delveaux, Lord Devonshire, vows to keep Madeline safe and in her place as a dutiful silent wife, but with her lips parted in prayer, his wife in-name-only and her faith are alluring. Maybe when he thwarts the danger, Justain can tempt the unpredictable miss with the comfort of his arms.

Contest Wins

Nothing to update here, but the year is still young.

Anything Else

Well, we really want to thank the readers of Regency Reflections. Thank you for your comments and suggestions, for sharing part of your day with us. We love it. Please keep coming back and help spread the Inspirational-Regency-Love.

Be Blessed.

 

Sources: Amazon.com, Romantic Times

 

Originally posted 2012-04-18 10:00:00.

Write of Passage: Lessons for Life and Writing Taken from the Beyoncé Bowl

As a writer, I believe in using words to tell stories. As a reader, I get very excited when a book transports me to the time and place of the novel. I want to feel like I’m there, all while enjoying the safety and comfort of my home, in my favorite chair.

A visual performer does the same thing. Beyoncé Giselle Knowles-Carter is not just a singer—she’s a master of the arts of sound and motion, of textures and hues and imagery.

On Christmas Day, she showcased her unparalleled talent during the Baltimore Ravens and Houston Texans’ playoff game. Writers can draw valuable lessons from Queen B’s performance:

* Craft a Story That Resonates: Create a narrative that connects with your audience on a deep level.

* Layer Your Message: Evoke a range of emotions and sensory delights to keep your audience engaged.

* Use Your Platform: Elevate causes and ideas you care about, using your voice to make a difference.

* Show Up (Period): Deliver with all guns blazing—give your absolute best effort.

Those are the easy takeaways. But this is Beyoncé, after all. She deserves an in-depth analysis.

Subscribe for free. Get Vanessa’s take on publishing, challenges, and opportunities, drawing from her journey as an indie author turned traditionally published powerhouse: 25 novels and counting.

Owning Your 13 Minutes

Fifteen minutes of fame? That’s outdated. In today’s fast-paced world, it’s all about maximizing the 13 minutes you’re given and making them unforgettable. Beyoncé didn’t just perform during the NFL halftime show—she transformed those 13 minutes into a cultural and historical statement that will resonate for decades.

When Beyoncé, riding a Lipizzaner and dressed in white, appeared on Netflix for the World Wide Stage, she wasn’t just performing—she was storytelling. Every writer, including myself, needs to take note. On Christmas Day in the year of our Lord 2025, Beyoncé, one of the most famous people in the world, a cultural icon, and a legendary artist, arrived at NRG Stadium.

Riding in-hand amid an American Requiem—solemn graveyard of stilled Cadillacs, veiled singers bathed in white light, and cowboys standing shoulder to shoulder with rodeo men and women before a plastic-wrapped flag—Beyoncé delivered an iconic, thematic performance. It was the pinnacle of symbolism and storytelling that will forever be remembered as one of the greatest halftime shows in history.

13 Minutes

Thirteen minutes is 780 seconds, countless steps, innumerable costumes, and cameras capturing every angle. Beyoncé took command of Netflix and reminded everyone that she is country—that country music was built on the backs of Black entertainers. She showcased Black cowboys and the rich traditions of Black rodeo culture. If anyone needed a lesson about belonging, she gave one in a defiant celebration of Black identity and pride. The presentation was audacious and bold—a finger in the eye of a genre and spaces that tried to exclude her… exclude us.

The Origins

In 2016, Beyoncé and The Chicks performed “Daddy Lessons” at the Country Music Association (CMA) Awards, only to face backlash questioning her “country credentials.” Despite, or perhaps in spite of, that rejection, Beyoncé began writing, dreaming, and crafting an album—Act II: Cowboy Carter. Her eighth studio album, released on March 29, 2024, via Parkwood Entertainment and Columbia Records, has topped charts in the US and abroad. It’s genius.

Then, the CMA decided to be petty. They didn’t invite her or nominate Beyoncé for any awards at their 58th Annual awards show. The event, hosted in November, drew 6 million live viewers who tuned in to see pretty much the same old guard circle their wagons.

When this was announced, Beyoncé didn’t cry for a performative boycott. I call it a “performative boycott” because some of these actions are feel-good movements that don’t address the real issues, instead offering excuses for reckless voting, buying, or other problematic behaviors. Instead, she built her own stage, crafted her own story, and invited others to celebrate with her at the Beyoncé Bowl—the Christmas Day halftime show. Beyoncé secured 27 million viewers, even more than the football game’s audience. Her unapologetic artistry eclipsed the CMA’s viewership and shortsighted attitudes.

But let’s take a moment to discover the roots of the matter—or why “petty” feels prejudiced.

Black Contributions to Country Music

Black people are not just coming to country music in 2024—we began it.

* Banjo Music, 17th Century: The akonting, the forerunner of the banjo, is a traditional instrument of the Jola people in Senegal, The Gambia, and Guinea-Bissau. Enslaved Africans reconstructed similar instruments for their entertainment and that of their masters.

* Fisk Jubilee Singers, 1871: Introduced spirituals and gospel music that influenced the emotional storytelling we find in country music.

* DeFord Bailey, 1927: The first African American to perform on Nashville radio station WSM’s Grand Ole Opry, known for his harmonica skills and often referred to as a “harmonica wizard.”

* Ray Charles, 1960: His album Modern Sounds became his first to top the Billboard 200, and also made him the first Black musician to be granted artistic control by a mainstream record label.

* Charley Pride, 1966: Outsold Elvis and John Denver for RCA Records. He had 30 No. 1 hits and 52 Top-10 hits on the Billboard Hot Country Songs chart, becoming one of the most successful country artists of all time.

* Linda Martell, 1969: The first Black woman to perform at the Grand Ole Opry.

* Kane Brown, 2018: The first artist to top five US country charts simultaneously.

* Lil Nas X, 2019: Released “Old Town Road,” which sparked debates about the definition of country music. It spent 19 weeks atop the Billboard Hot 100, breaking records.

* Mickey Guyton, 2021: Became the first Black female solo artist nominated for a Grammy in a country category.

* Shaboozey, 2024: His hit “A Bar Song (Tipsy)” tied with “Old Town Road” for the longest-running No. 1 on the Hot 100.

* Beyoncé, February 2024: Her single “Texas Hold ’Em” reached No. 1 on the country airplay chart, making her the first Black woman to achieve this milestone.

* Beyoncé, March 2024: Her album Act II: Cowboy Carter became the first by a Black woman to top the Billboard country albums chart since its inception in 1964.

In 2024, with country music’s Black origins, why are we still seeing “firsts”? Upon being given the Innovator Award by iHeart Radio, Beyoncé said, “My hope is that we’re more open to the joy and liberation that comes from enjoying art without preconceived notions.”

13 Minutes of Defiance

Obviously, the roots and Beyoncé’s achievements weren’t enough. Some still say she doesn’t belong in country music. The CMA snub gave all the haters—those less innovative—a moment to gloat. Beyoncé, with 13 minutes, proved you don’t need to be accepted by aged, fearful, or wrong-thinking gatekeepers. She didn’t ask their permission—she reached out and owned the moment. Her performance was an unapologetic declaration of belonging.

Beyoncé’s defiance can be defined in layers:

* Historical nods: Her floral carriage evoked early Juneteenth parades and all white, representing Juneteenth parties of celebration.

* Black excellence: The choreography showcased line dancing, cultural dances, and the inclusion of HBCU bands like Texas Southern’s Ocean of Soul.

* Symbolism: Riding a Lipizzaner horse—a breed born black and turning white with age—served as commentary on the whitewashing of country music’s Black roots. She featured Ja’Dayia Kursh, Arkansas’s first Black rodeo queen, alongside veiled singers referencing the Yoruba Eyo Festival.

* Nods to Houston: Still Tippin’ (2004) played by a violin while showcasing Black cowboys and Black rodeo is a nod to Houston via the song, where “tippin’” refers to being on 4s, wrapped in four Vogues. These are rims on 1994 Cadillacs (slabbin’). It’s also a reference to the Acres Homes area of Houston, Texas—the “fo-fo” comes from the 44 Metro bus that services the community.

Elevating Others

Watching Beyoncé sing with Tanner Adell, Tiera Kennedy, Reyna Roberts, and Brittney Spencer—all beautiful women in white—was mesmerizing.

Blackbird singing in the dead of nightTake these sunken eyes and learn to seeAll your lifeYou were only waiting for this moment to be freeYou were only waiting for this moment to arise.

Beyoncé didn’t just own 13 minutes—she shared it. She gave everyone who rocks with her a moment to arise and be free:

* The Blackbirds Ensemble: Beyoncé’s group of powerful women performed a reimagining of the Beatles’ Blackbird, a song written by Paul McCartney and inspired by the Civil Rights Movement. The harmony and sisterhood were palpable as they sang. I could feel their support as they stood behind her, holding her up as she walked on, head held high, ready to finish the show.

* Small businesses: Latina entrepreneurs behind ASN Hats created her iconic white hat, a piece now featured on billboards and in advertisements worldwide.

* Young artists: Rising country singers shared the stage, including Shaboozey, whose chart-topping country song—snubbed by the CMAs—finally received its moment to shine. Post Malone also joined Beyoncé on stage, grinning and reveling in the energy of the moment.

* Legacy: Beyoncé’s daughter, Blue Ivy, performed beside her, continuing the tradition of Black cultural storytelling for a new generation.

We’re Not in Competition With Ourselves

Island Queen, my first historical fiction novel, recounts the extraordinary true story of Dorothy Kirwan Thomas—a Black woman who purchased her own freedom and that of her family before building a business empire across the West Indies. Released in 2021, it was my 17th or 18th book, yet some hailed it as my first “serious” work. Ah… but that’s a topic for another podcast.

Translated—or soon to be translated—into Italian, Russian, and Hungarian, Island Queen is one of my most widely circulated titles. I still remember the goosebumps coursing through my arms when it was picked as a GMA Buzz Pick. The magical moment of seeing my book on air and T.J. Holmes, George Stephanopoulos, and Robin Roberts discussing Island Queen was thrilling. And when they declared they were “all in” with my characterization of Dorothy as Dolly Parton, Gloria Steinem, and Oprah wrapped in Regency lace; bang, I shot to the moon.

But then came a troubling question. An acquaintance, let’s call her, Devilena, asked, How do you top this, Vanessa? She followed up with—oh the pressure. She could never dream of writing something better.

I must admit, the notion of topping anything left me a little paralyzed. How does one top that? After all, where does one find another powerhouse combination of Dolly, Gloria, Oprah—and lace?

But this is the wrong mindset.

Follow Beyoncé’s lead. For Beyoncé Bowl, she could have sung Crazy in Love, the 2003 hit that launched her solo career. It’s a guaranteed crowd-pleaser. Or she could have drawn from her rich catalog of award-winning, global hits:

* Irreplaceable (2006)

* Single Ladies (2008)

* Halo (2009)

* Love on Top (2011)

* Run the World (2011)

* Partition (2013)

* Drunk in Love (2013)

* Formation (2016)

* Cuff It (2022)

Beyoncé could reach back to her Destiny’s Child days and give us hits like:

* Bills, Bills, Bills (1999)

* Say My Name (1999)

* Survivor (2001)

* Bootylicious (2001)

But she didn’t. She didn’t Coachella us. Instead, she performed songs from her current country album, Act II: Cowboy Carter.

It’s not about topping the past—it’s about sharpening your craft. Beyoncé isn’t resting on her laurels; she’s working every aspect of her artistry. Bang. Here it is. Bang. Here I am.

When I write, I must remember I’m not competing with others—or even myself. My goal is to create the most compelling work I can. At its core, every artist—whether working with audio, written words, or visual media—is in competition against time. Everyone has a finite number of hours to create, share, and leave a legacy.

With Your 13 Minutes

Be like Beyoncé. Focus on the story you want to tell. Make it intentional. Make it bold. Make it better. Make it characteristically yours. Execute. Build your table, invite those who celebrate with you to rock with you. And remember to use your gifts to lift others as you rise. You’re Blackbirds, after all.

All your lifeYou were only waiting for this moment to be free.

Blackbirds—writers, singers, artists—fly.Blackbird, take flight. Be free.

Special thanks to the Thread Beehive Scholars: @thelovelyp @candiceobeauty @latinaspoderosas @jadayiakursh @hellofelicia_murell @underthedesknews @hereswhykevin

And historians: Jon Marc Smith and Katie Kapruch, Texas State University

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe