When we asked the Regency Reflections authors what the best book of the year was, we got several interpretations:
* What is the best book you’ve read thus far in 2014?
* What was the best book of 2013?
* What is your most anticipated book of 2014?
Any way you interpret it, it’s an intriguing question. Our answers are below but we’d love to hear from you in the comments. What do you think is the best book of the year?
Ruth Axtell – In fiction I’ve been very impressed with A Cast of Stones, Book 1 in the new Staff and the Sword Christian fantasy trilogy by debut author Patrick W. Carr
Naomi Rawlings – A Bride for Keeps by Melissa Jagears
Laurie Alice Eakes – Right now, the only amazing book I’ve read so far and will be reading through this year is the Bible. It’s been a few years since I’ve read through it in a disciplined plan, and am amazed all over again at how amazing is the word of God. Holding fiction reading opinions in reserve as of yet.
Kristi Ann Hunter – Dear Mr. Knightley by Katherine Reay. Such a fun read and a great look at the difference between books as a passion and books as an obsession. If you love the classic Austen and Bronte books, you’ll enjoy all the references in Dear Mr. Knightley. I’m pretty sure this is her first book, so I’m very excited to see what else she does.
Kristy Cambron – I am in the middle of Sarah Ladd’s new release — The Headmistress of Rosemere. As with her debut, fans of Austen will love book two in the Whispers on the Moors series. I’m planning on getting little sleep until I make it to the back cover! 🙂
Susan Karsten – Ah, what fun! To think over all the wonderful books I read last year and pick the most amazing. I am going to pick a CBA* book, To Die For, A Novel of Anne Boleyn by Sandra Byrd, as the most amazing Christian historical fiction book of 2013. Honorable mention goes to an excellent laugh-out-loud ABA* book, Where’d You Go, Bernadette by Maria Semple.
Your turn! Head down to the comments and tell us your favorite book of 2013 or thus far in 2014 or even the book you can’t wait for that’s coming out sometime this year.
*Note: CBA stands for Christian Booksellers Association and ABA is for the American Booksellers Association. In writing circles ABA is sometimes referred to as “general market.”
I was recently emptying out and cleaning a bookshelf, one that held my non-fiction. I realized that most of my reference books are books I’ve acquired over the years (decades) to aid me in researching whichever story I happen to be working on at the time. They are grouped by subject, so they are like a roadmap of my writing career.
For example, along half a shelf were books on Sephardic judiasm, judiasm in the first centuries A.D., synagogues across Europe, the formation of the Methodist church, and portraits of the great 18th century revival. These books cover the period when I researched and wrote my first-ever regency historical, Winter Is Past, a love story between a Sephardic Jew in London and a Methodist nurse. Talk about star-crossed lovers.
Another shelf has books on the history of the American sailing ship, piloting, seamanship, and small boat handling, for a historical romance I did about a wooden boatbuilder (Lilac Spring).
Getting back to regencies, here are some of my favorite reference books, which I collected in those years preceding Google: Quacks, Fakes and Charlatans in Medicine (used primarily in researching The Healing Season, a story about a surgeon in regency times); Moers’ The Dandy (great resource for information on Beau Brummell and all those who aped him); Colley’s Britons, for a general history of the nation; and The War of Wars, a very thorough history of the Napoleonic wars. The Streets of London from the Great Fire to the Great Stink is a detailed description of street life in regency London (which I also needed in writing The Healing Season). The London Encyclopedia, which I was fortunate to get used, is a wonderful resource on just about any geographic building and landmark in London and its environs. I used a 16th century mansion, Osterley Park, within a short train ride from the center of London, for the country estate of one of my characters in The Rogue’s Redemption. I was able to tour the place in person, but if I hadn’t, there it is listed in The London Encyclopedia, complete with a print of it on page 568.
For a different kind of London residence, there’s a print and entry for the Millbank Penitentiary, built in 1821. It was pulled down in 1903, so you need a reference like The London Encyclopedia to pinpoint what buildings did and didn’t exist in London 200 years ago. I set my first regency in Belgravia, until a critique partner pointed out to me that this London neighborhood had not begun to be developed until AFTER the regency. Oops! Thank goodness for sharp-eyed and knowledgeable critique partners.
John Russell’s London, is another fun, fact-filled history of London and its various neighborhoods over the centuries.
For regency fashion, I have Ackerman’s Costume Plates 1818-1828, which has detailed prints of late-regency gowns.
This is only a portion of my historical research books, which I don’t pull down from the shelves so much anymore. These days it’s easier to “google” an item in question. But having read these books cover-to-cover at one time or another certainly gave me a more in-depth knowledge of the 19th century than just googling disjointed pieces of information would have.
What are some of your favorite reference books for history?
This is the time of year when most people decide on what changes to make in their life and what they want to accomplish in the coming year. If reading more is anywhere on your resolution list, you might want to consider setting a solid goal for yourself.
If reading isn’t on your list anywhere, I refer you back to the first sentence of this article for reasons why it should be.
Here are a few ideas for setting and reaching a reading goal:
1. Set a Number
This is a pretty common, traditional way to set a reading goal. Do you want to read 20 books this year? 52? 100? Maybe you don’t read much and just want to increase to reading a book a month.
Whatever your number is, make sure it’s reasonable. If you take weeks to finish a book, don’t shoot for 100.
Help for Achieving Number Goals:
* Track your reading on a site/app like Goodreads or Shelfari. Pick your favorite book tracking site and log your reading. This will make it easier to remember what you’ve read.
Set your reading goal on Goodreads to keep track of it.
* Make a sticker chart. Remember those charts when you were a kid? You got gold stars for anything and everything your teacher or parent could think of rewarding you for. Your inner child probably still finds some satisfaction in those gold stars. Print out a chart with a spot for each book you want to read. Then mark it off with a sticker when you finish it.
2. Expand Your Genres
Maybe numbers aren’t a problem. You’re constantly reading, but most if not all of those books fall into the same general genre. You might consider setting a non-fiction goal or an out-of-the-norm novel goal.
Help for achieving genre expansion goals:
* You can set a ratio goal such as one non-fiction book for every three novels. One caution on this one: I tried this about three years ago and I ended up not reading anything for months because I was struggling so badly to get through the non-fiction book I’d chosen. Don’t let that happen to you.
* Consider joining a book club. If you join a monthly book club and commit to reading whatever book they are reading, it will pull you out of your comfort genre and make you try other things. Plus you’ll get he camaraderie of a book club. Try googling book clubs in your area or search for one on The Book Club Network. Goodreads also has a large assortment of online book clubs. You can also google online book clubs by specific genre you are hoping to expand into.
3. Use a Non-numeral Gauge
Maybe numbers aren’t your thing. You might have trouble grasping your progress on a numeral scale. Join Jon Acuff on his Empty Shelf Challenge. The concept is fairly simple. Empty out a bookshelf and read until you’ve filled it back up again. There’s even a Pinterest support group.
The Empty Shelf Challenge on Pinterest
What are the benefits to this? You’re in a group with people of various reading speeds. Some are doing audio books, others are putting eBooks on a virtual shelf. Some are already on book five while others are still working on book one. Some devour non-fiction self-enrichment books while others read business books and still others almost exclusively read novels.
Unlike a normal book club, people are reading whatever they want, so you might get some good book recommendations. I know I have.
Other non-numeral challenges can be found on places such as Goodreads. Some I’ve seen in the past year:
* The Rainbow Challenge: Where your book covers have to make a rainbow OR books with the colors of the rainbow in the title.
* The State Challenge: Read books set in each state.
* The Dewey Decimal Challenge: For the non-fiction lover, read a book for each fifty number chunk of the Dewey Decimal system.
4. Use a Timer
Maybe all you really want or need is to make reading a priority in your life. Set aside a time to read every day. Thirty minutes, fifteen, maybe even an hour. Don’t worry about how many books you get through, just enjoy the time and benefits of reading.
Are you setting a reading goal?
If you’re looking for a good place to start, check out any of the books on our Inspirational Regencies list, particularly those by your favorite Regency Reflections author. You can also look back through our December posts for some recommendations on traditional regencies. And keep an eye on this blog throughout the year as we tell you about more great Regency-set books.
Looking for something outside the Regency? Two of our authors just published a couple of non-Regency books that will still warm your heart and given you an enjoyable read. Check them out.
To step away from my desk, from writing, usually takes intention—an obligation, an appointment, an event.
But this weekend, instead of rushing back to my hotel room to work, I took a walk in the city that never sleeps
.
New York City is magic. The lights and screens can mesmerize for hours. The hustlers are everywhere, each chasing their own dream with a specific kind of determination. I melted into the crowd—a sea of people, heads tilted down, grimaces in place, walking like they’re late to a very important date.
And yet, as I shuffled forward, I walked with purpose. Certain of my own hustle. Certain that, like the waves of moving feet around me, I’m going somewhere important.
Even though these times feel tense and nerve-wracking, this too shall fade. The question is: Who will you be when revival comes?
I suggest you should be out walking. Walking to your own tune. Strolling between memory lane and adventure street.
We can’t let depression and deadlines keep us trapped on a treadmill to nowhere. We need to be out, moving, seeing the sights, meeting the moment head-on.
Downtown New York. Times Square—it’s still vibrant, still electric with people, places, and possibility. One of the places I wandered off to was Broadway. I scraped up pennies and last minute tickets to take in a Broadway Show. My daughter and I caught Gypsy.
Gypsy—the revival—is based on the memoirs of burlesque star Gypsy Rose Lee. Originally adapted by Arthur Laurents, with music by Jule Styne and lyrics by Stephen Sondheim, the show first hit Broadway in 1959.
Gypsy follows the struggles of a showbiz mother, Rose, and her two daughters: the sweet, spotlighted June and the awkward Louise. Rose devotes her life to making them stars in a vaudeville world that’s fading fast.
Rose is the ultimate dreamer—the pushiest of mothers, hell-bent on creating success in a season that’s disappearing as quickly as a stripper’s costume.
Gypsy—the cast, the costumes—and especially Audra McDonald—blew us away.
Six-time Tony Award winner, now the most-nominated performer in theater history, Audra stepped into the iconic shoes of Momma Rose—a role made legendary by Ethel Merman, Angela Lansbury, Patti LuPone. And she did it with poise, passion, and a voice that reached the heavens.
For the first time, Rose and her daughters are being played by Black women.
And it feels right.
After all, I grew up with a Mama Rose of my own—down South, with big dreams and high expectations. She had color, attitude, ambition, and love. All of that minus the Gypsy Rose stripping.
And in the legendary Majestic Theatre, we, my daughter and I, took in the chandeliers, the molding, the velvet drapery. The lights dimmed. The orchestra began. And we were swept away—into songs we half-remembered, dances we instinctively tapped to, that wonder that fills you when you let the noise fall away and become part of the show.
This was my daughter first show and she loved every moment.
And sadly, if one doesn’t count off-Broadway shows and church basement productions, this viewing was my first too. I loved it but it’s bittersweet to think of the moments I missed because I chose a different, probably work related path.
And yet I refuse to beat myself up on the Shoulda, would’ve could’ves that befall us. I went with my daughter now. That’s what matters. And as we left we hummed:
Together, Wherever We Go
Wherever we go, whatever we do,
We’re gonna go through it together.
We may not go far, but sure as a star,
Wherever we are, we’re stronger together.
I tweak the lyrics. What can I say, but I’m a writer.
Everything’s Coming Up Roses
I had a dream, a wonderful dream about you.
It’s gonna come true.
They think that we’re through, but…
Nothing’s gonna stop us ‘til we’re through!
Everything’s coming up roses for me and for you!
And now, as I sit on this plane, writing to you, my weekly essay, I hope I’ve passed on something else too.
That it’s okay to take a walk.
That it’s okay to step away from duty, from deadlines, from stress—even just for a few minutes.
That rest and joy are worth chasing just as hard as success.
That it’s okay to fail, as long as we keep dreaming.
My hope is that we all learn to capture that feeling—that joy of being lost in the moment. Of humming. Of strumming our fingers to the rhythm of wonder. Of letting the songs in our soul rise again—when we take care of ourselves.
Even if it’s just with a little walk.
Books that can help you disconnect in meaningful ways are:
Talks about rest as a form of liberation, especially for Black women.
Listen to the album, Sing Happy by Audra McDonald and the NewYork Philharmonic
Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting Bookmarks NCthrough their website and Bookshop.org
You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.
Let’s keep resting and rising together—please like, subscribe to stay connected to Write of Passage
Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe
I’ve enjoyed reading this month’s posts about “keeper” regencies—those stories we go back and reread. Even though we’re familiar with the story line and it’s hero and heroine, we once again fall prey to its magic as we open to page one.
One of my favorite regencies, which I revisit every couple of years or so, is Georgette Heyer’s The Nonesuch. I’ve loved all the Georgette Heyer regencies I’ve read, but a few stand out. I think this latest reread may be my fourth of The Nonesuch. Why is it so special? As Laurie Alice Eakes wrote in an earlier post about her favorite regency, the story line is not terribly unique. In The Nonesuch, the heroine is the classic poor, yet well-educated and high-born, lady, a bit past her prime (aka marriageable age) at 26. The hero is “top-of-the-trees” (aka out of her league). They meet by chance in a village way up in Yorkshire, where she is governess to a spoiled beauty. He is the typical perfect catch who at 35 has not yet been caught by any woman of marriageable age. He is also a Corinthian, which means he is an athlete, excelling at all the sports popular with regency bucks. The heroine is suspicious of Corinthians because of those who engage in the regency version of extreme sports (like racing their high-perch phaetons), often leading younger men astray. But she is hard-pressed not to be impressed with this Corinthian, who is not only handsome, but considerate, mature, thoughtful, and with a sense of humor to match her own. He also singles her out, so no matter how much she tries to guard her heart, it’s a losing battle from the starting line.
The Nonesuch is a classic Cinderella tale of an impoverished heroine winning her prince’s heart. I am sure I will be rereading it again sometime in the future as well as other Georgette Heyer regencies (Frederica and Faro’s Daughter come to mind).
Last month I blogged here about revisiting and re-editing a regency of my own, The Rogue’s Redemption. It’s now available online at Amazon. Here is a copy of the cover:
What do you think of this rogue’s killer blue eyes? Does the heroine stand a chance?
For a description of this and other books by Ruth Axtell, visit her website at www.ruthaxtell.com
Prepping for this post, I read “Gentleman Rogue” by Barbara Neil, for the third time. I am not usually a re-reader of books, favorites or not. My Regency reading habit is voracious, but I don’t keep the books, unless they are VERY special — I just don’t have the shelf space. Most of my Regency shelf is taken up by paperback editions written by my two favorite authors. Far down to the right end are the other ‘keeper’ books and that is where “Gentleman Rogue” resides.
Front & Back covers (the blurb does not do it justice)
Quite often, the best traditional Regency books are the ones published by Signet. “Gentleman Rogue”, written by Barbara Neil, however, was published by Harlequin in 1993.
The book is intelligent and hilarious. Enough so that I was willing to read it a third time for this blog, and my husband can attest that I was laughing (chortling) out loud last night.
Hero: Ryder Starr, Heroine: Aurora Valentin (her nickname is little Miss Bishop). The preposterous, yet entertaining premise is that hero Ryder Starr is going around trying to cause scandals which he hopes get back to his nefarious inheritance-stealing cousin. He hopes the cousin will pay him off, via his share of the inheritance, to stop the embarrassing contretemps. His path crosses with the lovely and high-minded Aurora Valentin, and sparks fly, with her resisting all the way.
A favorite quote from “Gentleman Rogue”:
“Perfection is one of those ideals that may have been conceived solely
in order to be dashed.”
This quote is my personal favorite from this book, because I have frequently thought or said similar sentiments.
I have been reading Regencies for about twenty years. I get most of mine at used book stores/sales, thrift stores, and at the library. I enjoy the setting and social mores, and appreciate that most traditional Regencies are “clean” and not full of bedroom scenes, infidelity, and immorality.
I hope you can lay your hands on “Gentleman Rogue” ~ it’s highly enjoyable.
P.S. I believe Barbara Neil also wrote under the name Barbara Sherrod.
I didn’t grow up reading a lot of Regency books. It wasn’t until I was nearly twenty that I discovered the era and fell in love with it as a story setting. As I studied the authors that I fell in love with, I discovered a whole list of traditional Regency writers that inspired the authors I knew.
My list of books to look up is long, but I will be forever thankful to the friend who pointed me to Marion Chesney.
Her A House for the Season series was recommended to me and I pass that recommendation on to you.
The first book in the series is The Miser of Mayfair. It isn’t your typical set-up.
The setting for the series is a home in London, available to rent but plagued with bad luck. This makes the rent ridiculously low, something Mr. Roderick Sinclair needs desperately if he’s going to take his ward to London for the Season.
The ward, Fiona, is not your typical heroine either. It’s very possible that she is a good bit more than she initially appears to be. Which is a good thing, because if she’s going to make a good match, she has an enormous amount of obstacles to overcome. Not the least of which is a lack of funds, connections, or proper wardrobe.
Enter the wily butler, Rainbird, who plots with Fiona to make her and the beleaguered staff of Number 67 Clarges Street a success.
For me, the book was a refreshing look at the Regency world. The style, plot, and story structure are very different than books I see published today, but that only adds to the story’s charm for me.
Unless you’re lucky enough to find an old copy in a bookstore, The Miser of Mayfairis only available through a Kindle reader. If you’re looking for a fun, easy read while you travel this month, give it a try. If you are an Amazon Prime member, you can even borrow it for free.
Have you read The Miser of Mayfair or one of Marion Chesney’s other Regencies? What did you think?
There is a time and a season for everything.The real question is: Are you ready to move?
Right now, it’s a scary time to be a Black creative. Honestly, it’s a scary time for everybody in the arts. I’ve shared in a previous episode how the Canva bots came for me — they told me that the word slavery was political and banned in their system of tools.Banning books is all the rage. Banning concepts or ideas — stopping the writer or artist at the very beginning — is unfathomable.
Vanessa speaking at the Conyers Book Festival.
You might say, “Vanessa, AI and bots are just part of the times.” And yes, there are many great uses for AI in research and algorithmic approaches. But until we figure out how to train AI without stealing from artists and writers, we are going to continue to have a problem.
If you tell me that the season we’re in now involves AI writing novels and creating drawings and graphics to replace artists, I will encourage you to consider the following:Nothing can replace human creativity, authenticity, and zeal.Those impacted by theft or imitation must press boundaries, pursue legal actions when necessary, and most importantly — outlast the wave.Sometimes, winning is simply about longevity.
Outlasting your haters is definitely one way to gain victory.
For those who follow me, I’m Vanessa Riley. I write in three genres: historical fiction, historical romance, and mystery.
Lately, in the book world, I’ve seen so many friends — so many writers like myself who focus on history — getting hurt. Series are being cut short. Book options aren’t being picked up. Doors that were once wide open are now being slammed shut.
The reasons are many:They tell us the market is soft.They whisper there are “enough” Black books now.They say history—the kind that reveals hidden figures and rich, complicated lives—is suddenly being gutted, looted, or dismissed.
For someone like me, who loves history and is just now finding my footing in historical fiction, it’s dark. It’s absolutely terrifying.
The visual arts, films, and TV have also suffered. In January, I heard similar feedback from filmmakers.
Hollywood is still “recovering,” they say.Budgets are tighter. Risk tolerance is low.Historical pieces, they say, are too “hard to place”—too expensive, too niche.
And then—everyone gets dazzled by Ryan Coogler’sSinners, a historical piece set in the 1930s that genre-bends horror and drama.The film is a hit.
Annie and Smoke from the Movie Sinners shot by Eli Joshua.
At the time of this podcast, Sinners has grossed over $161 million and is now projected to gross between $300–400 million. A diverse audience of moviegoers—Black, White, Asian, and more—people from all walks of life are coming together to experience this masterpiece of storytelling.
Ryan Coogler, I salute you. You had a daring vision, found or created the systems and opportunities to execute it, and made magic.
Now is the time of opportunity.
We have to shake off our fears and create.We must figure out new ways to tell the stories burning in our souls.To innovate. To evolve. That is pathFinding way through the wilderness is the answer.
Sinners showed us the way—not just by being excellent in storytelling, photography, cinematography, and research—but by knowing exactly who the story was for.
Ryan and his team pushed the right buttons—the necessary buttons. The heart of the film is Black-centered storytelling: Jim Crow South, inclusivity, and vampires.
Because when you know who you’re speaking to and what you want to say, you don’t have to dilute the truth to make it palatable.
As a Black creative, I’ve often been pressured to center pain and trauma in my stories—because that is what some believe (and still desire) is what sells.
Ryan Coogler’s Sinners proves that de-escalating trauma works.It sells.Even in the scariest genres.
He took care in how the story was told.Care in how every scene was shot.Care in the research, the respect.
He cast with authenticity—from hair to skin to clothes to dialogue.He didn’t slap diversity on just for clout—the script lived it.
To succeed only by limiting our stories to an audience that believes in our humanity through our suffering is inexcusable.
We must push boundaries, push different buttons.And I believe it is our mission to find new ways to share the lessons of the past—without reducing ourselves to victims or spectacles.
And if Sinners has taught us anything, it’s this:Audiences will reward care.They will reward newness.They will reward stories told with humanity, dignity, and love.
When I first started writing, my mission was simple:Educate the world about the history of Black people across the diaspora.Show our humanity through love stories.
But missions shift with the seasons.Right now? For me—and this pen or keyboard—it’s time to move, to be more daring, to try new approaches to story.
Looking back, I know there were times I softened words, edited scenes, chose tenderness over rawness—because I wanted to make sure readers were comfortable.I wanted the message to reach as many as possible.And I don’t regret the stories I told. I’m proud of every one of them.
But the filter is gone now.And here’s the hard truth:If you still need convincing of my humanity in 2025, I say this with all respect—You probably aren’t going to get it.Keep your coins.Find your own Damascus road.You need divine intervention.
I’m not St. Peter.I’m not standing at the gate any longer, waiting to explain myself—or my people—to you.If you want my knowledge, you’re going to have to do the work yourself.
This new season? This new phase?My stories will be as unapologetic and as free as they’ve ever been.
Because I am a storyteller.And with that comes a duty:To honor my people.To carry the sagas of our ancestors.To bridge the distance from “over yonder” and back to “right here.”
Of course, I want everyone to feel welcome reading my books.I understand I live in a system I didn’t build—but I’m here, and I intend to win.
But my stories?They’re for my people.
And if you’re still listening, you are my people.I write for you.I labor for you.I see you.
I’m ready to move and adjust.And I will be your guide—to happy-ever-after, happy-for-now, or to some bigger definition of freedom and faith. What say you?
What say you?
Some books to guide you in your quest for more authentic storytelling:
“We Do This ‘Til We Free Us” by Mariame Kaba — Essays on abolition and hope, but also about how storytelling and imagination drive social change.
“The Prophets” by Robert Jones Jr. — A deeply poetic novel about Black love and resistance set during slavery but centered on love and humanity, not suffering.
“Bloodchild and Other Stories” by Octavia Butler — Speculative short stories about survival, community, and power dynamics.
“Ring Shout” by P. Djèlí Clark — A daring, genre-bending novel mixing horror, history, and Black resistance during the Jim Crow era (very much like Sinners).
“Island Queen” by Vanessa Riley — A real-life figure’s story told with dignity, richness, and depth.
You can find my notes on history and writing on my website, VanessaRiley.com.
Enjoying the vibe? Go ahead and like this episode and subscribe to Write of Passage so you never miss a moment.
Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe
In writing classes, we are taught to make things as bad for our characters as we can. Honore should have been easy. In A Necessary Deception, in which she made her debut into society, and in A Flight of Fancy, where she rusticates in the country with her injured sister, Honore managed to make things terrible enough for herself.
But I wanted to make her situation even worse!
Lord Bainbridge, the father of the three sisters, is an autocratic man, a political animal who wants things the way he wants them. He manipulates his children to his will as much as he can, and he can do a great deal. But Honore is the baby and pretty and lively and a daddy’s girl. She got away with too much. Daddy cleaned up her messes for her.
So I had to take her daddy away from her.
And then we introduce Americus Poole (Meric to his friends) now Lord Ashmoor. Most men fall at Honore’s feet. Ashmoor looks at her like most of us view rattle snakes—the further away the better. He has his own issues, and Honore’s presence in his life will only make them worse. After all, a man under suspicion of treason cannot be involved with a young lady with a questionable reputation.
Beyond the romance and adventure that springs from Honore and Ashmoor’s stories is the theme of exile. Honore has been exiled from her family and from society because of her past mistakes. In turn, this physical exile makes her feel exiled from God. Everything that happens to her seems to indicate that God has rejected her, and this rejection of the heart and spirit drives her decisions and actions until her very life hangs on the edge.
Cliffs in North Devon (Wikipedia image)
As with Cassandra in A Flight of Fancy, I related to Honore’s spiritual struggle. I attended a Christian college and my friends were going off to be doctors and pastors, and the wives of doctors and pastors. I, however, had no calling that I saw. I interpreted this as God rejecting me. The decisions I made over the next several years—most of them terrible—stemmed from this sense of exile from God.
The simple response is that God doesn’t reject us; we reject him. Romans 8:38-39 assures us that nothing separates us from the love of God. Yet what I had to learn, what Honore has to learn, is that we often have to be taken out of our comfort zone of the life we think we want or should have, to circumstances we can’t control, for the Lord to shape us into the people we are intended to be to thus serve him better.
I hope you enjoy Honore’s journey back from exile.
For a chance to win a $10 Amazon gift card today, answer the question below in the comment section. Your name will also be entered into our Regency Gift Package Giveaway in honor of the release of A Reluctant Courtship. The giveaway includes another gift card, a tea cup, and chocolate.
What types of things do you like to learn from authors? For example: How they work, their non writing life, their spiritual life…
Last week was a weird one. The algorithms—the bots—seemed to come for me. Canva, of all places, led the charge. It made me feel like I wasn’t just wrong in opinion, but wrong in essence. As if the characters I write—rooted in history, full of breath and heart—were somehow unworthy. Handcuff me now, because it felt like I was being told it was a crime to write them at all.
Caption: Two Scaredy-Cats watching the must see movie, Sinners.
And in this current climate? That kind of doubt sticks. There’s so much anti-DEI noise. So much effort to “protect” people from truth. Heaven forbid someone learns something. Heaven forbid someone dares to be better, more moral than their ancestors.
I thought I’d shaken it off. Thought I’d moved on. I got back work on my manuscript and typed out another 6,000 words. Then came another note from Canva, gently suggesting I find another word—something less “triggering”—than “enslaved” to describe Jacquotte of the upcoming Fire Sword and Sea, who had in fact was enslaved. So I turned to friends and asked them for other ways to phrase “enslavement.” Here’s what we came up with:
* Bond servant
* Stolen laborer
* Forced job training
* People in the condition of slavery
* Held in captivity
* Kidnapped
And y’all—I laughed to keep from crying. Because all I could think of was: Lord, have mercy.
I might have sinned right then—if not in word, then in thought. I wanted to cuss out the machine. I was disappointed in technology. That’s a hard place to be for a data girl. Yet, I was more disappointed in me for even entertaining the idea of appeasing the bot—the faceless, soulless thing that some biased, flawed, or agenda driven human had created and enabled it to think it knows what’s best.
Surrendering is not how we honor truth or the stories we’re called to tell.
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Fear is a seductive thing. It whispers: Don’t speak too loudly. Don’t shine too brightly. Don’t center stories on Black truth, Black joy, or Black progress.
And lately, I’ll admit—it’s been taking me longer to bounce back. It’s getting harder to hold on to the vision of a brighter morning just ahead when everything feels handcuffed and ready to be jailed or deported.
In the past forty-eight hours. The visuals that I allowed my eyes to see have been, stunning, heartbreaking, and even holy.
On Easter Sunday, my church goes all out for a dramatization of the Crucification: lights, drama, music, the whole thing. But this year, there stood a Black Jesus—bloodied, whipped, brutalized. It hit different, terrifyingly different. Then came Black Simon, stepping in to carry the cross, basically taking on his shoulders the oppressor’s burden given to Jesus. I’m watching it and something cracked, fracture into hundreds of pieces on the inside.
It’s been a long time since I cried in church. The first time was when I said the sinner’s prayer and I admitted that I was scared and I needed salvation.
Side note: Did you know the “Sinner’s Prayer” doesn’t actually appear anywhere in the Bible? There is no biblical record of anyone praying those exact words. It emerged around the Protestant Reformation and took shape in the early 20th century—barely 125 years ago. For context, the Civil War officially ended 160 years ago. Both of those things are not that long ago.
On Easter Monday, I saw Sinners—the Ryan Coogler film with Michael B. Jordan, Wunmi Mosaku, Hailee Steinfeld, Li Jun Li, Miles Caton, and Delroy Lindo. On a gorgeous widescreen, I watched this emotionally rich tale saturated with period details and truths. Spoilers alert: Two brothers are seen watching the sunrise, just in awe of the majesty and their freedom. Then I focused on people dancing, singing, loving.
Then comes destruction.
The movie has all types of monsters. The obvious hate-filled men of the Klan, who are hungry for blood and money. Then monsters disguised as your own kind. The evil is often invited in. He feasts of fear and death.
The violence didn’t make me jump. The gore wasn’t any worse than the makeup used at church for the crucifixion. Eventually, dread arrives. It settles in your chest. It steals all joy before the next morning can come. I found myself waiting for that other foot to fall, for when that bad was coming.
So what does this all mean? Anticipating doom or consequence can be as draining as when the threats or violence comes. We can’t surrender in advance.
It means we must guard our eyes—not to shield them from truth, but to make sure they still see beauty, even in chaos. Still see family. Still see hope.
We must guard our ears—because false praise can lull us into stillness. It can lie to us that we are safe and leave us vulnerable to brokenness. Yet we need music, sweet music, true music, ancestral rhythms. All can cut through the noise and remind us who we are, who we are striving to be.
We must remember:
This little light of mine… I’m gonna let it shine.
A light can be seen.A light reveals what’s nearest—what needs our care.A light casts shadows, warning us of what’s creeping in the distance.A light tells the truth of our circumstances. And it gives us the chance to see the true face of things lurking in the dark.
So keep your light burning. That is your protection.Keep your voice strong. That is how you inspire hope.Then revel in each new day, letting your truth-telling, joy-making, world-building self be known.
To help encourage your soul, try:
Call Us What We Carry by Amanda Gorman – Poetry that engages with history, hope, and the responsibility of bearing witness.
Sula by Toni Morrison – A meditation on Black womanhood, loyalty, and community through beautifully painful prose.
And of course, go see Sinners in the movie theater. Watch creativity and inclusiveness on the widest screen you can find. Thank me later.
The winners will be those who kept their light shining, who believed in truth. And who dared to cry out: It’s me. It’s me, oh Lord, standing in the need of prayer.
Darkness is real. We tend to invite into our life, our work, our sanctuaries.But remember dawn is also real. Dawn, I hear comes with new mercies, too. I pray we find them.
Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting The Book Cellar through their website and Bookshop.org You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.
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Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.
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Laurie Alice Eakes – Right now, the only amazing book I’ve read so far and will be reading through this year is the Bible. It’s been a few years since I’ve read through it in a disciplined plan, and am amazed all over again at how amazing is the word of God. Holding fiction reading opinions in reserve as of yet.
Kristy Cambron – I am in the middle of Sarah Ladd’s new release — The Headmistress of Rosemere. As with her debut, fans of Austen will love book two in the Whispers on the Moors series. I’m planning on getting little sleep until I make it to the back cover! 🙂
The setting for the series is a home in London, available to rent but plagued with bad luck. This makes the rent ridiculously low, something Mr. Roderick Sinclair needs desperately if he’s going to take his ward to London for the Season.
