Category: Recommended Reading

Jane Austen Para-literature – Sequels, Retellings, and More by Susan Karsten

Researching this subject taught me a new term and concept: Jane Austen para-literature. Oh my. This is a huge topic. I am only able to skirt around it, since to cover this topic completely would take years. The incredible array of sequels and retellings of the Austen ouvre is astounding. I, dear reader am a veritable babe in the woods when it comes to such reading opportunities. I have read a few spin-offs, no sequels, and no retellings of Jane Austen’s novels.

Is there a name for the phenomenon of the fact that a movie is never/rarely anywhere near as good as the book? Extrapolating that thought further tells me there could never be a sequel book as good as the original Pride and Prejudice.

Creative or knowledgeable people: Please come up with a name for the above phenomenon. Mention it in the comments.

Inveterate Austen sequel/prequel readers: Have you read any great ones? If so, please leave the titles in the comments.

READ ON! Much good information coming your way in this post.

Please check out these websites for listings of sequels: http://www.pemberley.com/janeinfo/austseql.html

http://webdoc.sub.gwdg.de/edoc/ia/eese/breuer/biblio.html

{The second site lists them alphabetically, but also has a listing of them in chronological order, so you could skip down to the more recent ones.}

There’s also a list on Goodreads of the popular ones: http://www.goodreads.com/shelf/show/jane-austen-sequels

And another on Amazon: http://www.amazon.com/Guide-Jane-Austen-Sequels-Miscellany/lm/R1SHWQ7HPAS300

From the first link listed above, Ted Adams has a wonderful, comprehensive article slicing and dicing the terminology of Austen para-literature. I have used material from this article below. He said it so well.

“The adaptations, completions, sequels, pastiches and other attempts to tap into the Jane Austen industry … devolve from a most noble sentiment: We have read the six published novels and we want more. We want more and different insights into both the novels and into the type of person that Jane Austen was.

Adaptations are transformations into another medium, e.g., stage, screen and television.

Completions are the finishing off of a novel fragment. Jane Austen’s two fragments, The Watsons and Sanditon have been attempted a number of times.

Sequels are a continuation of the action. To my knowledge, nobody has written a “prequel”, which would be a description of what occurred before the action started.

Pastiches are work written in the style of Jane Austen. Jane and the Unpleasantness at Scargrave Manor is a pastiche. Its premise is that it is a notebook that Jane Austen kept concerning events during a period for which we do not have documentation.

Certainly no Jane Austen pastiche will ever be as good as the original, but that is to be expected. Mind you, when the standard is one of the best writers in the English language, to fall short of the mark is no disgrace. To write with wit, economy, great insight and develop complex and interesting characters is no mean feat. After all, we read Jane Austen with great pleasure 200 years later because she compares well not only with her contemporaries but also with ours and everybody who has come in between.

Personally, I enjoy pastiches for much the same reason that I sometimes enjoy Jane Austen criticism. Even when a pastiche fails or fall short, it can be interesting to try understand how or why it comes up short. And in the meantime, I’ve read a story that really has no requirement to be taken seriously.

The questions I would ask of a pastiche are the same that I ask of criticism: Is the work interesting/entertaining in its own right? How faithful it to spirit of Jane Austen’s novels? Does it provide insights into the work in question and/or the character of Jane Austen? ”

So, dear Austen-loving friends, I highly recommend reading the full text of the Ted Adams article — not the least for the titles of para-Austen books he considers excellent! Thanks for visiting Regency Reflections.

Remember to comment on the questions: What to call the phenomenon when the movie or sequel is never as good as the original AND Give the titles of any Austen para-literature books you’ve read that you think were pretty good.

Susan Karsten

The love of Regency romance lives on today. Comment on any post this week for a chance to win a book by one of Regency Reflections’ amazing published authors. The winner will be emailed the list of available books to choose from. The winner will be announced Monday, August 26th. Winner’s mailing address must be within the United States to win. 

Originally posted 2013-08-23 10:00:00.

Georgette Heyer, an Austen Successor, and Another Chance to Win

Congratulations, Susan Heim, on winning the beautiful hardback copy of Pride and Prejudice. Check your email for details on claiming your prize. See the end of this post by Laurie Alice Eakes for another chance to win a fabulous prize. 

Although I have been devoted to the Regency era since the age of fourteen, I never read a book by Jane Austen, nor did I see one of the movie adaptations, for another twenty years. I haven’t even read all of Miss Austen’s books. Instead of this celebrated lady of letters, my attraction to the Regency came through an intermediate step—Georgette Heyer.

Georgette Heyer
Georgette Heyer

For years, I tried to get a copy of A Private Life, a biography of Miss Heyer written by another one of my favorite Regency authors, Jane Aiken Hodge. That tome was never available, so I was thrilled when a new biography by Jennifer Kloester was published. Since I’ve been reading it off and on for the past few weeks (it’s a lengthy book), I thought reviewing it in the month we are celebrating Jane Austen wholly appropriate. My Regency sisters have indulged me, since I am far more fond of Heyer than Austen, as blasphemous as that may be.

Kloester executed a tremendous amount of research for this biography. She must have read a few thousand letters and delved into numerous dusty storage rooms for original documents. The details included are more intriguing—and more edifying—than five minutes of TMZ. This is the book’s greatest strength and greatest weakness. The details about her publishing life, her personality, her friendships and animosities are like juicy gossip, especially to a writer or lover of her books. On the other hand, after a while, as many details as we receive go a little too far. I don’t need endless pages—fortunately scattered—regarding the Rougier (her married name) financial difficulties and mismanagement. Nor do I need the author’s speculation about the couple’s sex life.

KloesterBook_HeyerMore important are the details about her ups and downs as a published author. More ups than downs from most writer’s perspective. She sold her first book when she was nineteen. One of her detective novels was banned by the Irish government as being obscene (it’s not) until the 1960s. And although it rather makes me sad, I like the details about her personal habits such as how she smoked two packs of cigarettes a day for most of her life. It just doesn’t fit my image of this educated and talented Englishwoman born right after the turn of the 19th century. The ways in which she stayed awake when on deadline make me cringe as much as did some of her business decisions.

A business woman she was not unless one counts that she wrote romances, most set in the Regency, for the money, when her heart lay in long historical novels. She did manage to write these, but other than An Infamous Army, these were not the most successful of her books. Readers ate up her Regency and Georgian romances. They also loved her detective novels. To learn that two of her favorite authors were Jane Austen and Raymond Chandler did not at all surprise me.

That others ripped her off didn’t surprise me either. She exchanged letters with publishers and attorneys regarding how closely Barbara Cartland’s books followed Heyer’s, and wasn’t afraid to say the woman needed to do her own research. Cartland wasn’t the only writer who decided to use Miss Heyer’s original research instead of seeking it out for themselves.

Often I have heard that Miss Heyer made up slang terms and even that she inserted false facts to throw off these pretenders to know the time period and write in the same genre Heyer rather developed herself. After reading the biography, I no longer believe these claims to be true. She possessed too much professional integrity to do so.

HeyerBooks

Although Miss Austen wrote during the Regency era that has become a subgenre of romance fiction, the subgenre itself, for which we and dozens of other authors keep blogs,  owes its popularity and stronghold to Georgette Heyer.

The love of Regency romance lives on today. Comment on any post this week for a chance to win a book by one of Regency Reflections’ amazing published authors. The winner will be emailed the list of available books to choose from. The winner will be announced Monday, August 26th. Winner’s mailing address must be within the United States to win. 

Originally posted 2013-08-19 10:00:00.

How Louise M. Gouge Came To Write Regencies and a Giveaway!

Guest post by Louise M. Gouge

It all began with Jane

Jane Austen
Jane Austen

I have always loved stories set in the Regency period. One of my earliest movie memories is of watching Greer Garson and Laurence Olivier in the old black and white Pride and Prejudice. What a romantic story! I never even noticed that the costumes were definitely not from Jane Austen’s era. Later, I took a graduate class in Austen and loved reading all of her books. When the 1994 A & E version of Pride and Prejudice came on television, I was enthralled by the spectacular production. But I never considered writing a Regency romance because I wasn’t sure I could capture all the nuances of the era. There were just too many details I didn’t know about it.

Who, me?

But then I got tricked into it. I had just completed a Revolutionary War series and was wondering what to offer my editor in my next proposal. She solved my dilemma by asking me to write a Regency novella to be paired one by Deborah Hale, an experienced Regency author. I don’t know about you, but when my editor asks me to write a book, I say yes. The opportunity to share a book with Deb was icing on the cake.

So now I faced a challenge. As a reader, I don’t care much for careless or nonexistent research. As a writer, I endeavor to create interesting stories that take place in realistic settings. You may say, “Well, duh! Doesn’t every author want that?” But haven’t we all been pulled out of a story by some nagging little plot device we know could not have happened in that particular time period? Devoted Regency readers are particularly sensitive to such errors. I didn’t want that to happen with my story.

A LAdy of Quality Cover
Louise’s latest Regency offering ~ proof that she mastered the genre.

Help arrives

Fortunately, I had the help of our good friend, Laurie Alice Eakes, an amazing author who knows the era well. She answered my pesky questions and insisted that I join the Beau Monde chapter of RWA. There I could ask the research mavens for help. And believe me, I did!

Well, I finished my novella, and by then I was hooked and ready to propose a full Regency series. After reading in another author’s lovely book that included a rather pathetic minor character who was a lady’s companion, I knew that had to be my subject. I came up with three different aristocratic young women who were forced by circumstances to go to work as companions. As you readers and writers of this era well know, it was shameful for aristocrats to work at any job, so my heroines were all bound to suffer Society’s disdain. Yet paired with the right hero, each lady found her true calling: marriage to the man of her dreams and a happily-ever-after life. So far, only a few tiny errors have crept into my books, but I welcome any corrections so I can get it right the next time.

Success!

By the way, that novella, The Gentleman Takes a Bride, earned second place in the Inspirational Readers Choice Awards, so I was more than pleased with that.

My brand new release, A Lady of Quality, is the third in my “Ladies in Waiting” series. Catherine Du Coeur is determined to uncover the truth about wealthy Lord Winston, who falsely accused her father of treason. But the closer she gets to the handsome young nobleman, the more she wonders how such a benevolent gentleman could have conspired to commit such evil. Baron Lord Winston has had little success in finding an accomplished aristocratic bride who is suited to his diplomatic aspirations. But when he meets Miss Du Coeur, a countess’s lowly companion, he finds that family connections are far less important than matters of the heart.

Louise M. GougeAward-winning Florida author Louise M. Gouge writes historical fiction for Harlequin’s Love Inspired imprint. In addition to numerous other awards, Louise is the recipient of the prestigious Inspirational Readers’ Choice Award for her 2005 novel, Hannah Rose. With her great love of history and research, Louise has traveled to several of her locations to ensure the accuracy of her stories’ settings. When she isn’t writing, she and her husband love to visit historical sites and museums. Her 2011 Regency novella, The Gentleman Takes a Bride, earned second place in the prestigious Inspirational Readers Choice Award.

One lucky commenter will win their choice of one of the Ladies In Waiting books. Leave a comment telling us why you started reading regencies to be entered to win!

Contest is now over. Look for Louise’s latest novel wherever you buy books. 

Originally posted 2013-07-26 10:00:00.

Write of Passage: The Losing Season

There comes a moment when the noise fades, the dust settles, and you look around and realize: this is a losing season. The signs are everywhere—opportunities dried up, allies silent or absent, and the very ground that once felt firm beneath your feet feels like it’s shifting. You blink and think, how did I get here?

Vanessa – Out of Coffee

I move through the world on a mission. It’s loud and clear in my heart: I’m here to tell stories that center encouragement and empowerment—especially for Black women. It’s personal. I am a Black woman. And being one raised at the crossroads of cultures—Caribbean roots, the Southern Baptist South, Irish threads in my lineage—I bring a perspective that’s richly textured. I’m a history and STEM girly, someone who gets giddy over tech and deeply moved by stories of women surviving and thriving from the 1300s to WWII. I love the research, the smells, the taste of a scene, the sound of a woman’s laughter echoing through centuries. And yet, in the middle of building, writing, pitching, and praying, I look up and realize I’m in a losing season.

The world right now is showing its cards. Political chaos runs rampant. Corporate agendas have eaten integrity for breakfast. The pressure to tell “acceptable history” rather than true history is real—and exhausting. The DEI moment has slipped into quotas and checkboxes, and alleged allies are revealing their true motivations. Let me be real: some folks were only in the room for the optics.

When someone shows you who they are, believe them.When a door closes, let it remain closed.If the house is on fire, get out and let it burn.

That’s not bitterness. That’s wisdom earned through fiery flames.

As a woman of faith, I know that even the losing seasons have purpose. There are times I ignored the signs and lost, getting smacked with fallout. And there are times I listened—and for a moment blessings flowed like a river. Then the river ran dry.

It’s not always going to be a winning season. Sometimes, you lose. Sometimes, life kicks you in the teeth. And when it does, you have to ask yourself: now what?

What Do You Do When You’re in a Losing Season?

You grieve. You breathe. You pray.

You let the rain come.

Ecclesiastes 3:4 reminds us: There’s a time to weep and a time to laugh, a time to mourn and a time to dance.Nobody wants the weeping season. No one welcomes the mourning. But the rain is necessary—it releases what’s buried, nourishes what’s growing, and reminds us, we are alive.

Find Ways to Retain Joy – Vanessa with her 26th book taking Car Selfies.

Losing hurts. It hurts to see people you trusted only stand beside you when it’s trendy. It hurts to watch monuments scrub away Black contributions from the record, as if the Underground Railroad, War heroes erased from Arlington National Cemetery because of their sex or color or skin, and the countless other dark hands that built this country are inconveniences to a prettier story.

Let me be clear: this is all American history—Italian migrations, Haitians battling English troops for our freedom. All the Black, Brown, and White stories woven together belongs to all of us. Yet the only narratives being preserved are the ones that make people comfortable. The rest? We’re told to erase, edit, or hide them. And if you’re someone like me, someone who insists on telling the truth with love and power, you can find yourself cast out, put into a rough season where nothing sticks.

But even here—especially here—there’s still something to do. You regroup.

Hope and Regrouping

Losing doesn’t mean you stop. Losing is a pause. A reroute. A holy moment to reset.

Stop chasing folks who never believed in you.Stop shrinking your truth to make others feel taller.You remember your mission.

Yes, it’s a lonely road when only 6% of the room looks like you. Yes, like-minded folks are rare, and genuine support can feel even rarer. But they are out there. I know that because I have readers and listeners who hear me—who see me. That means the world.

And so, we regroup with intention.

We protect our joy.We sharpen our gifts.We build anyway.

We prepare for the next season by shedding the expectations that no longer serve us. We speak truth—the whole truth—because the stories we tell now will shape the world we’re leaving behind.

I don’t pretend to have it all figured out. I just know the losing season doesn’t get the final word. The bumps and the lows on my path are birthing clarity. Resilience is being shaped, and I fall back on my faith and it brings me out of darkness to the sunshine.

Vanessa Riley’s Write of Passage is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

And when the rain stops, and the mourning shifts, we will dance again.

Books to help you through your season are:

Rest Is Resistance by Tricia Hersey

A radical, spiritual, and deeply empowering book about reclaiming rest as a tool of liberation.

Black Liturgies: Prayers, Poems, and Meditations for Staying Human by Cole Arthur Riley

A spiritual balm. Riley weaves faith and justice into meditations that feel like breathing in a storm.

Healing the Soul of a Woman by Joyce Meyer

Meyer speaks candidly about trauma, emotional wounds, and how God works healing in the places we hide.

Island Queen by Vanessa Riley

A Caribbean woman’s rise to power in a world that tried to crush her. It’s history, empowerment, and a well researched novel.

The Love Songs of W.E.B. Du Bois by Honorée Fanonne Jeffers

A multigenerational epic that explores identity, belonging, and the burden and beauty of legacy.

Show notes include a list of the books mentioned in this broadcast. This week, I’m highlighting Baldwin and Company through Bookshop.org. You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe