Category: Love and Romance

The Men of Pride & Prejudice and A Chance to Win

In my ruminations on the male characters in Pride & Prejudice, I first decided I might discuss them from the least important (in my eyes) to the most important, Mr. Darcy, of course. Or perhaps, I would discuss them from Mr. Darcy to each lesser character. A third option might compare the men from Lizzy’s sphere with the men associated with…Mr. Darcy.

Do you begin to see my dilemma? Jane Austen wrote a book about Elizabeth Bennet and Mr. Darcy and amazingly ties each male character to the leading man in an intricate way while creating, at the same time, very individualized, stand-alone men in their own right.

So it seems I must discuss each character’s wonderful foibles and personalities (in no particular order) and how they re-make Mr. Darcy into who he becomes, the hero in one of the greatest love stories ever written (opinion mine).

Mr. Bennet

Let us first examine Mr. Bennet. Considered a gentleman, he allows his children, especially Elizabeth, to be who they want to be not who they should be. Lizzy, with her love of books and wonderful sense of the ridiculous, becomes his obvious favorite as the one most like him. And he plays a significant part in Darcy’s preference for Elizabeth.

In describing the really “accomplished” women of the day, Darcy adds, “…and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading.” Darcy is already interested in that quality in Elizabeth, one fostered by Mr. Bennett.

She and her father also have their share of fun at Mr. Darcy’s expense until Mr. Bennett discovers what he believed about Darcy to be untrue. Darcy’s intervention in the case of Lydia and Wickham was the eye-opener and he was finally pleased to say to Elizabeth, “I could not have parted with you, my Lizzy, to any one less worthy.” Mr. Darcy began the process of putting himself out for others out of his love for Elizabeth.

Mr. Bingley

Next is the sweet, loveable Mr. Bingley.

I wished to start out with him because he establishes the connection with the Bennetts that allow us to be introduced to Mr. Darcy’s harsher side. We cannot learn of it any other way because the evil of Mr. Wickham cannot begin this early in the story.

But it is through this amiable relationship that we also see a wonderful change in Mr. Darcy. He convinces Mr. Bingley that Jane Bennett does not care for him, but we know it is her low birth that Darcy disdains. He will stick to his story even in the writing of his letter to Elizabeth at Rosings, “…I shall not scruple to assert that the serenity of your sister’s countenance . . . gave me the conviction that . . . her heart was not likely to be easily touched.”

He becomes forced to rethink his actions and in the end must apologize to his adoring friend. The character development of Mr. Darcy through Mr. Bingley is wonderful, compliments of Jane Austen!

Mr. Collins

Shall we move on to Mr. Collins? Who but Ms. Austen could create such a character?

He is a buffoon, a name dropper, a sniveling little man (no matter which actor of choice portrayed him) with a self-righteous piety that lasts only until his benefactress is conjured up by himself or another.

We start out believing Jane created him solely for our enjoy enjoyment, comic relief if you will. But his connection to Darcy is ingeniously interwoven through Lizzy’s best friend, married to Mr. Collins, at Rosings where Darcy has easy access. Elizabeth needed the connection of Mr. Collins at Rosings to allow us to see Darcy in a different light. Well done, Jane!

Mr. Wickham

Ah! The infamous Mr. Wickham… When he appears, we are pulled into his ruse and we can now abhor Mr. Darcy as Elizabeth does. And Ms. Austen adds the twist that Lizzy may have found her match and we sit on the edge of our seats to see.

But Wickham is nothing without his connection to Mr. Darcy. We had to see Darcy’s egotism and snobbery before we could believe the terrible accusations. And it is Wickham’s character development into total degradation with Lydia that allows us to begin to see Darcy in a new light.

New characteristics he declares are only for Elizabeth’s sake, but allow us to begin a love affair with him after chapters and chapters of disliking him heartily.

I’ll declare that Jane Austen never got a note from her editor that her manuscript needed more conflict! She is the queen of conflict in P & P.

Mr. Darcy

We shall end with our hero, Mr. Darcy. I sometimes think technology has ruined literature more than enhanced it. I have opinions on each of the actors who have portrayed this hero but I must be sure to base my thoughts on Jane Austen’s Mr. Darcy and not an actor.

Mr  Darcy - all five for Regency Reflections small
Picture courtesy of Jane Austen World Magazine

So when I sit down with the book, all faces disappear and I read and re-read the story always culminating with the picture perfect hero (my own imagination inspires the way he looks) in an amazing love story.

The changes that occur through the pages are all linked to the other male characters enough that we see Mr. Darcy become a new man, not only for the love of Elizabeth, but because he has seen his own shortcomings through the men with whom he interacts.

I look forward to hearing other readers’ perspectives on their favorite characters. I fancy there are as many opinions out there as there are readers!
pandPbookThis week we’re giving away a lovely copy of Pride and Prejudice. The book is hard cover with a ribbon book mark. The pages are rough cut to simulate the cut edges an original print would have had after binding. All comments on this week’s posts will be entered in the drawing. Must have a United States mailing address in order to win. Winner will be announced August 19, 2013.

Originally posted 2013-08-14 10:00:00.

Who Was Jane in Love With?

Jane_Austen_coloured_version
Jane Austen – Wikipedia

I recently read an older biography of Jane Austen entitled Presenting Miss Jane Austen. It was written by May Lamberton Becker and published in 1952. It was well-researched and endorsed by the Jane Austen Society.

What intrigued me the most, however, was a short section in Chapter Thirteen about one of the summer journeys Jane and her sister Cassandra took while they were living in Bath. One of the things Jane most looked forward to living in Bath was spending summers at the seashore. This was a new vacation destination for regency society, who had up to then been accustomed to going to the watering holes of Bath and Tunbridge Wells. But with the Prince Regent preferring to spend his time at the seashore in Brighton (which grew up around the original settlement of Brighthelmstone), the Brits took to the sea.

Jane writes about this new mobilization in a satirical way in one of her unfinished novels Sanditon, in which a resort town is being constructed around a traditional fishing village. You can see her humor in the town’s name which sounds suspiciously like “Sand Town.”

It was on one of these summer jaunts that Jane and her sister met a young clergyman at one of their stops. Perhaps it was in Devonshire, the author speculates. This clergyman was visiting his brother, a doctor. Her sister Cassandra is quoted in one of her letters as saying he was “one of the most charming persons she had ever known.” When they continued their journey, this gentleman asked permission to join them farther ahead in another town. According to the author, permission was given, which in these more formal times, meant a tacit agreement of a serious intention. When the sisters arrived at the town, Jane received a letter announcing his death.

Fast forward to more recent times when a literary biographer, Dr. Andrew Norman, has written a book called Jane Austen: An Unrequited Love (2009). He claims the identity of this mysterious gentleman is the clergyman Dr. Samuel Blackall, the brother of Dr. John Blackall, a physician. It seems Jane met him years earlier in 1798, when the two were guests of mutual friends, the Lefroys (one of whom, Tom Lefroy, is depicted as Jane Austen’s love in the movie In Becoming Jane).

Four years later they seem to have met again on the southern coast of England in the town of Totnes in Devon. Norman says she was visiting this town with her parents and met and fell in love with a clergyman who was visiting his physician brother who worked there.

Until then no one knew the name of this mysterious clergyman. But Norman searched the town records until uncovering the name of one physician, a Dr. John Blackall. He put two and two together and concluded that this is the same family Jane had met earlier at the Lefroys.

Very few of Jane’s letters survive from the years directly after this meeting, between 1801-1804.  Norman says that Blackall did not die but married someone else in 1813.

So, who knows what really happened. I prefer the first biographer’s conclusion, that Jane and this young clergyman did meet and fall in love and then he died prematurely. Jane loved him to her dying day, and her feelings are reflected in that famous quote from her novel Persuasion in which she debates who loves longest, men or women: “All the privilege I claim for my own sex (it is not a very enviable one, you need not covet it) is that of loving longest, when existence or when hope is gone.”

What do you think?

Originally posted 2013-07-08 10:00:00.

Old Lovers, Make-Me-Love-You Heroes, and Marriages of Convenience

Vanessa here, opining for love.

I found a bit of time to read this weekend. For me, that would be a Regency novel. Obvious huh. As I looked at my two-decade-old collection, I started thinking about the types of plots I really love. Three stood out: Old Lovers, Make-Me-Love-You Heroes, and Marriages of Convenience.

Old Lovers

While I enjoy the whole “find a stranger/ love a stranger” aspect of most novels, the Old Lovers: loved once, love lost, love regained, really appeals to me. I recently finished Flight of Fancy, and the richness of the history between Cassandra Bainbridge and the Earl of Whittaker makes the story. It adds a subtle tension through the whole book, causing even mundane actions like Whitaker walking away from Cassandra to contemplate banging his head against the window in frustration, sexy.  I wouldn’t feel his pain, if I didn’t know how long he’s loved her and his confusion of how to win her back. I wouldn’t sigh as I see Cassandra noticing Whittaker leaning against the window and noting he’s not gangly any more but well-set, all man now. Hubba Hubba.

And I’ll say it.  You can’t get away with “Lessman” like passion starting on page 1 with strangers, unless of course, this is a bodice ripper Regency, but we don’t write that here.  🙂

On my radar to read, Mary Moore’s Beauty in Disguise.  Seems that old lovers, Lady Katryn and Lord Dalton have a story to tell in the woods.

The Make-Me-Love-You Hero

What is a make-me-love you hero?  This is an intelligent swarthy hero with a smidge of alpha-male arrogance. I know what you’re saying. “Arrogance, really Vanessa. I don’t want to read about a stuck-up hero. ”

Let me explain. Yes, a touch of arrogance is a requirement. It causes him to be deluded into believing he alone can save the heroine from all her woes. This adds to his fall or black moment.  It changes him forever. It will make his “somewhat loose bond to God” stronger, more personal, more real.

Oh, he must also be smothered in a big dollop of humor, particularly, self-deprecating humor.  It’s a rare combination like a handcrafted tea, but when you find him, you’ll drink him in, reading him over and over again.

And it goes without saying, he must be romantic. I need him to whisk me off my feet and carry me to safety after he bests the footpads. He should whisper sweet Latin or poetry or verses penned by Solomon in my ear to soothe my nerves.  Then at the right moment, his rough knuckles will traverse my jaw, tipping my chin to the right angle to kiss me ’til I nearly faint. Or at least he’d want to but his gentlemanly manners prevented it.

Who are these men? You’ve met them: Mr. Knightly (though he needs more humor) of Emma, Mr. Darcy (after he falls for Elizabeth) of Pride and Prejudice, Dominick Cherrett (from start to finish) of Lady in the Mist, Adam Drake of A Proper Marriage(Zebra-Traditional Regency), and  Justain Delveaux of Madeline’s Protector (Ok, you’ll get to meet him in April).  There are so many more that I can’t do this post justice.

Sigh, sorry I was in my happy place thinking of these heroes, back to Regency Reflections. P.S. please comment with more Make-Me-Love-You Regency heroes. I need to add to my bucket list.

On my Radar: Major Gerrit Hawkes of the Rogue’s Redemption. I hear he’s a naughty guy turned good by the love of a good woman and a good God.

Marriage of Convenience

As I said before finding love with a stranger can be stirring. Nonetheless, having to marry said stranger before you knew you loved him is positively fascinating. The idea of marrying a stranger is probably making you cringe. This complete loss of control in a matter of the heart would lead to many hours of prayer and/or counseling. Yet, did you know that the average divorce rate of arranged marriages is 6%1?  Did you know the average divorce rate amongst Christians (those who regularly attend church) is 38%, 60% for Christians who don’t attend church regularly 2. So let’s not scoff at these marriages based upon factors other than love.

Let Me Explain What a (Regency) Marriage of Convenience is and What it is Not.

A marriage of convenience is a real marriage, not a fake one. It must be officiated like every other marriage, with licenses, banns, etc. In Regency times, these were marriages for life. There is no “let’s get married” for a few years and then divorce. As a matter of fact, there is practically no divorce. Unless the husband continually cheated with the wife’s sister to the point the wife could not forgive him and was constantly reminded of the infidelity, Parliament saw no reason to grant a divorce. Thus, divorces were extremely rare in England since it had to be sanctioned by Parliament.

There was such a thing as a Church Divorce. This was not a legal divorce but a separation ordained by the church. This did not dissolve the marriage or allow someone to marry another. It was just a civilized way to separate.  Women needed to be particularly careful in this situation. The husband could keep custody of the children, as it was his right to decide where the minors would live.  He could prevent her from ever seeing them. Under a Church Divorce, the husband could do the bare minimum to provide for the wife. Again not a good situation for the wife.

A marriage of convenience did not have to involve a compromised party. It might just be convenient. I truly love, when a hero accidentally or purposely compromises the heroine and is now forced to save her (and his) honor(s) and must marry the heroine. Yet, this is just one contrivance. They may decide to marry to fulfill the requirements for an inheritance, to join lands, to protect the heroine, a parent’s dying wish, or an overly complex and contrived plot.  Many reasons, just not for love.

A marriage of convenience does not mean no nookie. This was a real marriage with a marriage bed. As Hebrews 13:4 says, “The Marriage is honourable in all, and the bed undefiled.”  So if the parties are inclined or they needed an heir…. Well, you get the picture.

Alas, most of my favorite Marriage of Convenience stories are found in the old  traditional Regencies (Inspy’s we need more of these): The earl and countess of Sanborn in the Perfect Mistress (Bantam), the  earl and countess Faulconer of A Convenient Marriage (Zebra), the earl and countess of Slenford of The Earl’s Mistaken Bride (Love Inspired).

On my radar, Marriage of Inconvenience by Cheryl Bolen.  Is the practical marriage of the Earl and Countess of Ansley doomed or just beginning? I’m going to have to find out.

References

  1. UNICEF, Human Rights Council, ABC News, 8/12/2012
  2. Bradley R.E. Wright, Christians Are Hate-Filled Hypocrites …and Other Lies You’ve Been Told, (Minneapolis, MN: Bethany House, 2010), p. 133.

Originally posted 2013-01-23 10:00:00.

“How to Maintain a Flourishing Husband”

When I was about to be married, the women of my church threw me a shower, at which each of them gave me a favorite recipe to put in a cookbook for our new home. And though I still use Marion’s directions for teriyaki chicken, and though Sandy’s roasted veggies are still a favorite at our house, the real treasure in that cookbook isn’t the recipes. It’s the marriage advice each woman wrote down alongside her recipe.

Since this June has been all about marriage here at Regency Reflections, I thought I’d pass on the best of that advice – the advice that’s proved the most true in this first decade of my marriage. And since it comes from a woman who’s currently in the middle of her fourth decade of marriage – my mom, Betsy Barber – you can trust that it has more wisdom than anything I could come up with out of my short experience.

So, here they are, the words I see every time I turn to my mother’s recipe for the perfect pie crust:

 For those of you who haven’t had thirty years practice interpreting my mom’s handwriting, here’s what it says:

1. Constant prayer

2. Frequent, joyful sex

3. Regular time spent together

4. Continual forgiveness, continual repentance.

5. Conscious support of his career and hobbies

6. Encourage 10X more often than any critique.

And there at the bottom, added in after the original composition, is my favorite part: “Remember – if it’s good for Adam, it is good for you.”

That’s the part that I hadn’t read anywhere else in my marriage prep, and it’s the part I still wish more people talked about when they talk to married couples: since you’re one flesh, what’s good for one of you – what builds one up, what encourages one, what heartens one – benefits the other. Anything that helps my husband helps me. If something makes him a better Christian, if anything gives him joy, if anything delights his heart, it’s to my benefit that he has it, because it means I’ll be married to a better, happier, godlier man.

And the same is true the other way around. If something encourages me, if something builds me up, it’s to Adam’s benefit to see that I get it, because then he enjoys a marriage to a happier, healthier, godlier wife.

I could go on about the other points on that list, but this blog entry is supposed to be kept at a reasonable length. Suffice it to say: all the points on that list are good . . . especially the second one. 😉

Question for You:

What’s your best piece of advice for a new bride?

Peace of Christ to you,

Jessica Snell

Originally posted 2012-06-27 10:00:00.

An Alternative Elopement

Wanting to spare the heroine from an arranged marriage to an ogre, the hero suggests that he marries her and they elope. The heroine agrees, since she has had a tendre for the hero since she was a schoolgirl. Unfortunately, the 1754 Hardwick Marriage Act has stiffened the laws of marriage. The heroine hasn’t yet reached her majority and they can’t take the time to obtain a special license in London. Waiting for the banns to be called is out of the question, as that will take three weeks and the parents and ogre suitor will catch up with them long before then, even if they can obtain parental permission for the under age—under twenty-one—heroine. Their only alternative is to elope to Gretna Green in Scotland.

Unfortunately again, Scotland is close to four hundred miles away. They must hire a post chase or go on horseback and, because the journey will likely take more than a week to accomplish, they will have to stay overnight before they are married, unacceptable to these two proper—other than eloping—young people. The situation appears hopeless.

Except it isn’t. The hero has some friends amongst the fishermen who have told him about carrying an eloping couple to an alternative marriage location.

Eloping in Style

In approximately fifteen hours of sailing,
the eloping couple can reach one of the Channel Islands, mainly the Island of Guernsey. Evidence presents us with the knowledge that boats waited at Southampton, Hampshire, to carry eloping couples across the channel. Logic says Plymouth, Falmouth, and a few other southern ports just might have provided the same service.

Guernsey is closer to France than England. Although it belongs to England, many of the laws differ from those of England. The marriage laws are one of those even today.

So many couples eloped to Guernsey that tracking the history of residents of the island has proven difficult, for distinguishing those who simply arrived in St. Peter Port to get married in haste, from those who lived on the island and married in the same parish, isn’t easy two hundred years later. Genealogists have focused on whether or not couples later baptized their children in that same parish in order to trace ancestry to Guernsey.

Nowadays, one does not need a license to marry in a Church of England ceremony on Guernsey. One does need a license for a civil ceremony on Guernsey.

So if your couple finds themselves hundreds of miles from Gretna Green, they can hop onto a fishing boat, or perhaps the hero’s yacht, and sail across the Narrow Sea to a channel island. First, however, he might wish to ensure that the heroine doesn’t get seasick on the way.

Laurie Alice Eakes

Originally posted 2012-06-25 06:00:00.

On Courtship

Authoress Amelia Opie

Whoever thinks romance and love matches didn’t exist before the 20th century ignores a lot of evidence to the contrary. If women of all strata of society from seamstresses to young ladies of the ton read novels which featured heroines pitted against alluring yet somewhat menacing men, where virtue and love triumphed in the end, this means they must have had a desire for romance. They not only took to reading but to writing novels themselves. Selina Davenport’s 1824 novel Preference, is a typical romance with a properly happy ending. She wrote 11 novels between 1814-1832. Other female authors of the period besides Jane Austen who wrote about love triumphing were Amelia Opie, Maria Edgeworth, and sisters Anna Maria and Jane Porter.

The evangelical writer Hannah More wrote, “Is a woman in low spirits? Let her console herself by writing a novel. Is she ill? Bored? Unhappily situated? Let her pour it all out into a novel.”* Do I detect a little sarcasm?

 

Almack's

Despite a young woman’s yearnings for love and romance, the regency period was governed by rules of etiquette. Numerous books were written to young men and women on the subject of how to behave in public—especially with the opposite sex. After the licentiousness of the Georgian era, the Regency period saw a rise of Evangelicalism, which stressed that women were the arbiters of morality, and it was part of their duty to make sure they didn’t tempt men, or fall victims to men’s baser instincts. Whereas in high society it was common for a man to have a mistress, an unmarried young lady must keep herself chaste and above any appearance of misbehavior. On the Marriage Mart, a woman’s purity was her highest asset.

For this reason courtship for a young lady meant being chaperoned whenever she went out (and, of course, never receiving a gentleman caller on her own). A gentleman had to ask for an introduction to meet a young lady he was interested in. After her official coming out into society, a young lady enjoyed the grown-up entertainments of balls, assemblies, concerts and other musical events, all to see and be seen. But everything was done in public. A young lady could never be alone with a young man who was not a family member or otherwise closely associated with the family.

Although parents desired a “suitable match” for their children, this did not mean strictly arranged marriages—for the most part. There is ample evidence in novels and correspondence of marriages based on love and mutual respect.

Princess and Prince at the opera National Portrait Gallery London

The most important love match of the era was that of the Prince Regent’s daughter Charlotte to a minor German prince, Leopold of Saxe-Coburg-Saalfeld. Even though her father and the British government had been negotiating her marriage to Prince William of Orange (the future king of the Netherlands), Princess Charlotte met young Leopold in the Czar’s entourage when the czar and his sister came to London during the summer of 1814. Eventually, the princess broke off her official engagement to the Dutch royal prince, causing all kinds of diplomatic furor and married her German prince on May 2, 1816, to the enthusiasm of the British people. They understood a love match. From all accounts it was a happy—though brief—marriage, since she died shortly after giving birth to their first child after only a year of marital bliss.

Matchmaking as shown in Emma also shows that romance was alive and well in the regency era. Jane Austen wrote, “Anything is to be preferred or endured, rather than marrying without Affection.”

Vauxhall Gardens

 

 

* Our Tempestuous Day by Carolly Erickson, William Morrow and Co., 1986, New York

Originally posted 2012-06-18 05:00:00.

What? A Cover Reveal

Vanessa here,

I am so excited to announce a few things. For “The Bargain” fans, the season finale is on its way. My editor is having one more look at it to make sure it sparkles when it shows up on your Kindle. It will also be available in Paperback, too. Today, I must share with you the cover for my next serial novel that will release in January 2016.

UnveilingLove_pulled back_72

Unveiling Love:

Winning in the courts, vanquishing England’s foes on the battlefield, Bradley Norton has used these winner-take-all rules to script his life, but is London’s most distinguished mulatto barrister prepared to win the ultimate fight, restoring his wife’s love?

Amora Norton is running out of time. The shadows in her mind, which threaten her sanity and alienate Bradley’s love, have returned. How many others will die if she can’t piece together her shattered memories? Can she trust that Bradley’s new found care is about saving their marriage rather than winning the trial of the century?

It’s available on Pre-Order now at Amazon:

This story of Bradley and Amora’s is very dear. Parts of their tale made me weep. I hope it lives up to my heroes like Jo Beverly, Beverly Jenkins, and Laurie Alice Eakes who weave suspense into their sweeping romances.

 

What is a serial novel?

Unveiling Love is a serialized story or soap opera told in episodes. Each episode averages three to eight chapters, about 15,000 to 30,000 words. Each episode resolves one issue. Emotional cliffhangers may be offered, but the plot, the action of the episode, will be complete in resolving the main issue.
My promise to you is that the action will be compelling, and I will tell you in the forward the length of the episode.

 

Originally posted 2015-11-04 14:17:30.

Marriage A Glimpse Of Heaven Or Hell

Vanessa here,

Glad you can join me here, today. Well, the porch at the Regency Reflections Blog now possesses new paint, a bit of a makeover. We’ve been posting here since 2012. We love being able to showcase different glimpses of Inspirational Regencies, talking about the stories and the motivations behind them. We’ve even given tastes of the Regency romances that hooked us long before the first traditionally printed Christian Regency was released.

But our fire had grown cold.

It was time find our love again.

The reason I write Regencies is because I found my voice in the 1800’s.  It sounds of a woman, with dreams of a happy-ever-after, challenged by the circumstances, the very skin she’s born within. These stories, gifted by my first love, a passionate, merciful God must be told. It is my first love. And this blog will now share stories of authors and characters who possess the same fire.

Now some of my friend’s stories may be secular authors.  Before you throw holy water at me, I just have to say it. Not everyone is meant to entertain the pews. All types of stories are needed to edify, entertain, and to educate. All of my friends, regardless of what they write use their God-given talents to bring joy and hope into this world. This is something all should see.

 


The Fabulous Jude Knight


My first guest is the wonderful Jude Knight.  Jude traveled all the way from New Zealand to have tea with me on my Atlanta porch. Jude writes strong determined heroines, heroes who can appreciate a clever capable woman, villains you’ll love to loathe, and all with a leavening of humor.

“Jude, I know you must be tired, so have a seat. Let me fix you some tea. How would you like it?”judeknight

“Thank you, so much for your hospitality. I’d like a green tea with a slice of lemon, or black tea with a small dash of milk.

“Green it is. Here you go. It’s quite hot. While it cools, tell the good readers what a happy ever after means to you.”

“My view of ‘happy ever after’ is shaped by my life and my beliefs. Falling in love is not enough. A wedding is not enough. Good intentions are not enough. To believe that a romance has a happy ending, I need to believe that the couple’s love will last for a lifetime; that they have what they need to work out the inevitable problems that will try to tear them apart.”

“I don’t mean to get you kicked out of any ‘ABA’ bad girl societies, but tell me what love and faith means to you.”

“My beloved and I have known one another for 47 years, and been married for nearly 44. In that time, our love has been tested over and over, but each challenge we’ve surmounted has made our relationship stronger.
I joke that our marriage has survived because his parents and mine were both against it, and we were too stubborn to admit they were right. He always adds that it also survived because we lived at the end of a long country road and were very poor. Walking out on the marriage would have meant a literal walk — and it was a long way.”

“I love that. Please continue.”

“More to the point, though, we both believed that we had to work things out. Our Christian faith told us that marriage was a permanent commitment. We promised ‘as long as we both shall live’, and we meant it. And we both came from fractured marriages; we knew what disharmony did to children. We were determined to find our ‘happy ever after’, and we did.”

“Tell me how your beliefs have shaped your writing.”

“My husband is a Catholic, and I converted to Catholicism some eight or nine years after we first met. Catholic marriage theology holds that marriage is a sacrament — a visible sign of the presence of God in the world. Just as water is the sign of Baptism, and the bread and wine are the signs of the Eucharist (Holy Communion), so the man and the woman are the sign of Marriage. Water signifies (and becomes) the cleansing grace of God. Bread and wine signify (and become) the presence of Christ in the church community and each individual. The couple signify something very wonderful: Christ’s union with the Church, God’s union with His creation. A person could spend a lifetime thinking about the implications of this, and some people have.”

“Wow. That’s deep. I’m Baptist, and I get it. More so, I feel the same.”

“For today, suffice it to say that building the kind of marriage that is a true signifier of this mystery is not a magic trick taking place in front of the altar on a couple’s wedding day. It is the work of a lifetime together.”

“Ok, tell the good folks about A Baron for Becky.”

“A Baron for Becky is my Regency about marriage, which is why it is a book of two halves. In the first part of the book, my heroine — rescued from dreadful danger — becomes the mistress of a kindly libertine whose view of marriage is extremely jaundiced. Their relationship is founded on lust and convenience on his part, and gratitude on hers.”

“Did I mention to you to tell the PG version for Regency Reflection readers? Just kidding. So in a A Baron for Becky, the heroine makes wrong choices, but that didn’t disqualify her from finding true love. Now that is a message for today.”

“Yes. The second half of the book is about just that between, Becky and Hugh. The libertine arranges their marriage, which takes place at the midpoint of the book. But Becky and Hugh build that marriage. I poured my heart into showing them falling in love; showing how their past experiences almost destroyed them; showing the slow painful process of rebuilding.”

“He was sorry for hurting her, for not trusting her, for manipulating her into marriage, for being a representative of the men that had hurt her. He was sorry for it all, and he could never make it up to her. But he would live his life trying.”

“Dear hubby and I just made 19 years. An accomplishment in this age, but tell us your 44-year secret.”

“The trick of a happy marriage (and a happy life) is to go on loving one another between trials, and to consistently fall in love with the same person, over and over and over. Because love is not about being in love, pleasant though that state is. Love is an action, not a state, not a feeling. Love is making breakfast for the person you want to brain with the frypan. Love is listening to the same joke for the twentieth time and laughing yet again. Love is walking hand in hand for no better reason than that you are fond of one another. Love involves feelings: lust and affection, familiarity and friendship, mutual respect and regard. It grows on shared experiences, memories—both good and bad—of the things you’ve lived through together. But above all, love is what you do when your feelings prompt you against being loving.

How could it be otherwise when love is an echo of Love Himself, the One who loved His people even though they betrayed him, rejected him, and even killed Him? Love is far too important to depend on chemical soup. Love is an action.”

Now that is a message to kick off the new Regency Reflections. Thank you Jude. While my friend takes a swig of her green tea, I just want to thank her for traveling to Atlanta and being my guest. Below is more about Jude and links for A Baron for Becky.baronforbeck

About Jude Knight

Jude Knight is the pen name of Judy Knighton. After a career in commercial writing, editing, and publishing, Jude is returning to her first love, fiction. Her novella, Candle’s Christmas Chair, was released in December 2014, and is in the top ten on several Amazon bestseller lists in the US and UK. Her first novel Farewell to Kindness, was released on 1 April, and is first in a series: The Golden Redepennings.

Follow Jude on social media:

Visit Jude’s Website http://judeknightauthor.com/

Like Jude on Facebook https://www.facebook.com/JudeKnightAuthor

Buy links

Amazon http://amzn.to/1C3hFNl

Amazon UK http://amzn.to/1H3YmTk

Amazon Aus http://bit.ly/1HzUZ9R

Smashwords http://bit.ly/1HzUXPf

Barnes & Noble  http://bit.ly/1GRTvkR

iBooks http://apple.co/1FVFNfU

Kobo http://bit.ly/1NzI2LK

 

Originally posted 2015-10-05 06:00:00.

Barbara Cartland’s “Curse of the Clan” Set in 1822

100_8609Dame Barbara Cartland wrote over 723 books.  Known for setting her novels in the Victorian era, she was an exceptionally popular novelist, peaking in the 1970s.  (I remember my mother reading her novels.)  After recently picking up two Cartland books at a used book sale, I was pleasantly surprised to find  The Curse of the Clan (published in 1977) to be quite satisfying.

Imagine my further delight that the novel is set in 1822.  Set in the late “Regency” to be sure, the tale follows an orphan who is elevated to the title of Scottish Duchess.  Her fearsome, yet handsome husband marries her to gain revenge upon a neighboring clan who foisted an adulterous, now-dead, wife upon him.

The story boomed along with vivid action and upon reflection, would make an excellent movie, if historical films were popular. The scenes at the orphanage, a carriage accident (which affected the plot), a shooting attack, revelation of her true parentage, then the winning over of the husband…all would make for a delightful, picturesque movie.
I got a real kick out of finally trying a Cartland book, and wouldn’t hesitate to read more –especially if I can ferret out which were set in the early 1800s.

Have you read any of Barbara Cartland’s books? What do you think?

Originally posted 2015-09-05 09:00:00.

To Ruin a Lady is Quite Fun

Helloooo, thank you to the Regency authors for letting me join your lovely group. My first Regency is releasing from Love Inspired Historical in September and it was a hoot to write. So much so that I’m at work on another.

A great regency involves just a bit of ruination…at least for the heroine in my current manuscript. But how canI go about ruining her so that she’s forced into a marriage of convenience?

As someone who has enjoyed regency romances since I was a teen, I still have so much to learn. I needed a ruination that was palatable for a Christian audience but still severe enough to force my heroine into the arms of my delectable yet decidedly anti-marriage hero. So the first place I looked was, of course, Google. My dear friend Google.

The search yielded many interesting titles but no specific reasons on why or how a lady could be ruined. I really wanted something concrete. Something unarguable. But that showed my misunderstanding of the Regency period. Thank goodness for writing friends! A dear author friend named who has been writing regencies for years informed me that all it could take is some gossip to rip my heroine’s reputation into tatters.

And so I got to work in creating ruination. After all, my hero and heroine belong together, even if they don’t know it yet!

Has gossip ever hurt you or ruined your reputation? How did you recover?

 

Originally posted 2015-08-17 05:00:10.