Kristi here. With school out for the summer, my house is once again full of kids all day. Some of the games they come up with are interesting to say the least. Its the nature of children to find ways to entertain themselves and it was no different during the Regency.
Like all kids, children during the Regency had loads of energy. Games involving jumping across, over, and on things were popular, particularly with boys. Although they went by different names, children played many of the games we enjoy today such as tug o’ war (called English and French), tag (known as Touch during the 19th century), and good old foot-racing (often reffered to as a Steeplechase since the steeple or church was frequently the finish line).
Girl with a Hoop via wikimedia commons
Other games have retained their names over the years. Leap-frog, Follow the Leader, and Hop-skotch haven’t changed much over the years, and were played in pretty much the same way they are today.
While not quite as prevalent as they used to be, kids still play with marbles, tops, kites, and balls, toys that have been around for centuries and relived the boredom of many youngsters of the regency era.
If you’ve ever seen a group of kids playing with a hula hoop, you eventually saw one of them rolling the hoop across the ground. Rolling hoops was a prevalent game during the early 19th century as well. Many travelers documented seeing children using sticks to keep a metal or wooden hoop rolling across the ground.
Golf has been around for centuries, but did you know that an early version of lawn hockey also existed? It was played with a ball and cudgels or bats, so the curved hockey stick we now know wasn’t part of it.
Other games bore a startling resemblance to games we know today. A game called Bounders was played very much like baseball except there were five bases and one could get runners out by hitting them with the ball. I think parents everywhere will agree that we’re glad those rules changed. A combination of baseball and dodgeball is a scary prospect.
Despite the advancement in technology and the changes in culture, kids are still kids and there’s something comforting in that. The similarities in people’s nature is one of the things that makes reading historical novels interesting. Seeing those natures in a different era can sometimes help us understand ourselves even more.
What are other areas that you see a similarity in human natures across eras?
When reading Regencies, I love getting into the environment, learning about the land, flowers, etc. I even love being immersed in the weather.
Weather Vanessa? Really?
Now some might look at weather as just a scenery element, purring at the way the moonlight beams in the hero’s eyes or the soft bounce of sun reflecting in the heroine’s hair. Yet, weather can be a force to reckon, a third character changing the course of events.
Haven’t you read about the snows of the yuletide keeping the family in the country as opposed to rushing back to London or the occasional rainstorm trapping the hero and heroine. You may have even read about 1816, the year with no summer.
Yet, England like most places, experienced much more. For an upcoming novella project, I began looking for windstorms that savaged my Regency World.
After much research, I came across two events: March 4, 1818 and April 26, 1818. The gale of March 4 raged all over England but it also knocked over several buildings in London. The tornado of April 26 focused on the southern coast.
The Gale of March 4
The gale raged on the 4th, 7th and the 8th. The gale was more likely an offshoot of a coastal hurricane, but its reach was massive. Moreover, the respite in between the 4th and the 7th fooled people into thinking the worst was over.
Here are some quotes on the event:
“Storm across southern Britain caused considerable damage around Nottingham, uprooting trees, blowing slates off roofs etc. At Leicester and Mansfield … the storm was very violent, and attended with similar effects to those experienced in this town”.
A Douglas paper of March 5th, that year, says : — “We have not for many years witnessed so tremendous a storm as last night struck terror into every bosom and, carried havoc and devastation in its train.”
“It had been thundering ; and lightning and blowing strong for several days previously, and consequently the harbour at Douglas was crowded with shipping of all sizes. On Wednesday, the 4th, the wind stood at sou’-west, but at night it suddenly veered to sou’-east, and then blew a hurricane. Scarcely a vessel in the port escaped.”
“Neither cable nor post resisted the storm the very posts in the quay were dragged cut.”
“A brig, Samuel, of Whitehaven, entered the harbour, and, driven by the gale, crashed into the other vessels. Then ensued crashing and smashing and fearful confusion — masts and bowsprits snapped, bows and sterns stove in, bulwarks smashed. Two boats were actually sunk; no lives lost, but many persons were injured. The quays were crowded with people, and everyone who had a lantern brought it to the quayside.”
Hurricane of 1824
The Devon and Dorset coasts endured a savaging hurricane November 22 through the 23rd. Floodwaters were over 2 meters (6.5 feet).
http://www.southampton.ac.uk/~imw/chestorm.htm
In Hertfordshire, a tornado (offshoot from the hurricane) was described as “a white whirling cone uprooted many trees and unroofed houses.”
A naval officer at Sidmouth at the time said, “The wind was stronger than the West Indian hurricanes. The noise of the wind was like incessant Thunder, but there was something in it still more aweful and supernatural. It seemed to rage so perfectly without control – so wild and free that nothing I ever heard before could be at all compared to it.”
Others reported, “The noise of the wind was remarkable and that it howled or roared in the great gusts. Chimneys were blown down and stone church buildings were damaged. Roofs of shops were carried away. The unusual force of the rain and hail broke a huge number of windows.”
http://www.southampton.ac.uk/~imw/chestorm.htm
“At 6 am on Tuesday 23rd, the time of the overwash at Chiswell, a heavy stack of chimneys was blown down, killing the Reverend H.J. Richman and his wife.”
Some other accounts of damage are:
19 boats destroyed
200,000 tons of stone moved by the storm
Ships washed onto farmland
Over 80 houses smashed
Coastal town after town flooded
Over 50 people died
After this research, I think 1818 should be nicknamed, “The Year With Wind.”
My mom taught me basic knitting when I was young, but then I forgot it all as an adult. I wanted to knit again, so I learned from online videos (so awesome! I can hit repeat over and over).
One thing that has fascinated me since I started knitting has been historical knitting patterns. One book I love is Victorian Lace Today by Jane Sowerby. There are tons of lacy shawl patterns to knit and they’re all gorgeous. They range from easy to difficult.
I love knitting these patterns because they make me feel like a woman in those times, knitting delicate shawls for an evening by the fire or for a day out in London.
This shawl is called “Large Rectangle with Center Diamond Pattern” in the book. It’s actually a combination of two knitting patterns:
I’ve included links above to the digitized versions of these books, which you can download for free! The books themselves are fascinating, because the patterns and the items women could make represented the industrious needlework of women in the early 1800s. In addition to shawls, women could make mittens, caps, purses, stockings, ruffs, counterpanes, even garters!
For you crocheters, Jane Gaugin’s book also includes crochet patterns, although they’re not very detailed. The book also includes netting patterns.
The shawl I made looks like a complicated pattern, but it’s actually very easy. The center portion repeats the same diamond motif over and over again, and the edging is knitted on, also in a repeating pattern that’s easy to memorize.
I used a lace weight yarn, which is a wool yarn that is very thin, almost like crochet cotton, but it’s very light and lofty. I also used a pretty large needle size for the yarn, so the holes are larger and the lace pattern shows up better.
After knitting, I blocked it, which is basically just dampening it and then pinning it out on my bed to dry, stretching it a little so the lace pattern opens up. Once dry, it stays opened up.
Can you imagine a young Victorian lady throwing this shawl about her shoulders as she heads out for a carriage ride at the park? Or perhaps tucking it about her bodice for modesty as she receives morning callers?
In Victorian Lace Today, Sowerby writes: “Not only did a shawl provide warmth, it was a modest cover-up for décolleté dresses. Mrs. Gaugain (the author of the first knitting pattern I linked to above) suggested that a shawl should be ‘for throwing over the shoulders indoors, or for very young ladies wearing out-of-doors.’”
If any of you are knitters and you haven’t tried lace knitting yet, I encourage you to try it! The first several patterns in this book are super easy, and you can feel you’re a Victorian lady knitting a shawl for an evening out. 🙂 If you’re on Ravelry, here’s the link to my knitting notes.
To celebrate the release of my first Regency romance in August, I’m busy knitting away so that I can offer some Victorian lace shawls in a few giveaways I’ve planned! I’ll be giving away several gift baskets with shawls, a violin ornament, and some Jane Austen tea. 🙂 I hope you all will preorder Prelude for a Lord!
My husband and I were in a bookstore one day, where he was looking for a devotional. We were eyeing the shelves full of them in the Christian section when he spied a gem, A Jane Austen Devotional. “That’s the one,” he said. That’s why I love him, he’s an Austen devotee like me!
This devotional compiled and written by Steffany Woolsey and published by Thomas Nelson is not divided by days but by subject matter. A listing includes: Being Generous, Christ’s Unconditional Love, Vanity’s Folly, Faithfulness, Unhealthy Friendships, etc..
Under each section, an excerpt from one of Jane Austen’s novels is included and then a commentary on the spiritual theme gleaned from her writing, since Jane Austen lived in a time when the Bible was the standard of moral authority in Great Britain. Any educated person such as Jane would be well-versed in Scripture, especially as the daughter of a rector in the Anglican church. Her writing reflects her Christian beliefs, even when she pokes fun at certain clergy (remember Mr. Collins?)
In A Jane Austen Devotional under the heading “Being Generous” for example, a segment from Sense and Sensibility is used in which Mr. Dashwood discusses with his wife how much he should give to his bereaved stepmother in order to fulfill his deathbed promise to his father to take care of her. Throughout their conversation he allows his wife to talk him out of giving her anything he originally had decided upon. The author uses this illustration of mean-spiritedness to contrast with Biblical teaching, citing Matthew 15:18 where Jesus talks about the things that defile a person—those that proceed from the heart. The teaching of Jesus regarding generosity is then shown using Mark 12:42-44 in which Jesus compares the poor widow who leaves two small copper coins in the offering box in the temple to a richer person who gives out of his abundance.
Jesus calls us to imitate the widow, who gave so generously out of her poverty. As Woolsey sums up in this segment, “When we choose this route, He [Christ] can begin to develop in us qualities such as generosity, kindness, and compassion.”
For anyone who appreciates Jane Austen’s irony and wit, this devotional is full of snippets of her scenes with a parallel from Scripture on each facing page. My husband and I have enjoyed every entry we’ve read.
* * *
Ruth Axtell has written several Regency romances. Her latest series is called London Encounters. Book 2, A Heart’s Rebellion, came out in March. The Rogue’s Redemption, set in both Regency London and frontier Maine, came out in December. She also writes novels set in Victorian England and late 19th century Maine.
In the days before mobile phones, text messaging, and emails, people had to rely on face to face encounters and letters for communication. A pivotal part of this communication was the calling card. In many books, calling cards are presented to identify themselves when they go visiting, but calling cards were so much more than that.
Woman’s calling card case.
Change of Address
Many aristocracy lived in multiple places. When they arrived in town, particularly returning to London or another large city, they would go around and leave calling cards to let friends and acquaintances know they had arrived.
Cards were also dispersed when one was leaving town, with a handwritten indication of their departure.
Sign of Popularity
Sometimes these calling cards would be left out in the hall or drawing room, on display so other people could see what influential and important friends someone had. A large pile of calling cards could be akin to a large friend list on Facebook or an enormous Twitter following
The Polite Snub
Once a calling card had been delivered, it was customary to return to the favor, assuming you wished to further the acquaintance of course. If the person were a friend or someone you wanted a close connection with, a visit was in order. A mere returning of your own card meant you acknowledged the relationship. On the other hand, no reciprocation was a quiet indicator of where you stood on the social ladder.
Leaving a Message
Calling cards contained very little information, many bearing only a name while some included the address of the person. This left plenty of room to write a personal message if appropriate. Just as texting has common abbreviations today, calling cards had a similar shorthand. Turning down particular corners would let the card recipient know certain things, for instance letting them know the card had been delivered in person, indicating a more intimate contact.
Corner turning came to mean more and more as time passed. By the mid-19th century some cards were even being printed with words in the corners indicating common messages (such as visit, felicitations, or adieu). That way the message being left could not be misinterpreted.
Caller ID
The most well-known use of calling cards was in requesting admittance to the house. When visiting someone, a calling card would be presented to the servant at the door. The card would then be delivered to the desired recipient who could then decide if they were at home or not. If the person were not inclined or able to accept visitors at the time, but wanted to maintain the relationship, the denial could be accompanied by one of the mistresses own calling cards. The visit would then be returned within a week.
Image from social calls article on JaneAusten.co.uk. Click to see article.
The practice of calling cards could be very complicated. As in many matters of etiquette it seems like it would be easy to cause an unintended slight to someone. It isn’t all that surprising that many of the aspects of the calling card are glossed over in historical novels.
What do you think? Should the calling card play a more prominent part in novels or would it be horribly distracting?
If you’ve done a significant amount of reading of regency fiction, you’ve come across a female character taking calf’s foot jelly to an invalid, usually someone poor. It was thought to be exceeding nutritious, but that is not necessarily true, according to my research. It was a thrifty, economizing concoction, made from a leftover part of a beef.
Calf’s foot jelly has two forms: sweet, common in 19th-century Britain and America, and savoury–called petcha, a standard of Ashkenazi Jewish cooking. Both dishes start with a long braise of split cow’s feet. The latter (for a sickroom concoction) adds garlic, onion, salt and pepper, and usually retains the meat that falls from the feet; the former (for a dessert) adds sugar, Madeira wine, brandy, cinnamon and citrus, and discards the meat. In both cases the stock is chilled until it sets, and the fat that rises to the top is skimmed.
The key component of both is collagen–a protein found mainly in connective tissue, in which feet abound. Collagen makes meat tough, but it also makes the same cut, after stewing, silky and rich. Smart cooks have long begged chicken feet from the butcher: they give chicken soup extra body. Hot, collagen imparts richness; chilled, it turns to gelatin.
To boil it down/summarize: Stock made by boiling a calf’s foot in water; which sets to a stiff jelly on cooling. It consists largely of water and gelatin, so is of little nutritional value.
Note: The New Female Instructor strongly advises against the addition of wine when the jelly is to be used for an ill person. Lemonade was often given to an ill-person along with barley water and tea.
To the readers, have you come across this, and wondered? To the fellow-Regency writers, have you ever included a character delivering this to a poor sick person?
Like many of the wonderful writers on this blog, I work hard to make sure my stories are true to the historical period, but there are some areas of the Regency that frankly scare me. I am in awe of the writers who can name every battle Wellington fought in or the color of the braid on the 95th Rifle’s uniform. I admire authors who manage to study period medical books without growing queasy. And if you can figure out how to do more than describe the colors of horses as they pull the appropriate carriage to whisk a heroine away to a ball, well, you have my respect.
And then along came John, Lord Hascot, the hero of my April Regency-set romance from Love Inspired Historical, The Husband Campaign. John who raises hunters, those powerful horses that carried gentlemen into the hunting field and, occasionally, into battle. I was fairly certain I would never be able to think about horses the way John, Lord Hascot, does. Horses are John’s life. But they would need to become the life of any lady he wed. How could I possibly describe Lady Amelia’s response to John’s horses or her own?
Luckily, research led me to an exceptional little book, lovingly recreated online, called The Young Lady’s Equestrian Manual. Though its original publication date of 1838 (taken from material dating from 1829) post-dates the Regency, it is close enough that I felt comfortable relying on it. The manual describes such things as how to choose a proper ladies mount, the various parts of the horse and its accoutrements, and how to mount, manage the reins, and find your seat. It confirms that the way a lady sat upon her horse was very important to many Regency era gentlemen, as this passage indicates:
“A lady seldom appears to greater advantage than when mounted on a fine horse, if her deportment be graceful, and her positions correspond with his paces and attitudes; but the reverse is the case, if, instead of acting with, and influencing the movements of the horse, she appear to be tossed to and fro, and overcome by them. She should rise, descend, advance, and stop with, and not after the animal. From this harmony of motion result ease, elegance, and the most brilliant effect.”
And how, you might ask, can a lady have the best deportment on horseback? The manual explains that as well. A lady must
• Keep her shoulders even but back
• Put no weight on the stirrup
• Incline partially backward
• Keep her head in an even, natural position looking straight ahead
• Hold her elbows steady and near her side, with the lower part of the arm at a right angle to the upper
• Above all, never carry the whip in a way that might tickle the horse.
Got all that? Good, because according to the manual, “Nothing can be more detrimental to the grace of a lady’s appearance on horseback, than a bad position: a recent author says, it is a sight that would spoil the finest landscape in the world.”
All I can say is that I’m glad Amelia gets to ride the horses and I only have to read about them. What about you? Do you ride? Were you given any rules of the road for how to sit on horseback? Are you glad women are no longer constrained to riding sidesaddle?
After 27 sweet historical romances set in the Regency period, Regina Scott knows there is still much to learn. You can learn more about her at her website at www.reginascott.com, her blog she shares with author Marissa Doyle at www.nineteenteen.com, and her Facebook page at www.facebook.com/authorreginacott.
Book Blurb
The moment John, Lord Hascot, encounters a young woman sheltering in his abandoned stable, his future is sealed. To prevent scandal, and protect Lady Amelia Jacoby from her parents’ ire, he must propose. John’s ability to trust vanished when his former love married his twin brother. Yet he offers Amelia everything she could want, except affection.
Amelia sees John’s true nature shine through when he cares for his horses. But the brooding aristocrat seems determined to keep her at arm’s length. Little by little Amelia will turn Hollyoak Farm into a home, but can she turn a marriage of convenience into a joyful union?
Hi, all! Susan Karsten here…I’m bringing insights on the spiritual themes found in “The Soldier’s Secrets” thelatest release by our own dear Naomi Rawlings.
Not only does author Naomi Rawlings deliver a compelling read with this historical romance set during the early days of the French Republic, she gently brings home some serious spiritual truths.
The importance of honesty and truthfulness is drawn out in an unusual way. Both the hero, Jean Paul, and the heroine, Brigitte, are brought low by dishonesty. The unusual aspect of this is that some of their troubles are of their own doing. So often, we find idealistic, too-perfect heroines and heroes–this is not the case in this gripping novel.
Brigitte and Jean Paul should have abided by the following verses:
Proverbs 12:22 Lying lips are an abomination to the Lord, but those who act faithfully are his delight….Proverbs 19:1 Better is a poor person who walks in his integrity than one who is crooked in speech and is a fool…2 Corinthians 8:21 For we aim at what is honorable not only in the Lord’s sight but also in the sight of man….Proverbs 6:16-20There are six things that the Lord hates, seven that are an abomination to him: haughty eyes, a lying tongue, and hands that shed innocent blood, a heart that devises wicked plans, feet that make haste to run to evil, a false witness who breathes out lies, and one who sows discord among brothers. My son, keep your father’s commandment, and forsake not your mother’s teaching.
Forgiveness is another strong theme in “The Soldier’s Secrets“. To receive God’s forgiveness, to forgive other people who sin against you, and to forgive one’s self are all treated in the midst of this historically accurate gripping story.
Here are some pertinent verses on the facets of forgiveness–we can all keep in mind:
Ephesians 4:32 Be kind to one another, tenderhearted, forgiving one another, as God in Christ forgave you….Mark 11:25And whenever you stand praying, forgive, if you have anything against anyone, so that your Father also who is in heaven may forgive you your trespasses.” 1 John 1:9If we confess our sins, he is faithful and just to forgive us our sins and to cleanse us from all unrighteousness. Matthew 6:15But if you do not forgive others their trespasses, neither will your Father forgive your trespasses.
Leave a comment to be entered in a giveaway of a copy of The Soldier’s Secrets and a History Channel documentary: The French Revolution.
Naomi here with another giveaway today to celebrate the release of The Soldier’s Secrets. I’m also doing a little history lesson about a very fascinating part of the Georgian and Regency years–or at least, I find it to be fascinating.
It’s no secret that I’ve written three books set during the French Revolution. The first is Sanctuary for a Lady, the second is The Soldier’s Secrets, and the third, which doesn’t have a title yet, comes out in January 2015. I often think the French Revolution is one of the most distorted and misunderstood time periods of European history.
Here’s a few facts that might help make the French Revolution a little more understandable:
Before the Revolution
Before the Revolution started in 1789, a loaf of bread cost a week’s salary for the peasant class.
In 1789, the peasantry paid taxes to nobles, the king, and the church, while the aristocrats barely payed taxes.
The country was bankrupt.
The cost of France helping with the American Revolution was a contributing factor to its bankruptcy.
During the Revolution
Marie Antoinette, the Queen of France before the Revolution, never said, “Let them eat cake.” However, the political pamphlets of the time reported that she said this (as well as several other untruths about her), and so the peasants of France believed it and got even more upset with her and King Louis XVI.
Marie Antoinette was Austrian born and never very popular with the French people–even before the alleged “let them eat cake” comment.
When the Bastille was stormed, only seven prisoners were being held there. The Bastille wasn’t stormed to liberate wrongfully imprisoned men, but to give the peasants access to the weapons stored inside the Bastille. The peasant class was convinced King Louis was going to send his army into Paris to kill political dissenters, and the people wanted weapons to defend themselves.
Most of the France’s aristocrats were ensconced in Versailles and ignored the famine and economic troubles until a mob of peasant women stormed the castle and demanded bread in August of 1789.
The ideals behind the French Revolution were so looked down on by other European monarchies that France ended up fighting Prussia, Britain, Spain and Austria all while having their own internal revolution. Some of the fighting goes back to Marie Antoinette being Austrian born. Her brother, Holy Roman Emperor Leopold II, didn’t take kindly to Marie Antoinette being imprisoned, and then beheaded, which fueled the start of the French Revolutionary Wars.
The metric system was developed during the French Revolution.
The French Revolutionary Government also adopted its own calendar based on tens. Each week had ten days, each day had ten hours, each hour had 100 minutes, and each minute had 100 seconds. This meant the peasants who got one day a week off now had to work nine days before their break.
After the French Revolution ended, the metric system stayed in place, but the French Revolutionary Calender was set aside in favor of the Gregorian Calendar.
The first question people usually ask me after they find out where my novels are set is “Why the French Revolution?”
Oddly enough, I don’t find that question hard to answer, and now you know why. Do any of the facts mentioned above surprise you? Which ones?
Today I’m giving away a copy of The Soldier’s Secrets as well as a copy of A Tale of Two Cities. To enter the giveaway, fill out the drawing form at the end of the post. And don’t forget to come back on Monday for an review of The Soldier’s Secrets and a chance to win another copy of the novel plus a copy of the History Channel Documentary: The French Revolution.
Kristi here. In a recent fit of nostalgia, I’ve been watching some of my favorite shows from the eighties on Netflix. Aside from the huge difference in sound and film quality and the stiltedness of some of the acting, I was struck by the vast gulf that existed between what was considered beautiful then, and what it is now.
The fashioning of hair and clothes are obviously different – high-waisted jumpsuit with enormous shoudlerpad,s anyone? – but as I put on my analytical thinking cap, I saw it went deeper. The size and shape of the bodies and even the eyebrows is different.
If standards of beauty can change that much in thirty years, imagine how they could have altered in 200 years. What was considered beautiful in the Regency era?
Pale Skin
Pale skin was considered a sign of wealth as it meant you didn’t have to work outside. In Pride and Prejudice, Elizabeth Bennet’s tan is remarked upon when she travels to Derbyshire with her aunt and uncle. Caroline attempts to use Elizabeth’s darkened skin to diminish Darcy’s attraction.
Curves
The Regency ideal was a good deal plumper than today’s standard of beauty. Paintings and poetry from the day show an affection for plumper backsides and dimpled thighs. Again this was a sign of wealth. The plumper people didn’t have to work psychically and they had plenty to eat.
The appealing curves extended to the facial regions as well, with rounded, young looking faces reigning the day instead of the cut cheekbones of modern times.
Notice the ruffles, embroidery, and sheer sleeves of this 1817 gown.
Delicate Clothing
Light colors, embroidery, and nearly translucent fabrics were the epitome of fashion. Yards of ruffles and ropes of jewels were the epitome of beautiful. The glittery adornments and delicate clothing were, once again, signs of wealth.
The more delicate appearance also extended to the hair, with wigs and enormous headpieces falling out of fashion, curls, feathers, and natural hair were prized. This signified that not only could your delicate hairdo withstand your lifestyle, but that you were healthy, as wigs had become popular in an attempt to disguise illness induced hair loss.
Shoes were also delicate, especially evening shoes. Men were known to still wear the occasional heel on a night out and more than one woman packed an extra set of dancing slippers in her reticule.
Beauty trends of the Regency era were obviously tied to what the wealthy could attain. Do you think that holds true today? Do you think the working classes of the Regency had the same opinions of beauty as the upper classes did?