Fashion – Page 2 – Vanessa Riley’s Regency Reflections

Category: Fashion

15
May
2025

The Eye of the Beholder: Standards of Regency Beauty

Kristi here. In a recent fit of nostalgia, I’ve been watching some of my favorite shows from the eighties on Netflix. Aside from the huge difference in sound and film quality and the stiltedness of some of the acting, I was struck by the vast gulf that existed between what was considered beautiful then, and what it is now.

The fashioning of hair and clothes are obviously different – high-waisted jumpsuit with enormous shoudlerpad,s anyone? – but as I put on my analytical thinking cap, I saw it went deeper. The size and shape of the bodies and even the eyebrows is different.

If standards of beauty can change that much in thirty years, imagine how they could have altered in 200 years. What was considered beautiful in the Regency era?

Pale Skin

Pale skin was considered a sign of wealth as it meant you didn’t have to work outside. In Pride and Prejudice, Elizabeth Bennet’s tan is remarked upon when she travels to Derbyshire with her aunt and uncle. Caroline attempts to use Elizabeth’s darkened skin to diminish Darcy’s attraction.

Curves

The Regency ideal was a good deal plumper than today’s standard of beauty. Paintings and poetry from the day show an affection for plumper backsides and dimpled thighs. Again this was a sign of wealth. The plumper people didn’t have to work psychically and they had plenty to eat.

The appealing curves extended to the facial regions as well, with rounded, young looking faces reigning the day instead of the cut cheekbones of modern times.

1817 fashion plate — Notice the ruffles, embroidery, and sheer sleeves of this 1817 gown.

Delicate Clothing

Light colors, embroidery, and nearly translucent fabrics were the epitome of fashion. Yards of ruffles and ropes of jewels were the epitome of beautiful. The glittery adornments and delicate clothing were, once again, signs of wealth.

The more delicate appearance also extended to the hair, with wigs and enormous headpieces falling out of fashion, curls, feathers, and natural hair were prized. This signified that not only could your delicate hairdo withstand your lifestyle, but that you were healthy, as wigs had become popular in an attempt to disguise illness induced hair loss.

Shoes were also delicate, especially evening shoes. Men were known to still wear the occasional heel on a night out and more than one woman packed an extra set of dancing slippers in her reticule.

Beauty trends of the Regency era were obviously tied to what the wealthy could attain. Do you think that holds true today? Do you think the working classes of the Regency had the same opinions of beauty as the upper classes did?

Originally posted 2014-03-13 10:00:00.

13
May
2025

More Caricatures from the Regency Era

categories: entertainment, Fashion, Flashback, Government, Uncategorized

In November, we looked at James Gillray and some of his more famous caricatures from the Regency Era. Today I wanted to introduce another caricaturist and illustrator, George Cruikshank. George was the son of caricaturist, Isaac Cruikshank (a contemporary of Gillray’s), and apprenticed with his father at an early age. After spending a decade or so making caricatures, George then turned his attentions to book illustrations. The most notable of his illustrations are those he did in the 1830s for his friend, Charles Dickens.

Cruikshank British_valour — From 1813, this mocks American boasting in the face of the British Navy.

This mocks some of the rather impractical fashions of 1818.

This mocks servants trying to act as their masters in the kitchen.

This is one of Cruikshank's numerous illustrations for Oliver Twist. — This is one of Cruikshank’s numerous illustrations for *Oliver Twist*.

Do you like any of these caricatures and illustrations? Do you prefer the ones that satirize regular life or politics? Why?

Originally posted 2014-02-27 10:00:53.

10
May
2025

The Parasol, a Necessary Regency Accessory, by Susan Karsten

categories: A Day in the Life, entertainment, Fashion, History, Regency accessories, Uncategorized

Parasols were introduced to England from China. The earliest ones were silk and often shaped like a pagoda.

This elegant accessory was mainly to shade a lady’s delicate, fair complexion. Jaunts through warehouses for accessories would have included buying parasols to match particular outfits.

The frames were bamboo, cane, or steel. Funny for us 20th-21st century ladies to realize that suntans were extremely unfashionable until the 1920s, when Coco Chanel helped to popularize the suntan. Prior to that, only women who had to labor outdoors were tan. After the 20s, chic, wealthy women were outdoors because they alone had the leisure time for outdoor games like tennis and golf.

Wear your sunscreen, ladies!

Originally posted 2014-02-10 10:00:00.

20
Mar
2025

Hats off to the Races: Derby Fashion (and Giveaway Winner!)

categories: entertainment, Fashion, Horse Racing

Finish of the Epsom Derby, 1822. (Painting by James Pollard. Photo: Wikimedia Commons)

The past weekend marked the opening ceremonies of the annual Kentucky Derby Festival in our fair city. It’s two weeks of celebration from the inaugural event (Thunder Over Louisville, the largest annual fireworks show in the country), including the Pegasus Parade, Great Balloon Race and the many parties leading up to the main event that draw celebrities from across the globe. The festival culminates in the Kentucky Derby (also known as the Run for the Roses), which has long been a traditional celebration of elegance and grandeur for horse racing’s elite.

This year will usher in a new tradition for me personally, as I will attend my first official Derby event at historic Churchill Downs, complete with a British-inspired ensemble and the all important Derby hat. (The Derby outfit, ladies, is quite an important part of the experience!) And though the world now recognizes the Derby hat as a tradition associated with Kentucky’s first Saturday in May, the upscale fashion at the race actually finds its roots in – you guessed it – Regency England.

In the Regency, horse racing was known as the sport of kings – and for good reason. Like the meets at Ascot, Doncaster, Heath, and Newmarket, the Epsom Derby became an affair that in many ways, was restricted to England’s elite. The Regency woman, always fashionable, would plan her ensemble months in advance of a yearly race. Dresses were specifically tailored and could be imported from Paris, Milan and Rome, just for the event. The extravagance of the hats too, were an important aspect of the overall attire. [For a complete look-book of spring Regency attire, including bonnets and hats, click here.]

In the late nineteenth century, businessman Col. Meriwether Lewis Clark Jr. (founding father of the Kentucky Derby and the grandson of William Clark, of Lewis and Clark fame) sought to raise the standard of horse racing in the United States. Upon traveling to London to attend the famed Epsom Derby (with local roots dating as far back as 1618, but its first Oaks Stakes race in 1779), Clark determined that a similar event could be christened along the banks of the Ohio River. He envisioned for the Louisville Jockey Club “…a racing environment that would feel comfortable and luxurious, an event that would remind people of European horse racing.” [Read more at Derbymuseum.org and in Never Say Die: A Kentucky Colt, the Epsom Derby, and the Rise of the Modern Thoroughbred Industry on Google Books. The historical ties to England are fascinating!]

At the time of the first Kentucky Derby on May 17, 1875, horse racing needed a serious image boost. Drinking and gambling were practices that worked to keep women and children away from the track in droves. Without the family atmosphere, Clark knew the business venture was sure to fail. He sought an avenue to make racing something of an elegant event like he’d witnessed at Epsom Downs. What would be key in the pursuit for families to attend the races? Get women to the track. And how to do it? Easy – do it with fashion. He solicited help from the women of Louisville’s elite to go door-to-door and promote the Derby picnic as a fashionable affair.

“Women coordinated their hats, dresses, bags, their shoes and their parasols,” said Ellen Goldstein, a professor at the Fashion Institute of New York. “To go to a horse racing event was really a regal affair. It was just as important as going to a cocktail party, or a ball.”

[Read more in A Brief History of the Derby Hat – link]

Today, the modern Derby fashionista can spend an average $100 to more than $2000 dollars on her Derby hat. (I can assure you the Derby attire of this mother of three will be on one end of the scale. Just for fun, I’ll let you guess which one!) But when each woman steps through the gates to show off her headpiece at the races, she’ll inevitably display a tradition that is decidedly Regency in tone. For if it not for the strong tradition of fashion established once upon a time at Epsom, would we have “the greatest two minutes in sports” as we know it today?

For a little instruction on the “how-to” of hats, here’s how the Royals do a smashing job at Epsom [click here]. And for those of us heading to the Kentucky Derby, some competition you might encounter in the hat department [click here].

Have you been to the races? Which Derby fashion was your favorite?

___________________________________________________________

~ GIVEAWAY WINNER ~

Thanks to all for catching up with author Sarah Ladd and celebrating the launch of her book with us – The Heiress of Winterwood. We are pleased to announce that the winner of last week’s giveaway (the signed book from Sarah) is:

Angela Holland

Congratulations Angela! To claim your amazing book, please send an email to: cambron_k@yahoo.com

In His Love,

~ Kristy

Originally posted 2013-04-22 10:00:00.

18
Mar
2025

The Shawl: A Regency Fashion Essential, by Susan Karsten

categories: Fashion, Regency accessories

Either utilitarian or elegant, the shawl joins the pelisse and spencer as a main regency outerwear option. Over an evening dress, draped artistically, the shawl appeared as an ornament. At home or when not on display, however, they would be used to cover the shoulders and upper body to provide warmth.

The shawls came either rectangular or square and some were over six feet long.
Cashmere shawls imported from Kashmir in the Himalayas were warm, beautiful and popular. Also popular was the English Norwich silk shawl which cost 60 pounds and was one yard square. It’s clear the shawl was a fashion essential during the regency, particularly as the dresses tended to be scanty.

Originally posted 2013-04-15 10:00:00.

14
Mar
2025

Contest Winner and A Peek at the Handmade Dress on the Cover of Moonlight Masquerade

categories: Contests, Fashion, Uncategorized

We have a winner!

The winner of our Moonlight Masquerade contest for a $25 Amazon gift card is:

Melissa!

Who correctly answered last Friday’s question about where Napoleon escaped from in 1815.

If you’re wondering whether you answered your questions correctly, we have the answers for all four questions at the bottom of the post. But first, we want to give you a peek at the dress that appears on the cover of Moonlight Masquerade. Did you know it was handmade as a homage to the 1820’s? This petticoated Regency dress was made by Patricia Franco, who wrote a little snippet about the dress for us to share with you:

The cover of the book, Moonlight Masquerade, is much more than a collection of words on a blank page. A photographer and designer play a pivotal role in bringing a book to the public’s attention. For Moonlight Masquerade, photographer and designer Brandon Hill brandonhillphotos and the team at Revell Books wanted something richer, something that gave a sense of the era and conveyed an emotion. He found the right place, and the right model, but jeans wouldn’t do. A quick search through Etsy found a sweeping, blue satin dress – made by Patricia Francisco of Patrician Designs. Nice find!

The dress you see is handmade, true to the period, complete with petticoats and custom fabric trim. This isn’t some Butterick or Simplicity pattern. It is a lot of custom work. Whew! It’s a work/art/passion and the kind of work that keeps Patrician Designs busy.

Of course, let’s be real. Truly in period would be hand-stitched by the light of an oil lamp using fabric that somehow survived a couple of centuries. Welcome to the new millennium. Sewing machines and electric lights were involved in the production of this gown.

The dress was a project encouraged by a Victorian reenactment group, back before Patrician Designs was dreamed up. The basic dress probably didn’t take as long as the trim or the petticoats. The trim was cloth not even intended as trim, but the pattern and texture were just right for the band at the high waist and down the front. The petticoats, which are hard to see, took just as much time, especially fitting the petticoats to the dress. All of the layers must hang and flow together. Imagine going for a walk in this dress, maybe even dancing. It is what they did in the regency era.

It is a joy to see the dress on the cover, and to have a copy of the book (which will be treated tenderly, no broken spine!) If you want to see more such work, including other eras (even steampunk) go to the same site used by the book cover designers . Enjoy!

http://www.etsy.com/shop/PatricianDesignsEtc

www.whidbeysewing.com

www.facebook.com/whidbeysewing

Thank you for sharing with us, Patricia. The dress is absolutely stunning! (Though I must admit, anything that involves a sewing machine often has me running for the other room.) The last time I attempted to sew something, I spent 45 minutes trying to get the bobbin to wind. At that point, I gave up and decided it would be easier for me to just pay someone else to do my sewing. You have a really remarkable talent!

And now for the answers to our quiz questions from last week:

1) The summer of 1814 was known as the victory summer in Britain because the war with France was over. But in 1815 they were mobilizing troops once again. Why?

a) Napoleon had escaped from Elba.
b) Napoleon had allied himself with Russia.
c) Napoleon had escaped from St. Helena.
d) Napoleon had escaped to America.

Answer.: a) Napoleon had escaped from Elba. He had been put on an island off the coast of Italy by the British and other Allied governments but escaped in a ship with 1000 men and landed at Antibes in Southern France.

2) Which allied armies fought the French in the battle of Waterloo?

a) British, German, Russian
b) British, Austrian, Prussian
c) British, Russian, Prussian
d) British, Dutch, Prussian

Answer.: d) The Duke of Wellington led the British forces alongside the young Prince of Orange who commanded the Dutch troops. They were joined by the Prussian troops led by von Blücher who arrived from the east.

3) The hero in Moonlight Masquerade is lent to the Home Office from his job at the Foreign Office, in order to spy on Lady Céline Wexham. Céline was born in France but spent her adult life in England when her mother and she escaped France during the French Revolution. What were these French living in England called?

a) foreigners
b) émigrés
c) francais
d) frogs

Answer: b) émigrés, a French word for emigrant, was used by the British aristocracy and gentry, who were conversant in French, to describe all the arriving French aristocrats fleeing the Reign of Terror.

4) The title of Moonlight Masquerade refers to a masked ball. Which of the following costume would not be a typical one at a regency bal masqué?

a) shepherdess
b) pirate
c) hula girl
d) Harlequin

Answer: c) hula girl, which is a Hawaiian dancer. Europeans were not very familiar with Hawaii in the Regency period. The islands had only been discovered by Capt. Cook in 1778, and the only people traveling there were military advisers and merchant ships.

5) Who was made the leader of France after Napoleon abdicated?

a) Louis XVI
b) Louis XVII
c) Louis XVIII
d) Charles X

Answer: c) Louis XVIII, formerly the Comte de Provence, a younger brother of Louis XVI, who was beheaded during the French Revolution. His son, who would have been Louis XVII died from sickness at the age of ten while in prison. Charles X, a younger brother of Louis XVI & Louis XVIII, reigned as king after his brother Louis XVIII died.

Thank you for everyone who participated in our contest. It was lovely to read your answers and get to interact with you, and we really appreciate your enthusiasm over the release of Moonlight Masquerade! Next month we have two more books releasing, and we look forward to telling you more about each of those!

Originally posted 2013-03-25 10:00:00.

12
Mar
2025

Silk in the Regency and Its Connection to Computing

categories: Fashion, History

Inspired by Kristi’s post on wool last week, I set out to choose another fabric popular during the Regency—silk. While researching this topic, however, I ended up down several fascinating rabbit holes. For example, did you know that a silk loom influenced computing? Neither did I, but it’s true. So while I am going to talk about various forms of silk in this article, I will also take you a few yards—or should I say ells?—down this particular rabbit hole—and maybe one or two more.

Silk Cocoons — Empty silk cocoons. (Wikimedia)

I expect entire books have been written about the history of silk. Many legends exist as to how someone in China discovered that unwinding the cocoon of the silk worm created a soft and lustrous cloth. The Chinese held a monopoly on the product for hundreds, perhaps even thousands of years. Then the Japanese, Koreans, and Indians learned the secret, and caravans carried it west to the Persian empire, the Greeks, the Romans. . . The Italians were the first Europeans to produce silk in quantity, but Louis XI of France changed that.

By the Regency, France, Lyon in particular, was a leading manufacturer in silk. A couple centuries before this, however, the Huguenots fleeing persecution in France, took their skills to England, and Spitalfield became a center for silk production.

Raw Silk — Strands of raw silk (Wikimedia)

England’s climate is not conducive to silk manufacturing, so it has never become an important center of the fabric manufacture. Likewise, the industry never made inroads in North America either. (One rabbit hole: The wife of a governor of Virginia thought to start a silk industry in the colony, but imported the wrong kind of mulberry tree to support the worms. Now the MidAtlantic region is covered in trees that drop useless and rather nasty-smelling berries every year.)

My fashion plates of numerous years during the Regency show that silk was popular for those flowing, filmy gowns so fashionable at the time. This takes us to another rabbit hole—if England and France were at war most of this time, and England didn’t produce much silk, then where did all that fine, Lyon silk come from? I expect many a dressmaker claimed she had stock-piled the stuff before the war, as she would never confess that she had purchased it from the “gentlemen” AKA smugglers.

Now to the different types of silk.

Shot silk suit - 1790 (Wikimedia) — Shot silk suit – 1790 (Wikimedia – click for larger resolution)

Shot silk: This is where the face is one color and the warp is another, so the color shifts with the light.

Chine: This has the pattern printed on the warp before weaving, so the design comes out blurred.

Satin and Taffeta: These are familiar fabrics to us. They were heavier silk weaves, with satin lustrous on one side, so not as popular in most of the Regency.

Lustestring: A ribbed and lightweight silk that would have rustled a lot and been quite lustrous.

Sarsnet: A fine weave silk, light and airy. Sometimes twilled-looking.

Silk gauze: a little heavier than chiffon.

Watered silk dress (Wikimedia – click for larger image)

Moiré or watered silk: This is an example of ingenuity of the time. They ran wet silk through rollers with a pattern that impressed that pattern into the fabric.

Brocade and Damask: These are textured silks where the pattern is raised. Sometimes these appeared in linen or wool, but generally brocade and damask meant silk. Brocade only has the pattern on one side; damask is reversible. The patterns are formed using a jacquard loom, which brings us to computing.

Joseph Marie Jacquard improved on the ideas of Basile Bouchon and Jean-Baptiste Falcon, who used holes punched in tape and a series of needles to make the pattern. Inn Jacquard’s looms, cards were punched with holes then strung together. Threads were fed through these holes so that hooks on the loom knew ehen to grab a thread to create the pattern. Thousands of threads were often involved, and stringing a loom took days. Creating the punch cards took some serious skill as well.

Charles Babbage used similar punch cards to store information in his mechanical analytical machine in the late 19^th century, and Herman Hollerith used punch cards for storing data from the 1890 census. If anyone knows something about computers from before the 1970s, they have seen the old-fashioned punch cards still being used for programming.

This is not the entire list. Each area of the world that produced silk produced its own sorts. These are just some of the ones most common in clothing fabrics of the time.

Originally posted 2013-03-13 10:00:00.

11
Mar
2025

The Evolution of the Empire Waist

categories: Fashion

Regency fashions are so iconic that one can tell at a glance if a clothing ensemble is from that era.

Constance Mayer 1801, free flowing white dress — Note the flowing lines and the Grecian draping of the gown in this 1801 painting.

The easiest thing to spot is, as one would suppose, on the women’s fashions. During this time period the waist of dresses rose higher and higher until it rested just under the bust. This was a drastic change from the heavily corseted fashions that preceded and followed the Regency era.

But why the change? What spurred a three decade shift away from the structured gown to the flowing silhouette we know and love?

Greece and France.

While the English might not want to move to France or have Napoleon take over their country, there were plenty of French things they did like. Fashion was one of them. So when French ladies began emulating paintings of Grecian goddesses in their fashions, England followed suit.

The Grecian influence can be easily seen in some of the first high waisted dresses from the early 1800s. Crossed trimmings, geometric shapes, even shawls and drapes hearkened back to the depictions of Aphrodite and Queen Hera.

1813 gown with horizontal line trim — This 1813 Ackermann’s Repository gown shows the military lines and trim becoming popular during the war.

Gradually these Grecian influences softened as designs strove to be new and different each year. As the war began, military stylings began to appear. Frog closures, military trimming, and even boxier shoulders made an appearance. As this happened, the waistline crept ever higher, until there was little to be called a waist for it fell so close to the bust line.

Skirts tended to flow close to the body, lending themselves to many a cartoon about the potential risqueness of the fashion.

After the war, the British once more traveled to France and incorporated their fashion trends. The skirt belled out a bit more, forming a A-line shape. The waist also began to lower. Inch by inch, year by year, it crept back down to it’s original position. Ruffles and voluminous shoulders and necklines appeared. Corsets finally returned and the waistline went from rising and falling to shrinking.

I have to think that if you were a young woman who had grown up in the looser clothing of the Regency, the fashion requirement of lacing corsets would have been a harsh adjustment.

What do you think? Do you like a high waistline? Wish the free-flowing, high-waisted gown would make a fashion comeback?

Originally posted 2013-03-11 10:00:00.

11
Mar
2025

A Dandy in Sheep’s Clothing – Wool in the Regency

categories: Fashion, History

Kristi here. Let’s take a moment and play a word association game. I’ll give you a word and you describe the first mental image that word brings forth. Ready?

Wool.

For me, I think of nubby socks and thick sweaters. I think bulky and occasionally itchy. Some of you may be envisioning the white fluffy stuff still clinging to Dolly’s hide. But unless you know a lot more about wool’s potential than I did, you probably didn’t envision anything like this coat from Italy circa 1800.

(All photos in this article are from Wikimedia Commons.)

Yes. That coat is made of wool!

Wool is an extremely versatile fabric. There are well over two dozen types of wool fabric according to fabric.net. Wool can be turned into anything from felt to tweed to broadcloth to jersey.

The way we usually envision wool: Yarn used for knits and bulky weaves.

While normally wool is associated with thick, warm sweaters and heavy outer coats, lighter weaves of wool are actually great in warmer weather as well. I had the opportunity to handle some woolen fabrics similar to those used in the Regency time period. The fine patterns and delicate weaves astonished me.

Wool is for so much more than knitting an afghan or a pair of boot socks.

So the next time you read that your favorite aristocratic heroine donned a wool dress or the dashing hero shrugged into his wool jacket, don’t think of the rough wool their servants wore. Regency men and women didn’t have to give up any elegance or frippery to enjoy the many benefits of wool.

It isn’t a surprise that they used a lot of wool given the abundance of sheep grazing the English countryside.

What is surprising is that something that starts out like this (Recently Shorn Wool):

Can turn into all of these different things:

Fine blend wool fabric

Wool Yarn Wool Embroidery Thread

And then be used to make all of this:

Woolen Tailcoat, circa 1825 Linen Dress With Wool Embroidery

Originally posted 2013-03-08 10:00:00.

09
Mar
2025

The Regency Red Carpet

categories: Fashion, History, Pride & Prejudice, Regency accessories

Welcome to March – our month dedicated to what else? Spring fashion!

Here in the States, the fashion world is still abuzz over one of the top events of the year – the 85^th annual Academy Awards ceremony this past Sunday. Arguably second only to Paris Fashion Week in its world-wide influence on the art of dressing well, the Oscars red carpet is rolled out each year and the world tunes in to see which star will win the title of… Best Dressed!

Whether it’s a celebrity rocking a wicked-long train or donning a small fortune in Harry Winston jewels, the world’s fashionistas take to the internet to find the most sought-after trends as showcased by their favorite stars on this one night. What colors are in for the season? What fabric is a must-have for the fashion world’s elite? Is there a new cut making waves in dress design? When you think on our world of social media and instant Twitter feeds from the red carpet, it isn’t a wonder that we all have an opinion on what’s fabulous for the new season. But in the Regency Era – without our social media and the endless stream of celebrities to guide the rest of us down the spring runway – what would have been seen on their “red carpet” of the day?

A commentary on the complete Regency woman’s ensemble would certainly take more than one post (or perhaps a hundred posts), but we’ll give you enough here to get you started on your own Regency fashion journey through the month of March…

A good foray into the art of Regency dress might begin with the always popular element of color. You may be surprised to learn that in the Regency Era, the influence of color was just as fierce as it is today. While soft pastels and bold jewel tones reigned on the Hollywood red carpet this year, the Regency Era had some similar shades (with lesser known names) that ranked quite high on the list of desirables. A Regency lady might wish to be found in varying hues of:

– Canary (a bright sunshine yellow),

– Coquelicot (a brilliant poppy red),

– Jonquil (a rich golden-yellow),

– Pomona (a light gray-green, one of many popular shades new as of 1812),

– Primrose (a sweet butter-yellow), or

– Puce (a deep brownish-purple).

And alas – there were also the more lackluster colors of straw (an unimpressive corn yellow) and the ever-popular Drab (a dull -) that a Regency lady may find mixed somewhere in her wardrobe. (Color Links: Regency color swatches, The Jane Austen Centre, Bath – 2011) And though not an actual color (but a value), the elegance of white was exceedingly popular if your red carpet rolled out all the way to such a stylish affair as the ball at Netherfield Park.Despite the color choice for your gown, if you’d walked the red carpet during the Regency Era there would have been no doubt about the style of dress. An Empire waist was the preferred silhouette – with a typically square or wide-rounded neckline and bodice that ended just below the bust (giving the illusion of a high waist). The skirts were gathered and tapered (rather than being heavily draped with petticoats and layers of bustled fabric, as was popular until the turn of the 19^th century). And though you may have had the proper cut and color selection down, that’s not where the fashion story ends. Depending upon the day and hour of your walk down the red carpet, there was likely a proper dress to accompany the occasion. (Here’s a stunning commentary on half-dress, court dress, and every little thing in-between: Click here.)

Let’s not forget some of our favorite red carpet delicacies – the accessories! Hollywood starlets of today still fancy high heels, though the sky-high styles of today aren’t nearly as towering as the heights that Regency Era women rose to while wearing pattens. (Click here to read our own Mary Moore’s January, 2013 post about pattens. It is a must read!) And though a selection of well-placed jewels around the neck and in the earlobes are still in fashion, you likely won’t find a single Hollywood star sporting the ever-popular Regency fan, reticule (small, drawstring handbag), parasol or feather plumes of ostrich, goose, peacock or emu to complete her ensemble. (Though artfully placed hair extensions, evening gloves, shawls and capes still make the occasional appearance.)

The one thing that is decidedly missing from our modern-day red carpet is the endless stream of bonnet-clad ladies that we’d have had waltzing past two hundred years ago. These Regency head pieces were must-have items often made of straw or sturdy fabric (such as velvet or muslin) with lace, fabric, and satin ribbon trimmings in popular colors. Bonnets might also sport an artful array of artificial decoration, including: birds, fruit, flowers, feathers, jewelry (such as a brooch or pin) and beads. And despite the fact that our current culture prizes the bronzed look, no Regency Era woman would have fancied venturing out in the sun without her bonnet, lest she tan or freckle unnecessarily! (For a complete tutorial on the art of the Regency head-piece, click here.)

If you were playing the part of the Regency Era personal assistant, you’d probably have considered all of these items for the perfect Regency red carpet look. So now that you’ve got it all together, it’s time to take a stroll past the long line of paparazzi (uh, we mean artists with paint and easels ready) and have your fashion plate captured for that next edition of the popular Regency magazines. (For some great fashion plate images, click here to visit Linore Rose Burkard’s post from April, 2012.)

So… With all of this red carpet talk, who was on my best dressed list for this year? My vote for Best Dressed at the Oscars goes to… Click here. Who won your vote?

Welcome fashion, welcome spring, and welcome to all of you readers who have a heart for the same God that reigns today as He did more than two hundred years ago.

In His Love,

~ Kristy

Originally posted 2013-03-01 10:00:11.