Category: entertainment

How Else to Entertain a Houseguest

Laurie Alice here: While working on my next Regency, (Zondervan Books, 2014), I ran into a problem—I needed to entertain a houseguest who is in mourning and who is also. . . We’ll be kind and call her distraught rather than whiny. Since I didn’t want them to play card games commonly associated with gambling, such as silver loo or whist, and this lady is not bright enough to play chess, I went to the well of information that is The Beau Monde ladies, the Regency special interest chapter of Romance Writers of America. As usual, they gave me enough information to keep my guest entertained for weeks; therefore, I thought I would share a few of them with you all.

Let’s start with Spillikins.

From Wikipedia (Jeu de mikado photo)

This is a game that is still played today. Sticks of varying shapes and sizes are held upright, then allowed to fall into a random pile. The object of the game is to collect as many sticks as you can without disturbing any of the other sticks. I remember playing something similar to this as a child called “Ker plunk”—or something like that.

Another game that reminds me a little of a favorite childhood game was, A Journey Through Europe, or The Play of Geography. The idea was a race through Europe, reaching the goal first. Players moved their game pieces along a map of Europe according to the toss of a dice. Sound a little like The Game of Life?

Other games included first having to put together what we would now call a jigsaw puzzle which resulted in a board game of some kind. These games—and others—were stored in slip cases for easy storage or taking on long road trips.

So now I need to figure out how I can get the heroine and hero playing one of these games. Or maybe that will wait for another book in this series. All I know is that knowing more about the games of the time makes for far more interesting evenings in the country houses in which I like to place my characters, than the standards of playing cards, chess, or music.

Originally posted 2013-01-21 05:00:00.

The Art of the Silhouette

This silhouette of Jane Austen is attributed to a silhouette-maker, Mrs. Collins, who worked in Bath around 1800.

It’s hard to imagine not having photography to capture the moments of our everyday lives. Weddings, important events, vacations – these are all moments that we capture digitally or on film to enjoy for years to come.

Even though photography had not yet been invented, it was common practice during the Regency to have a likeness or portrait made of a loved one.  But oil paintings were expensive and took many sittings to complete.  Even watercolor paintings and high quality sketches took skill, time, and money.  For those who did not have the extra funds to spend on such luxuries, a silhouette was a viable alternative to capture a person’s likeness.

 

In simplest terms, a silhouette is the art of casting a shadow of one’s profile onto a sheet of paper and either cutting out or blackening the image.  Originally, this art form was known as creating a profile miniature or shade. The term “silhouette” is credited to the Frenchman Eteinne de Silhouette (1709-1797).   Silhouette, a finance minister to Louis XV, did not invent the art form, but his skill for cutting profiles earned him notoriety.  Additionally, his frugal tendencies made the term “silhouette” synonymous with this inexpensive hobby.

Many people are most familiar with silhouettes that have been cut from black paper, but there were actually several different techniques one could use to create a silhouette.  The most popular technique was to place a candle near a person’s profile and cast a shadow on paper. Then the shadow was traced and then either cut out with sharp, tiny scissors or and darkened with charcoal or lampblack.  Yet another technique was the “hollow cut silhouette”, in which the profiled image was cut from the paper and black material (silk, paper, etc.) was placed behind the empty space to reveal the image. Another more detailed technique was the painted silhouette, in which the artist would either trace or create the profile with oil paint or watercolours.

This silhouette of Robert Burns was created by John Wiers in 1787.

Because it was an inexpensive, easy, and relatively quick process, creating silhouettes became a popular party activity.   In fact, George III was fond of making silhouettes and threw elaborate “shade” parties.  Most cities – especially larger resort towns – had silhouette artists for hire.  One of the most-well known silhouette artists during the Regency was John Miers (1756-1821).  The majority of his career took place in London where, in his early years, he charged a guinea per silhouette. He was noted for his incredible speed and his infamous “three-minute sittings.” He, along with other professional silhouette artists, expanded the art form and created silhouettes on plaster, ivory, wax and glass. The most desirable silhouettes were drawn by hand (not traced) and often found their way onto jewelry and other valuable items.

If you would like to read more on this topic, be sure to check out this article by Linore Burkhard, a Regency Reflections blog contributor:  Rise of the Silhouette

Originally posted 2012-10-17 05:00:00.

Deal Me In ~ Taking a Seat at a Regency Card Table

Kristi here.

No matter the job or social class, people have always found ways to entertain themselves and have fun. Some people have more time to pursue these endeavors than others, but everyone must find the time to enjoy themselves or suffer potential emotional burnout.

It was no different in 19th century England. One pastime that crossed all class and social lines was cards. Men and women, elite and servant, shopkeeper and soldier – all were known to deal in a hand from time to time.

Peasants playing cards on a barrel
Norbert van Bloemen , wikimedia commons

Most of the games involved an element of gambling, using poker chip-like markers to place and collect bets. These were called fish, though by this time they didn’t always look like fish. (You can see pictures and learn more about gaming fish here.)

Were you to sit down at a table with your favorite Regency heroine, the cards would be similar enough to modern decks that you would have little trouble figuring out what was in your hand. You would have to do a bit more counting though, as the corner indexes didn’t appear until later in the 19th century. During the Regency cards simply had the needed number of emblems, requiring frequent counting to ensure the card’s number.

Venetian deck of cards
Venetian playing cards (from Wikimedia commons).In the suit of Coins. English decks contained the four modern day suits.

You might even recognize one or two of the games being played at the Regency card table.

Vingt-et-un is still played in every casino around the country, though in America it is commonly referred to as Twenty-one or Blackjack.

Cribbage was well established by this time. Rules have shifted and adjusted over the years, but the game was largely the same, including the peg board.

Whist is a game found frequently in Regency-based novels. A precursor to today’s game of Bridge, Whist is played by two pairs of partners and was more of a gentleman’s game, though the ladies were known to play it as well.

Two well-heeled ladies play a game of cards
via Wikimedia Commons

Cards were such a ubiquitous enjoyment that parties and social gatherings were formed around the versatile game apparatus. When many people wished to play together, they played “round” games. These could, theoretically, be played by any number of people, so were excellent for parties and generally allowed for more camaraderie among the participants than the more serious and structured games, such as Whist.

Many of the “round” games seemed to derive from the French game Loo. Players had to pay into the pool in order to participate. Everyone would then be dealt a hand of cards (either three or five cards each, depending on the version.) Each person that won a trick would get a proportionate share of the pool.

Cards during the early 19th century did not yet bear the intricate patterned backs we are used to today, instead they were plain white, lending themselves to card marking and cheating, even inadvertently, with slight smudges and markings.

The wealthy would provide packs of brand new, government sealed playing cards when they had guests over. The less affluent made do with the cleanest deck they had available.

While today’s card backs bear everything from red and blue swirls to pictures of sports teams or even our own families, one thing remains the same. Even the barest of game cabinets is likely to contain a deck of cards.

So break open a pack and take yourself back to Regency England. Don’t worry if you don’t have anyone to play with. Deal out a regular game of solitaire and tell yourself you’re playing Patience.

 

Originally posted 2012-10-01 10:00:00.

What’s the Deal with Almack’s? by Susan Karsten

An exclusive venue, in the true meaning of the word “exclusive” (as in exclude!), Almack’s required membership fees (called subscriptions) and had a powerful doorkeeper.
Lady Jersey, a famous Almack's Patroness, via Wikimedia Commons
Lady Jersey, a famous Almack’s Patroness, via Wikimedia Commons

A committee of high-born ladies, known as patronesses, further added to the exclusivity factor. They controlled access to tickets and, therefore, who could enter the prized environs.

Though it cost money to get in, money alone didn’t guarantee entry, nor did birth status. Other factors considered were: wit, beauty, careful dressing, being a good dancer, or simply having good taste might tip the scales in your favor.

The despotic patronesses held weekly meetings to select attendees. Once “in”, there were still strict rules which had to be followed, or you risked being turned away. You must arrive on time, properly dressed.

Interior of Almack's via Wikimedia Commons
Interior of Almack’s via Wikimedia Commons

Six or seven patronesses ran Almack’s. Lady Jersey, daughter and wife of earls, was a chatterbox heiress, strictly maintained the cachet of the club. Lady Sefton, married to an earl, considered more amiable, was a renowned society hostess in her own right. Lady Cowper, know for her with, tact and affability, was known to smooth over quarrels. Formidable Lady Castlereagh, Icy Mrs. Drummond-Burrell, ruthless Countess Lieven, and spiteful Princess Esterhazy round out the committee.

It almost makes one not want to even try to gain entrance. Do you think you’d have made the cut? (fantasy here!)

Originally posted 2014-08-07 10:00:00.

Lighting Up the Night By Regina Scott

reginascott11-07smallSo glad to be back at Regency Reflections. Is that the bang of fireworks I hear in celebration? Sometimes it seems as if our neighborhood has returned to the Revolutionary War right before the Fourth of July there are so many sizzles, pops, and whistles!

Regency lords and ladies were no strangers to fireworks. The fire masters (the equivalent of today’s pyrotechnical engineers) performed their duties for public events like coronations and military victories as well as private events like balls and routs.

Plersch_Night_illumination_of_KaniówA fire-master was originally a commissioned officer in the artillery who ordered the instructions and directions for making fireworks, whether for military purposes such as rockets or for celebration. Each firework consisted of one or more tubes of paper of various diameters filled with different types of flammable powder and connected to a quick match or a slower burning fuse. Rockets might have a stick at the end to help steady the flight. How hot the fire burned, the direction in which it burned, and the diameter of the opening through which it shot all affected the size, shape, duration, and color of the firework.

vauxhall fireworksPeople didn’t seem to tire of fireworks, no matter how many times they saw the bright lights. Talented fire masters were in great demand. Of course, the displays had their down sides as well. In large crowds, there was the apparent danger of pieces of the rockets in particular falling back to the ground and striking people on the head or shoulder. Sparks could also burn as they fell. Perhaps to help prevent such calamities, some events were held near a body of water like a river or ornamental pond. The Vauxhall Pleasure Gardens had some amazing displays along the Thames.

White_bright_fireworks-freeEmboldened by their acclaim, however, the fire masters became more and more creative over the years. Until the middle of the nineteenth century, most of the fireworks were orange or white. In the 1830s, fire masters discovered that burning metallic salts with potassium chlorate would give them many more colors to play with. Fireworks were affixed to wooden frames to spell out words or illuminate scenes. Others burst in the sky like stars, hissed and wove about like serpents in the air, or showered sparks down on amazed onlookers like hot rain. Musicians composed odes that could accompany the displays. Architects and engineers built revolving machines that could light up or shoot out fireworks at various angles. Even one of the Prince Regent’s favorite architects, John Nash, built a machine to house such displays.

Today, fireworks light up the night sky at sporting events, fairs and concerts, and civic events. But we owe much of our delight to the creativity and ingenuity those early fire masters.

Regina

~~~~~~~~~~~~~~~~~~~~
Though she hasn’t found a way to make her hero a fire master yet, Regina Scott has penned 27 stories set in Regency England. Her most recent novel, The Husband Campaign, was released in April 2014 from Love Inspired Historical. You can learn more about her at her website at www.reginascott.com or catch up with her online at www.facebook.com/authorreginascott.

Camy here: Thanks so much, Regina, for our guest post today!

Originally posted 2014-06-30 05:00:59.

More Caricatures from the Regency Era

In November, we looked at James Gillray and some of his more famous caricatures from the Regency Era. Today I wanted to introduce another caricaturist and illustrator, George Cruikshank. George was the son of caricaturist, Isaac Cruikshank (a contemporary of Gillray’s), and apprenticed with his father at an early age. After spending a decade or so making caricatures, George then turned his attentions to book illustrations. The most notable of his illustrations are those he did in the 1830s for his friend, Charles Dickens.
Cruikshank British_valour
From 1813, this mocks American boasting in the face of the British Navy.

This mocks some of the rather impractical fashions of 1818
This mocks some of the rather impractical fashions of 1818.

This mocks servants trying to act as their masters in the kitchen
This mocks servants trying to act as their masters in the kitchen.

This is one of Cruikshank's numerous illustrations for Oliver Twist.
This is one of Cruikshank’s numerous illustrations for Oliver Twist.

Do you like any of these caricatures and illustrations? Do you prefer the ones that satirize regular life or politics? Why?

Originally posted 2014-02-27 10:00:53.

The Final Frost Fair: What Do You Do When the Thames Freezes Over?

Kristi here. Has your winter been insane? Mine certainly has. In a single week in February, we had an ice/snow storm, a sunny 70 degree afternoon, and even felt the minor tremors of an earthquake. The ice and snow has definitely been the biggest surprise of this winter. Multiple crippling freezes have crossed this country, two reaching deep into the south.

Sail Tents on the ice during the frost fairThe ramifications of cold weather were l to the people of Regency England. 1816 is even famously known as the year without a summer. However, it was 200 years ago in February 1814 that the last of the great Frost Fairs occurred on the great Thames River.

It wasn’t the first time the Thames River froze over. Indeed it happened more than twenty times since 1309. This was, however, the last time. The replacement of London Bridge in 1831 and Victorian addition of the Embankment improved the water flow to the extent that a solid freeze hasn’t happened again and is highly unlikely to do so.

With the city pulled to a halt by the bitter cold and drifting snow, people were drawn to the novelty of solid ice, allowing them to walk and play where boats usually reigned. A thoroughfare of sailing vessels, to the tune of 1500 a day, brought to a halt by Mother Nature.

Among the frivolities included in the 1814 Frost Fair were:

–          An elephant crossing the river, demonstrating the thickness and security of the ice near Blackfriars Bridge.

–          A printing press set up on the ice, churning out commemorative books about the fair

–          Food and drink vendors galore and impromptu bars created with ship sails

–          Fires built right on the ice, with large oxen roasting over them

–          Ice skating, bowling, and every other game or sport imaginable

Everything was not all light and smiles, though.

Frost Fair on the Thames with London Bridge in the background.
Frost Fair on the Thames with London Bridge in the background.

With no way to earn their keep on the river, dock workers and ferrymen took to guarding the stairs and ladders that led to the icy surface, charging people a toll to attend the fair and then collecting a penny again when they wanted to leave. Pickpockets took advantage of all the slipping and sliding and drunken frivolity.

The party lasted four days. When the ice began to crack, it proved fatal for some of the final revelers. It also sent huge chunks of ice floating down the river, crashing into barges and doing thousands of pounds in damage.

Four short days, but they were legendary ones. There’s even a reference in Doctor Who, when The Doctor and River visit it for an ice skating outing (A Good Man Goes to War).  In some ways the fair marked the coming end of an era. As the Regency ended and the Victorian age began, life in England would alter considerably. Transportation, engineering, social habits, and opportunities would all change.

Never again would everything align perfectly to create such a unique experience as the Thames Frost Fair.

Have you had unique experiences with snow and ice this year? Tell us about it in the comments below.

Originally posted 2014-02-24 10:00:00.

The Parasol, a Necessary Regency Accessory, by Susan Karsten

Parasols were introduced to England from China. The earliest ones were silk and often shaped like a pagoda.
pagoda parasol

This elegant accessory was mainly to shade a lady’s delicate, fair complexion.  Jaunts through warehouses for accessories would have included buying parasols to match particular outfits.

matchy matchy

The frames were bamboo, cane, or steel. Funny for us 20th-21st century ladies to realize that suntans were extremely unfashionable until the 1920s, when Coco Chanel helped to popularize the suntan. Prior to that, only women who had to labor outdoors were tan. After the 20s, chic, wealthy women were outdoors because they alone had the leisure time for outdoor games like tennis and golf.

Bam!

Wear your sunscreen, ladies!

Originally posted 2014-02-10 10:00:00.