entertainment - Vanessa Riley's Regency Reflections

Category: entertainment

20
Mar
2025

How Regency Ladies Bought Jane Austen

Kristi here. At Regency Reflections we celebrate books containing inspirational stories set in Regency England and this year we have a lot to celebrate. This month alone, two of our own authors saw their debut novels hit the shelves. (Yea, Sarah and Vanessa!)

BooksTablet — Image courtesy of Maggie Smith, FreeDigitalPhotos.net

Today, we have a variety of options when purchasing our reading material. We can get the book electronically, printed and bound with a stunning cover, or even read to us via audiobook in some cases. We can make our purchases online or in a physical bookstore.

Aside from the very obvious lack of internet purchasing and electronic book readers, people wishing to purchase books in Regency England faced other obstacles on the road to filling their personal libraries.

For one thing, books were considerably more expensive in the 19th century. An ordinary servant would have to pay half a month’s salary to purchase even the cheapest of novels. No wonder a full and robust library was such a clear sign of wealth!

Let’s assume that you did have the money to fill your shelves with volumes of written words. How would you purchase them?

Lackington Allen Co Bookstore, 1809 Ackermann print

Bookstores were becoming quite prevalent by the time the Regency rolled around. Though considerably smaller than your local Barnes and Noble, the were considered large stores at the time. Many served as printers and circulating libraries as well – more on that in a bit. Books could also be purchased on subscription, if you wished to support a particular author or project.

One very large difference in the book buying experience of today and that of two hundred years ago is the cover. Can you imagine getting to choose what the cover of your book looked like? Do you want the picture of the couple or one of a meadow? Maybe you don’t want a picture at all, just the title and author in large letters. It’s pretty hard to fathom.

Back then you weren’t choosing a picture, but choosing the material. And it was more than just hardback or paperback kind of choices. Books were sold unbound and uncut. People would then take the book to a bookbinder. The wealthy had them bound in leather, which varied considerably in quality and types, while the more frugal had theirs sewn into stiff cardboard with a flexible connecting piece. The outside edges were then cut with a sharp knife and the book was ready to read.

If you couldn’t afford to purchase a book you might could afford a subscription to a circulating library. This was a combination of a current day library and coffee shop. The size of the libraries varied greatly. At the turn of the century (1801) the largest could be found in Liverpool with more than 8000 books available. For the same cost as purchasing 2-3 books a year, a person had access to an entire library.

The sheer expense of being an avid reader made being well read a sign of gentility and wealth. It also explains why so many stories were printed as serials in newspapers and magazines to make them more accessible to more people.

Have you had a unique experience buying a book or going to the library? Share it in the comments!

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Originally posted 2013-04-24 10:00:00.

20
Mar
2025

Hats off to the Races: Derby Fashion (and Giveaway Winner!)

categories: entertainment, Fashion, Horse Racing

Finish of the Epsom Derby, 1822. (Painting by James Pollard. Photo: Wikimedia Commons)

The past weekend marked the opening ceremonies of the annual Kentucky Derby Festival in our fair city. It’s two weeks of celebration from the inaugural event (Thunder Over Louisville, the largest annual fireworks show in the country), including the Pegasus Parade, Great Balloon Race and the many parties leading up to the main event that draw celebrities from across the globe. The festival culminates in the Kentucky Derby (also known as the Run for the Roses), which has long been a traditional celebration of elegance and grandeur for horse racing’s elite.

This year will usher in a new tradition for me personally, as I will attend my first official Derby event at historic Churchill Downs, complete with a British-inspired ensemble and the all important Derby hat. (The Derby outfit, ladies, is quite an important part of the experience!) And though the world now recognizes the Derby hat as a tradition associated with Kentucky’s first Saturday in May, the upscale fashion at the race actually finds its roots in – you guessed it – Regency England.

In the Regency, horse racing was known as the sport of kings – and for good reason. Like the meets at Ascot, Doncaster, Heath, and Newmarket, the Epsom Derby became an affair that in many ways, was restricted to England’s elite. The Regency woman, always fashionable, would plan her ensemble months in advance of a yearly race. Dresses were specifically tailored and could be imported from Paris, Milan and Rome, just for the event. The extravagance of the hats too, were an important aspect of the overall attire. [For a complete look-book of spring Regency attire, including bonnets and hats, click here.]

In the late nineteenth century, businessman Col. Meriwether Lewis Clark Jr. (founding father of the Kentucky Derby and the grandson of William Clark, of Lewis and Clark fame) sought to raise the standard of horse racing in the United States. Upon traveling to London to attend the famed Epsom Derby (with local roots dating as far back as 1618, but its first Oaks Stakes race in 1779), Clark determined that a similar event could be christened along the banks of the Ohio River. He envisioned for the Louisville Jockey Club “…a racing environment that would feel comfortable and luxurious, an event that would remind people of European horse racing.” [Read more at Derbymuseum.org and in Never Say Die: A Kentucky Colt, the Epsom Derby, and the Rise of the Modern Thoroughbred Industry on Google Books. The historical ties to England are fascinating!]

At the time of the first Kentucky Derby on May 17, 1875, horse racing needed a serious image boost. Drinking and gambling were practices that worked to keep women and children away from the track in droves. Without the family atmosphere, Clark knew the business venture was sure to fail. He sought an avenue to make racing something of an elegant event like he’d witnessed at Epsom Downs. What would be key in the pursuit for families to attend the races? Get women to the track. And how to do it? Easy – do it with fashion. He solicited help from the women of Louisville’s elite to go door-to-door and promote the Derby picnic as a fashionable affair.

“Women coordinated their hats, dresses, bags, their shoes and their parasols,” said Ellen Goldstein, a professor at the Fashion Institute of New York. “To go to a horse racing event was really a regal affair. It was just as important as going to a cocktail party, or a ball.”

[Read more in A Brief History of the Derby Hat – link]

Today, the modern Derby fashionista can spend an average $100 to more than $2000 dollars on her Derby hat. (I can assure you the Derby attire of this mother of three will be on one end of the scale. Just for fun, I’ll let you guess which one!) But when each woman steps through the gates to show off her headpiece at the races, she’ll inevitably display a tradition that is decidedly Regency in tone. For if it not for the strong tradition of fashion established once upon a time at Epsom, would we have “the greatest two minutes in sports” as we know it today?

For a little instruction on the “how-to” of hats, here’s how the Royals do a smashing job at Epsom [click here]. And for those of us heading to the Kentucky Derby, some competition you might encounter in the hat department [click here].

Have you been to the races? Which Derby fashion was your favorite?

___________________________________________________________

~ GIVEAWAY WINNER ~

Thanks to all for catching up with author Sarah Ladd and celebrating the launch of her book with us – The Heiress of Winterwood. We are pleased to announce that the winner of last week’s giveaway (the signed book from Sarah) is:

Angela Holland

Congratulations Angela! To claim your amazing book, please send an email to: cambron_k@yahoo.com

In His Love,

~ Kristy

Originally posted 2013-04-22 10:00:00.

16
Mar
2025

The Joke’s on Them ~ Caricatures in Regency England

categories: entertainment, History

Cruickshank's View of the Regent's Backside — A view of the Regent’s backside by George Cruikshank.

Kristi here. Today is April Fool’s Day in the US. An annoying day where you can’t trust anything you read, hear, say, see, or smell. Basically, your five normal senses are useless and you have to keep a tight grip on your sense of humor to survive. Particularly if you have a jokester in your house.

A sense of humor is a beautiful thing. Often we forget that humor isn’t a modern invention. Because of the long time spent posing for portraits, people always look somber and serious in their paintings. But people in the Regency liked to laugh as much as anyone else.

A Kick from Yarmouth to Wales — A cartoon from 1811 telling the tale of the Prince Regent receiving a sound thrashing for insulting Lord Yarmouth’s wife.

Caricatures, the precursor to today’s editorial cartoons, not only provided social commentary and news, but provided humor as well. Many of them featured prominent figures of the day with certain features exaggerated to provide entertainment as well as make a point.

Much like tabloids and entertainment magazines of today, these drawings were popular because they kept people informed of what was happening in the world in a fun way. Regency England had it’s own celebrities and the caricature artists were the era’s paparazzi.

Caricatures were such a key part of England during the era that the Royal Pavilion and Museums Foundation of Brighton spent nearly £60,000 to obtain 235 original prints. Studying caricatures can tell us a lot about the way culture worked, how various people were thought of, and the general feeling of the time.

IndiaCartoon — A Rowlandson cartoon about the control and status of India, a British holding at the time.

Some of the most famous caricature artists, such as Thomas Rowlandson, worked mostly for Robert Ackermann. Known today for his prints of changing fashions and furniture, the Repository actually featured many social caricatures. Ackermann also printed other periodicals that covered travel, literature, and London in general. Rowlandson was not only a caricaturist but a skilled artist as well. Hand colored prints of his etchings could be purchased as well.

If you decide to go looking for more caricatures online, do be careful. Like today, sex, scandal, and politics were popular topics and some of the caricature artists weren’t shy about using nudity or lewdness to make their points. Many caricaturists were quite vulgar.

Originally posted 2013-04-01 10:00:00.

02
Mar
2025

How Else to Entertain a Houseguest

categories: A Day in the Life, Education, entertainment, History, Uncategorized

Laurie Alice here: While working on my next Regency, (Zondervan Books, 2014), I ran into a problem—I needed to entertain a houseguest who is in mourning and who is also. . . We’ll be kind and call her distraught rather than whiny. Since I didn’t want them to play card games commonly associated with gambling, such as silver loo or whist, and this lady is not bright enough to play chess, I went to the well of information that is The Beau Monde ladies, the Regency special interest chapter of Romance Writers of America. As usual, they gave me enough information to keep my guest entertained for weeks; therefore, I thought I would share a few of them with you all.

Let’s start with Spillikins.

This is a game that is still played today. Sticks of varying shapes and sizes are held upright, then allowed to fall into a random pile. The object of the game is to collect as many sticks as you can without disturbing any of the other sticks. I remember playing something similar to this as a child called “Ker plunk”—or something like that.

Another game that reminds me a little of a favorite childhood game was, A Journey Through Europe, or The Play of Geography. The idea was a race through Europe, reaching the goal first. Players moved their game pieces along a map of Europe according to the toss of a dice. Sound a little like The Game of Life?

Other games included first having to put together what we would now call a jigsaw puzzle which resulted in a board game of some kind. These games—and others—were stored in slip cases for easy storage or taking on long road trips.

So now I need to figure out how I can get the heroine and hero playing one of these games. Or maybe that will wait for another book in this series. All I know is that knowing more about the games of the time makes for far more interesting evenings in the country houses in which I like to place my characters, than the standards of playing cards, chess, or music.

Originally posted 2013-01-21 05:00:00.

09
Feb
2025

The Art of the Silhouette

categories: A Day in the Life, entertainment, Uncategorized

: This silhouette of Jane Austen is attributed to a silhouette-maker, Mrs. Collins, who worked in Bath around 1800.

It’s hard to imagine not having photography to capture the moments of our everyday lives. Weddings, important events, vacations – these are all moments that we capture digitally or on film to enjoy for years to come.

Even though photography had not yet been invented, it was common practice during the Regency to have a likeness or portrait made of a loved one. But oil paintings were expensive and took many sittings to complete. Even watercolor paintings and high quality sketches took skill, time, and money. For those who did not have the extra funds to spend on such luxuries, a silhouette was a viable alternative to capture a person’s likeness.

In simplest terms, a silhouette is the art of casting a shadow of one’s profile onto a sheet of paper and either cutting out or blackening the image. Originally, this art form was known as creating a profile miniature or shade. The term “silhouette” is credited to the Frenchman Eteinne de Silhouette (1709-1797). Silhouette, a finance minister to Louis XV, did not invent the art form, but his skill for cutting profiles earned him notoriety. Additionally, his frugal tendencies made the term “silhouette” synonymous with this inexpensive hobby.

Many people are most familiar with silhouettes that have been cut from black paper, but there were actually several different techniques one could use to create a silhouette. The most popular technique was to place a candle near a person’s profile and cast a shadow on paper. Then the shadow was traced and then either cut out with sharp, tiny scissors or and darkened with charcoal or lampblack. Yet another technique was the “hollow cut silhouette”, in which the profiled image was cut from the paper and black material (silk, paper, etc.) was placed behind the empty space to reveal the image. Another more detailed technique was the painted silhouette, in which the artist would either trace or create the profile with oil paint or watercolours.

: This silhouette of Robert Burns was created by John Wiers in 1787.

Because it was an inexpensive, easy, and relatively quick process, creating silhouettes became a popular party activity. In fact, George III was fond of making silhouettes and threw elaborate “shade” parties. Most cities – especially larger resort towns – had silhouette artists for hire. One of the most-well known silhouette artists during the Regency was John Miers (1756-1821). The majority of his career took place in London where, in his early years, he charged a guinea per silhouette. He was noted for his incredible speed and his infamous “three-minute sittings.” He, along with other professional silhouette artists, expanded the art form and created silhouettes on plaster, ivory, wax and glass. The most desirable silhouettes were drawn by hand (not traced) and often found their way onto jewelry and other valuable items.

If you would like to read more on this topic, be sure to check out this article by Linore Burkhard, a Regency Reflections blog contributor: Rise of the Silhouette

Originally posted 2012-10-17 05:00:00.

06
Feb
2025

Deal Me In ~ Taking a Seat at a Regency Card Table

categories: entertainment, History

Kristi here.

No matter the job or social class, people have always found ways to entertain themselves and have fun. Some people have more time to pursue these endeavors than others, but everyone must find the time to enjoy themselves or suffer potential emotional burnout.

It was no different in 19th century England. One pastime that crossed all class and social lines was cards. Men and women, elite and servant, shopkeeper and soldier – all were known to deal in a hand from time to time.

Peasants playing cards on a barrel — Norbert van Bloemen , wikimedia commons

Most of the games involved an element of gambling, using poker chip-like markers to place and collect bets. These were called fish, though by this time they didn’t always look like fish. (You can see pictures and learn more about gaming fish here.)

Were you to sit down at a table with your favorite Regency heroine, the cards would be similar enough to modern decks that you would have little trouble figuring out what was in your hand. You would have to do a bit more counting though, as the corner indexes didn’t appear until later in the 19th century. During the Regency cards simply had the needed number of emblems, requiring frequent counting to ensure the card’s number.

Venetian deck of cards — Venetian playing cards (from Wikimedia commons).In the suit of Coins. English decks contained the four modern day suits.

You might even recognize one or two of the games being played at the Regency card table.

Vingt-et-un is still played in every casino around the country, though in America it is commonly referred to as Twenty-one or Blackjack.

Cribbage was well established by this time. Rules have shifted and adjusted over the years, but the game was largely the same, including the peg board.

Whist is a game found frequently in Regency-based novels. A precursor to today’s game of Bridge, Whist is played by two pairs of partners and was more of a gentleman’s game, though the ladies were known to play it as well.

Two well-heeled ladies play a game of cards — via Wikimedia Commons

Cards were such a ubiquitous enjoyment that parties and social gatherings were formed around the versatile game apparatus. When many people wished to play together, they played “round” games. These could, theoretically, be played by any number of people, so were excellent for parties and generally allowed for more camaraderie among the participants than the more serious and structured games, such as Whist.

Many of the “round” games seemed to derive from the French game Loo. Players had to pay into the pool in order to participate. Everyone would then be dealt a hand of cards (either three or five cards each, depending on the version.) Each person that won a trick would get a proportionate share of the pool.

Cards during the early 19th century did not yet bear the intricate patterned backs we are used to today, instead they were plain white, lending themselves to card marking and cheating, even inadvertently, with slight smudges and markings.

The wealthy would provide packs of brand new, government sealed playing cards when they had guests over. The less affluent made do with the cleanest deck they had available.

While today’s card backs bear everything from red and blue swirls to pictures of sports teams or even our own families, one thing remains the same. Even the barest of game cabinets is likely to contain a deck of cards.

So break open a pack and take yourself back to Regency England. Don’t worry if you don’t have anyone to play with. Deal out a regular game of solitaire and tell yourself you’re playing Patience.

Originally posted 2012-10-01 10:00:00.

27
Aug
2024

What’s the Deal with Almack’s? by Susan Karsten

categories: entertainment, History

An exclusive venue, in the true meaning of the word “exclusive” (as in exclude!), Almack’s required membership fees (called subscriptions) and had a powerful doorkeeper.

Lady Jersey, a famous Almack's Patroness, via Wikimedia Commons — Lady Jersey, a famous Almack’s Patroness, via Wikimedia Commons

A committee of high-born ladies, known as patronesses, further added to the exclusivity factor. They controlled access to tickets and, therefore, who could enter the prized environs.

Though it cost money to get in, money alone didn’t guarantee entry, nor did birth status. Other factors considered were: wit, beauty, careful dressing, being a good dancer, or simply having good taste might tip the scales in your favor.

The despotic patronesses held weekly meetings to select attendees. Once “in”, there were still strict rules which had to be followed, or you risked being turned away. You must arrive on time, properly dressed.

Interior of Almack's via Wikimedia Commons — Interior of Almack’s via Wikimedia Commons

Six or seven patronesses ran Almack’s. Lady Jersey, daughter and wife of earls, was a chatterbox heiress, strictly maintained the cachet of the club. Lady Sefton, married to an earl, considered more amiable, was a renowned society hostess in her own right. Lady Cowper, know for her with, tact and affability, was known to smooth over quarrels. Formidable Lady Castlereagh, Icy Mrs. Drummond-Burrell, ruthless Countess Lieven, and spiteful Princess Esterhazy round out the committee.

It almost makes one not want to even try to gain entrance. Do you think you’d have made the cut? (fantasy here!)

Originally posted 2014-08-07 10:00:00.

21
Aug
2024

Lighting Up the Night By Regina Scott

categories: entertainment, History

So glad to be back at Regency Reflections. Is that the bang of fireworks I hear in celebration? Sometimes it seems as if our neighborhood has returned to the Revolutionary War right before the Fourth of July there are so many sizzles, pops, and whistles!

Regency lords and ladies were no strangers to fireworks. The fire masters (the equivalent of today’s pyrotechnical engineers) performed their duties for public events like coronations and military victories as well as private events like balls and routs.

A fire-master was originally a commissioned officer in the artillery who ordered the instructions and directions for making fireworks, whether for military purposes such as rockets or for celebration. Each firework consisted of one or more tubes of paper of various diameters filled with different types of flammable powder and connected to a quick match or a slower burning fuse. Rockets might have a stick at the end to help steady the flight. How hot the fire burned, the direction in which it burned, and the diameter of the opening through which it shot all affected the size, shape, duration, and color of the firework.

People didn’t seem to tire of fireworks, no matter how many times they saw the bright lights. Talented fire masters were in great demand. Of course, the displays had their down sides as well. In large crowds, there was the apparent danger of pieces of the rockets in particular falling back to the ground and striking people on the head or shoulder. Sparks could also burn as they fell. Perhaps to help prevent such calamities, some events were held near a body of water like a river or ornamental pond. The Vauxhall Pleasure Gardens had some amazing displays along the Thames.

Emboldened by their acclaim, however, the fire masters became more and more creative over the years. Until the middle of the nineteenth century, most of the fireworks were orange or white. In the 1830s, fire masters discovered that burning metallic salts with potassium chlorate would give them many more colors to play with. Fireworks were affixed to wooden frames to spell out words or illuminate scenes. Others burst in the sky like stars, hissed and wove about like serpents in the air, or showered sparks down on amazed onlookers like hot rain. Musicians composed odes that could accompany the displays. Architects and engineers built revolving machines that could light up or shoot out fireworks at various angles. Even one of the Prince Regent’s favorite architects, John Nash, built a machine to house such displays.

Today, fireworks light up the night sky at sporting events, fairs and concerts, and civic events. But we owe much of our delight to the creativity and ingenuity those early fire masters.

Regina

~~~~~~~~~~~~~~~~~~~~
Though she hasn’t found a way to make her hero a fire master yet, Regina Scott has penned 27 stories set in Regency England. Her most recent novel, The Husband Campaign, was released in April 2014 from Love Inspired Historical. You can learn more about her at her website at www.reginascott.com or catch up with her online at www.facebook.com/authorreginascott.

Camy here: Thanks so much, Regina, for our guest post today!

Originally posted 2014-06-30 05:00:59.

04
Aug
2024

More Caricatures from the Regency Era

categories: entertainment, Fashion, Flashback, Government, Uncategorized

In November, we looked at James Gillray and some of his more famous caricatures from the Regency Era. Today I wanted to introduce another caricaturist and illustrator, George Cruikshank. George was the son of caricaturist, Isaac Cruikshank (a contemporary of Gillray’s), and apprenticed with his father at an early age. After spending a decade or so making caricatures, George then turned his attentions to book illustrations. The most notable of his illustrations are those he did in the 1830s for his friend, Charles Dickens.

Cruikshank British_valour — From 1813, this mocks American boasting in the face of the British Navy.

This mocks some of the rather impractical fashions of 1818.

This mocks servants trying to act as their masters in the kitchen.

This is one of Cruikshank's numerous illustrations for Oliver Twist. — This is one of Cruikshank’s numerous illustrations for *Oliver Twist*.

Do you like any of these caricatures and illustrations? Do you prefer the ones that satirize regular life or politics? Why?

Originally posted 2014-02-27 10:00:53.

03
Aug
2024

The Final Frost Fair: What Do You Do When the Thames Freezes Over?

categories: entertainment, History, Nature, Seasons

Kristi here. Has your winter been insane? Mine certainly has. In a single week in February, we had an ice/snow storm, a sunny 70 degree afternoon, and even felt the minor tremors of an earthquake. The ice and snow has definitely been the biggest surprise of this winter. Multiple crippling freezes have crossed this country, two reaching deep into the south.

Sail Tents on the ice during the frost fair The ramifications of cold weather were l to the people of Regency England. 1816 is even famously known as the year without a summer. However, it was 200 years ago in February 1814 that the last of the great Frost Fairs occurred on the great Thames River.

It wasn’t the first time the Thames River froze over. Indeed it happened more than twenty times since 1309. This was, however, the last time. The replacement of London Bridge in 1831 and Victorian addition of the Embankment improved the water flow to the extent that a solid freeze hasn’t happened again and is highly unlikely to do so.

With the city pulled to a halt by the bitter cold and drifting snow, people were drawn to the novelty of solid ice, allowing them to walk and play where boats usually reigned. A thoroughfare of sailing vessels, to the tune of 1500 a day, brought to a halt by Mother Nature.

Among the frivolities included in the 1814 Frost Fair were:

– An elephant crossing the river, demonstrating the thickness and security of the ice near Blackfriars Bridge.

– A printing press set up on the ice, churning out commemorative books about the fair

– Food and drink vendors galore and impromptu bars created with ship sails

– Fires built right on the ice, with large oxen roasting over them

– Ice skating, bowling, and every other game or sport imaginable

Everything was not all light and smiles, though.

Frost Fair on the Thames with London Bridge in the background.

With no way to earn their keep on the river, dock workers and ferrymen took to guarding the stairs and ladders that led to the icy surface, charging people a toll to attend the fair and then collecting a penny again when they wanted to leave. Pickpockets took advantage of all the slipping and sliding and drunken frivolity.

The party lasted four days. When the ice began to crack, it proved fatal for some of the final revelers. It also sent huge chunks of ice floating down the river, crashing into barges and doing thousands of pounds in damage.

Four short days, but they were legendary ones. There’s even a reference in Doctor Who, when The Doctor and River visit it for an ice skating outing (A Good Man Goes to War). In some ways the fair marked the coming end of an era. As the Regency ended and the Victorian age began, life in England would alter considerably. Transportation, engineering, social habits, and opportunities would all change.

Never again would everything align perfectly to create such a unique experience as the Thames Frost Fair.

Have you had unique experiences with snow and ice this year? Tell us about it in the comments below.

Originally posted 2014-02-24 10:00:00.