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Write of Passage: America Is Being Judged—and We are Not Ready.

Take a moment and sit with this:

A country can be both powerful and fragile at the same time.

We can be proud—and still be in the wrong.

And right now, we’re standing in the middle of a reckoning.

The question isn’t why anymore… It’s what we do next.

There’s a hard truth we don’t want to acknowledge. We are here because of apathy, arrogance, and anger.

And three things can be true at once.

First, the reckoning—the judgment on America—can be deserved. Our standing in the world, the fall from once being revered to a joke, is deserved. Our actions have impacted for the worse, the world economy.

Second, there are a lot of people getting caught in the gears of that reckoning.

And third, plain and simple, ain’t nobody got time for this kind of suffering.

So the real questions of why we are here are over. It’s time to focus on how we set things right.

I’m not here to say “I told you so.” That’s easy, and it doesn’t solve anything. But I do want to ground us in a quick lesson.

People died fighting for civil rights. Not centuries ago—less than seventy years. There are people caught in pictures screaming at little children, threatening violence because a child wants an education. Less than seventy years, they can still be alive. Their children who grew up with hate are still here, still carrying the hate. But now they are screamers, politicians, footstools in the patriarchy. Heck, they might be leading it.

The Voting Rights Act passed in 1965. So let’s round up, seventy years is supposed to make up for 400 years of slavery?

According to the Equal Justice Initiative (EJI) at least 4,400 lynchings of Black Americans occurred between 1877 and 1950.

The Southern Poverty Law Center and other National Archives, Civil Rights Movement records, estimate 60+ people were killed in direct civil rights–related violence between 1960 and 1965.

We know the famous names:

Medgar Evers (1963)

Herbert Lee (1961)

James Chaney, Andrew Goodman, and Michael Schwerner (1964)

Jimmie Lee Jackson (1965)

Viola Liuzzo (1965)

Addie Mae Collins, Denise McNair, Carole Robertson, and Cynthia Wesley

They were between 11 and 14 years old, killed in the 16th Street Baptist Church bombing.

When I research and one of those photos comes up, you know the ones with hordes of adults screaming and wishing harm on babies like Ruby Bridges.

I see eyes glazed over with hate, mouths open, screaming curse words, and words at children integrating schools. But I’m supposed to believe that these hateful people’s children and grandchildren miraculously have no more prejudice…you know, the prejudice that forced us to legislate decency and morality.

That these people in my neighborhood, near my child and other brown and Black children, have evolved.

The past isn’t gone. It’s merely buried. When no one is watching, hate has a way of rising back up.

Far too many of us got comfortable. We lived in neighborhoods that looked integrated on the surface. We worshipped in spaces where anyone could walk in. We shopped, ate, worked, and convinced ourselves that access meant equity—that if you were qualified, you could get the job; if you worked hard, you’d be fine.

That comfort made us forget the stakes.

We can’t be forgetful when others are already standing in unemployment lines. Some are choosing between medicine and groceries. Others were already relying on food banks just to make it through the week.

And now, more people are feeling that edge. Seventeen thousand people just lost their job as jet fuel prices spike. We had an economy that, for a moment, felt like it was rebounding—strong, even enviable. But instability, policy choices, and global tensions have brought us to a place where the cost of living is climbing fast. Safety nets are thinning. Healthcare is slipping out of reach for far too many.

There’s a widening gap between those who are managing and those who are barely holding on.

Yes—if you have a roof over your head, a working car, food in your fridge—you’re not doing so badly.

But that’s not the whole picture. It can’t be. Some folks are:

One paycheck away. One emergency away. One layoff away from disaster.

If you’re listening to this essay—on a podcast app, on Substack, anywhere—you have a degree of privilege.

Use that guilt. Bear our responsibility in this mess.

We were, at one point, moving—slowly, imperfectly—toward a more perfect union.

Then fear crept in.

Fear that equality meant loss. Fear that if everyone has a seat at the table, some people wouldn’t feel special anymore. And that fear dressed itself up in many forms—sexism, misogyny, exclusion, resentment, and yes, good old-fashioned racism.

You can’t put that genie back in the bottle. There’s no Superman coming to spin the world backward so we undo everything and make better choices.

This is the burden—and the beauty—of a fragile democracy.

We get to choose. Even when we choose poorly.

So now we’re here, in this moment, asking ourselves:

What else are we willing to lose?

How much more will be stripped away before we pay attention?

I am afraid. More afraid than angry. This is a new place for me. And I suppose for you too.

Since three things can be true at once, then we can do three things at once:

We can acknowledge the reckoning.

We can care for the people caught in it.

And we can decide, collectively, that we don’t have time to sit around and take things like voting for granted… that is, while we still can.

This week’s book list features books to help us process:

How to Be an Antiracist by Ibram X. Kendi — Explains how neutrality and “not racist” thinking fuel systemic harm.

Walking with the Wind by John Lewis — A firsthand account of the Civil Rights Movement that reminds us how recent—and costly—those gains were.

Caste: The Origins of

Our Discontents by Isabel Wilkerson — Argues that America operates under an unspoken caste system, explaining why inequality persists despite progress.

And if you just want to raise a sword and cut to the truth, consider purchasing Fire Sword and Sea, my latest release.

Or if you are in need of laughs and inclusivity, preorder or review at NetGalley, a Deal at Dawn. Step into a cliffhanger, where the Duke of Torrance is dying to finally be a father to his daughter but he must deal her with mother, the woman who humbled him and broke his heart.

All these books from The A Small Place Bookshop. They still have a few signed copies of Fire Sword and Sea.

You can also try one of my partners in the fight, bookstores large and small, who are in the trenches with me.

You can find my notes on Substack or on my website, VanessaRiley.com, under the podcast link in the About tab.

Hey. Let’s keep rising and creating together. That’s the truth, I need you. Like, share, subscribe, and stay connected to Write of Passage.

Thank you for being here.

I want you to come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

New Romances by Kristi Ann Hunter

Vanessa here,

It’s my pleasure to have Kristi Ann Hunter on my porch today to talk of her latest novels.  Really, I should have had you here sooner since we are both Georgia Peaches, but we’ve both been a little busy.

Kristi Hunter and I enjoying the music.
Kristi Hunter and I enjoying the music at RWA 2013.

Please have a seat on the pollen free chair. So Kristi Ann what made these stories come to life in your head?

There are always stories in my head. It’s a very noisy place.

Isn’t that always the way. Please continue.

There are a few things I do to streamline my thoughts enough to actually pull a coherent tale together, though. Usually I start with a question, a “What If” sort of scenario, or I start with a character that I’d really like to explore. Once I have both of those pieces, I know I’ve got the basis for a real story.

 

In A Lady of Esteem I started with the idea of Amelia. On the surface, Amelia had everything she needed to make a good connection – respectable family, connections to aristocracy, and a home in a fashionable area of town. Even though she had the necessary elements, they were useless because she had no way to utilize them. She’s a Cinderella figure oppressed by circumstances instead of people. The big question then was what do I do with her?

 

That’s where the big What If question comes into play. What if the servants of London decided they wanted something to happen? These people are so deeply embedded in the lives of the aristocracy that it’s hard to believe they couldn’t do something is they put their collective minds to it. That was the birth of the story.

She said free everyone. Please go find this free romance. http://www.kristiannhunter.com/#!a-lady-of-esteem/c2407ALoECover

What do you want people to think about when they read a Kristi Ann Hunter book.

While they’re reading it I hope they’re not thinking much of anything. My books are meant to be an enjoyable escape. I hope the story takes them into the world of Regency England until they’re completely immersed. A laugh or two would be good. Mostly I want them to enjoy the story. Once they’ve closed the book is another story. If an element of the story resonates with them and gets them to think about life a little differently or come to a better understanding about God and how much He loves us, then I consider that a success.

A Lady of Esteem is available now as a free eBook!

Miss Amelia Stalwood may live in London at her absent guardian’s townhouse, but she’s never actually met any nobility, and instead of aristocrats, her closest friends are servants.

Kristi Ann Hunter and Julie Klassen in Regency garb
Kristi Ann Hunter and Julie Klassen in sweet Regency gowns.

Quite by happenstance, she’s introduced to the Hawthorne family and their close family friend, Anthony, the reformed Marquis of Raebourne. They welcome her into their world, but just as she’s beginning to gain some confidence and even suspect she may have caught Anthony’s eye, she’s blindsided by an unexpected twist in her situation accompanied by nasty rumors.

Will she lose her reputation when the world that has only just accepted her turns its back on her, or will she rest in the support of the friends who’ve become like family and the man who’s shared his faith and captured her heart?

It’s free people! : http://www.kristiannhunter.com/#!a-lady-of-esteem/c2407 

On September 8th Kristi Ann Hunter’s first full length Regency Romance Will be Available.

A Noble Masquerade will be available everywhere on September 8!

Lady Miranda Hawthorne acts every inch the lady, but inside she longs to be bold and carefree. Entering her fourth Season and approaching spinsterhood in the eyes of society, she pours her innermost feelings out not in a diary but in letters to her brother’s old school friend, a duke–with no intention of ever sending these private thoughts to a man she’s heard stories about but never met. Meanwhile, she also finds herself intrigued by Marlow, her brother’s new valet, and although she may wish to break free of the strictures that bind her, falling in love with a servant is more of a rebellion than she planned.NobleCover

When Marlow accidentally discovers and mails one of the letters to her unwitting confidant, Miranda is beyond mortified. And even more shocked when the duke returns her note with one of his own that initiates a courtship-by-mail. Insecurity about her lack of suitors shifts into confusion at her growing feelings for two men–one she’s never met but whose words deeply resonate with her heart, and one she has come to depend on but whose behavior is more and more suspicious. When it becomes apparent state secrets are at risk and Marlow is right in the thick of the conflict, one thing is certain: Miranda’s heart is far from all that’s at risk for the Hawthornes and those they love.

Let’s all go order a copy:  http://www.kristiannhunter.com/#!a-noble-masquerade/c190y

Thanks for visiting with me. Next time I’ll serve cake.

Originally posted 2015-08-06 10:17:10.

Write of Passage: Don’t Believe Your Lying Eyes

We’ve all been worrying—rightfully—about AI stealing the work of artists and authors. That’s a valid and growing concern. In March of this year, I found out that Meta’s engine, according to The Atlantic, scraped 27 of my 28 published books.

The only reason it didn’t get March’s release A Wager at Midnight was because it hadn’t hit the shelves yet. Theft in broad daylight.

But this goes deeper than just copyright violations. We’re seeing something more insidious: the rise of AI-generated scams, fakery, and lies. And I’m not talking about science fiction. I’m talking about now.

On platforms like TikTok and X, faked videos are being created and/or shared with shocking ease—videos that can ruin reputations, twist narratives, and even make the UK tabloid press bite and republish the lies for a wider international audience. I’ve seen articles run in The Daily Mail that pose lies as questions, which gives dodgy accountability while still spreading misinformation. It’s manipulation masquerading as curiosity. Yet many look at lying headlines and accept them as true.

A report by Upwind published in December says that 87% of Americans are worried about being scammed by AI. That is a lot of people. It’s a huge concern, especially when truth tellers are losing their jobs or seemingly capitulating because of fears of being sued, losing access, or targeted and harassed. The “other side” is not just lying but they are weaponizing the instruments that we are supposed to trust and inflicting consequences on anyone saying or writing something they disagree with.

The Big Beautiful Lies

I must say, the lies can be compelling. Let’s look at an easy topic, travel. I mean, who doesn’t want a travel guide? I buy them quite often for research on big cities or exotic locations.

According to Axios, AI-generated travel guides, self-help books, and even mathematics are popular to scam. Now I have to say—math is hard enough. Why are you going to use a robot to put up something that can hurt a kid’s education. And please don’t have my characters walking down the wrong streets.

Yet the boldness of the lying is getting worse. People are using AI to write books and then publish them under real authors’ names. Savannah Guthrie in 2024 was done so dirty. She wrote the book Mostly What God Does. Scammers using AI wrote workbooks, studies, and companion guides for her book and published them on Amazon under her name.

Kara Swisher, the tech maven faced it too: fake “biographies” about her own life showed up ahead of her memoir’s release, Burn Book, in 2024. Jane Friedman details on her blog her own horror story, where a scammer used AI to write Friedman-like books, and then published those books under Friedman’s name. And the proceeds went to the bots.

These AI scams confuse real readers. They have the potential to damage reputations and dilute the credibility of authors—an author’s brand can take decades to build.

Imagine what happens to a debut author whose idea has become popular on TikTok, getting beat to her book launch by an AI scam. And because debuts aren’t yet industry names, they lose the credibility game.

I used to think that AI scams were going to catch my grandma or folks not paying attention. Nope. AI is giving thieves the ability to put together more convincing emails and websites to ensnare everyone. It’s not just grandma and Social Security, or the foreign soldiers needing help to get a fortune out of a war zone—we’re talking sophisticated scams that use AI to reconstruct your habits. They may be scanning emails or even listening to conversations through AI upgrades on things that shouldn’t have AI at all.

This is phishing on a whole new level. And we’re all set up to be scammed. It’s no longer going to be easy to tell a scam by bad grammar, doxing, or fraudulent websites. AI is making everything harder to detect. AI should be used to make things better, but in the hands of bots and scammers it is a nightmare.

No Free Rides or Shades

I recently did a small brand deal for gummy vitamins. I choked on a cornflake as a kid—swallowing is hard. And please don’t even think of me taking anything that’s a horse pill. Anyway, now I’m getting little offers. Most of the offers that don’t come from a collaborator’s platform are probably scams. So there are no free sunglasses.

How do we protect ourselves?

You can’t trust your eyes anymore. Nor your ears—AI can clone a voice. It can fake a face. It can forge a whole book.

But you can protect yourself:

* Verify Every Fact – Before you repeat or share get several sources. I want to say reputable, but that’s hard to define right now.

* Check Sources That Don’t Agree With You – Find several and verify dates, times, etc. If they match, you have a fact. If they don’t, you have a lie, a manipulation, or someone’s opinion.

* Search Smart – Check authors’ websites, join their newsletter, and follow creatives on their official accounts before buying.

* Report Scams – Don’t stay silent. Amazon, TikTok, and the FTC need to hear from us.

* Don’t Be Ashamed – If you got scammed, tell someone. Put it on blast. Be someone else’s keeper.

* Check the FTC’s Resources – The Federal Trade Commission is watching this space. The rules are there and often include ways of reporting issues.

We are in an era where you can no longer believe your lying eyes. The truth takes longer to verify, and the fakers are only getting smarter.

Artists, writers, creators: your work is valuable. But we must fight smarter and speak louder to help our readers and audiences find the truth. This is going to be a long battle, but we must not be silent. We can never let up the fight. Be vigilant while being creative.

Books to bring awareness of the problem are:

Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy by Cathy O’Neil

A sharp critique of how algorithms can be biased, dangerous, and largely invisible. It explains how AI systems make life-and-death decisions, often with no accountability.

The Coming Wave: AI, Power, and Our Future

by Mustafa Suleyman

This book explores how fast-moving technologies—especially AI—can outpace regulation and become tools for manipulation, chaos, and control. It’s a smart, accessible read on the dangers ahead.

And of course lets aid:

Burn Book by Kara Swisher

A sharp, insider memoir exposing the rise of Silicon Valley’s power players and how tech’s promises turned into threats to truth, privacy, and democracy.

Mostly What God Does by Savannah Guthrie

A heartfelt collection of reflections on faith, love, and grace, offering spiritual encouragement grounded in everyday life.

Check out Jane Friedman’s Website for her latest books.

This week, I’m highlighting Park Books through their website and Bookshop.org

Help me build momentum for Fire Sword and Sea—spread the word and preorder this disruptive narrative about female pirates in the 1600s. This sweeping saga releases January 13, 2026. The link on my website shows retailers large and small who have set up preorders for this title.

Show notes include a list of the books mentioned in this broadcast. Paid Subscribers Your Next Lesson on Build-A-Better-Character is coming this week.

You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.

Let’s keep growing and building together—like, subscribe, and share. Please stay connected to Write of Passage.

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Originally posted 2025-07-08 13:10:00.

Dark, Lovely, and Loved: The Diverse Regency

Vanessa here,

I’ve been away for a bit as I immersed myself in my latest writing projects. As you all know, I love the Regency, the mannerism, the wit, and the fashions. I am intrigued by the challenges the people of the times faced: the complexity and aftermath of war, the stark differences in the rights of women versus men, and the growing social consciousness.

But there is more, much more.

Did you know London was very diverse with large Jewish and African populations? Yet, it is very rare to see these aspects in Regency fiction. Except for my dear friend Ruth Axtell’s book, The Winter is Past, you do not typically see a racially diverse cast of characters.

I, an African American writer, am guilty of this, too. In my debut book, Madeline’s Protector, Justain’s conscience figure, Mason, was originally a free black, but I edited it out, thinking that such a close relationship between an earl and his black man-of-all-work wouldn’t pass the sniff test or even would upset some because he’s killed early in the book. I didn’t trust my audience as much as I should’ve, nor did I trust my ability to tell the tale. And if I had such worries, I can imagine how others feel when they lift pen to paper trying to write a historically accurate, compelling, and marketable tale. Those three components differ based on the eye or pocketbook of the beholder: Traditional Presses versus Indie Pubs, niche marketing versus mainstream pitches, Christian Bookseller Association versus American Bookseller Association, etc.

I applaud everyone brave enough to write their story in the way that they feel is right. I just know that for me and my pen, my laptop and smart phone, we shall tell the story and the whole story from now on, so help me God.

But London was diverse. And doesn’t love always win?

Let me show you some images. At first glance they may offend, but that is not my intent. With the sweetness of the Regency, one must also accept the bitter dregs, the things that have been swept away, because it is ugly.

Lewis Walpole Library, Yale University
Lewis Walpole Library, Yale University – Drawn by William Austin 1773

This is William Austin’s 1773 caricature: ‘The Duchess of (Queensbury) playing at Foils with her favorite lap dog Mungo’. This cartoon was meant to shame the duchess for spending 10,000 pounds (1 Million pounds in 2015 dollars) to teach one of her loyal servants, Soubise, how to fence. Soubise was treated like a son to the duchess.  Think of the trust the duchess must’ve had in this black man to invest that sum in his education and to trust him to wield a sword. But was he so unusual in the Duchess’s world?

By Regency times, historians, Kirstin Olsen and Gretchen Holbrook Gerzina, estimate that Black London (the black neighborhood of London) had over 10,000 residents. While England led the world in granting rights to the enslaved and ending legal slavery thirty years before the American Civil War, it still had many citizens who were against change.  Here is another image from an anti-abolitionist.

The_New_Union_Club_Being_a_Representation_of_what_took_place_at_a_celebrated_Dinner_given_by_a_celebrated_society
The New Union Club Being a Representation of what took place at a celebrated Dinner given by a celebrated society – includes in picture abolitionists, Billy Waters, Zachariah Macauley, William Wilberforce. – published 19 July 1819. Source: Wiki Commons

This image is from 1819, a cartoon by George Cruikshank. It is supposed to depict an abolitionist’s dinner party, but it just shows fear of the races intermingling. It serves as a reminder of how many thought of blacks and how it was ingrained in the times. Notice the half-black half-white baby, the promiscuous woman sitting on the gentleman’s lap, the black-face additions to the artwork, the violence and chaos, even the blood shed amongst the party goers.

How many laughs did it draw in the parlors and drawings rooms of polite society? Moreover, how did the enslaved and free servants or the black men who owned shops feel fetching this paper to their masters, their employers, or watching it enfolded in the hands of their patrons?

Cruikshank drew fear, and he wouldn’t have, if Regency society didn’t possess it. For Cruikshank, a rising black middle class, intermingling in society, gaining in social power and wealth, was something to dread. Is this ugliness, this truth, the reason the fictional landscape of Regency exhibits stories abscent diversity and color? Does showing black or brown or yellow historical faces mean that the ugliness must also show?

Perhaps, or perhaps not. But to pretend it did not exist is to dishonor every person who received a racial slur and turned the other cheek, the unknown man lynched for the fault of his birth, or every fallen soldier felled on the road to equality.

My goal is to show through the stories pressing upon my spirit that truth and love can coexist on a diverse canvas. When love arrives, the picture changes and even the bad can be borne and overcome.

Here’s a picture showing love winning.

Lady Elizabeth Murray and Dido Belle, once attributed to Zoffany
Portrait of Dido Elizabeth Belle Lindsay (1761-1804) and her cousin Lady Elizabeth Murray (1760-1825) painted in 1778. Source: Wiki Commons

Look at these two cousins, Dido and Elizabeth. Their great uncle, Lord Mansfield, loved them both and had them arrayed in fashionable apparel and pearls for this portrait. Both ladies are trapped by their circumstances, Dido by her race and Elizabeth by her lack of an inheritance. Johan Zoffany paints them, particularly Dido with no grotesques features, no overt subservient positioning, no hint of promiscuity or evil, just two lovely women.

It would be great if the date of these images showed progress, the growing changes in London society. They don’t. No, they just show truth. The landscape of Regency London was diverse and enlightened hearts embraced the diversity with love.

My second full length novel, Unmasked Heart releases on June 15, 2015. Gaia Telfair is a different kind of heroine. She’s a mulatto, with both black and white blood coursing within her veins, only she didn’t know it until she reached for love.

unmasked heart cover3cvNew72

 

Originally posted 2015-06-08 09:00:00.

Stephen King has never read Jane Austen

Horror author Stephen King admits he’s never read Jane Austen. I don’t have much interest in “relationship” novels or romance. I’ve never read Jane Austen. I do not say this with either pride or shame (or prejudice, for that matter). It’s just a fact. We are moved to quote the film Miss Austen Regrets: If…

Originally posted 2015-06-04 18:31:00.

Life below stairs – the duties of a Georgian housemaid

Originally posted on All Things Georgian:
‘Maid of all work’ – courtesy of Lewis Walpole Library ? Many of our posts take a look at the upper echelons of Georgian society, so this time we thought it might be interesting to look at what it would have been like to have worked ‘below stairs’ as…

Originally posted 2015-05-21 17:38:19.

Write of Passage: Your Lying Eyes, Their Lying Lips

What happens when you can’t trust your own eyes?

In a world of deepfakes and media spin—from Meghan, Duchess of Sussex to Megan Thee Stallion to the White House Correspondents Dinner—the real question isn’t what’s true… it’s why we don’t care anymore.

We are living in a moment when the old question—what is truth? —is being asked again.—has become the question of the moment. Aren’t you tired of relative half-truths?

In an era defined by dishonest politicians, fragmented media ecosystems, and an internet that resembles a lawless western, the ability to trust what we see and hear is gone. The phrase “who are you going to believe, me or your lying eyes?”—popularized in Duck Soup—has shifted from comedy into cultural diagnosis. It was satire, people. Now it feels like instruction.

At the center of this crisis is the mistrust of visual evidence itself. A recent controversy involving Meghan, Duchess of Sussex, illustrates the problem. A report from The Daily Beast, a source I relied upon in the 2010s, included a video clip on April 23, 2026, that critics argue appeared slowed down or altered to make the Duchess seem robotic—supporting a narrative that she, a woman of color, a Black woman, is difficult to work with. Observers suggested the footage has been misleadingly edited or even AI-manipulated.

This incident is not isolated; it exists within a broader pattern of fabricated or distorted media. The point is not merely whether a clip was altered, but how easily perception can be engineered. Biased people want angry or disillusioned eyeballs.

More manipulation is on the way, fueled by the rapid rise of deepfake technology. According to data from the Global Cyber Alliance and others, the number of deepfake files online is projected to have grown from 500,000 in 2023 to 8 million by the end of 2025—that’s an annual increase of 900%.

The average American now encounters approximately 2.6 deepfakes per day, with younger adults seeing even more. And our human ability to detect these falsehoods is surprisingly low: studies show our ability to detect deepfakes is below 25%, which is worse than flipping a coin.

The consequences extend beyond embarrassment or celebrity gossip. Deepfake-driven fraud caused an estimated $547 million in losses in just the first half of 2025, and AI-enabled fraud could reach $40 billion in the United States by 2027. Our midterm elections are in trouble. Seventy-eight deepfake election manipulations were discovered in 2024 alone. This is a growing threat to democratic processes.

Yet, if this past weekend is any indication, we have a worse threat: apathy. Over the weekend of April 25–26, 2026, two major events unfolded: a security incident at the White House Correspondents’ Dinner and the highly publicized breakup between Megan Thee Stallion and Klay Thompson. The former, involving a reported shooting and evacuation of the president, should have dominated national concern. Instead, the latter—a celebrity breakup fueled by allegations of infidelity—captured social media attention, with search interest spiking over 800%. Lord knows I have seen as many think-pieces on male-female relationships as I’ve seen screeds saying the correspondents’ dinner was fake.

It is a shame that political events are now filtered through suspicion, conspiracy, and fatigue. When reports emerged of a potential assassination attempt, many didn’t ask what happened but whether the attack was staged. Questions about security lapses—how an armed individual could approach so closely—become entangled with blatant distrust in institutions and others using the event to get a ballroom built. Cynicism ran rampant.

Cynicism and para-social relationships make celebrity narratives feel more immediate, and perhaps more “real.” But these narratives take hold by performance and perception.

In Lyin’ Eyes by the Eagles, we were told to: “You can’t hide your lyin’ eyes.” In 2000, the denial anthem “It Wasn’t Me” by Shaggy fed the growing, complicit beast.

“Never admit to a word when she say

And if she claim, ah, you tell her, “Baby, no way”…

But she caught me on the counter (It wasn’t me)

Saw me kissin’ on the sofa (It wasn’t me)

I even had her in the shower (It wasn’t me)

She even caught me on camera (It wasn’t me)…”

The deeper issue is not simply that misinformation exists, but that our collective response is to believe the lies or not care about what’s right or wrong, and to spread the wrong.

We no longer fully trust our eyes.

But we also lack the will to interrogate what we see. Facts have become negotiable, subject to “both-sides” framing that equates evidence with opinion and treats the right as equally wrong. This erosion of journalistic standards undermines personal judgment and public discourse.

Honesty, we must begin at the top.

Political leaders who lie and distort reality set the tone for our society.

When “truth” becomes a strategic tool rather than a shared foundation, citizens are left to believe everyone is lying. And soon we don’t care to believe differently.

We are fragmented.

We are divided.

So we are that much easier to manipulate.

In a world where images and narratives can be fabricated, what will spur us to try to discern the truth? It won’t be technology alone that saves us. Somehow, we have to get back to being better angels and our brothers and sisters’ keepers.

That requires a renewed commitment to finding the truth. Until we do, we’ll settle for the least offensive lies we can stomach.

We must do better. We must relearn how to care about the things that are supposed to matter.

This week’s book list includes:

Deepfakes by Nina Schick. A clear, urgent look at how AI-generated media is reshaping truth, power, and global politics.

Trust No One: Inside the World of Deepfakes by Michael Grothaus. An inside exploration of how deepfakes work and why they pose a serious threat to identity and reality.

True or False: A CIA Analyst’s Guide to Spotting Fake News by Cindy L. Otis. A practical guide to identifying misinformation and thinking critically about what you see online.

And if you just want to raise a sword and cut to the truth, consider purchasing Fire Sword and Sea, my latest release, and all these books from The FoxTale Book Shoppe. They still have a few signed copies of Fire Sword and Sea.

You can also try one of my partners in the fight, bookstores large and small, who are in the trenches with me.

You can find my notes on Substack or on my website, VanessaRiley.com, under the podcast link in the About tab.

Hey. Let’s keep rising and creating together. That’s the truth, I need you. Like, share, subscribe, and stay connected to Write of Passage.

Thank you for being here. Thank you to everyone who came out to Conyers or Detroit!

I want you to come again. This is Vanessa Riley.

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Sharks

It is a truth universally acknowledged that websites are like sharks: they must continually move forward or die.* So it’s time for AustenBlog to make with the fin and big teeth. Those who have read Deborah Yaffe’s delightful book Among the Janeites already know that I have been planning to shut down AustenBlog for a…

Originally posted 2015-05-15 08:00:00.

Write of Passage: Lessons from Indoctrination

Flying home from the Historical Novel Society conference, I learned a lesson in indoctrination. I’m on a fast-moving deadline for a special project, but I had to go. HNS holds a special place for me. My very first HNS conference changed the trajectory of my life.

Before attending in 2019, I published lovely Regency romances. Sweet, comforting, polite novels—educating the world through fun, nonthreatening, history-filled reads.

But HNS cracked something open. Meeting a tribe of fellow history nerds and selling the book I never thought I’d sell—Island Queen, the biographical fiction about Dorothy Kirwan Thomas, one of the richest Black women in the Georgian world, a woman who bought her freedom and defies every rule and obstacle to live freely—that gave me the courage to keep telling stories that tug at my heart and mind.

Being free to create is a gift. One that’s hard to achieve. Black and brown creators, and women creators, have been indoctrinated, fed rules in the simplest of terms that challenge our freedom. Rules such as:

* That more ethnic the cover, the more it can impact book sales—or determine where a book gets shelved.

* That a pen name that sounds like a man’s carries more heft.

* That “historical accuracy” will be weaponized to silence you if you make one mistake.

* That if you fail, your failure will become the reason the next person who looks like you gets turned away.

You’ll never know how much that last one haunted me. How it still probably drives me to go the extra mile.

And I share all this to say: we’ve all been indoctrinated by our circumstances.

Writers learn quickly by how we’ve been treated—and how we’ve seen others treated—in publishing. It’s hard to break the pattern. And it’s about logic. It’s 1 + 1 = 2 when one sees patterns repeating.

And you, the listener—you’ve been indoctrinated.

Certain patterns, behaviors, even thoughts have been ingrained through images and repetition. This was made clear to me on my flight home.

Flying back from Vegas, Atlanta’s weather did not cooperate. Several delays and cancellations later, I was finally on my way but rerouted through Minneapolis. I’d arrived in Atlanta with just a four-hour delay and a bump up to first class. All was good.

But I wasn’t prepared for the real lesson I’d take from that flight.

An older gentleman sat beside me. The moment we took off, he flicked on his monitor and tuned into the news. He looked like a typical executive—loafers, golf watch, faint aftershave. He popped in his headphones, stared at the screen, and then drifted off to sleep.

I was writing but I couldn’t help watching. Something about flickering images in my periphery always pulls me in. For ten minutes, I stared at his monitor. No sound—just headlines and smiling faces discussing stories that disturbed me.

Ice raids with masked men capturing women on the street. The host smiled.Florida detention camps pop onto the screen. The smiling host makes it appear to be a pitch for a Disney vacation.

And my neighbor slept. Peacefully. Whatever was being whispered in his ear lulled him into calm.

I sat there gobsmacked.

This is indoctrination.

Indoctrination is subtle, yet powerful.It’s not about shouting.It’s about repeating.It’s about phrasing.It’s about making you feel safe while you’re being lulled into believing counterintuitive things.

The TV’s formula was simple:

* Repeat the same emotionally charged themes again and again.

* Print aggressive words: sue, threaten, destroy, take back, fight for your children.

* Paint the other side as monsters trying to take away your rights—your autonomy, your voice, your values.

* Frame reasonable actions as extreme.

* Show flags. Cue nostalgia. Stir something primal.

* Smile while doing it.

And the man next to me? He slept. Fully content. The world whispering in his ear made sense. That’s when I understood the terrifying genius of it.

People aren’t being brainwashed. They’re being comforted—soothed by simple stories, a few buzzwords, and a familiar rhythm.

In this whispering world, empathy is suspect.Fairness? A threat.Truth? Conditional.

How else do you explain people cheering for a roofer—someone who rebuilt their home after a hurricane—being rounded up and sent to a detention camp being pictured as a theme park?

What happened to questioning things?When did we decide that cruelty is an acceptable solution?Why is it okay to sleep through someone else’s pain?

Be awake.

Don’t let anyone tell you you’re overreacting.You’re not a sucker for caring. You’re human.

And to my fellow protestors and change-makers: we can’t just fight with facts and five-point plans. Shame doesn’t move people. Complexity doesn’t sway them.

If your message makes them feel stupid, they’ll dig in and side with the whisperers.

So what can we do?

We make the stakes as clear as possible.

We must give up the five-dollar words.Because those words only land with the most liberal among us. And as Nicole Hannah-Jones wrote in her recent New York Times essay, How Trump Upended 60 Years of Civil Rights in Two Months, citing scholar Ian Haney López—the rapid decline in support for DEI came from liberals. Particularly white liberals. Those skeptical of diversity. Those sympathetic to complaints about “wokeness.”

It hurts. On so many levels. Who is actually an ally?We had the George Floyd awakening, the feel-good changes… and then people voted against their better angels—for cheap eggs all while rolling back the good changes.

It’s going to take me a while to believe in allyship again.

And the lack of big words hurts because I love big words. I love nuance. But I’d rather be heard than admired for my vocabulary. I’d rather reach the “gettable” than preach to the choir, a choir who might be full of whisperers.

So:Use simple language.Simple signs.Drop the jargon.Focus on why it matters to them.

And alas, poor Yorick—and Vanessa—we must keep it simple.

Maybe then we can re-indoctrinate the world to be good.For once.For all.

Books to help with framing the problem are:

Nice Racism by Robin DiAngelo

A follow-up to White Fragility, this dives deeper into how progressive people often unknowingly uphold systemic racism.

White Rage by Carol Anderson

A piercing explanation of how systemic racism reacts violently to Black advancement in America—through policy, education, and media.

Sister Outsider by Audre Lorde

Essential essays on the intersections of race, gender, sexuality, and the power of being awake to oppression.

The 1619 Project: A New Origin Story by Nikole Hannah-Jones

This anthology reframes American history by placing the consequences of slavery and the contributions of Black Americans at the very center of the national narrative and reveals how deeply racial ideology—and indoctrination—are woven into the fabric in the U.S.

This week, I’m highlighting Malik Books through their website and Bookshop.org

Help me build momentum for Fire Sword and Sea—spread the word and preorder this disruptive narrative about female pirates in the 1600s. This sweeping saga releases January 13, 2026. The link on my website shows retailers large and small who have set up preorders for this title.

Show notes include a list of the books mentioned in this broadcast.

You can find my notes on Substack or on my website, VanessaRiley.com under the podcast link in the About tab.

Let’s keep rising and creating together—like, subscribe, and share. Please stay connected to Write of Passage.”

Thank you for listening. Hopefully, you’ll come again. This is Vanessa Riley

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe

Originally posted 2025-07-01 13:10:00.