Veteran Regency author Regency Regina Scott joins us again to tell us a little more about her writing, as well as her love for Regencies. Regina’s first published book was The Unflappable Miss Fairchild in 1998, with Zebra Regency Romance. Since then she has published continuously, with 19 novels and four novellas to her credit. In the last couple of years, she has turned to writing Regencies with a Christian tone. These have found a home with Love Inspired Historicals. Her fifth Christian Regency, The Rake’s Redemption, is out this month.
1. Last time you were here, you told us about how you fell in love with the Regency time period. What can you tell us about the setting of this new book?
This story is set entirely in London during the Season, but my hero is on the fringes of Society by his own choice, so there’s only a couple balls and most of the action takes place out of doors—driving in the forgotten corners of Hyde Park, meeting in secret at Vauxhall Gardens, dueling on Primrose Hill.
2. Was there any fun fact about the Regency period that you stumbled across in your research for this book that really fired up your imagination? Any little tidbit that prompted a plot point or a cool character moment?
I stumbled across an article written just after the Regency that laid out the specific rules for duels, contrasting them to those of the French. Because my hero, Vaughn Everard, has a reputation as a duelist, knowing some of the rules he could choose to keep or break really helped me write the main dueling scene in the book and keep it in his character. I learned to fence when I was in college, so I really wanted to get that scene right!
3. Does your new book, “The Rake’s Redemption”, continue the story of any of the characters from your last book, “The Captain’s Courtship”? What did you enjoy about writing a linked story? Was there anything about that connection that made writing “The Rake’s Redemption” more difficult?
The Rake’s Redemption is the third book in the Everard Legacy miniseries, starting up shortly after The Captain’s Courtship left off. This book tells the story of how Vaughn Everard finally finds the man responsible for killing his beloved uncle, and his cousin Samantha’s continued attempts to fulfill the requirements of her father’s will.
I love writing linked stories because they give you a bigger canvas on which to lay out an adventure. But they’re also hard, because if you decide later that it would have been better for the hero of book 1 to have done something to set you up for book 3, it’s too late!
4. Tell me a little bit about your hero, Vaughn Everard.
Vaughn is the quintessential warrior poet—literally! He grew up before the Regency began, so he tends to have more of the swashbuckling attitude of the previous era—lace at his cuffs, sword at his side. That puts him in direct contrast with his more elegant, refined peers. And he writes moving, romantic poetry that sets all the ladies’ hearts a-flutter. Can you tell he’s my personal favorite of the three Everard gentlemen?
5. Tell me a little bit about your heroine, Lady Imogene Devary.
Lady Imogene grew up sheltered, the apple of her father’s eye. But she’s noticed her father behaving oddly lately, and she cannot figure out why. The problems seemed to start when a certain poet began calling, demanding a moment with her father. So Lady Imogene sets out to discover what’s going on. Between her own natural charm and her father’s position as the Marquess of Widmore, she’d never had anyone refuse her least request. But then, she’s never met anyone like Vaughn before.
6. What can we look forward to next from you?
Next March, the final book in the Everard Legacy comes out: The Heiress’s Homecoming. That’s Samantha’s story, set 8 years after the other three books, where we how the legacy plays out in her life. She’s only sixteen in the books out this year, so I wanted to give a little time to come into her own.
7. Where else on the web can our readers find you?
Kendrick Lamar’s Super Bowl LIX halftime performance during the game between the Kansas City Chiefs and the Philadelphia Eagles has set the internet—and much of the world—abuzz. Nineteen Minutes by Jodi Picoult is the most banned book in America for challenging the way people see the world. I’m sure those same folks will be coming for Kendrick’s thirteen minutes for challenging the way the world operates.
Less than a week later, scholars, pontificators and fools offered hot takes, deep dives, and debates about every minute of the performance. Those versed in Black scholarship loved it. Others criticized it. And, there were plenty of opinions and outright lies circulating. But here’s what’s undeniable: 133.5 million people watched the halftime show at Caesars Superdome, making it the most-watched in Super Bowl history. According to Roc Nation, Apple Music and the NFL, this number beats those who watched the Fox broadcast of the game which averaged 126 Million viewers. That 7.5 million more tuning into halftime than game time.
Context is King: History of the Halftime Show
Let’s talk about origins. The Super Bowl, the annual championship game of the NFL, has been played since 1967, with college marching bands providing halftime entertainment.
Grambling State University, a HBCU had its marching band perform at Super Bowl II (1968).
In 1972, the first halftime show featuring a Black performer, non-marching band member, was Ella Fitzgerald at Super Bowl VI in Miami where she sang Mack the Knife.
Super Bowl IX (1975) in New Orleans paid tribute to Duke Ellington with Grambling State’s Marching Band and the Mercer Ellington Orchestra.
When was the next Black moment? We have to skip a bunch of years to get to 1991, Super Bowl XXV where the incomparable Whitney Houston delivered a stirring rendition of The Star-Spangled Banner, but she wasn’t the halftime headliner—New Kids on the Block were. In 1993, Michael Jackson, the 1st Black performer to headline the halftime show dazzles the crowds at Super Bowl XXVII (27) and sets the standard for pop stars and the future of football’s biggest event. The King of Pop owned the stage and every moment of his performance. If 100,000 people had actually turned off their TVs like they claimed they did, Michael Jackson would still hold the record, with an audience of 133.4 million viewers.
Other notable performances featuring Black artists across the lengthy history of halftime shows include:
• Super Bowl XXII (22nd, 1988) – Chubby Checker appears with the Rockettes and 88 grand piano players.
• Super Bowl XXIX (29th, 1995) – Patti LaBelle & Teddy Pendergrass were featured along with Tony Bennett.
• Super Bowl XXX (30th, 1996) – Diana Ross dazzled in a red gown and even changed outfits mid-show.
• Super Bowl XXXI (31st, 1997) – A blend of James Brown appearing with ZZ Top and The Blues Brothers Band.
• Super Bowl XXXII (32nd, 1998) – A Motown tribute featured The Temptations, Smokey Robinson, Martha Reeves & The Vandellas, Queen Latifah, and Boyz II Men. Watching those young men of Boyz II Men sing about their mothers hits differently now, especially juxtaposed with Lamar’s solitary silhouette atop the GNX in New Orleans and his dancers, young men gathered under a street lamp.
• Super Bowl XXXIII (33rd, 1999) – Stevie Wonder joins Gloria Estefan and Big Bad Voodoo Daddy.
• Super Bowl XXXIV (34th, 2000) – Toni Braxton is featured.
• Super Bowl XXXV (35th, 2001) – Featured Mary J. Blige and Nelly.
So, let’s be clear: Black performers at the Super Bowl are not new. Hip-hop and rap at the Super Bowl are not new. For those suddenly enraged—why weren’t you bothered during the 39 other years when Black artists weren’t featured or headlined? The selection process has always been based on merit—the most talented for the job, period. Right?
And with DEI (diversity, equity, and inclusion) now the new taboo, let me ask: Why do some get upset when things aren’t diverse—when people who look like them aren’t centered or given an extra slot or quota on stage? Do you want equity and inclusion or not?
Kendrick Lamar is highly qualified. He won the 2018 Pulitzer Prize in Music for his album DAMN. He’s a 27-time Grammy winner, and one cannot deny that his 2024 diss track, Not Like Us, has the world on fire. Please, show me someone with better credentials who’s willing to perform a 13-minute Super Bowl halftime show—for free.
Let’s Dive into the Performance
Lights flash. I see nine squares and glowing X’s and O’s. I wonder—are we about to get Tic-Tac-Toe or something else? In the background, a power bar, formed of stadium lights or drones, begins to load. I know we’re about to witness something special.
More lights flash. The bar is almost at 100%, and I sit on the edge of my seat, expecting a high level of storytelling artistry from Lamar. According to Britannica, art is a visual object or experience consciously created through an expression of skill or imagination—and right now, skill and imagination are exactly what we need.
In a flash, a “Start Here” sign and arrow appear, pointing to the lone figure on the hood of a Buick GNX. Kendrick Lamar, a young Black man, crouches on the car. The image evokes loneliness—it’s dramatic, and I’m locked in as the gleaming black Buick GNX (Grand National Experimental) transforms into a clown car, packed with dancers spilling out. So many exit the vehicle that I later learn the seating had to be removed to fit them all into that tight, cramped space—not unlike bodies crammed into the hulls of ships.
On Instagram, Lamar writes about authenticity: “In the moment of confusion, the best thing you can do is find a GNX. Make you realize the only thing that matters in life is that original paperwork. That TL2 code. 1 of 547.”
What does original paperwork mean when you’re the descendant of chattel slavery? Is it the slave ship’s manifest that documented the theft of ancestors? The bill of sale from massas in the States or Grand Blancs in the Caribbean, depending on where your roots were auctioned off? Or is it the manumission papers, declaring your freedom—bought at a price?
This leads me down another rabbit hole: authenticity—who is American and who is not? In a country that often forgets to be kind to the foreigner (Leviticus 19:33-34), or that it was founded by immigrants—many seeking religious freedom, a fresh economic start, or escape from oppression—this question cuts deep. It’s a scar that never fully heals.
Did you know that, in the past—like I wrote about in Island Queen—people with any tint to their skin have had to carry manumission papers or proof of their free status to avoid being accosted? Many around the nation feel this burden now. We’re still caught in this cycle because we’ve banned the books that teach history and empathy.
Back to Football—America’s Game
I highly recommend reading Moving the Chains: The Civil Rights Protest That Saved the Saints and Transformed New Orleans by Erin Grayson Sapp, which examines the 1965 AFL All-Star Game boycott, where players protested against racial discrimination in New Orleans.
Another must-read is Race and Football in America: The Life and Legacy of George Taliaferro by Dawn Knight, chronicling the journey of George Taliaferro, the first African American drafted by an NFL team, and the challenges he faced.
Red, White, & Blues of Uncle Sam
The visuals cut to Uncle Sam—portrayed by Academy Honorary Award winner Samuel L. Jackson. With a film career grossing over $27 billion worldwide, making him the highest-grossing actor of all time, Jackson embodies this iconic American figure. Some might be wondering, What in the DEI is going on with this Black version of a fictional Americana, but it soon becomes clear: Uncle Sam is here to keep Lamar in line.
Jackson plays Uncle Sam as Uncle Tom. Uncle Tom’s Cabin, Harriet Beecher Stowe’s 1852 abolitionist novel, portrayed White men as morally bankrupt and Black individuals as either complicit in oppression or suffering under it. The book also depicted White women as the moral conscience of a system they benefited from, yet remained angelic through their Christian preaching. The novel ends with the enslaved Tom dying because he refuses to betray two Black women who have escaped. As he dies, he forgives his abusers.
The novel’s humane portrayal of enslaved people and its righteous female characters were said to have contributed to the start of the Civil War. Enraged Southerners banned the book. In the 1940s, Langston Hughes attempted to revive interest in it, but Richard Wright and James Baldwin criticized it, arguing that it promoted the image of an “Uncle Tom”—a Black person subservient to Whites or complicit in oppression.
In Lamar’s performance, Uncle Sam enforces the “party line” of American success. At times, he antagonizes Lamar, telling him, “You’re too loud, too reckless, too ghetto.” He dictates that since Lamar refuse to comply with the rules of the American game, he must be penalized: “Deduct one life.”
The death count is brutal—and so is American history, even without including the countless lives lost under enslavement:
• Fort Pillow Massacre (1864): Confederate soldiers slaughtered surrendering African American Federal troops stationed at Fort Pillow, Tennessee. Between 277 and 295 Union troops were killed.
• Memphis Massacre (1866): A White mob murdered 46 African Americans, most of whom were Union veterans.
• New Orleans Massacre (1866): A White mob killed 35 Black citizens and wounded 100 for peacefully gathering in support of a political meeting.
• Colfax Massacre (1873): A White militia massacred approximately 150 African American militia members who were attempting to surrender in Colfax, Louisiana.
• Wilmington Massacre (1898): A premeditated attack left 60 Black Americans dead as White supremacists sought to eliminate African American participation in government and permanently disenfranchise Black citizens.
• Atlanta Race Riot (1906): White mobs killed at least 12 African Americans and burned over 1,000 homes and businesses in Black neighborhoods.
• Springfield Race Riot (1908): The Illinois state militia was called to quell the chaos as a White mob shot innocent people, burned homes, looted stores, and mutilated and lynched Black residents.
• Chicago Race Riot (1919): The “Red Summer” began when a Black youth was stoned to death for swimming in an area reserved for Whites. Over 13 days of lawlessness, 23 African Americans were killed, 537 were injured, and 1,000 Black families were left homeless.
• Ocoee Massacre (1920): A massacre of Black residents in Ocoee, Florida, left approximately 30 dead.
• Tulsa Race Massacre (1921): Tulsa’s prosperous Black neighborhood of Greenwood, known as Black Wall Street, was destroyed—1,400 homes and businesses burned, nearly 10,000 people left homeless. Vanessa Miller’s The Filling Station is a poignant portrayal of the massacre and the resilient rebuilding that followed.
The sacrifice of Black lives makes Lamar’s imagery of tangled bodies forming the flag raw. It hit me in the pit of my stomach. I live knowing that the sacrifices and body counts will continue to rise, forming trending hashtags: #BreonnaTaylor #AhmaudArbery #TamirRice #TrayvonMartin #GeorgeFloyd
The Movement of Dancers
The visuals of Black dancers dressed in red, white, and blue moving around what is now clearly the game receiver mirror how many of us are on the X button—saying yes to conforming, to getting along, to advancing, to avoiding having our dreams burned up by a jealous or misinformed mob. When the dancers near the circle stage—the reject button—they enter a staircase that leads to a slope, which brings them back to where they started. Is that a metaphor suggesting we are better off right where we began before chasing conformance?
The Most Misunderstood Part: Serena Williams
Serena Williams, who once dated Drake, danced the Crip Walk on stage. Distraught commentators ground their teeth, calling it disrespectful for a forty-year-old mother to be dancing on the figurative grave of her ex.
The caucasity of this is the belief that this exhibition was about a man or a former relationship. Serena Williams is not just some “baby mother.” She was ranked No. 1 in the world in women’s singles by the Women’s Tennis Association (WTA) for 319 weeks—the third-most of all time. Williams has won 73 WTA Tour-level singles titles, including 23 major women’s singles titles. She is the only player to accomplish a career Golden Slam in both singles and doubles.
The Crip Walk is a celebration, notably adopted by her folks from her city of Compton, and it symbolizes the alliance of California street gangs, the Crips— as in Crips vs. Bloods. No, Serena is not part of a gang. But like the dance’s founder, Henry Crip—a Harlem dance legend who lost an arm and a leg in a car accident—she celebrates moving forward and achieving. Williams first did the Crip Walk in 2012 at Wimbledon, eliciting massive backlash for celebrating a huge win—for the girl from Compton.
Seeing her dance freely, hair flowing, I think of the Tignon Laws of New Orleans, which I mentioned in my podcast Consent in the Time When a Black Woman Can Say No, and the long history of policing Black women’s bodies. In Serena, I saw joy and celebration. If I am to think of Drake at all—a man who has used Serena’s name in diss songs—I see freedom from a toxic relationship. That’s cathartic.
Ok, Now the Hotep Or Too Deep to be Real Take
Lamar does say he is a stargazer, so maybe the 16 stars on Uncle Sam’s jacket resemble the Little Dipper. if I squint, I can see it. But the talk online about the design representing the 16 free states—states that prohibited slavery between 1850 and 1858—seems like a stretch. These arbitrary dates are supposedly tied to U.S. naval activities interrupting the slave trade.
I’m not buying this. The U.S. Navy’s role against stopping transport began in 1820 when warships deployed off West Africa tried to catch American slave ships, but enforcement was sporadic until the Navy deployed a permanent African Squadron in 1842. Last time I checked, 1850 and 1842 are different years. A rounding error won’t make them the same.
By 1858, there were 32 states in the Union, including Minnesota, which was admitted on May 11, 1858. California was the 31st state, admitted on September 9, 1850. If I count the list of free states—states that prohibited slavery—I get 17:
1. Pennsylvania – December 12, 1787
2. New Jersey – December 18, 1787
3. Connecticut – January 9, 1788
4. Massachusetts – February 6, 1788
5. New Hampshire – June 21, 1788
6. New York – July 26, 1788
7. Rhode Island – May 29, 1790
8. Vermont – March 4, 1791
9. Ohio – March 1, 1803
10. Indiana – December 11, 1816
11. Illinois – December 3, 1818
12. Maine – March 15, 1820
13. Michigan – January 26, 1837
14. Iowa – December 28, 1846
15. Wisconsin – May 29, 1848
16. California – September 9, 1850
17. Minnesota – May 11, 1858
So the math and the facts aren’t jiving. Kendrick Lamar is very precise in his lyrics. An arbitrary number or pattern doesn’t seem to be his M.O. I could stretch and say he mentions losing 16 friends in his song “wacced out murals,” but then I’m just spitballing.
Not everything has a direct meaning, but that’s the beauty of art—it can mean many different things to different people. Kendrick Lamar and his performance is art and it should be applauded for making us all stop and think.
Ending the American Game
As the last notes of “Not Like Us” finishes, Lamar and company launch into “TV Off.” When he finishes the rap, he holds up a virtual remote, turns it off, and forces the stage to go dark. In lights, we see the sign: Game Over. Does he mean the American game is over because we refuse to learn from the past or that he’s stop playing the game? Lights out—Is that symbolic of a Revolution being televised until it’s not? Is the American Game going to stop feeding on Black life, Black culture, and Black breath? What happens if every American, turns off the TV, the cellphone, social media, etc. and stops playing the game?
America is founded with the God-given right to have differences of opinions. Of being able to choose your path, to dream the biggest dreams, and to make them happen—on or off the field. Whether we play the game or not, movement, not standing still, is how we inch forward toward the goal posts. It’s how we will awaken and form a more perfect union.
Images are screenshots of ROC Nation and Apple Music feeds.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit vanessariley.substack.com/subscribe
King George III, by Thomas Gainsborough, via Wikimedia Commons
Any Regency aficionado knows that many of our stories are set in the years 1811-1820 when George IV, Prince of Wales was made the Prince Regent. In the Regency Act of 1811 Parliament determined that King George III was unfit to rule. But what do we know of King George III, what is the legacy he left behind during the longest reign of a king up to that point in history?
Personally, he married Charlotte of Mechlenberg-Streltitz and bore fifteen children. It says much about the time that, though his popularity waned over his reign,England’s populace was always proud of him for being faithful to his wife of 59 years!
Source: Wikicommons – Queen Charlotte
Side note: Queen Charlotte is noted to have African ancestry, from Margarita de Castro e Souza, a 15th-century Portuguese noblewoman part of the black branch of the Portuguese Royal House. English Royal painter captured her appearance without softening her features which was called mulatto in nature.
His two eldest sons, George IV (later Prince Regent) and William IV left him constantly faced with their excessive extravagance, dissolute lifestyles and profligate ways. Both of those sons eventually wore the crown, but died without surviving legitimate children.
That began the reign of Queen Victoria, the last monarch of the House of Hanover.
King George III in battle, painted by William Beechey, via Wikimedia Commons
As king, war was the one constant of King George III’s reign. He oversaw the defeat of France in the Seven Year’s War, and was subsequently nicknamed “The King Who Lost America” from the constant battle with the Colonies’ War of Independence. But with the defeat of France in the Napoleonic War,Britain emerged the world’s leading power, though King George III was not in power when it ended.
In Parliament, bad choices in the men he kept around him, and detesting those he had no choice in appointing, made government stability rare and created a volatile atmosphere with his Prime Ministers and in the House of Commons.
But he was also the first British Monarch to study science, chemistry, physics, astronomy and mathematics. He learned French and Latin, geography, commerce, agriculture and constitutional law. And despite the loss of the Americas, there was great expansion of the empire and trade. The population almost doubled and there were great strides in agricultural methods and advances in technology. The tide of moral and religious improvement which began in the days of John Wesley, kept the popularity of a King whose religious education was wholly Anglican.
The Prince Regent, Later King George IV, by Thomas Lawrence, via Wikimedia Commons
Unfortunately, he was far from well during the last twenty years of his life. He had three different bouts with mental illness, but in October 1810 he had a major mental breakdown; even to the point of being restrained in a straight jacked and tied into chairs. He was renamed “The Mad King” and he spent the last years of his life completely blind and deaf but lovingly cared for by his wife and doctors.
It is sad to think that the people finally saw him as an object of sympathy once George IV, was made the Prince Regent. Britain’s people watched and compared him to his son as the Prince Regent squandered the already low coffers of England and kept the dissolute lifestyle his father had hated.
Imagine you were transported back to Regency England. What would you want to be? A commoner? Peerage? Royalty? Why?
Susan Karsten:
I would want to be in the merchant class. I do believe the women of this class had less societal strictures and could also sometimes help in the family business. Of course, let my fantasy be that of a successful merchant! 🙂
Ruth Axtell:
I would want to be what I am today in my own era: a romance writer. I’ve been researching the popular novels of the Regency, and it seems that women authors were quite numerous and prolific. The “Minerva novels” were gobbled up by women readers. They specialized in inexpensive romances and gothic novels, which reader could purchase or take out from “circulating” libraries. Mary Russel Mitford and Fanny Burney were two popular authors who made their living writing romantic novels.
Kristi Ann Hunter:
I’m gonna have to go with the peerage, or at least gentry, on this one, for several reason. One, I’m lazy. The idea that someone else would cook my meals and do my laundry has a certain appeal, I must confess. But also, with a higher rank you had the power, time, and money to change things. I would like to have the influence and ability to run a charity or work with the underprivileged. The glitzy parties wouldn’t be bad either.
Kristy Cambron:
I am not sure I would have been a proper member of the peerage (or royalty, for that matter) in Regency England. I find too much pleasure in the vocation of writing, I enjoy the modern comforts of jeans and coffee shops, and I value the rights women have to cote and pursue our dreams in modern society. I also wouldn’t know the first thing about having a service staff attend to my every whim, so I’d have been a poor member of the aristocracy. I’d rather have been a commoner with some means (so I wouldn’t have to stress about where the next meal is coming from), perhaps a friend that was invited into Jane Austen’s parlor from time to time, so we could write our next novel together? I know one thing for sure – I’d adore the clothes more than anything!
Laurie Alice Eakes:
Given the choice, I’d like to be a peeress in my own right like Diana in the Malloren series by Jo Beverley. It was rare and it did happen. The woman had lots of freedom and power other women did not enjoy, even after they married.
Vanessa Riley:
I’d have to be peerage or have enough rank and wealth to assure my family’s position and a suitable match for my daughter. A house in the country and a townhouse in the city, large enough to host a ball.
Naomi Rawlings:
I’d prefer to be a commoner. It’s a hard choice to make, because when I think of peerage, they had such a posh life full of luxuries, beautiful clothes, and the best that money could afford them. But so very little of their wealth was earned. Most of it was handed down generation to generation. Plus the upper class wielded so much power on the back of regular, every day people. I couldn’t live with the guilt of spending a year’s salary on a dress. So I pick commoner. Boring and ordinary, yes. Harder style of living, yes. But they were still the backbone of the country.
Voting and distribution of representation by elected officials is a vital and fascinating topic today as it was during the Regency.
We can now watch legislative sessions live-streamed, or follow issues of interest via the internet, but the doings of the government during the Regency were communicated by way of a journal that was sold by a publisher. In 1806 Thomas Hansard began producing reports of parliamentary debates in a journal published by William Cobbett called Parliamentary Debates. Hansard bought out Cobbett in 1811 and continued to publish the debates. This constituted a watchdog system of sorts.
The set-up of the voting system was ripe for reform. In the early 19th century there were two types of constituency, country areas and towns or boroughs. In the countryside only the landowners could vote. In boroughs the level of enfranchisement varied but was usually limited. The constituencies had not been changed for centuries and no longer reflected the distribution of the population. Industrial towns like Birmingham and Manchester did not have MPs of their own. On the other hand some settlements had died out but they were still represented in parliament! In ‘rotten’ or ‘pocket’ boroughs there might be only one or two voters! And we think red-lining is bad!
The early 19th century saw increasing demand for reforms. Most people wanted constituencies distributed more fairly and they also wanted enfranchisement extended, but Wellington’s party, the Tories, resisted.
The Whigs formed a government in 1830 and tried to introduce reform. The House of Commons eventually voted for a reform bill but the House of Lords rejected it. King William IV warned that he would create more peers, who favored the bill, unless the Lords agreed to accept it. Eventually the House of Lords backed down and passed the Great Reform Bill. It received the royal assent on June 7, 1832.
The franchise to vote was only extended slightly but more importantly the new industrial towns were now represented in parliament. Before 1832 Britain was ruled by an oligarchy of landowners. After 1832 the urban middle class had an increasing say.
Today Regency Reflections welcomes Dina Sleiman. Dina is stopping by to show just how much influence the Regency era had beyond the shores of England.
Although my new historical romance, Love in Three-Quarter Time, is set near the American frontier, it is also set during what would be considered the Regency period in England. And because American culture was so influenced by Britain, I think any Regency fan will enjoy reading about those influences in my book. Most of my characters come from an English background. In fact, several minor characters are directly from England. And my heroine, little trouble maker that she is at times, decides to fake a Yorkshire accent to try to impress her potential employers with her European background. The story takes place in Charlottesville, Virginia, home of Thomas Jefferson and many other members of the “planter elite class,” which gives it a sophisticated touch reminiscent of Regency England. But it’s also situated not far from the Shenandoah mountain range, which was still considered the frontier in 1817.
Let’s look at some of the elements associated with Regency culture that are seen in my book.
Fashion
1817 Regency Gown
Fashionable Americans wore the same styles as their European counterparts, and made every effort to keep up with the latest trends. In 1817, for ladies this meant higher waists than ever before and sculpted bodices. Hemlines were also higher than ever and skirts were wider and more frilled than during other times in the Regency Era. I especially give a close up look at the ball gowns of that day since my heroine’s mother is a seamstress. You’ll also see plenty of the hats, gloves, and fans that this era is known for. In men’s fashion the style had moved to trousers rather than breeches, and Hessian boots had grown passé. Although, you’ll still see these boots on some of my less fashion conscious characters.
Science
Of course scientific advances are the same in both the United States and England. The US could boast several impressive universities at that time, and plans for building the University of Virginia in Charlottesville were already underway. Let’s not forget that Benjamin Franklin had been an American innovator in science not long ago. My heroine’s sister, Patience Cavendish, has a love for science and a penchant for discussing the latest theories of heat and sound. Like her former president, Thomas Jefferson, she is very influenced by Enlightenment thinking.
Politics
Both England and America were still recovering from the War of 1812. In addition, the abolitionist movement was active in both countries. Britain had abolished all slave trade at this time, although not slavery itself. America had recently abolished international slave trade but not domestic. Of course, my abolitionist characters hope that America will keep the momentum moving toward freedom, but I’m concerned that unlike in England, it will take drastic measures to put an end to slavery in the American South.
Economics
Both countries were still recovering from the devastating effects of the “Year without a Summer” of 1816, which was reportedly caused by a volcano in Indonesia. Virginia itself was far enough south to escape the worst of the famine, but it did affect the economy throughout the US and earned several mentions in my book. It comes into play as my hero, Robert Montgomery, makes some important business decisions about his plantation.
Arts and Architecture
Monticello
The Romantic Movement was fashionable in art at this time throughout Europe and the US. My artistic character, Felicity Cavendish, is a fan of this movement. In architecture the style was called “Regency” in England and “Federalist” in America, but both were heavily influenced by the Neo-classical style. This can be seen in Jefferson’s Greek Revival architecture at Monticello and my own fictional creation, White Willow Hall.
Music and Dance
While Americans enjoyed the same cultured composers as their British counterparts, they each had their own unique folk music as well. For high society balls, the dances were nearly identical at this time. England beat us to the “scandalous” waltz, however, when the Prince Regent introduced it in 1816. The waltz coming to America is a primary focus of my book, so you’ll get to enjoy many details of the waltz and other ballroom dances, as well as a peek at the world of ballet. In fact, my heroine Constance Cavendish, turned to teaching dance to support her family after her father died, leaving them destitute. Since men were highly sought as dance masters at the time, Constance must move to the frontier in search of better employment.
Religion
A few weeks ago Reagan Walker shared an in depth article on this blog about the religion of this time in England. I loved this quote she shared from an Anglican minister about other Anglican ministers of this time. “[With few exceptions] the clergy held and taught a negative and cold Protestantism deadening to the imagination, studiously repressive to the emotions, and based on principles which found little sanction either in reason or in history. The laity willingly accepted it, as it made so little demand upon their conscience, so little claim upon their life.” My heroine’s spiritual journey is moving from this type of thinking to a warm and vibrant evangelical sort of faith, also typical of this time, thanks to my handsome circuit riding preacher, Lorimer.
Naturally, some elements in the book are purely American including Thomas Jefferson, the Monacan Indians, the tobacco plantations, and the frontiersmen in buckskin clothing, but I think you’ll find plenty of European influence to please even the most Regency-loving soul. In fact, my characters enjoy a good Austen novel as well as anyone, although the author is still anonymous at this time. I call this my “Scarlett O’Hara meets Jane Austen novel,” and I included plenty of Austen-like twist and turns for a fun, romantic read you’ll be sure to enjoy.
Explore the world of 1817 Virginia and follow in the footsteps of Constance Cavendish, the former belle of the ball, who must now teach the dances she once loved and risk her heart in order to restore her family and her faith. As the fiery Constance falls into genteel poverty, the opportunity of a lifetime may await her in the frontier town of Charlottesville. But the position will require her to instruct the sisters of Robert Montgomery—the plantation owner who jilted her when she needed him most. As Robert and Constance make new discoveries about one another, can they face their past and the guilt that threatens to destroy them in time to waltz to a fresh start? Or will the curtain close on Constance for good this time? Fans of Julie Klassen will love this original novel from Dina Sleiman! http://zondervan.com/9780310334156 Also visit Dina at http://dinasleiman.com
When my husband and I were married some twelve years ago, there were few impediments for us to reach the altar as soon as we wished to. He knelt down on one knee to ask me, I gave an enthusiastic “Yes!” and almost immediately afterwards, we began making our joyful plans.
Besides the all important wedding gown, the perfect candlelit venue and the explosion of decisions that had to be made, we focused little on what the government required for our union and more on how we would put our personal mark on the day we’d pledge our future lives to each other. In fact, we lived in a location that had minimal government restrictions – we were citizens of the country and were of legal age so we had but to file with the county official’s office and in turn, would have been required to wait only 24 hours before making our walk down the aisle.
In researching Regency Era marriage for a recent book project, it was fascinating to learn how different our options would have been had we lived in England some 200 years ago.
Of course the differences in how an eligible young lady would have made her social debut, how a young man and woman would meet and how courting would commence is in stark contrast to what we know today. But as for government, it’s interesting to find that there is just as much government restriction on the act of marriage (and just as much dodging of said restrictions) as there would have been in force during the Regency Era.
Country road in Gretna Green, Scotland (Photo: Wiki Commons)
The first of these restrictions involved the literal “Las Vegas” of the day – or Gretna Green, Scotland. It was to this elopement location that many couples embarked upon a journey along the Great North Road from London in order to quickly exchange their vows. Similar to the little wedding chapels that one might find along Nevada’s famous neon strip, the tiny village of Gretna Green became the virtual Vegas of its day.
It lies just over the border to Scotland and at the time, became a famous spot for couples escaping the 1754 Lord Hardwicke Marriage Act that was still in effect in the Regency years. The British government dictated that a couple must have parental consent to marry if under twenty-one years of age. In contrast, Scotland’s age for eligible marriage was just sixteen. This led to many couples fleeing up the road on a days-long journey to traverse the border and become a Mr. and Mrs. both quickly and legally.
With this ring… (Photo: Wiki Commons)
Another stark contrast in Hardwicke’s Act dictated the waiting period required to be married in satisfaction to the church. In the Regency Era, Hardwicke’s Act would have compelled couples to be married in a parish building by an ordained minister. By Scottish law, a man and woman could be married with virtually no notice and required only to make a commitment before two witnesses in order to make their marriage contract binding. This spurred the act of marriages performed by “anvil priests”, or blacksmiths that acted as marriage officiates in the village for runaway marriages. [Click here for more information onanvil priests.]
Another practice for a couple wishing to be married in the Church of England was the reading of the banns of marriage (also known as “banns”). This proclamation of marriage was announced publicly within the church for three weeks in succession prior to a marriage taking place (mainly so that anyone citing a credible reason that the marriage should not take place would have adequate notice to make such a stand against the union). Today, a couple may be required to participate in marriage counseling or take classes to satisfy the requirements of a particular church or denomination, but the requirement would be independent of government decree. In addition, couples may declare their intent to marry by proclaiming their engagement in a public announcement, newspaper article or engagement party, though these practices are social in nature and are not dictated as a requirement by the government. For those traveling to Gretna Green, no such proclamation was expected or required.
It is interesting to note that now more than 200 years after the time of these original runaway marriages, Gretna Green remains an extremely popular wedding venue. In fact, it is estimated that one in six Scottish marriages occur in the small village made famous for its take on marriage minus the control of government.
Today, a wedding ring is a must. The making of a marriage promise is still a lifelong commitment. And whether or not we travel to Gretna Green to exchange the all important vows or whether we follow the requirements of the government in the locale where we live, we still say “with this ring…” with as much heart as those couples would have all those years ago.
In Romans 13, Paul warns his flock to obey the rulers over them, saying, “But if you do evil, be afraid; for he does not bear the sword in vain . . .”
These days, “the sword” of the government is usually jail time or fines or community service, and only occasionally the death penalty. But in the Regency, it was different.
Criminals were still sent to prisons then. But in the Regency, prisons weren’t nearly as regulated as they are now. Some prisons didn’t provide enough of food or other necessities for the prisoners. Some were workhouses. Worst of all, some were “hulks”: old ships moored in the Thames, where hundreds of men were locked below deck, in the dark, doomed to fight and starve and probably die long before they were granted the dubious opportunity of transportation to the colonies.
And it wasn’t just men in the prisons or hulks: children convicted of crimes were sent there, too. While men and women were generally separated in prison, adults and children were not. You can just imagine the fate of those children.
If you weren’t sent to prison, you might be sent off to the colonies, on the theory that if you couldn’t commit any more crimes in England if . . . well, if you weren’t in England anymore.
But perhaps the biggest difference between the way our government punishes crime and the way crime was punished by the government of Regency England was the death penalty. We still have it, yes, but it’s rarely used, and generally only for very serious and violent crimes. Moreover, these days, attempts are made to administer it humanely. But in the Regency, not only were hundreds of crimes were punishable by death, if you were sentenced to death, you were going to die publicly and probably not painlessly, by hanging.
However, reform of the penal code was beginning – and ongoing – in the Regency. According to Donald Low in his book The Regency Underworld, in 1816 Sir Samuel Romilly succeeded in getting pickpocketing to be no longer punishable by the death penalty. In a time when over two hundred crimes could be punished by death, this was a notable success. Other reformers began trying to implement corrective programs in the prisons or, at the very least, to separate serious criminals from the less serious, instead of having them all mill about together, the worse corrupting the better (see Peel’s Prison Act of 1823).
This post isn’t anywhere near exhaustive – the people of the Regency were inventive, and the nuances of the penal code numerous and arcane. It’s a rich field for research, but one that requires a strong stomach.
But even with all these differences between then and now, prison still isn’t a good place to be, and not even always a safe place. The spirit of the reform work and the concern for prisoners that began in the Regency are still carried out today by ministries like Prison Fellowship. And then as now, children still feel the pain imposed by the penal system. With Christmas coming, Angel Tree is a great place to start if you feel a call to ministering to the children of those in prison in this day and age. And just about every city has a prison with people in it who can use visitors and books and Bibles. Things might be better now, but they’re far from perfect. The light of Christ still needs to be taken to the darkest of places.
Tories, Whigs, Foxite-Whigs, oh my. What shall become of us, Lord?
The government is not stable, barely lasting two years. My fears of invasion, a total loss of the country I know and love, fills my heart.
How can Providence allow such upheavals?
Why change from Pitt, to Grenville, to Portland? Is the title of Prime Minister difficult to hold?
I know I am just a woman. I should contend myself to my needlework. Surely, there are enough ribbons to be added to little Mary’s gown to make my mind numb to fear.
Yet, how can I even think of my girl coming of age in times like these. My heart aches at seeing her cast into this society where dissension reigns. She cannot be a war bride. No! Not her.
My thumb has turned painful. I yank the needle freeing it from the swelling flesh. I’ve pricked finger and stained the satin hem.
Is this coursing of rouge a sign to come? Don’t our enemies in France lay in wait for our weakness? This turmoil is the proper time to strike.
I dispatch my maid for fresh muslin. I will not ruin anymore ribbons with my wringing of hands. Doubt will not save my country.
As I swaddle my hands in the soft cloth, my palms meet. A peace settles on my shoulders. The churning of my stomach quiets. I remember Your words.
Romans 13:1-4
1 Let every soul be subject unto the higher powers. For there is no power but of God: the powers that be are ordained of God.
2 Whosoever therefore resisteth the power, resisteth the ordinance of God: and they that resist shall receive to themselves damnation.
3 For rulers are not a terror to good works, but to the evil. Wilt thou then not be afraid of the power? do that which is good, and thou shalt have praise of the same:
4 For he is the minister of God to thee for good. But if thou do that which is evil, be afraid; for he beareth not the sword in vain: for he is the minister of God, a revenger to execute wrath upon him that doeth evil.
So Pitt, Grenville and now Portland… You ordained them to be Prime Minister, in such a time as these?
I slump in my chair. The very thought of this contention being God’s will disheartens me. Yet, the soft words of the passage sing in my soul.
Romans 13:5-7
5 Wherefore ye must needs be subject, not only for wrath, but also for conscience sake.
6 For this cause pay ye tribute also: for they are God’s ministers, attending continually upon this very thing.
7 Render therefore to all their dues: tribute to whom tribute is due; custom to whom custom; fear to whom fear; honour to whom honour.
Now my heart is pricked. For I have not given tribute to the governing, just gossip and trepidation. I repent of that Lord. I uncover my hands, slapping flesh to flesh, and pay tribute. I pray for Providence’s guidance and mercy to fall upon my leaders. It is the best offering I can render.
Laurie Allice Eakes (LA) invites you into an Interview with Cheryl Bolen (CB), author of Marriage of Inconvenience from Love Inspired Historical.
Cheryl Bolen, author of Marriage of Inconvenience
LA: What drew you to write about the Regency Time Period?
CB: My World War II book—the fourth complete book I’d written but not found a publishing home for—won a lot of contests, but publishers kept saying it didn’t fit into a genre. The final editor judge in one contest told me if I wrote a historical romance that took place before 1900 she would like to look at it. The only period I liked was the Regency England Georgette Heyer had introduced me to. I hadn’t read many of the contemporary writers of Regency because I found some of them not understanding the era as well as I thought I did. That’s when I had a light bulb moment. I can write that! I began A DUKE DECEIVED, and months later that senior editor at Harlequin Historical bought it.
LA: Tell us what year your book is set in and why you chose that particular time.
CB: My newest release is set sometime after Waterloo but before 1820. I actually picked that time because it was a continuation of a series that began earlier and which locked me into a particular time. (The first books in the series, however, were written for a secular publisher, but readers had been clamoring for me to tell this proper miss’s tale.)
LA: What’s your favorite, unique Regency aspect of the novel, something you wouldn’t be able to include in a novel set in another place or time?
CB: Definitely the clothes—both men’s and women’s. Love the elegant, feminine lines of women’s but especially love that the men wore knee breeches, neckcloths—and unlike men later in the century, they were clean shaven!
LA: What are the biggest challenges to writing in the Regency Period?
CB: Some vocabulary is peculiar to the Regency, and you want to use it in a context that won’t confuse readers.
LA: Why did you choose to write Regencies for Love Inspired?
CB: I was honored that the senior editor of Love Inspired Historical came to me and asked me to write for her. I was thrilled because I’d developed a love of inspirational romances. Deeanne Gist is a friend of mine, and I love her award-winning books. LA: What is your favorite Regency Food, aspect of dress, and/or expression?
CB: I don’t get into food a lot in my books because I don’t think modern readers would like to read about the excessive gluttony of the period! I love the wonderful formality and manners of the upper classes in their speech of the period. I really don’t like it when I read a book where an earl says, “Call me John.” This simply wasn’t done. Ladies were always Miss Lastname even to their closest friends. LA: What is your favorite Regency setting; e.g., London, country house, small village?
CB: For my own books, I like a mix of the two. I’ve been to London many times and like to describe it as I believe it looked in the Regency, but there’s nothing like those grand country estates, and I like my readers to get a taste for that, too. LA: What makes your hero and heroine uniquely Regency?
CB: In my newest book, the hero is in Parliament, and it plays a particular role in my book. They both favored reforms to benefit the lower classes.
LA: Tell us about your book.
CB: It’s actually sort of funny that in the same month I’ve got two new releases, and both of them are G-rated. As an ebook only, I’ve got CHRISTMAS BRIDES: 3 REGENCY NOVELLAS.
Marriage of Inconvenience, Love Inspired Historical: Proposing to the Earl of Aynsley seems a sensible—if unconventional—solution to Miss Rebecca Peabody’s predicament. As a married woman, she will be free to keep writing her essays on civil reform. Meanwhile, the distinguished widower will gain a stepmother for his seven children and a caretaker for his vast estate.
But the earl wants more than a convenient bride. He craves a true partner, a woman he can cherish. To his surprise, the bookish Miss Peabody appears to have every quality he desires…except the willingness to trust her new husband. Yet despite his family’s interference, and her steadfast independence, time and faith could make theirs a true marriage of hearts.
Cheryl Bolen’s Bio: A former journalist who admits to a fascination with dead Englishwomen, Cheryl is a regular contributor to The Regency Plume, The Regency Reader, and The Quizzing Glass. Many of her articles can found on her website, www.CherylBolen.com, and more recent ones on her blog, www.CherylsRegencyRamblings.wordpress.com. Readers are welcomed at both places.
Cheryl holds a dual degree in English and journalism from the University of Texas, and she earned a master’s degree from the University of Houston. She and her professor husband are the parents of two sons, one who is an attorney, and the other a journalist. Her favorite things to do are watching the Longhorns, reading letters and diaries of Georgian Englishmen, and traveling to England.
Veteran Regency author Regency Regina Scott joins us again to tell us a little more about her writing, as well as her love for Regencies. Regina’s first published book was The Unflappable Miss Fairchild in 1998, with Zebra Regency Romance. Since then she has published continuously, with 19 novels and four novellas to her credit. In the last couple of years, she has turned to writing Regencies with a Christian tone. These have found a home with Love Inspired Historicals. Her fifth Christian Regency, The Rake’s Redemption, is out this month.
3. Does your new book, “The Rake’s Redemption”, continue the story of any of the characters from your last book, “The Captain’s Courtship”? What did you enjoy about writing a linked story? Was there anything about that connection that made writing “The Rake’s Redemption” more difficult?
Vanessa Riley:
