Month: May 2024

The Mysterious Ms. Darcy

My first Regency was Charity Girl by Georgette Heyer and got me interested in the Regency time period. The book that really hooked me on the Regency romance, however, was Georgina by Clare Darcy.

Georgina has all the wonderful elements of a romance that absolutely delight me—delight me to the point that I think I have followed a little in her footsteps in my own romances—books that is, not life—a heroine being courted by just the right sort of gentleman when her heart demands she go after the exactly wrong gentleman. Ah, be still my beating heart for Shannon, a disreputable landowner with mystery and rumors swirling around him. Though I knew I would regret doing so in the morning, I stayed up late to finish this story and was delighted and saddened at the end—delighted with the outcome and saddened that the book was over.

Over the next several years, I read every Clare Darcy book I could find. These were what we now call traditional Regencies. Traditional Regencies are those in the true spirit of Georgette Heyer—comedies of manners with no sensuality other than a few subtle comments and maybe a kiss or two, no foul language, and generally appropriate for young women all the way up to old ladies.

All of Ms. Darcy’s books were named for the heroine, except for one named for two females, one I just learned of today, as I did some research on this post. They ranged from countryside frolics, to country house romps, to balls and adventures. The heroines usually had minds of their own without being anachronistic or too much alike, as far as I remember, and the heroes varied in temperament and social position, though all were at least gentry class.

When I started looking at writing Regencies myself, I asked a few people about Ms. Darcy. Who, exactly, was she and why didn’t she gain more acclaim in the genre? I discovered that Ms. Darcy was highly respected amongst true Regency devotees, but her person was  pretty much unknown. Some even hinted she might be a he.

According to Wikipedia now, ten years later, Ms. Darcy was an author from Ohio named Mary Deasy (1914-1978). Her papers are in the Boston University research library. This is the most information I’ve been able to find out about this author who, like Ms. Heyer, died before ever I read one of her books. Also like Ms. Heyer, Ms. Darcy was a powerful influence on me becoming a Regency writer.

If you haven’t yet picked up Georgina, Eugenia, Lydia, Cressida, Lady Pamela, or any of the other delightful books by Ms. Darcy, you are in for a treat when you do.

Originally posted 2013-01-11 05:00:00.

Interview with Author Mary Moore Interview — Part 2

Mary Moore, Regency Reflections contributor and author of Beauty in Disguise is with us Author Mary Mooreagain today, and just like yesterday, she’s offering to give away two copies of her latest Regency novel to two lucky blog visitors. Be sure to leave a comment at the end of the post to be entered in the giveaway. The giveaway will end Wednesday, January 16, at midnight.

1. Hi Mary, and thanks for being with us two days in a row. Today I’d like to ask you a few questions about writing Regencies and making your stories stand out. With the Regency Era being such a relatively short time in number of years; is it hard to create new storylines and fresh ideas?  

Normally, I would give you a pretty definitive no. There are a number of different voices and creative writers out there, who all have different perspectives and specific areas of interest on the period, and this results in some wonderful new stories every month. The growth in the research process and areas of expertise also adds a wonderful level of creativeness.

You will notice, however, that I started my answer with “normally!” After I signed the contract for Beauty in Disguise and scheduled it for release, my editor contacted my agent to tell us that there was another LIH already further along in the process with a similar premise to mine. As a relatively new author, I had no idea whether my editor would want to move back the date of release or ask me to propose a whole new story. But she thought the story would work out fine if I would just be willing to “tweak” it. I said yes, but little did I realize what “tweaking” it would mean!

2. How did they want you to change it, and how hard was that for you?

In our initial brainstorming session most of the changes seemed pretty much cosmetic. They really did like the premise and wanted to keep it if we could. So, we changed where the story was staged, the heroine’s dynamic with some of the other characters and some details about her past. But as I began the rewrite I realized that some of those changes affected the story much more than any of us anticipated.

3.Gulp. I was in a similar situation with a story once. I thought I was agreeing to some surface changes that got way deeper than I anticipated. Not fun! How did the changes for Beauty in Disguise differ from what you expected?

Originally, the build up to the “reveal” was pivotal to my story. But with some of the changes I made, my editor thought it watered down some of the conflict and, thereby, the impact too much. To increase that problem, they wanted the hero and heroine to meet earlier. So one by one, changes that started out as cosmetic ended up changing the storyline pretty drastically. There were quite a few more rewrites than my editor and I expected or wanted!

4.  How do you think these changes have helped to make your book stronger?

I usually have an inspirational message (and the verses of Scripture that go with it) in my mind ahead of time, and I write the story around it. In the rewrites of Beauty in Disguise, I began to get frustrated because either the message wouldn’t fit with the changes or the changes wouldn’t go with the message. I finally got to the point where I just gave the story to God. I asked Him to make sure it was His message that went out there instead of mine. Duh, right? So, in the end, having the story revolve around what He wants to say made the book exactly what it is supposed to be.

The postscript to the story is that one day I was in a hospital waiting room and I pulled out my Kindle to kill the time. I pulled up the first Regency I came to and I knew, on that very first page, that it was the other story…the one that came out before mine and sent me on this writing journey. I wanted to find someone, anyone, to say, “This is it, this is it,” until I realized how crazy I would have sounded. It was by an author I “knew” pretty well online. She and I have had a good laugh over it and I pray that God will be able to use both our stories to His glory!

5. Well, I’m glad everything worked out well between you and the other author. Are you excited to finally see the release of Beauty in Disguise?

That would be a giant understatement! It was by far tougher to write than my first one was, but it has also been a little over a year since my first one came out. I was ready to be out among readers again, and now I can move on to my next project. I am very blessed!

Thanks, Naomi, for your time and the interview. I am so happy to be associated with this site and all of the work everyone does here to support and spread the news about inspirational Regencies.

Here’s a little more about Beauty in Disguise. If you want to enter our giveaway, leave a comment below, and be sure to visit yesterday’s blog post for another chance to win Beauty in Disguise.

Hidden in plain sight.

After her scanBeauty Cover Fulldalous first Season, Lady Kathryn needs a new beginning. Concealing her stunning hair and sapphire eyes beneath a dowdy facade, she’s grateful to earn her keep as companion Kate Montgomery. Until she comes face-to-face with her past in Lord Dalton, the only man she has ever loved.

The debutante Dalton fell in love with years ago was beautiful beyond compare. The gentle, mysterious young woman he encounters at a country house has qualities he now values more highly—until he learns of her deception. Kate has broken his heart not once, but twice. Can faith help him see that love, like true beauty, always comes to light?

Originally posted 2013-01-09 10:00:00.

Interview with Author Mary Moore–Part 1

Hi Everyone! We’ve got a lovely surprise for you here on Regency Reflections this week, and it involves the latest book release from one of our very own bloggers! Mary Moore’s second novel released on January 1st, and is she ever excited to tell us more about both her book, Beauty in Disguise, and writing Regencies.

To commemorate the release of Beauty in Disguise, we’ll be interviewing Mary for two days in a row, and Mary has agreed to give away two copies of her book for each of those days. To enter the giveaway, simply leave a comment at the bottom of the page, and you’ll be notified of the winner on Wednesday, January 16.

So without further ado, here’s a little more about Mary:

Author Mary MooreI have been writing historical fiction for more than 15 years. After battling and beating breast cancer, I’ve become more excited about my writing. I want to incorporate some of my struggles   throughout my books, and I am dedicated to encouraging others in the Lord and using my writing for God’s glory.

My debut novel, The Aristocrat’s Lady, won several acclaimed awards, including the 2011 Reviewers Choice Award by RT Magazine for Best Love Inspired Historical, and the 2011 Holt Medallion Award from Virginia Romance Writers for Best Book by a Virginia Author. I also received an Award of Merit for Best First Book and Best Long Inspirational by the VRW.

 I am a  native of the Washington, DC area, but my husband and I now live in the beautiful Blue Ridge Mountains in southwestern Virginia. When not writing, I love to read, minister in my church, and spend time with my husband and black lab, Darcy.

I love to hear from readers! I can be reached on my website at www.marymooreauthor.com or emailed at mmooreauthor@swva.net.

1. What drew you to write during the Regency Time Period?

I read Pride and Prejudice for high school and loved it. But the real love affair began     when I read Georgette Heyer. I devoured her books and was devastated when I found out she was not alive, and there were no more to come! Then I discovered that Zebra (I think     it was Zebra) Publishing had a book club where you got four new Regencies every     month…I signed up and was deliriously happy until it dwindled down to none.

2. Tell us what year your book is set in and why you chose that particular time.

It was about 1817. My hero, Lord Dalton, refers to his military background several times     in the story. The war is over, but not so far over that it can’t be alluded to comfortably     when needed in the story.

3. What’s your favorite, unique Regency aspect of the novel, something you wouldn’t be able to include in a novel set in another place or time?

There are two really. First, there is the fact that the Lady Kathryn is completely ruined     because she was alone in a carriage overnight with a man, even though nothing physical happened. For a Christian writer who wanted her heroine’s reputation tarnished, it was     easily accomplished in the Regency Era. Second, the only two occupations for a lady of     quality down on her luck were a companion or governess. It fit well in the story to get her     far out of Society and able to don her disguise.

4. What are the biggest challenges to writing in the Regency Period?

I think it is telling stories that give the seasoned Regency reader satisfaction while still     being able to make it understandable to new Regency readers. I found myself reminding     the reader why Lady Kathryn was ruined for new readers and probably overdid it for     Regency aficionados. I want to grab everyone with a story and make them fall in love     with the Regency period at the same time.

5. Who is your favorite Regency Author?

I guess I gave that away in the first question! Georgette Heyer is my all time favorite. She     wrote such great stories with wonderful characters (I love her rakes!) all with wit and     charm from the period that I have yet to find in another. And though her stories certainly     are not faith-based, they satisfy the romantic in me while remaining squeaky clean. And     it’s so silly; I thought I was the only one who knew about her! Imagine my surprise when I entered the writing world and discovered that she is loved by almost all Regency connoisseurs!

6. What is your favorite Regency food, aspect of dress, and/or expression?

Oh, I like the language of the period best. That is one of those trials we talked about     above, throwing in a great expression like “ planted him a facer” or “ diamond of the first water” because it fits so beautifully in the story, but not wanting to water it down with an explanation in the next sentence. I think for the most part, if you can hook a reader with a great story, they will want to read more in that setting, and it doesn’t take long for them to catch on to the language. It’s one of the things that make a Regency so wonderful.

7. What is your favorite Regency setting; e.g., London, country house, small village?

I really prefer a country house probably because I love dialogue. Once you’ve given the     basic background and backdrop, there is a little more opportunity for intimacy; I mean     that in the way of one-on-one conversations, impromptu meetings, etc. But overall my     favorite setting is a waltz, and really that can be done in London or the country.

8. What makes your hero and heroine uniquely Regency?

She is the daughter of a earl, and he is an earl, therefore there are only certain settings    Beauty Cover Full that are available to them. But even though I like the gentility and upper echelon the best,     I like finding ways that they meet with or come into contact with the darker side of the     time period as well. It was only glittering for the ‘upper ten thousand’ – it was not a good     time in history for the lower classes.

*****

Thank you so much for that lovely interview, Mary. I couldn’t agree with you more about the Regency Era being very bright for the upper echelons of society and very dark for the other classes. That’s something I enjoy exploring in my own writing as well.

Mary will be with us again on Wednesday, but before we bid farewell, she wants to know what your favorite sub-genre of Regency is? Suspense? Romance? Anything involving rakes or vicars or both? Answer that question, and you’ll be entered in the chance to win one of two copies of Beauty in Disguise.

Originally posted 2013-01-08 05:00:23.

Top 12 Posts of 2012

Here at Regency Reflections, we have a dynamic team that works hard to provide our followers great insight and heart about all things regency.

Below are our top 12 posts for 2012. Take a moment and enjoy. We look forward to bringing you more great content in 2013.

Real Life Romance–And How to Keep it Alive 1
My Carriage Awaits… Maybe 2
A Review of “Jane Austen Knits” 3
A Flight of Fancy: a Regency Novel by Laurie Alice Eakes 4
Mr. Darcy, An Alpha Male in Love 5
Mourning in the Regency Period 6
What Happened to the Traditional Regency? 7
Interview and a Give-A-Way with Author Jamie Carie 8
Get to Know Our Own Laurie Alice Eakes (And win that gift basket!) 9
How to Have an American Duke 10
“Passion for Regency Fashion – The Pelisse” Susan Karsten 11
Wedding Hotspots in Regency England 12

Originally posted 2013-01-07 10:00:00.

OMG! Seen On TV! Queen of Exiles on The View

Sunny Hostin holding up a copy of Queen of Exiles!!!

This is so exciting. Queen of Exiles is a Sunny Lit Pick!!! On August 2nd, she introduced Queen of Exiles to The View.

Meet Queen Louise. This is a historical fiction about a true queen, Hayti’s 1st and only queen. It’s a sweep tale which will take you through the politics and intrigues of the Haitian Court to the twists and turns of Regency and Victorian England and France and Italy. Queen Louise was a brave woman who dared to be Black, royal, and happy.

Queen of Exiles is a good book to read.

It’s a good book to listen to.

The audiobook performed by Robin Miles won an Earphone Award from Audiofile Magazine. It’s an Editor’s Choice Selection for the Historical Novel Society.

Riley’s historical novel feels timely and relevant, commemorating a time when Black women were queens. – Jodi Picoult, #1 New York Times bestselling author

Originally posted 2023-08-09 04:02:11.

A Look Ahead to 2013

Kristi here, with an exciting look at the coming year.

As the weather blows cold and snow dumps over a lot of the United States, things are heating up at Regency Reflections. If you’re just now stumbling across our little corner of cyberspace, take a moment and bookmark us or subscribe via email because there are some amazing things planned for 2013.

Fireworks over the bridge
New Years in Australia, via WikiCommons

In February we’ll be celebrating our first birthday and we have some serious fun in the works. As a blog for readers of inspirational Regencies, we wanted to give you something to, well, read. We’re also putting together a unique and eclectic give-a-way that you won’t want to miss.

Stack of booksMore than half of our authors have book releases this year as well as many of our Regency writing friends of the blog. This year is going to provide a plethora of choices for the inspirational Regency reader. We’re especially excited for the debut releases of Vanessa and Sarah!

Other things to look forward to this year are a series of guest bloggers ready to share their experiences and knowledge, fun give-a-ways, and increased opportunities to interact with some of your favorite authors and other readers.

What are you looking forward to this year? What would you like to see more of on Regency Reflections?

Originally posted 2013-01-02 10:00:00.

For Auld Lang Syne, My Dear

Happy New Year

It’s New Year’s Eve and it seems we’re all experiencing a bit of “Cinderella Syndrome”… We have up until midnight before 2012’s party comes to a close and a new fairy tale is ushered in.

It’s exciting, isn’t it? The slate is wiped clean and anything is possible in the new year! We’ve got a new chapter to write in our lives. We’ll have a new story to tell. And whether we’re singing, dancing or making merry on this happiest of holidays, the door to possibility is wide open with the simple tick of the clock!

So how will we spend those final moments of the year? Some of us may revel in the possibilities – What delights will the new year bring? (Eat, drink and be merry, maybe? Luke 12:19) Others might look back to days gone by – Shall we sing another chorus of Auld Lang Syne and think fondly on years past? (After all, there is a time for everything under heaven. Ecclesiastes 3:2-8)

Should old acquaintance be forgot,
and never brought to mind ?
Should old acquaintance be forgot,
and old lang syne ?

We’ve probably all had an opportunity to sing it a time or two…

Maybe you’ve joined in with the enormous crowds that link arm in arm at New York’s Times Square and sway back and forth while the familiar notes play. Possibly you’ve watched as director Frank Capra’s iconic character George Bailey comes to truly appreciate the years he’s lived and joins in with the singing at the end of the wildly popular Christmas film, It’s a Wonderful Life (1946). Or as you circle around the fireplace with loved ones near, maybe you’ve hummed along with the notes to ring in January 1st. However it’s celebrated or sung, this song is ingrained in our American culture and in those English-speaking countries around the globe. Arguably, it is the song to define the transition from one year to the next, whether we joyfully welcome the new year or lament on days long past… It signifies the transition from the Christmas holiday season to the possibilities of the new year beyond.

Robert Burns
Photo: Robertburns.org

Often referred to as “the World’s National Anthem” (because of the association with New Year’s celebrations the world over) and “the Song that Nobody Knows” (because the tune is recognized but the lyrics often forgotten), Auld Lang Syne was written by celebrated Scottish poet and lyricist Robert Burns in 1788. Conflicting accounts state that it was an original work penned by Burns, while others reference his compilation of James Watson’s formerly published ballad “Old Long Syne” (1711). Nevertheless, Burns’ version was included with other compiled and original works for a collection sent to the Scots Musical Museum publication with the following note:

“The following song, an old song, of the olden times, and which has never been in print, nor even in manuscript until I took it down from an old man.” (Lindsay, Maurice. “Auld Lang Syne”. The Burns Encyclopedia. 1959)

 

While the literal English translation for Burns’ Auld Lang Syne  title is “old long since”, there are many interpretations that have made their way into popular culture: “long, long ago”, “days gone by”,   and “old times” to name a few. I especially love the contemporary connection to the phrase “In days of auld lang syne”, which Scottish novelist Matthew Fitt used to liken his retelling of fairy tales to the familiar storybook beginning, “Once upon a time…” From Elvis Presley to Billy Joel, Rod Stewart to Prince and Miles Davis, modern-day celebrities have taken turns performing their renditions of the popular song as a part of accepted holiday revelry. Most recently, actress Lea Michele (of Glee fame) sang her own version of the song in the 2011 film New Year’s Eve. (It was not my favorite film by any stretch of the imagination, but Lea’s rendition of the much-loved song was fresh and electric!)

wiki commons
Photo: Wikimedia Commons

Whether we feel like Cinderella or not, it won’t be long before the clock on the wall clicks over to midnight and we’re all officially a part of 2013.  As we all join in the celebration of a new year, I hope you’ll take a look at the lyrics and as the familiar tune begins to play, remember the magic in the words written so long ago. (You just might be the only person to get the words right if you’re caught singing in the Times Square crowd! <wink>) Like the Bible, which was written so long ago but has truth that still breathes life today, Burns’ version of Auld Lang Syne has managed to stand the test of time from the Regency Era to 2013.

We here at Regency Reflections hope that you not only have the memories of days gone by to keep you warm in the upcoming winter months, but we pray for God’s loving provision to bring you joy in the all the years ahead.

May you be richly blessed in the new year and beyond!

Jeremiah 29 11

In His Love,

Kristy

Originally posted 2012-12-31 10:00:00.

Christmas Day According to Washington Irving

This excerpt is from Washington Irving, The Sketch Book, published in 1819. Washington Irving is famous for his tale “Legend of Sleepy Hollow” featuring Rip Van Winkle, and he spent some time in England beginning in 1815. You can see his musings on Christmas Eve in Friday’s Post.

When I awoke the next morning, it seemed as if all the events of the preceding evening had been a dream . While I lay musing on my pillow, I heard the sound of little feet pattering outside the door, and a whispering consultation. Presently a choir of small voices chanted forth an old Christmas carol .

 

Washington Irving
Washington Irving, via Wikimedia Commons

I rose softly, slipt on my clothes, opened the door suddenly, and beheld one of the most beautiful little fairy groups that a painter could imagine. It consisted of a boy and two girls, the eldest not more than six, and lovely as seraphs. They were going the rounds of the house, and singing at every chamber door; but my sudden appearance frightened them into mute bashfulness. They remained for a moment playing on their lips with their fingers, and now and then stealing a shy glance from under their eyebrows, until, as if by one impulse, they scampered away, and as they turned an angle of the gallery, I heard them laughing in triumph of their escape.

 

The window of my chamber looked out upon what in summer would have been a beautiful landscape. There was a sloping lawn, a fine stream winding at the foot of it, and a tract of park beyond, with noble clumps of trees, and herds of deer. At a distance was a neat hamlet, with the smoke from the cottage chimneys hanging over it; and a church with its dark spire in strong relief against a clear, cold sky. The house was surrounded with evergreens, according to the English custom, which would have given almost the appearance of summer; but the morning was extremely frosty; the light vapor of the preceding evening had been precipitated by the cold, and covered all the trees and every blade of grass with its fine crystallizations. The rays of a bright morning sun had a dazzling effect among the glittering foliage. A robin, perched upon the top of a mountain ash that hung its clusters of red berries just before my window, was basking himself in the sunshine and piping a few notes; and a peacock was displaying all the glories of his train, and strutting with the pride and gravity of a Spanish grandee on the terrace walk below.

 

I had scarcely dressed myself when a servant appeared to invite me to family prayers. He showed me the way to a small chapel in the old wing of the house, where I found the principal part of the family already assembled in a kind of gallery, furnished with cushions, hassocks, and large prayer books; the servants were seated on benches below. The old gentleman read prayers from a desk in front of the gallery, and Master Simon acted as clerk, and made the responses.

The service was followed by a Christmas carol, which Mr. Bracebridge himself had constructed from a poem of his favorite author, Herrick; and it had been adapted to an old church-melody by Master Simon.

I afterwards understood that early morning service was read on every Sunday and saints’ day throughout the year, either by Mr. Bracebridge or some member of the family. It was once almost universally the case at the seats of the nobility and gentry in England, and it is much to be regretted that the custom is falling into neglect.

Our breakfast consisted of what the Squire denominated true old English fare. He indulged in some bitter lamentations over modern breakfasts of tea and toast, which he censured as among the causes of modern effeminacy and weak nerves, and the decline of the old English heartiness; and though he admitted them to his table to suit the palates of his guests, yet there was a brave display of cold meats, wine, and ale, on the sideboard.

 

After breakfast I walked about the grounds with Frank Bracebridge and Master Simon.  We were escorted by a number of . . . dogs, that seemed loungers about the establishment, from the frisking spaniel to the steady old stage-hound,–the last of which was of a race that had been in the family time out of mind; they were all obedient to a dog whistle, which hung to Master Simon’s buttonhole, and in the midst of their gambols would glance an eye occasionally upon s small switch he carried in his hand.

 

The old mansion had a still more venerable look in the yellow sunshine than by pale moonlight, and I could not but feel the force of the Squire’s idea, that the formal terraces, heavily moulded balustrades, and clipped yew trees carried with them an air of proud aristocracy. There appeared to be an unusual number of peacocks about the place, and I was making some remarks upon what I termed a flock of them, that were basking under a sunny wall, when I was corrected in my phraseology by Master Simon, who told me that, according to the most ancient and approved treatise on hunting I must say a muster of peacocks. “In the same way,” added he, “we say a flight of doves or swallows, a bevy of quails, a herd of deer, of wrens or cranes, a skulk of foxes, or a building of rooks.” He went on to inform me that, according to Sir Anthony Fitzherbert, we ought to ascribe to this bird, “both understanding and glory; for, being praised, he will presently set up his tail, chiefly against the sun, to the intent you may the better behold the beauty thereof. But at the fall of the leaf, when his tail falleth, he will mourn and hide himself in corners, till his tail come again as it was.”

 

I found that the peacocks were birds of some consequence at the hall; for Frank Bracebridge informed me that they were great favorites with his father, who was extremely careful to keep up the breed; partly because they belonged to chivalry, and were in great request at the stately banquets of olden time, and partly because they had a pomp and magnificence about them, highly becoming an old family mansion.

. . . .

While we were talking we heard the distant tolling of the village bell, and I was told that the Squire was a little particular in having his household at Church on Christmas morning, considering it a day of pouring out of thanks and rejoicing.

 

“If you are disposed to go to church,” said Frank Bracebridge, “I can promise you a specimen of my cousin Simon’s musical achievements. As the church is destitute of an organ, he has formed a band from the village amateurs, and established a musical club for their improvement; he has also sorted a choir.”

 

English Country Church in the snow
via Wikimedia Commons

As the morning, though frosty was remarkably fine and clear, the most of the family walked to the church, which was a very old building of gray-stone, and stood near a village, about half a mile from the park gate. Adjoining it was a low snug parsonage, which seemed coeval with the church. The front of it was perfectly matted with a yew-tree, that had been trained against the walls, thorough the dense foliage of which, apertures had been formed to admit light into the small antique lattices. As we passed this nest, the parson issued forth and preceded us.

 

The parson was a little meagre, black-looking man, with a grizzled wig that was too wide, and stood off from each ear; so that his head seemed to have shrunk away within it, like a dried filbert in its shell. He wore a rusty coat, with great skirts, and pockets that would have held the church Bible and prayer-book: and his small legs seemed still smaller from being planted in large shoes, decorated with enormous buckles.

 

I was informed by Frank Bracebridge, that the parson had been a chum of his father’s at Oxford, and had received this living shortly after the latter had come into his estate.

On reaching the church-porch, we found the parson rebuking the gray-headed sexton for having used mistletoe among the greens with which the church was decorated. It was, he observed, an unholy plant, profaned by having been used by the Druids in their mystic ceremonies; and though it might be innocently employed in the festive ornamenting of halls and kitchens, yet it had been deemed by the Fathers of the Church as unhallowed, and totally unfit for sacred purposes. So tenacious was he on this point, that the poor sexton was obliged to strip down a great part of the [mistletoe] before the parson would consent to enter upon the service of the day.

 

The interior of the church was venerable but simple; on the walls were several mural monuments of the Bracebridges, and just beside the altar was a tomb of ancient workmanship, on which law the effigy of a warrior in armor, with his legs crossed, a sign of his having been a Crusader.

The orchestra was in a small gallery, and presented a most whimsical grouping of heads, piled one upon the other, among which I particularly noticed that of the village tailor, . . . who played the clarinet, and seemed to have blown his face to a point; and there was another . . . man stooping and laboring at a bass-viol, so as to show nothing but the top of a round bald head . . .There were two or three pretty faces among the female singers,. . . but the gentlemen choristers had evidently been chosen more for tone than looks; . . . .

 

The usual services of the choir were managed tolerably well, the vocal parts generally lagging a little behind the instrumental. . . .

 

The parson gave us a most erudite sermon on the rites and ceremonies of Christmas, and the propriety of observing it not merely as a day of thanksgiving, but of rejoicing. . . .

[O]n leaving the church the congregation seemed one and all possessed of the gayety of spirit so earnestly enjoined by their pastor. The elder folks gathered in knots in the churchyard, greeting and shaking hands; and the children ran about crying Yule! Yule! And repeating some uncouth rhymes, which the parson, who had joined us, informed me had been handed down from days of yore. The villagers doffed their hats to the Squire as he passed, giving him the good wishes of the season with every appearance of heartfelt sincerity, and were invited by him to the hall, to take something to keep out of the cold of the weather; and I heard blessings uttered by several of the poor, which convinced me that in the midst of his enjoyments, the worthy old cavalier had not forgotten the true Christmas virtue of charity.

. . . .

The Squire went on to lament the deplorable decay of the games and amusements which were once prevalent in this season among the lower orders, and countenanced by the higher; when the old halls of castles and manor-houses were thrown open at daylight;; when the tables were covered with brawn, and feed, and humming ale; when the harp and the carol resounded all day long, and when the rich and poor were alike welcome to enter and make merry.* [*Note: An English gentleman, at the opening of the great day, i.e., on Christmas day in the morning, had all his tenants and neighbors enter his hall by daybreak. The strong beer was broached, and the blackjacks went plentifully about with toast, sugar, and nutmeg and good Christmas cheese. The Hackin (the great sausage) must be boiled by daybreak, or else two young men must take the maiden (i.e., the cook) by the arms, and run her round the market-place till she is shamed of her laziness.” quoted from Round about our Sea-Coal Fire.

. . . .

We had not been long home when the sound of music was heard from a distance. A band of country lads, without coats, their shirtsleeves fancifully tied with ribbons, their hats decorated with greens, and clubs in their hands, were seen advancing up the avenue, followed by a large number of villagers and peasantry. They stopped before the hall door, where the music struck up a peculiar air, and the lads performed a curious and intricate dance, advancing, retreating, and striking their clubs together, keeping exact time to the music; while one, whimsically crowned with a fox’s skin, the tail of which flaunted down his back, kept capering round the skirts of the dance, and rattling a Christmas box with many antic gesticulations.

 

The Squire . . . gave me the full account of [this dances’} origin, which he traced to the times when the Romans held possession of the island; plainly proving that this was a lineal descendant of the sword-dance of the ancients. “It is now,. . . nearly extinct, but he had accidentally met with traces of it in the neighborhood, and had encouraged its revival; though, to tell the truth, it was too apt to be followed up by the rough cudgel play, and broken heads in the evening.”

 

After the dance was concluded, the whole party was entertained with brawn and beef, and stout home-brewed. The Squire himself mingled among the rustics, and was received with awkward demonstrations of deference and regard. . . .

 

The bashfulness of the guests soon gave way before good cheer and affability. There is something genuine and affectionate in the gayety of the lower orders, when it is excited by the bounty and familiarity of those above them. . . . When the Squire had retired, the merriment increased and there was much joking and laughter. . . .

 

The whole house seemed abandoned to merriment: as I passed my room to dress for dinner I heard the sound of music in a small court, and looking through a window that commanded it, I perceived a band of wandering musicians, with pandean pipes and a tambourine, a pretty coquettish housemaid was dancing a jig with a smart country lad, while several of the servants were looking on.

Originally posted 2012-12-24 10:00:00.

Christmas Eve According to Washington Irving

This excerpt is from Washington Irving, The Sketch Book, published in 1819. Washington Irving is famous for his tale “Legend of Sleepy Hollow” featuring Rip Van Winkle, and he spent some time in England beginning in 1815. Today we are featuring his writings about Christmas Eve. Monday we will publish his Christmas Day musings. 

It was a brilliant moonlight night, but extremely cold; our chaise whirled rapidly over the frozen ground; the post-boy smacked his whip incessantly, and a part of the time his horses were on a gallop. “He knows where he is going,” said my companion, laughing, “and is eager to arrive in time for some of the merriment and good cheer of the servant’s hall. My father, you must know, is a bigoted devotee of the old school, and prides himself upon keeping up something of old English hospitality. He is a tolerable specimen of what you will rarely meet with nowadays in its purity, the old English country gentleman; for our men of fortune spend so much of their time in town, and fashion is carried so much into the country, that the strong, rich peculiarities of ancient rural life are almost polished away. My father, however, from early years, took honest Peacham for his textbook, instead of Chesterfield; he determined in his own mind that there was no condition more truly honorable and enviable than that of a country gentleman on his paternal lands, and therefore passes the whole of his time on his estate. He is a strenuous advocate for the revival of the old rural games and holiday observances, and is deeply read in the writers, ancient and modern, who have treated on this subject. Indeed his favorite range of reading is among the authors who flourished at least two centuries since; who, he insists wrote and thought more like true Englishmen than any of their successors.”

Washington Irving
Portrait of Washington Irving, via Wikimedia Commons

We had passed for some time along the wall of a park, and at length the chaise stopped at the gate. It was in a heavy, magnificent old style, of iron bars, fancifully wrought at top into flourishes and flowers. The huge square columns that supported the gate were surmounted by the family crest. Close adjoining was the porter’s lodge, sheltered under dark fir trees, and almost buried in the shrubbery.

 

The post-boy rang a large porter’s bell, which resounded through the still frosty air, and was answered by the distant barking of dogs, with which the mansion-house seemed garrisoned. An old woman immediately appeared at the gate. As the moonlight fell strongly upon her, I had full view of a little primitive dame, dressed very much in the antique taste, with a neat kerchief and stomacher, and her silver hair peeping from under a cap of snowy whiteness. She came curtseying forth with many expressions of simple joy at seeing her young master. Her husband, it seemed, was up at the house keeping Christmas eve in the servant’s hall; they could not do without him, as he was the best hand at a song and story in the household.

 

My friend proposed that we should alight and walk through the park to the hall, which was at no great distance, while the chaise should follow on. Our road wound through a mobile avenue of trees, among the naked branches of which the moon glittered, as she rolled through the deep vault of a cloudless sky. The lawn beyond was sheeted with a slight covering of snow, which here and there sparkled as the moonbeams caught a frosty crystal; and at a distance might be seen a thin transparent vapor, stealing up from the low grounds, and threatening gradually to shroud the landscape.

We were interrupted by the clamor of a troop of dogs of all sorts and sizes, “mongrel puppy, whelp, and hound, and curs of low degree,” that, disturbed by the ring of the porter’s bell and the rattling of the chaise, came bounding, open-mouthed, across the lawn.

We had now come in full view of the old family mansion, partly thrown into deep shadow, and partly lit up by the cool moonshine. It was an irregular building, of some magnitude, and seemed to be of the architecture of different periods–One wing was evidently very ancient, with heavy stone-shafted bow-windows jutting out and overrun with ivy, from among the foliage of which the small diamond-shaped panes of glass glittered with the moonbeams. The rest of the house was in the French taste of Charles the Second’s time, having been repaired and altered, as my friend told me, by one of his ancestors, who returned with that monarch at the Restoration. The grounds about the house were laid out in the old formal manner of artificial flower beds, clipped shrubberies, raised terraces, and heavy stone balustrades, ornamented with urns, a leaden statue or two, and a jet of water. The old gentleman, I was told, was extremely careful to preserve this obsolete finery in all its original state. He admired this fashion in gardening; it had an air of magnificence, was courtly and noble, and befitted the good old family style.

Sprig of Mistletoe
Photo credit: cohdra from morguefile.com

As we approached the house, we heard the sound of music, and now and then a burst of laughter, from one end of the building. This, Bracebridge said, must proceed from the servant’s hall, where a great deal of revelry was permitted, and even encouraged by the Squire, throughout the twelve days of Christmas, provided everything was done conformably to ancient usage. Here were kept up the old games of hoodman blind, shoe the wild mare, hot cockles, steal the white loaf, bob apple, and snap-dragon; the Yule log and Christmas candle were regularly burnt, and the mistletoe with its white berries, hug up, to the imminent peril of all the pretty housemaids.* [*note: The mistletoe is still hung up in farm-houses and kitchens at Christmas; and the young men have the privilege of kissing the girls under it, plucking each time a berry from the bush. When the berries are all plucked, the privilege ceases.]

 

So intent were the servants upon their sports that we had to ring repeatedly before we could make ourselves heard. On our arrival being announced, the Squire came out to receive us, accompanied by his two other sons; one a young officer in the army, home on leave of absence, the other an Oxonian, just from the university. The Squire was a fine healthy looking old gentleman with silver hair curling lightly round an open florid countenance.

The family meeting was warm and affectionate; as the evening was far advanced, the Squire would not permit us to change our travelling dresses, but ushered us at once to the company, which was assembled in a large old-fashioned hall. It was composed of different branches of a numerous family connection, where there were the usual proportion of old uncles and aunts, comfortable married dames, superannuated spinsters, blooming country cousins, half-fledged striplings, and bright-eyed boarding-school hoydens. They were variously occupied; some at a round game of cards; others conversing around the fireplace; at one end of the hall was a group of the young folks, some nearly grown up, others of a more tender and budding age, fully engrossed by a merry game; and a profusion of wooden horses, penny trumpets, and tattered dolls, about the floor, showed traces of a troop of little fairy beings, who, having frolicked through a happy day, had been carried off to slumber through a peaceful night.

 

While the mutual greetings were going on between young Bracebridge and his relatives, I had time to scan the apartment. I have called it a hall, for so it had certainly been in old times, and the Squire had evidently endeavored to restore it to something of its primitive state. Over the heavy projecting fireplace was suspended a picture of a warrior in armor, standing by a white horse, and on the opposite wall hung a helmet, buckler, and lance. At one end an enormous pair of antlers were inserted in the wall, the branches serving as hooks on which to suspend hats, whips, and spurs; and in the corners of the apartment were fowling pieces, fishing rods, and other sporting implements. The furniture was of the cumbrous workmanship of former days, though some articles of modern convenience had been added and the oaken floor had been carpeted; so that the whole presented an odd mixture of parlor and hall.

 

Yule Log being hauled to the house
Yule Log being brought to the house, via Wikimedia Commons

The grate had been removed from the wide overwhelming fireplace, to make way for a fire of wood, in the midst of which was an enormous log glowing and blazing, and sending forth a vast volume of light and heat: this I understood was the Yule clog, which the Squire was particular in having brought in and illuminated on a Christmas eve, according to the ancient custom.*[Note: The Yule clog is a great log of wood, sometimes the root of a tree, brought into the house with great ceremony, on Christmas eve, laid in the fireplace, and lighted with the brand of last year’s clog. While it lasted, there was great drinking, singing and telling of tales. Sometimes it was accompanied by Christmas candles; but in the cottages the only light was from the ruddy blaze of the great wood fire. The Yule clog was to burn all night; if it went out, it was considered a sign of ill-luck.

 

The Yule clog is still burnt in many farm-houses and kitchens in England, particularly in the north, and there are several superstitions connected with it among the peasantry. If a squinting person come to the house while it is burning, or a person barefooted, it is considered an ill omen. The brand remaining from the Yule clog is carefully put away to light the next year’s Christmas fire.]. . . .

 

Supper was announced shortly after our arrival. It was served up in a spacious oaken chamber, the panels of which shone with wax, and around which were several family portraits decorated with holly and ivy. Besides the accustomed lights, two great wax tapers, called Christmas candles, wreathed with greens, were placed on a highly polished buffet among the family plate. The table was abundantly spread with substantial fare; but the Squire made his supper of frumenty, a dish made of wheatcakes boiled in milk, with rich spices, being a standing dish in old times for Christmas eve.

The supper had disposed every one to gayety, and an old harper was summoned from the servant’s hall, where he had been strumming all the evening, and to all appearance comforting himself with some of the Squire’s homebrew. He was a kind of hanger-on, I was told, of the establishment, and, though ostensibly a resident of the village, was oftener to be found in the Squire’s kitchen than his own home, the old gentleman being fond of the sound of harp in hall.”

 

The dance, like most dances after supper, was a merry one; some of the older folks joined in, and the Squire himself figured down several couple with a partner, with whom he affirmed he had danced at every Christmas for nearly half a century. . . .

 

The party now broke up for the night with the kind-hearted old custom of shaking hands. As I passed through the hall, on the way to my chamber.

My chamber was in the old part of the mansion, the ponderous furniture of which might have been fabricated in the days of giants. The room was panelled with cornices of heavy carved work, in which flowers and grotesque faces were strangely intermingled; and a row of black-looking portraits stared mournfully at me from the walls. The bed was of rich though faded damask, with a lofty tester, and stood in a niche opposite a bow-window. I had scarcely got into bed when a strain of music seemed to break forth in the air just below the window. I listened, and found it proceeded from a band, which I concluded to be the waits from some neighboring village. They went round the house playing under the windows. I drew aside the curtains to hear them more distinctly. The moonbeams fell through the upper part of the casement, partially lighting up the antiquated apartment. The sounds, as they receded, became more soft and aerial, and seemed to accord with the quiet and moonlight.

Originally posted 2012-12-21 10:00:00.

A Remarkably Regency Yuletide

Regency House Christmas by Linore Rose Burkard(Adapted from, Regency House Christmas: The Definitive Guide to a Remarkably Regency Yuletide by Linore Rose Burkard)
Much has been made, said, written about and portrayed regarding an English Victorian Christmas, with hardly any good references to Regency Yuletides. Did England keep Christmas during the Regency? If so, how was it observed? Certainly not with ceiling-high Christmas trees (I cringe whenever I see a Regency set during the Christmas season with   big, modern tree on the cover. It just wasn’t the custom.)


But if the Victorian Christmas we are all familiar with wasn’t the mode during the regency, then what happened? How did things change?


Thanks to the Industrial Revolution and advances in the power of the press (ie., photos, color printing, and both as applied to advertisements) the Victorian era was portrayed
in mass media as no time before it ever had been. After a picture of Prince Albert’s Christmas tree appeared in the London paper in 1848, England saw an immediate adoption of the Germanic practice (of putting up big trees), including a whole new way of “keeping” Christmas on a larger scale than virtually anyone had ever done before.


In short, the holiday became fashionable.


An abundance of colored holiday prints survive to this day, which is proof for the pudding, so to speak. The Regency, however, suffers from a lack of pictorial records regarding the Season. This is not (in my opinion) due to a lack of spiritual observance, as has been often assumed. The reason there are so many happy depictions of Victorian Christmas life, is because there are so many depictions of Victorian life, period.


The process of printing in color became easier, thereby becoming cheaper, and thus spawning a great deal of inexpensive prints and artwork, much of which we still have. The middle class came into its own in the Victorian era, and with it, its spending power. Merchandising, while not near the level of what it is today, nevertheless “discovered” that it could cater to the tastes of this large segment of society, and make a tidy profit while doing so.


A Victorian Christmas TreeThe Christmas card, (the first of which was not printed until 1843- and even then, was not in color) became affordable with the introduction of the penny post–cheap mail. So this catapulted the onslaught of a huge mass of printed Christmas scenes which we still see today.


In other ways, the growing prosperity of a large middle class made Christmas in the more modern sense affordable to more people, and this played into how it appeared in printed literature, magazines, newspapers, and the like.


The Victorians did not invent Christmas gaieties, however, but instead merely added to ages-old traditions, many of which were richly observed even during the quieter, less commercialized yuletides of the Regency.


To some, the Regency and Christmas seem to have nothing in common. The rug of stability had been pulled from beneath the population. The King, symbol of power for the nation, was believed to have gone mad. Very unsettling. In his place, a pleasure- loving, hedonistic, but immensely dignified prince became regent. Despite a great deal of criticism leveled against him, he was nonetheless the figurehead of society; he set the tone for the ton (pardon the pun), who in turn, influenced their tenants and servants. In some degree, there was a general feeling of the nation collectively holding its breath-the King was fit for bedlam and the country was at war–and waiting. And when the Regent lived as if nothing else mattered but the elegance of his rooms and the quality of his food, and the pleasure of the moment-the country followed suit.


All of the above plays into the absence of attention to Christmas during the era. We can say, in fact, that it was commercially neglected, though not, as we shall see, socially forgotten. Looking back, it is easy to assume the holiday had no significance, but our hindsight is informed by the contrast of quieter observances than what the Victorians made commonplace.


Christmas Greetings, A Decorated BellThe Regency never knew the lavish Christmases of the late 1800s, the Victorian ideal. England had still not fully recovered from the former ban on all things Christmas made
in the 16th century as a response to subversion. The fact that they celebrated as we shall see they did, is in fact evidence of a great desire to keep the holiday.


It was kept on a quieter scale, with a table-top tree, if any, but it was assuredly anticipated with excitement, kept with reverence and gaities, and looked back upon with affection.


For more information regarding a regency Yuletide, including games, food, the church calendar, hymns, poems, and more, see my recent blog post about my ebook, Regency House Christmas: A Remarkably Regency Yuletide!


Warmest Blessings for a Merry Christmas to you!


Originally posted 2012-12-19 10:00:00.