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Laurie Alice ~ Louise Gouge Interview

LaurieAlice: I’ve known Louise for many years and know she is her own worst critic. She is hard on herself in describing her own work. Let me assure you, this is truly a Regency romance.

Meet Louise M. Gouge

Interview Questions with Louise Gouge:

LAE: What drew you to write during the Regency Time Period?

Louise: I know it’s an old answer, but I just love Jane Austen’s classic books, so I wanted to try my hand at a Regency story. The strict social and moral codes seem to make happiness for a hero and heroine next to impossible. Can my couple who come from different social classes find true love in spite of all the social restrictions they face? Well, of course. It’s a romance. But can I make it an interesting journey along the way? That’s the challenge that Jane Austen met with success every time, in my opinion. I can only hope to do the same.

LAE: Tell us what year your book is set in and why you chose that particular time.

Louise: My book begins in late 1813 and ends in early 1814. My hero, a British major, has been wounded in the American War, which England was fighting at the same time they were fighting Napoleon (as was the rest of Europe). But the battle my hero fights to find his place in English society is every bit as difficult as the struggle he found in America. I chose this particular time period because I think wartimes always make interesting backdrops for romances.

A Proper Companion by Louise M. Gouge

LAE: What’s your favorite, unique Regency aspect of the novel, something you wouldn’t be able to include in a novel set in another place or time?

Louise: Actually, I can’t think of a single thing. I’m too new at writing in this period to know all of the clever little stuff. (This is my first full-length Regency.) I must have some nerve, right? But I hope readers will find my hero and heroine compelling and will enjoy their pathway to happily ever after.

LAE: What are the biggest challenges to writing in the Regency Period?

Louise: Regency readers are very particular and knowledgeable about the era. I try very hard not to make a mistake, but I’m sure something has slipped through that I wasn’t aware of. Still, no one has slammed me so far. If I do make an error, I hope readers will gently inform me!

LAE: Who is your favorite Regency Author?

Louise: Much to my shame, I haven’t read any of the old Regency authors who really established the genre, which may be the reason I don’t know those unique things about the era. I do enjoy the stories by my fellow Love Inspired Historical authors: Regina Scott, Mary Moore, and Deborah Hale. From other publishers, I love Laurie Alice Eakes, MaryLu Tyndall, and Linore Rose Burkard.

LAE: What is your favorite Regency setting; e.g., London, country house, small village?

Louise: I like both the country manor house (with its village) and the London townhouse. The lavish homes in either place just stagger me, especially when one considers the poverty that existed barely a stone’s throw from either home.

LAE: What makes your hero and heroine uniquely Regency?

Louise: Other than the historical events taking place in the background, I actually think my hero and heroine’s story could be set in a rather wide span of English history from mid-Eighteenth Century to well into the Victorian age, perhaps even touching the Edwardian age. The main conflicts separating my would-be sweethearts are the societal structure and hero’s lack of career options. In England, these were basically unchanged for centuries, as we can see in the recent BBC television series, Downton Abbey.

LAE: Tell us about your book.

Louise: A Proper Companion, With her father’s death, Anna Newfield loses everything—her home, her inheritance, and her future. Her only piece of good fortune is a job offer from wounded major Edmond Grenville, whose mother requires a companion. The Dowager Lady Greystone is controlling and unwelcoming, but Anna can enjoy Edmond’s company, even if she knows the aristocratic war hero can never return her love. Even amid the glittering ballrooms of London, nothing glows brighter for Edmond than Anna’s gentle courage. Loving her means going against his family’s rigid command. Yet how can he walk away when his heart may have found its true companion?

LAE: When did your novel release and with what publisher?

Louise: A Proper Companion, from Harlequin’s Love Inspired Historicals, released in June 2012.

About Louise:  Award-winning Florida author Louise M. Gouge writes historical fiction, calling her stories “threads of grace woven through time.” In addition to numerous other awards, Louise is the recipient of the prestigious Inspirational Readers’ Choice Award for her 2005 novel, Hannah Rose. With her great love of history and research, Louise has traveled to several of her locations to ensure the accuracy of her stories’ settings. When she isn’t writing, she and her husband love to visit historical sites and museums. Her favorite Bible verse is “He shall choose our inheritance for us” (Psalm 47:4), a testimony to her belief that God has chosen a path for each believer. To seek that path and to trust His wisdom is to find the greatest happiness in life. Read about Louise’s books at her Web site http://blog.Louisemgouge.com

For a chance to win A Proper Companion by Louise M. Gouge, leave a comment. We will draw a winner on June 20, 2012. Be sure to check back on this comment thread on that date to find out who won.

 

Originally posted 2012-06-13 05:00:00.

Illustrating Jane Austen

Do you remember the first Jane Austen novel you ever read?

My first Jane Austen novel was an illustrated edition of Sense and Sensibility. I was hooked after only one chapter!  And it was not only the colorful descriptions and witty dialogue that drew me in—I remember being fascinated but the accompanying illustrations. I know longer own my first copy of Sense and Sensibility, but to this day, I recall the illustrations in vivid detail.

One of the most celebrated illustrators of Jane Austen novels was Charles Edmund Brock.  Brock lived from 1870-1938 and is widely recognized for his illustrations and line drawings of novels by Bronte, Elliot, Thackery, and many more. Even though Brock did not live during the regency period, he had a unique ability to capture the essence of the period in his illustrations.  Here are a few well-known illustrations for you to enjoy:

Sense & Sensibility:

 

 

 

 

 

 

 

 

 

 

 

 

Pride and Prejudice:



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N

 

 

 

 

 

 

 

 

Northanger Abbey:

 

 

 

 

 

 

 

 

 

 

 

Mansfield Park:

 

 

 

 

 

 

 

 

 

 

 

Persuasion:


 

 

 

 


 

 

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Emma

 

Emma:

Originally posted 2012-06-11 10:00:00.

Secrets of How to Love Your Husband, part 1, by Susan Karsten

Don’t you just love that phrase, “How to …”? How-to books, advice columns, lists of do’s and don’ts abound. God’s word has much great advice, and “secrets” abound, especially about loving. For example, Ephesians 4:32:

     Be kind to one another, tenderhearted, forgiving one another, as God in Christ forgave you. 

Since this one passage is so rich with gems for loving our husbands, let’s go no further.

Be kind to him. Choose kindness, even when he doesn’t earn or deserve it. Think back to how you both showed each other your best during courtship and engagement, were you ever sour, moody, or impatient then?

Be tenderhearted toward him and his failings. Love covers a multitude of sins (failings), so “put on the love cover”(1Peter 4:8) when your husband’s weaknesses affect you. An unexpected smile can go a long way toward softening hearts.

A forgiving attitude will bring peace of mind and peace in your marriage. Try forgiving in advance and not even entering into a dispute or criticism though you are in the right. He will be so relieved that you “let him off the hook”. You will be amazed at the peace that will dwell in your relationship. This forgiving in advance is sometimes called forbearance. God’s forbearing love chose us to be his children, and we should not aspire to anything less.

This was to show God’s righteousness, because in his divine forbearance he had passed over former sins. Romans 3: 25b

Just touching on scripture’s rich words on forbearing love can inspire us to imitate Christ’s love toward our God-given husbands. Forgiving in advance is a mighty tool from God to improve our marriages.

Praising God for all His Blessings, Susan

Originally posted 2012-06-08 10:00:00.

Reader, I Married Him

Welcome to the month of June, that most favored time of year for weddings. With that in mind, we at Regency Reflections thought it would be fitting to run a few posts regarding marriage during the Regency.

Marriage is a big thing, of course, but today we are brought up with the idea that it is only one big thing out of many. If you make a mistake, people know they can always get a divorce. Statistics show that even in the church, divorce, unfortunately, is a well-used option. If you can try to imagine the lives of women in the early 19th century, for them marriage wasn’t “a” big thing–it was THE biggest thing that could happen, setting the course for their lives and futures in ways we only have an inkling of, today.

Marriage Among the Ton

During the regency, fashionable couples often got married at St. George’s Church in Mayfair. Located right at the edge of Hanover Square and only steps from Bond Street, St. George’s was an icon of the fashionable West End.  In my book, The House in Grosvenor Square, Ariana Forsythe’s wedding to the Paragon, the handsome but temperamental Mr. Mornay, is planned for St. George’s.
st george's church
St. George’s Hanover Square, Parish Church

In 1816 (a banner year) there were 1,063 weddings, including nine on Christmas Day! Yet the aristocracy often chose to forego St. George’s in favor of the chapel on their own estates; or sometimes they married in their home in a small, private affair with just a few witnesses. Even Lord Byron was married in such a way.

A few infamous weddings are detailed on this page of St. George’s website, where, by the way, you can find contact info. to schedule your own wedding if you happen to live in London and wish to be married! (You’d also have to be Anglican, I suppose.)

Celebrating

There seems to have been little protocol regarding how to celebrate a wedding during the regency, at least in the fashionable world. People might hold a breakfast, lunch or supper for their friends and family, or they might not. Church weddings were “open to the public” but unless the individuals getting married were celebrities (though never called such in that day) most people wouldn’t dream of bothering to attend the ceremony. Likewise, wedding invitations were hardly thought of. Getting married was most often a simpler, more private affair than it is today, and reading that Miss so-and-so had married Lord X in the Morning Post was deemed sufficient.

Princess Charlotte's Wedding Dress. Not white, as you can see.

The poorer classes, on the other hand, were likely to celebrate with parties before, during, and after the nuptials took place. In Scotland, the “penny wedding” could include the whole town, and at least two days of revelry.

A White Gown?

The white dress for women was not in vogue specifically for weddings, likely because white gowns had long been popular evening-wear for any formal occasion.  According to English Women’s Clothing in the Nineteenth Century, “The  symbolic significance of white is well known and of great antiquity; we may note, however, that while a girl’s first ball gown was generally white, the bridal dress was by no means invariably so.”

For the year 1816 it states,”Note: Wedding dresses appear indistinguishable from evening dresses.”

Women of means would wear the fanciest fabric they could afford for their weddings, and not only in white. The custom of putting away the gown after the ceremony didn’t exist, and so wedding gowns were chosen with future use in mind. For regency men, by 1820 a proper “wedding suit” would be “a blue dress coat with gilt buttons, white waistcoat, and black or dark gray breeches.”* Again, it was a costume one could use over and over.

(Strange that today we put so much emphasis on a special gown and suit for the wedding, when the marriages themselves are so often treated as less sanctified?)

To Veil or Not to Veil?

There was no custom of veiling the face for a wedding, although veils were popular. A short lace veil might be part of a bonnet for walking dress, for example. Likewise, trains were used for evening dress, assuredly not the domain of weddings. Perhaps the most telling feature of historical costume concerning weddings during this period is that while you can find multitudinous examples of morning, walking, evening, full, promenade, half-dress, riding, carriage and even opera, etc., one never comes across a category for wedding dress. It simply did not exist. (In English Women’s Clothing it is found as a category by 1851.)

This ought to be good news for authors of regency romance, like me: instead we yearn to find the “right” way to portray a bride, when in fact there was no truly “right” way.

To show how many of the ball gowns of the day look suspiciously like wedding dresses to our modern eyes, take a look at some of the illustrations  below, for example.

NONE OF THE FOLLOWING ARE WEDDING GOWNS
comptesse

left– Comptesse–1810

woman in white

marguerite gerard in whitedolley madison

eveningdress1816

evedress1816 (2)

Above, and right, 1816

1826
french eve dressfrench riesener

The first bridal dress portrayed in English Women’s Clothing is dated 1848 and is of white satin, very ornamental, and with a veil that falls down the back, not over the face.

Are you interested in more details on wedding costume during the regency? On actual weddings that took place, or exactly how the marriage banns were worded? If you think you might purchase my upcoming ebook,  The Making of A Match: A Regency Wedding Compendium, please take this short survey and let me know! It will help me gauge interest, and know exactly what to include in the ebook.  Thank you!

Linore

http://www.LinoreBurkard.com    Linore (at) LinoreBurkard (dot) com

 

Originally posted 2012-06-04 13:48:48.

Murder in Parliament

Murder in Parliament sounds like the title of a mystery novel. Sadly, the title is the raw truth. On may 11, 1812, an assassin walked up to the prime minister and shot him. The Right Honorable Spencer Perceval died within minutes of the shooting, and the killer turned himself in moments after that.

The Right Honorable Spencer Perceval courtesy of http://commons.wikimedia.org/wiki/File:Spencer_Perceval.jpg

Murder is always tragic, and this one made more so for its seeming pointlessness. At first, before details were known, some thought the assassination a French plot. After all, the French seemed to be winning the war. The British weren’t doing well on the continent at any rate. Why not disrupt the government with an assassination? But, no, the killing shot was triggered from the hand of an individual, a subject of Great Britain, John Bellingham.

John Bellingham photo courtesy of http://en.wikipedia.org/wiki/File:John_Bellingham_portrait.gif

So why did John Bellingham have special pockets sewn into his coat to hold his pistols concealed? Why did he wait in the lobby of Parliament, wait for Perceval to appear, then walk up and shoot him through the heart?

Many said he was insane, that he must be insane. Others denied this fact, one of those being John Bellingham himself. Another who said he was sane was Sir James Mansfield, the judge who presided over his brief trial and pronounced his immediate sentence.

Bellingham wanted justice. He may or may not have been the John Bellingham who went to sea as a midshipman in the 1780s. That ship went aground after the crew mutinied. He may have been the same John Bellingham who’s tin business in London failed a few years later. No one is quite sure. That he worked in a counting house is certain. He also went to Russia for  importers and exporters, and there is where the real troubles began.

A ship insured by Lloyds of London was lost in the White Sea. Before the merchants could collect on the insurance, Lloyds received an anonymous letter saying the ship had been sabotaged. Suspecting Bellingham was the author of said letter, the owners of the vessel claimed he owed a substantial debt, which landed Bellingham in a Russian prison. A year later, he managed his release, went to St. Petersburg, and dove into more trouble that landed him back into a Russian prison. He was released in 1808, received permission from the czar to leave Russia, and ended up back in England in 1809—to no happy homecoming.

Bellingham petitioned the British government for compensation for his imprisonment in Russia. But nothing was forthcoming. Due to Russia’s relationship with France at the time, the British had broken off diplomatic relations with Russia. At the persuasion of his wife, Bellingham gave up and went to work, but tried again in 1812.

Allegedly, a civil servant at the foreign office told Bellingham he could take whatever measures he thought proper. I expect this clerk thought Bellingham would write letters or even waylay someone like Lord Gower, the British ambassador to Russia at the time of Bellingham’s imprisonment in that country.

Bellingham, however, made other plans. He bought the pistols, had the pockets made, and executed his plan as Perceval strode through the lobby of Parliament.

Assassination photo courtesy of http://commons.wikimedia.org/wiki/File:Assassination_of_Spencer_Perceval.jpg

One can dismiss the incident as someone with a grievance taking it out on the highest person he could reach. One might think that people would be appalled by him and call out with joy at his hanging. On the contrary. Much sentiment lay with Bellingham. He had carried out justice and maybe in the future, those in high places would listen when petitioned by a wronged common man.

Indeed, though no one—or perhaps a few far-sighted thinkers of the time—realized that this assassination did change the course of history, that John Bellingham’s actions brought about justice. A different government came into power after Perceval leadership was gone, a government that reenacted much needed reforms that helped the poor.

As for Bellingham’s family. A collection was taken, and his family ended with far more money than they had before his dastardly deed and consequent execution.

Originally posted 2012-05-14 10:00:00.

Poets of the Regency: Samuel Taylor Coleridge

Hi, Jessica here.

So, when you’re longing for a little taste of the Regency, you go to your shelves and pick up one of the romantic works by one of the authors here at Regency Reflections. But if you lived in the Regency and were looking for some good reading, who would be on your bookshelf?

Poets! Yes, the Regency library would have the classics, it would have some novels and some histories, it would have volumes of sermon collections. But the well-stocked Regency bookshelf would also have a good selection of contemporary poets. And in this blog series, I’m going to introduce you to them. Hopefully you’ll find a few new favorites of your own.

The Clear-Eyed Addict

If Samuel Taylor Coleridge had lived in our times, we would have said he was mentally ill. Actually, likely, if he had lived in our times he would have been diagnosed at a young age and found a successful medication schedule and no one but his intimates would have known he was ill at all.

But Coleridge’s life spanned the turn of the 18th century, and so he had to deal with his illness (scholars disagree on whether it was depression or bipolar or something else) on his own. He used opiates, as many in his day did, and struggled along. He was plagued with troubles in both marriage and career, and yet despite his difficulties, he produced some of the most brilliant poetry in the English language, including the famous “Rhyme of the Ancient Mariner.”

Perhaps the most well-known line from that poem is the horribly ironic, “Water, water everywhere, nor any drop to drink!” but the quatrain that wins my heart is:

This seraph-band, each waved his hand,

No voice did they impart –

No voice; but oh! the silence sank

Like music on my heart.

Coleridge tended towards long poems, either narrative or lyrical, though his second-most-famous poem, “Kubla Khan” is short and accessible. If you’d like a taste of the lithe lyricism that made Coleridge famous, I encourage you to go read “Kubla Khan” – it won’t take you but five minutes.

But I admit that the moment I fell in love with Coleridge was when I discovered that he, all those decades ago, shared my admiration of an even older poet, John Donne. (I love it when I find out that one author I love loves the work of another author I love!) In about 1811, Coleridge wrote this short, pithy observation on Donne’s work – read it aloud to catch the full brilliance:

With Donne, whose muse on dromedary trots,

Wreathe iron pokers into true-love knots;

Rhyme’s sturdy cripple, fancy’s maze and clue,

Wit’s forge and fire-blast, meaning’s press and screw.

If Coleridge’s way with words catches your fancy, be happy to know he left plenty of work for you to explore. His career was scattered and inconsistent, but he scribbled his whole life through, and when you’ve finished the poetry, you’ll still have his vast reams of marginalia to go through – he kept notebooks full of comments on the works of other writers, and they’re fascinating reading, full of the wit and wisdom of a man whose intelligence and grace shown through the dark clouds of his disease.

Peace of Christ to you,

Jessica Snell

Originally posted 2012-05-09 10:00:00.

Sex Trafficking in Victorian London

Sex Trafficking in Victorian London

                Victorian London can be a wonderful place to visit, if you enter into the realm where balls and routs are common place. There is another setting not often disclosed. In the poorer element of the city, life was quite different. Young women from the country came to London to better themselves by taking jobs in the homes of the rich. Unscrupulous people enticed them with such offers and when they arrived in the teeming bustle of the strange city instead of positions as scullery maids or chambermaids, they were sold into sexual slavery.

               Virgins were in high demand during this era because it was a common belief that having intercourse with them would cure venereal diseases. Once the young girls were sold to the highest bidder for anywhere from 5 to 25 Lire they would then be turned out to work as common doxies. The shame of their experiences deterred them from returning home. Likely they would have been turned away as outcasts. Newly arrived in a busy city without the presence of family protection left them with nowhere to turn. They were trapped in the miserable circumstances wherein they landed.

Many of the young women turned to alcohol to deaden the hopelessness surrounding them. I would venture to guess they needed the anesthetic effect of the strong spirits to be able to bear the atrocities expected of them.  It is said in one of the brothels the Madame kept a room set aside with torture instruments for those inclined to S & M. The expected life span of these young women was four to seven years. Venereal disease was rampant. In 1850 half of the outpatients in the main hospital in London suffered from syphilis. Parliament passed the Contagious Disease Act in 1864 in an attempt to regulate prostitution in six garrison towns and ports. Their assumption was soldiers and sailors needed prostitutes. The female population of that day had to exercise caution in their daily treks, for any woman found within a certain area around the garrisons could be arrested and physically examined for sexually transmitted diseases.

William Gladstone                William Gladstone, a liberal politician and Prime Minister was an angel of mercy for some of these young women. He would walk the streets of London at night and encourage the prostitutes he found to come home with him where he and his wife would provide them a meal and shelter with the offer of help to change their lives. He assisted the sisters at the House of Mercy at Clewer near Windsor. The women were housed there until respectable employment could be arranged for them.

Today sex trafficking remains a growing problem in the United States. Horror stories of young girls being sold to slavers who use them as prostitutes are rampant. One young woman told her story of being molested by her father at the age of five and sold to a stranger by him when she became too old. She was twelve. There are Christian facilities today who, like William Gladstone are trying to help these women recover from their painful past. It is not a quick fix. They must be deprogrammed and taught how important they are and how much Jesus loves them. Sometimes this can take years.

Originally posted 2012-05-07 10:00:00.

Mothers: Count Your Days & Your Blessings

Teach Us, Lord, to Count Our Days

by Susan Karsten

As those interested in bygone societies, particularly Regency-era England, we can profit by comparing the circumstances of mothers.  Are we appropriately thankful for the full cup of days most of us enjoy from our Lord in the 21stcentury?

Life Expectancy:  In the early 1800s, the life expectancy was around 40 years. Today, we can expect, Lord willing, 81 years (women), 77 years (men). One reason among several for this disparity is the high rate of infant mortality in the Regency.

Infant Mortality:  As best as can be figured (since un-baptized babies weren’t counted in the parish registers which are the source for most data of this nature), an estimated 15% of infants died before the age of one during the Regency era. The United States has a rate of .68% (early 2000s).

Sorrowing Couple

Being Thankful: The crushing blow of losing a child soon after carrying it for nine months is a sorrow for the ages. It is much easier to quantify the statistics than the grief. We mothers who are blessed with living children must give praise and thanks for God’s mercy on us. We do not have the fearsome specter of early death hanging over us. Praise Him!

 Psalm 90, a versification*

O teach Thou us to count our days

And set our hearts on wisdom’s ways;

Turn, Lord, to us in our distress,

In pity now Thy servants bless;

 Let mercy’s dawn dispel our night,

And all our day with joy be bright.

O send the day of joy and light,

For long haas been our sorrow’s night;

Afflicted through the weary years,

We wait until Thy help appears;

With us and with our sons abide,

In us let God be glorified,

In us let God be glorified.

So let there be on us bestowed

The beauty of the Lord our God;

The work accomplished by our hand

Establish Thou, and make it stand;

Yea, let our hopeful labor be

Established evermore by Thee.

*Blue Psalter Hymnal #174

Originally posted 2012-05-04 10:00:00.

Historical Fashion Spring Fling!

by Linore Rose Burkard

Let’s take a look at some fabulous fashion plates from that most-regency of publications, Ackermann’s Repository.(Most of the following comes directly from my latest newsletter. If you’re not yet subscribed, sign up in seconds on my website. It’s free!)

Rudolph Ackermann’s Repository of Arts, Literature, Fashions, Manufactures, &c. was a much-enjoyed magazine for people of the regency, second only in importance to women of fashion after “La Belle Assemblee.”

With no electronic media, the fashion “plates” in these periodicals were the main source of information regarding current fashion, which spread from Paris to London and then the rest of the world, including America.

1819 Walking Dress

Above:  Walking Dress 1819. Note that each of the illustrations here are from SPRING publications of Ackermann’s for the year designated. Seems that England (or France, in some cases) must have been rather chilly, even up to June.

Walking Dress, Jaconet Muslin 1819

      Walking Dress, Jaconet Muslin (“Round Dress”) 1819

                                  Morning Dress, 1819

French 1819

                  French Dress, 1819

               1819 Evening Dress

Evening with fan

                   1819 Evening Dress

                  1829 Evening Dress

Strictly speaking, 1829 is post-Regency (George, Prince of
Wales, became Regent in 1811 and then King in 1820. Since he reigned until 1830, I include his reign in my definition of the “regency”. Society was distinct beneath his regency and reign.)

           Walking or Carriage Dress, 1829.

Muffs were popular since Georgian days. I had a fluffy white muff when I was in first grade and still remember it with fond affection. (sigh)

            English Dinner Dress 1829

The bonnets during this period were amazing concoctions, weren’t they? I saw a spoof about bonnets in an old periodical recently. I’ll have to try and dig it up. (Editorials of the day often included commentary about current fashions, and more often than not, they were critical.)

      May 1829, English Morning Dress

In some cases, morning dress seems to have referred to something a lady would wear only in her home, such as the earlier pics (above) of 1819 morning gowns. In this case, the designation of “morning” appears to mean a day-dress (walking dress) which is obviously meant for outdoors, while emphasizing that it isn’t dinner or promenade or evening attire. The head-dress is much simpler in style also.

                    1829 Dinner Dress

Notice how the 1829 fashions are almost Victorian in appearance? Think about this: Victoria didn’t take the throne until 1837–not for another 8 years! In this and the next illustration, you can clearly see that the lower waist had  returned to women’s clothing long before the young Victoria was crowned.Nevertheless, most people would look at the above and think “Victorian.” (But now you know better.) : )

                 March 1829 Opera Dress 

Hasn’t this been fun? The contrast between 1819 and 1829 fashions is very evident. It’s not always so easy to tell different decades apart!

Linore Rose Burkard.com
Inspirational Romance to Warm the Soul
Coach and Four: Allisandra’s Tale
Inspirational Regency Romance
Woman of Faith Blog

Originally posted 2012-04-30 06:00:00.

Angst: Confessions of a Regency Writer

Regency writers and readers are some of the most persnickety lovers of any genre. On fan lists, I have seen people complain about a book for everything from the hero wearing trousers in 1800, to a boxing match that took place six months after the book’s setting. It’s enough to give writers in the genre heart palpitations.

I think about this as I await the final page proofs on A Flight of Fancy, my next Regency.

What errors did I make and who will find them and what will they say to me or others? Will it stop them from enjoying the book so much they’ll say bad things about it? Angst. Angst. Angst.

The problem is that the Regency is such a specific genre. The time period is brief, even when we stretch it from the true nine-year period, to the thirty year time publishing allows in many cases.

British Union Jack

The Regency is location specific. Having a Regency take place outside of the British Isles isn’t impossible if one has mainly British characters (which can include Scottish, Welsh, and Irish), and those characters must act, speak, and think like a Regency era person. In other words, the priorities in life are: Family, Country, God. Hmm. More problems when adding the inspirational element to the genre.

In short, the Regency novel must sound, smell, taste, look, and, above all, feel like early nineteenth century Britain. If you could change titles to mister and missus, or exchange a location in England for one in America, the novel might not be true Regency novel.

Or is it? Do readers really know that much or care?

Yes, writing a Regency novel does not require a great deal of knowledge of the time and place; it requires the ability to withstand the angst of knowing one made some flaw and whether or not it will it be fatal.

Laurie Alice Eakes

Originally posted 2012-04-25 02:54:08.