Category: History

Home for the (Summer) Holidays

Image: Flower GardenStaycations.

The word has entered our vocabulary in recent years as an attractive and affordable option to the once popular family road trip. Whether it be a jaunt to the beach or that all important theme park visit to stack up some childhood memories, going on holiday has been an important part of our American heritage. But in recent years, this ideal has changed. Due to the American financial crisis in 2007-2010 and the weakening of the British pound in 2009, families have begun to look for alternative and less expensive ways to celebrate their summer holidays a bit closer to home.

Holidays in the Regency Era were somewhat similar in this respect. They could be of the traveling kind of course, with a long carriage ride to a choice location like Jane Austen’s Bath, fashionable Brighton or for a trip into London’s posh Mayfair district to stake out the latest fashions of the day. But there were some holiday options that were quite similar to our modern staycations: trips to the lake for swimming, charming strolls through the gardens, outdoor picnics and even the all-important country ball.

Holidays may have been spent at locations that were closer to home but as you’ll see for a few Regency staycation ideas here, they were anything but second-rate celebrations.

Image: Traving.com 

Country Strolls

Stepping into a staycation was often as easy as popping outside and walking through the garden gates of a Regency Era country home to the generous hills beyond. Often manicured to the level of a grand home in the city, the country garden and estate grounds offered sights and sounds void to the eye during the harsh months of winter. Time spent out of doors would have been prized during the summer holiday months, both for the relaxation of the atmosphere and for the rejuvenating act of walking.

Royal Navy officer John Byng’s 1792 journals boast a lively description of the glories of the simple stroll through the countryside, saying, “to view old castles, old manors and old religious houses, before they be quite gone;  and that I may compare their ancient structures… with the fashions of the day.”

Similar to Pride and Prejudice’s Elizabeth Bennett’s country pilgrimage with her aunt and uncle, the Gardiners, a well noted tourist route took them past the grounds of Darcy’s Pemberly in the pursuit of appreciating nature. Remember the line, “Oh, what are men compared to rocks and mountains?”  To the Regency mind, it’s almost true. (Almost.) Their pursuit was often more to see the grounds along a tourist route than to spend time inside the grand house. (Mrs. Gardiner even states, “If it were merely a fine house richly furnished,’ said she, ‘I should not care about it myself, but the grounds are delightful.”)

Picnicking  –

At the turn of the nineteenth century, the flourish of blossoming ideals about nature fed the popularity of more than taking the occasional stroll in the garden. It popularized the idea of eating outdoors where one could have a closer communion with God’s creation. In the beginning, picnics were less organized, quiet affairs. But as the popularity of an alfresco lunch became a more sought after invitation to receive, these quiet country lunches evolved into quite elaborate and well-planned out social affairs.

A famous scene in which picnicking takes center stage is the picnic on Box Hill in Jane Austen’s classic novel, Emma. Film adaptations have given this scene a comparably beautiful landscape, as picnickers revel on a sunny hillside and enjoy an afternoon tea time with remarkable views of the English countryside  all around. Like our modern day holiday cookouts, these Regency Era picnics would have boasted attendees  that included family and friends, and would have involved the dining experience alongside amiable outdoor  activities of the day (such as the strawberry picking or archery described in Emma). Even more like our modern idea of the potluck dinner, Regency picnickers would have toted wicker baskets with a dish to share with others (possibly deviled eggs, cold roast, or fruit sandwiches). As these picnic affairs grew more elaborate however, a host would usually organize the dishes to be brought (to eliminate duplication) or would have supplied a carefully selected menu of food altogether.

Click here for a nice anthology of links around Regency Era picnicking {LINK}.

The Country Ball

A spectacular setting. Amiable company. The pleasures of food and fun in the sun – this could easily describe picnicking  just as it could describe the more eloquent evening affair of the country ball.

Country balls could be just as lavish as their city sisters – fine gowns, pristine manners, sumptuous meals and plenty of dancing would have permeated the country ball atmosphere as well as for balls in the city.  Stringed quartets would have played the same upbeat music, though the violin might have been termed the “fiddle” for the playing of country tunes. Dancing was still on the top of the agenda. The jovial camaraderie of friends and family engaging in lively dancing, eating and generally making merry, made the event prized among the staycations of the day.

Click here for more information on Regency Era country balls, as in the ball at Netherfield, in Jane Austen’s Pride and Prejudice. {LINK}

It’s interesting to note that through all of the country or staycation activities, Regency Era holidays were as much about family, love, and communion with God as ours may be today. We see the value in a quiet country stroll. We have church picnics and family reunions under the great blanket of God’s sky. We even step out ourselves, sometimes all alone, to find private solace in quiet prayer walks with Him.

Whether you’re traveling miles away from home or taking a nap in your backyard hammock, remember how we all value our holidays at home, for we can stay in God’s presence. Wherever we walk, our journey is with Him.

~ Kristy

 

Originally posted 2012-07-16 10:00:00.

“Passion for Regency Fashion – The Pelisse” Susan Karsten

Blog Post for July 9, 2012

Having a degree in fashion design doesn’t make me an expert on historical fashion, but in my case it added fuel to my lifelong interest in clothing, beauty, and fashion. Beauty queens, Barbie dolls, princesses, and movie stars: all early building blocks of my fashion passion.

The Regency period’s fashions were definitely covered in the History of Fashion course I took in my junior year, but learning Regency fashion details was done on my own, outside of class. I still have much to learn on the topic, for example: what exactly is Pomona green? A color, yes — mentioned in several Regency historical novels, but not yet found in any dictionary I have searched.

I hope to elaborate and enlighten the readers of this blog on the wardrobe item known as the pelisse. What is that? From the context in which it is found, it is pretty obvious that it is a type of coat. But what type? Why does it have a special name and what are the specifics?

Since the dresses were often short-sleeved and light-weight, the pelisse was a necessary and essential item. The pelisse is a coat following the lines of the dress-styles of the day. Ankle-length, with the waist just under the bosom, it was close-fitting, and had closures across the bust or all the way from neck to hem. They were usually elegant and ornamental and their trimmings often matched a particular dress. The sleeves were long and extended over the hand, and could be puffed, or trimmed with fur at the shoulders.

In our day, we don’t have a garment directly correlating to the pelisse, but the closest we see in the current era would be a dressy two-piece outfit of sheath dress and matching evening coat. In future posts, I will be covering Spencers, shawls and reticules and how they related to the lives and wardrobes of Regency ladies. I welcome your requests of fashion-related topics you would like me to address … and if you know what Pomona green is, do let me know.

Originally posted 2012-07-09 10:00:00.

An Alternative Elopement

Wanting to spare the heroine from an arranged marriage to an ogre, the hero suggests that he marries her and they elope. The heroine agrees, since she has had a tendre for the hero since she was a schoolgirl. Unfortunately, the 1754 Hardwick Marriage Act has stiffened the laws of marriage. The heroine hasn’t yet reached her majority and they can’t take the time to obtain a special license in London. Waiting for the banns to be called is out of the question, as that will take three weeks and the parents and ogre suitor will catch up with them long before then, even if they can obtain parental permission for the under age—under twenty-one—heroine. Their only alternative is to elope to Gretna Green in Scotland.

Unfortunately again, Scotland is close to four hundred miles away. They must hire a post chase or go on horseback and, because the journey will likely take more than a week to accomplish, they will have to stay overnight before they are married, unacceptable to these two proper—other than eloping—young people. The situation appears hopeless.

Except it isn’t. The hero has some friends amongst the fishermen who have told him about carrying an eloping couple to an alternative marriage location.

Eloping in Style

In approximately fifteen hours of sailing,
the eloping couple can reach one of the Channel Islands, mainly the Island of Guernsey. Evidence presents us with the knowledge that boats waited at Southampton, Hampshire, to carry eloping couples across the channel. Logic says Plymouth, Falmouth, and a few other southern ports just might have provided the same service.

Guernsey is closer to France than England. Although it belongs to England, many of the laws differ from those of England. The marriage laws are one of those even today.

So many couples eloped to Guernsey that tracking the history of residents of the island has proven difficult, for distinguishing those who simply arrived in St. Peter Port to get married in haste, from those who lived on the island and married in the same parish, isn’t easy two hundred years later. Genealogists have focused on whether or not couples later baptized their children in that same parish in order to trace ancestry to Guernsey.

Nowadays, one does not need a license to marry in a Church of England ceremony on Guernsey. One does need a license for a civil ceremony on Guernsey.

So if your couple finds themselves hundreds of miles from Gretna Green, they can hop onto a fishing boat, or perhaps the hero’s yacht, and sail across the Narrow Sea to a channel island. First, however, he might wish to ensure that the heroine doesn’t get seasick on the way.

Laurie Alice Eakes

Originally posted 2012-06-25 06:00:00.

May I Have This Dance?

Gentle Readers, I’d like to take a moment to introduce you to the newest member of the Regency Reflections family! You can learn more about Kristy L. Cambron on the Blog Editor bio page. We’re so excited to have her with us. Welcome, Kristy!

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The ball at Netherfield, Pride and Prejudice (2005)

I love the power of dance to drop a layer of enchantment over a room.

I can recall one of the first things I said to my husband on our wedding reception dance floor. The lights had been dimmed and as the notes of our special song played, I whispered: “And my dance card will always be full...”

I meant it. For all the years my husband and I would share after that moment, I knew my future dances would always have a special partner.

Stunning dresses. Dapper gentlemen. Ladies hidden behind their fans. Lively music and sophisticated steps… Today that all-important first dance may be synonymous with the wedding celebration, but the Regency ballroom was just as alive with color and spirit as our reception dance floors are today.

Or dare I say, more so?

Though weddings were primarily private family affairs in the Regency (as opposed to the social events we see today), ballrooms and wedding parties alike were brought to life by vivid dance reels and lively music. After all, the ball was the social event by which all others were judged. Moreover, to grasp a partner’s hand in dance was often the only socially acceptable touch between an unmarried man and woman.

Affection was born and engagements followed, all over the steps of the most popular dances of the day…

 

 

 

 

 

 

 

 

 

~ The Cotillion

Distinguishing characteristics: Originated in France during the 18th century. Includes four couples dancing in square formations with elaborate steps and changing partners. French for petticoat, the term cotillion was said to have been coined after the flash of petticoats that could be seen as partners swiftly changed on the dance floor.

Interesting Fact: Georgette Heyer’s historical romance, Cotillion (1953), is one of her much loved Regency novels. Though a generally cheery novel, the title is mirrored in a story that centers around the overlapping love lives of four couples (much like the steps of the cotillion dance itself).

 

~ The Quadrille

Distinguishing characteristics: Another dance import from France. Similar to the cotillion, it includes four couples dancing in square sets but omits the repeating “chorus” dance. Was later combined with the popular waltz to form a hybrid of the two dances, the Waltz Cotillion (as seen in this video – click HERE).

Interesting fact: Introduced early in the Regency and immensely popular by 1815, the quadrille was a very lively dance that often adapted music from stage plays and was thought to be quite flirtatious at the time.  A form of the quadrille can still be seen today in modern day square dancing.

~ La Boulanger

Distinguishing characteristics: A simpler dance for three couples. Often used as the last dance of the evening at a ball or party.

Interesting fact: As many dances could include quite intricate steps, dance masters were often hired by wealthier families to educate their children on the art of the popular dances. (A very popular dance master of the day was Thomas Wilson, who published many influential books on the art of dancing and etiquette.) For you Jane Austen fans, la Boulanger was a favorite of the authoress and was a dance declared by name in her novels.

 

~ The Waltz

Distinguishing characteristics: First popular in Vienna (1780s) but introduced to the English ballroom during the Regency. New sensation but slow to catch on because of the “closeness” enjoyed by two dancing partners.

Interesting fact: The waltz caused a bit of a scandal when it first popped onto the English ballroom scene around 1810. Because of the close proximity shared by two dancing partners, the embrace was thought improper and in fact, was often ridiculed by early opponents. In 1825, the Oxford English Dictionary actually defined the waltz as “riotous and indecent”. (Boyd Hilton, A Mad, Bad, and Dangerous People? England 1783–1846 (Oxford U P 2006).

 

Feet tapping for more references? Here are some good ones:

Click [HERE] to see an example of a stunning Regency Era ball gown.

Click [HERE] to hear samples of Regency Era dance music.

Click [HERE] to learn more about Regency dances from the Jane Austen Centre at Bath.

 

Whether it was one of the English country dances with the fun names (such as the “Teasing Made Easy”) or the classic Minuet, our Regency friends certainly knew how to fill up their dance cards.

May we always find ours full as well.

~ Kristy

 

Originally posted 2012-06-15 10:00:00.

Poets of the Regency: William Wordsworth

Welcome back to our continuing series on the poets of the Regency! This is where we find out what might have been in the slim volumes of verse a Regency heroine would reach for in her well-appointed library when she wanted a little literary distraction. Today’s Regency-era poet? The master of the English Romantic movement: William Wordsworth.

The glory of the hills

The Lake District was Wordsworth’s stomping ground and inspired much of his poetry. Part of the reason the area became a popular tourist destination during the Regency (if you’ll remember, Elizabeth Bennett made plans to visit the area with her aunt and uncle in “Pride and Prejudice”), was because of Wordsworth’s poetry (he also published a guide to the area in 1810).

In an era before National Geographic television specials, Wordsworth’s command of words took the natural glory of the Lake District and brought it to life in the minds of city-dwellers, firing their desire to visit the land full of fells and falls.

The religion of nature

But if his poetry had merely been a recitation of the beauties of nature, it would never have struck the deep chord that it did. Instead, Wordsworth took the sweetness of what he saw and heard in the hills and distilled it down into an essence of peace that comforted him when he was again “in lonely rooms, and mid the din/Of towns and cities“.

Indeed, he was almost a panentheist, sensing in the world around him

A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean, and the living air,
And the blue sky, and in the mind of man,
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. 

This sub-Christian philosophy had the effect both of deepening the meaning of his work and of making his sentiments provocative and controversial. Personally, I always want to read him twice: once to drink in all the beauty of his verse, and once to argue my way through the philosophy of it.

But what I have learned from Wordsworth – what I will be forever grateful to have learned – is how to drink in God’s creation when I am in the midst of it. How to notice, really notice, the glory of my surroundings when I’m somewhere beautiful like the high Sierras or the Oregon coast, and then how to take those memories out and relive them when I’m again trapped in the concrete jungle of the city, or when my heart is discouraged or my feelings low. Wordsworth didn’t just “wander lonely as a cloud”, he taught us all how to keep our eyes and our hearts open during our wanderings, and to return home richer than we left, memories full and minds engaged in thoughts about everything we saw when we were out in the world.

Make like a lady of the Regency and read some Wordsworth

Two poems to start with? One, the famous “I Wandered Lonely as a Cloud”. It’s short, but much richer than you might expect from a poem ostensibly about little yellow flowers. Then, if that whets your appetite, go on to the slightly longer, immensely powerful “Tintern Abbey”. Remember, it’s always going to be better read aloud, so you can hear the rhythm and flow of the language.

If you do go and read some Wordsworth, come back and tell me what you thought of him in the comments! Or if you’ve a favorite Wordsworth poem already, let me know what it is!

Also, let me know if you have a beautiful place you bring to your mind when you need a little bit of beauty to life your heart. My favorite is King’s Canyon in the Sequoia National Forest, and I’d love to hear what yours is!

Peace of Christ to you,

Jessica Snell 

 

Originally posted 2012-05-28 10:00:00.

Abasing Oneself in Society

 “For whosoever exalteth himself shall be abased; and he that humbleth himself shall be exalted.” Luke 14:11 KJV

(Read Luke 14:7-11.)

This passage often comes to mind when writing about the Regency. The notion of sitting at the lowest place, of abasing oneself in society is an anathema to what we show amongst the peoples of the Regency. Getting the highest honors, marrying the highest ranked man or the richest heiress was what the world was all about, or at least what the world we portray was all about. And yet we write Christian Regencies, which means our characters must have a Christian world view while living in a society that insisted upon promoting one’s social standing and/or wealth—politely, of course. On the one hand, they are not supposed to raise themselves up if they are to be serious followers of Christ. On the other hand, they cannot move through the halls and balls of even the gentry without looking, acting, and simply being the best in an attempt to attract the best.

Rhubarb Restaurant in Edinburgh, Scotland allows you to dine regency style today. Seated here, even the lowest place at the table is grand.

As I write my characters, I struggle with this dichotomy for them. And then I think how apropos to today’s society are the struggles of my characters.

Nowadays, everything is about networking. To network, we need to promote and promote and then, for a change, promote some more. Get our names out there for the world to see, recognize, respond to, we’re told. Editors won’t buy books from authors who don’t already have a web presence, etc., etc., etc.

Networking Around the World

Hubris is the word that comes to mind. Extreme pride or arrogance. It’s practically de rigueur for a Regency hero to be that way. Yet how can we have an arrogant hero who is a Christian? How can we as Christians be prideful of our work enough to tell people they should select ours above all others?

I’d like to know the thoughts of others on this subject, as it is something with which I struggle for my characters of my books and within my own character. My conclusion is to put others first, uphold others, place them at the head of the table, and let God take care of the rest.

Originally posted 2012-05-25 10:00:18.