What does it feel like to be on the brink of having a new regency published?
For a writer, it’s a mix of emotions when she gets back the galleys from an editor. Likely the author hasn’t looked at this manuscript in at least six months if not longer, and by this time, she is deep into another story. Chances are she’s written or edited more than one story since writing that manuscript.
So, the emotional link to that story is gone. It will hopefully be revived as she puts aside whatever other works in progress she has, and dives back into the story that is on a publisher’s schedule.
At this stage, the author must be able to accept an editor’s changes or suggestions–not always easy, since she has turned in a polished work. Now, the author reads an outsider’s opinion of her work. Didn’t they get it? Why don’t they like my hero/heroine/plot device/fill in the blank?
One must realize one’s editor is not one’s enemy, but a friend who wants to see the best possible story before it goes public.
So, bite the bullet and analyze one’s characters as dispassionately as one is able to at this point, and then try to make any changes necessary.
I’m down to the final twenty pages of this process before the manuscript gets emailed back to the editor. The next time I see my story, it will be only for a final proofreading. Then a few months later, it will be the real thing, available to readers.
It’s a long process from initial idea to final product, whether one self-publishes a book or has it published through a publisher. Lots of birth pains in the process. But what a relief to read a story that flows, where the characters are believable and the plot escalates, keeping the reader reading.